Annual Report 2010
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THE TOWN HALL Station on the Route Charlemagne Table of Contents
THE TOWN HALL Station on the Route Charlemagne Table of contents Route Charlemagne 3 Palace of Charlemagne 4 History of the Building 6 Gothic Town Hall 6 Baroque period 7 Neo-Gothic restoration 8 Destruction and rebuilding 9 Tour 10 Foyer 10 Council Hall 11 White Hall 12 Master Craftsmen‘s Court 13 Master Craftsmen‘s Kitchen 14 “Peace Hall“ (Red Hall) 15 Ark Staircase 16 Charlemagne Prize 17 Coronation Hall 18 Service 22 Information 23 Imprint 23 7 6 5 1 2 3 4 Plan of the ground floor 2 The Town Hall Route Charlemagne Aachen‘s Route Charlemagne connects significant locations around the city to create a path through history – one that leads from the past into the future. At the centre of the Route Charlemagne is the former palace complex of Charlemagne, with the Katschhof, the Town Hall and the Cathedral still bearing witness today of a site that formed the focal point of the first empire of truly European proportions. Aachen is a historical town, a centre of science and learning, and a European city whose story can be seen as a history of Europe. This story, along with other major themes like religion, power, economy and media, are all reflected and explored in places like the Cathedral and the Town Hall, the International Newspaper Museum, the Grashaus, Haus Löwenstein, the Couven-Museum, the Axis of Science, the SuperC of the RWTH Aachen University and the Elisenbrunnen. The central starting point of the Route Charlemagne is the Centre Charlemagne, the new city museum located on the Katschhof between the Town Hall and the Cathedral. -
669 Other Artists
669 Other Artists Fig. 132. Francesco Fracanzano (attrib.) Rosa and Friends (drawing, Christie’s Images) Fig. 131. Giovan Battista Bonacina, Portrait of Salvator Rosa (engraving, 1662) Fig. 133. Francesco Fracanzano (attrib.), Rosa and Friends (drawing, British Museum, London) Fig. 134. Lorenzo Lippi, Orpheus (c. 1648, private collection, Florence) 670 Fig. 135. Lorenzo Lippi (and Rosa?), The Flight Fig. 136. Lorenzo Lippi, Allegory of Simulation into Egypt (1642, Sant’Agostino, Massa Marittima) (early 1640’s, Musèe des Beaux-Arts, Angers) Fig. 137. Baldassare Franceschini (“Il Volterrano”), Fig. 138. Baldassare Franceschini (“Il Volterrano”), A Sibyl (c. 1671?, Collezione Conte Gaddo della A Sibyl (c. 1671?, Collezione Conte Gaddo della Gherardesca, Florence) Gherardesca, Florence) 671 Fig. 140. Jacques Callot, Coviello (etching, Fig. 139. Jacques Callot, Pasquariello Trunno from the Balli di Sfessania series, early 1620’s) (etching, from the Balli di Sfessania series, early 1620’s) Fig. 142. Emblem of the Ant and Elephant (image from Hall, Illustrated Dictionary of Symbols in Eastern and Western Art, p. 8) Fig. 141. Coviello, from Francesco Bertelli, Carnavale Italiane Mascherato (1642); image from Nicoll, Masks Mimes and Miracles, p. 261) 672 Fig. 143. Jan Miel, The Charlatan (c. 1645, Hermitage, St. Petersburg) Fig. 144. Karel Dujardin, A Party of Charlatans in an Italian Landscape (1657, Louvre, Paris) Fig. 145. Cristofano Allori, Christ Saving Peter from Fig. 146. Cristofano Allori (finished by Zanobi the Waves (c. 1608-10, Collezione Bigongiari, Pistoia) Rosi after 1621), Christ Saving Peter from the Waves (Cappella Usimbardi, S. Trinità, Florence) 673 Fig. 148. Albrecht Dürer, St. Jerome in his Study (engraving, 1514) Fig. -
Planting and Aftercare of New Trees
Where to start? • Fruit plants that fit into to small spaces Producing Fruit for the Home – Apple … on dwarfing rootstocks • Most traditional and local garden centers do not identify specific rootstock ….”Dwarf”, “Semi Dwarf” Ron Perry • Eventual tree size within Dwarf and Semi Dwarf is large Professor Tree Spacing Nursery ID Hort. Department Rootstocks Eventual Height Between Trees Between Rows MSU M.27 or P.22 Dwarf 6 5 10 M.9 Dwarf 8 8 12 M.26 Dwarf 16 10 16 M.7 Semi Dwarf 18 14 22 MM.106 or 111 Semi Dwarf 20 16 22 Where to start? Where to start? • Fruit plants that fit into to small spaces – Cherry - Sour • Select desired fruit which will grow in your area. Tree Spacing Rootstocks • Determine how much space you have available. Varieties Eventual Height Between Trees Between Rows Northstar Mahaleb 10 8 12 • Select varieties which are easiest to grow. Montmorency Gi.5 or 6 12 10 12 Montmorency Mahaleb 12 10 14 – Disease or insect resistant varieties to reduce pest Montmorency Mazzard 14 12 16 pressures. Balaton Mahaleb 14 12 16 – Cherry - Sweet – Assess soil / site conditions Tree Spacing • Full sun VS shade or partial Nursery ID • Soil internal drainage Rootstocks Eventual Height Between Trees Between Rows • Weed competition (lawns are too competitive) Gi.5 Dwarf 12 12 16 Gi.6 Dwarf 14 14 16 Mahaleb Semi Dwarf 20 14 16 Mazzard Semi Dwarf 24 16 20 Average Annual Minimum Temperatures Where to start? (USDA Plant Hardiness Zone Map) Most MI fruit sites Zone 5 (-20oF to -10oF) to 6 (-10oF to 0oF) • Fruit plants that fit into to small spaces – Peach, Nectarine, Apricot and Plums – Can generally plant at a spacing of 10 ft X 15 ft* • * If trained to open center or vase shape • Closer spacing, needs to be trained in Chistmas Tree form (Vertical Axe). -
BROUGHTON HISTORY SOCIETY NEWSLETTER Broughton Tolbooth 1582-1829
BROUGHTON HISTORY SOCIETY NEWSLETTER Broughton Tolbooth 1582-1829 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– NUMBER 23 SUMMER 2008 –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Editorial In this edition’s ‘Broughton in Literature’ feature of our minds – and be happy to revise our take on we quote what Robert Louis Stevenson had to say historical events in the light of new evidence. about Picardy, in Catriona. I hadn’t read the novel Sources: John Russell’s Story of Leith, p.367 until recently, but had come across in John Russell’s (1922,); Charles Boog-Watson’s Notes (handwritten), Story of Leith (1922) the claim that all readers of Volume 2, p.156 (1933, Edinburgh Room, Central Catriona would know that ‘the name of Picardy Public Library); John Mason’s The Weavers of Place preserves the memory of the Huguenot colony Picardy (1945), a 33-page article in Book of the Old of Little Picardy’. It turns out that RLS wrote no Edinburgh Club, volume XXV. such thing, and makes no mention of the associated John Dickie story of mulberry bushes on Multries Hill; he simply referred to the presence of French linen weavers Contents when David Balfour passed by in 1751. Articles with a Broughton setting The story of Huguenot refugees settling Broughton History in the News 2 here, trying to rear silkworms unsuccessfully and Early Education in Broughton and the New Town then later (in some versions) turning their hand to by John W B Caldwell 3 linen weaving was seriously challenged at least as Broughton in Literature 5 long ago as 1933 when Charles Boog-Watson wrote that it had ‘never been authenticated’ – unlike Beyond Broughton the documented account of linen weavers being St Andrew Square Garden deliberately recruited from Picardy in 1729, and by John Dickie and Sandra Purves 6 their settlement at Broughton being built the following A Museum for Leith year. -
Charles De La Fosse (Or Delafosse) Occasionally 1; New Haven 2009
Neil Jeffares, Dictionary of pastellists before 1800 Online edition LA FOSSE, Charles de J.442.106 Allégorie de Louis XIV, cr. clr/ppr, Paris 15.VI.1636–13.XII.1716 26.5x31.5 (British Museum 1962,0714.41. Iolo Primarily a history painter (agréé 1671, reçu 1673), Williams; legs 1962). Exh.: London 1962c, no. Charles de La Fosse (or Delafosse) occasionally 1; New Haven 2009. Lit.: Hedley 2001, p. 23, executed heads in pastel (although most of the fig. 11, as pstl, by Lafosse; Gustin-Gomez sheets so described are in trois crayons with 2006, II, no. D.R. 46, rejected, as ?Laguerre. touches of pastel), some of which are studies for Olim attr. Louis Laguerre, as study for tapestry figures in his compositions while others are of Queen Anne’s victories ϕ?α portraits. There is little consistency in the technique of the few known examples, and attributional errors seem likely. Bibliography Bellier de La Chavignerie & Auvray; Bénézit; Grove 1996; Clementine Gustin-Gomez, Charles de La Fosse 1636–1716, Dijon, 2006; Hedley 2001; New York 1999c; Prat 2013; Rambaud 1965–71, I, p. 171; II, p. 307f; Ratouis de Limay 1946; Sanchez 2004; Toledo 1975; Washington J.442.108 Huit têtes, la plûpart en pastel (Pierre 2009 Crozat; vente p.m., Paris, Mariette, 10.IV.– 13.V.1741, Lot 1056, 18 livres 15; Tessin) Pastels J.442.109 Un beau sujet de composition, pstl J.442.101 Tête d’un agréable jeune homme, pstl/ppr gr., 33x26.3 (Julllienne; Paris, Martin, (Cottin; Paris, salle des Grands Augustins, Grignard, Helle & Glomy, 27.XI.1752 & seq., Remy, 30.III.–22.V.1767, Lot 763, 24 livres; Liancourt) Lot 263, 17 livres; d’Argenville) J.442.11 Tête, pstl (Julllienne; Paris, Martin, Remy, J.442.102 Jeune femme, la tête inclinée et regardant à g. -
The NATIONAL HORTICULTURAL MAGAZINE
NATIONAL GARDEN WEEK: APRIL 20th TO 26th VOLUME II-No. 4 Fall and Winter, 1923 The NATIONAL HORTICULTURAL MAGAZINE Dc','oted 10 the poplllari:::iJlg of all phases of horticlIlture: Ornamental Gardening, including La,nd sca/'f' GardeJl iJlg, ,·ll1latellr Flo'll'er GardeJling; Professioi/al Flower Gardi!'Jl iJl g or Floriculture; V egetable Garde Jl ing; Fruit Gro'willg, alld all acti'l'ilies allied with horticulture, Fall afld Winter Number CONTENTS Woods Flowers in Cultivation North Dakota State Horticultural Society Grand Forks Horticultural Society Galesburg Horticultural Society Wild lings of North America Garden Gossip Literature of the Trade Issued Quarterly and O'wned Exclusively by THE NATIONAL HORTICULTURAL SOCIETY OF AMERICA. , Permanent Headquarters to be Establishel at vVashington, D. C. Office of the Secretary, Henning, Minnesota 25 CENTS A COPY THE NATIONAL HORTICULTURAL SOCIETY OF AMERICA INCORPORATED .JULY 1, 1922 OFFICERS OF THE NATIONAL HORTICULTURAL SOCIETY PRESIDENT, Mr. C. Z. Nelson, VrCE PRESIDENT, Mrs. F a nnie Mahood Heath, Galesburg, Ill. Grand Forks, N . D. REGIONAL VICE PRESIDENTS NORTH PACIFIC' COAST: NORTHWEST MIDLAND: SOUTHEASTLAND: Mr. Joe Smith, Longbranch, Wash. Mrs. Mathilda C. Engstad, 703 So. Fifth Mrs. D . F . Sheppard, Daisy, Ga. St., Grand Forks, N. D. SOUTH PACIFIC COAST: N ORTHEAST MIDLAND: EASTERN CANADA: Mrs. E v a Kenworthy Gray, 32 and Wool Mr. O. H . Schroeder, Fariba ult, ¥inn. m a n Ave., San Diego, Cal. Dr. Frank E . Bennett, St. Thomas, Onto SOUTHWEST MIDLAND: NORTH ROCKY MOUNTAINS : Mrs. May Senn , Rota n , Tex. WESTERN CANADA: Mrs. Walter E . R evo, Glacier National SOUTHEAST M1DLAND: Mrs. -
Academic Profiles of Conference Speakers
Academic Profiles of Conference Speakers 1. Cavazza, Marta, Associate Professor of the History of Science in the Facoltà di Scienze della Formazione (University of Bologna) Professor Cavazza’s research interests encompass seventeenth- and eighteenth-century Italian scientific institutions, in particular those based in Bologna, with special attention to their relations with the main European cultural centers of the age, namely the Royal Society of London and the Academy of Sciences in Paris. She also focuses on the presence of women in eighteenth- century Italian scientific institutions and the Enlightenment debate on gender, culture and society. Most of Cavazza’s published works on these topics center on Laura Bassi (1711-1778), the first woman university professor at Bologna, thanks in large part to the patronage of Benedict XIV. She is currently involved in the organization of the rich program of events for the celebration of the third centenary of Bassi’s birth. Select publications include: Settecento inquieto: Alle origini dell’Istituto delle Scienze (Bologna: Il Mulino, 1990); “The Institute of science of Bologna and The Royal Society in the Eighteenth century”, Notes and Records of The Royal Society, 56 (2002), 1, pp. 3- 25; “Una donna nella repubblica degli scienziati: Laura Bassi e i suoi colleghi,” in Scienza a due voci, (Firenze: Leo Olschki, 2006); “From Tournefort to Linnaeus: The Slow Conversion of the Institute of Sciences of Bologna,” in Linnaeus in Italy: The Spread of a Revolution in Science, (Science History Publications/USA, 2007); “Innovazione e compromesso. L'Istituto delle Scienze e il sistema accademico bolognese del Settecento,” in Bologna nell'età moderna, tomo II. -
Christmas Island Biodiversity Monitoring Program: December 2003 to April 2007
Christmas Island Biodiversity Monitoring Program: December 2003 to April 2007 Report to the Department of Finance and Deregulation, from the Director of National Parks September 2008 2 Christmas Island Biodiversity Monitoring Program Project Contributions Project coordination: D.J. James; Field survey: D.J. James, K. Retallick; Data management, GIS: D.J. James, K. Retallick; Analyses and reporting: D.J. James Citation This document can be cited as: Christmas Island Biodiversity Monitoring Program: December 2003 to April 2007. Report to the Department of Finance and Deregulation from the Director of National Parks © Director of National Parks 2008 Christmas Island Biodiversity Monitoring Program 3 Contents EXECUTIVE SUMMARY ........................................................................................................................7 1. INTRODUCTION.................................................................................................................................9 1.1 Checklist of flora and fauna of Christmas Island.....................................................................9 1.2 Christmas Island biodiversity inventory database.................................................................10 2. CHRISTMAS ISLAND PIPISTRELLE ........................................................................................11 2.1 Summary of the results .........................................................................................................11 2.2 Research and monitoring methods .......................................................................................12 -
Charles De La Fosse, L'automne, Figuré Par Bacchus Et Ariane
musée des beaux-arts dijon lumière sur… Charles de la Fosse L’Automne, figuré par Bacchus et Ariane En 1679, Louis XIV, «lassé à la fin du beau et de la foule, se persuada qu’il voulait quelquefois du petit et de la solitude», raconte le célèbre mémorialiste Saint-Simon. Le roi décide alors de créer à Marly, non loin de Versailles, un château d’agrément consacré à ses invités personnels, d’où provient L’Automne de Charles de la Fosse. 1 Aujourd’hui disparu car détruit peu après la Révolution, le septembre : « il faut faire travailler à quatre tableaux comme château de Marly eut une grande importance et fut même, à vous le proposez, il faut bien choisir les peintres et ne pas la fin de la vie du roi, le lieu où celui-ci passait le plus clair de les presser pour qu’ils soient beaux. » son temps, au cours des « marlys », les séjours qu’il réservait à ses invités, pendant lesquels l’étiquette était allégée. Cette Le choix des quatre saisons est particulièrement adapté au faveur fut très recherchée, ce qui fut moqué par Saint-Simon, décor d’une résidence royale, car l’alternance des saisons citant une réplique faite par le cardinal de Polignac au roi : « Ce n’est rien, Sire, la pluie de Marly ne mouille point. » Le château de Marly suivait une conception radicalement différente de celle de Versailles : au lieu d’un immense bâtiment 2 construit au plus haut point d’un parc, Marly était constitué de treize pavillons (un par signe du Zodiaque et un pour la famille royale) nichés au sein d’un vallon (fig. -
CENTRE CHARLEMAGNE GB Neues Stadtmuseum Aachen
CENTRE CHARLEMAGNE GB Neues Stadtmuseum Aachen ROUTECHARLEMAGNEAACHEN Contents Route Charlemagne 3 The building and its history 4 Where the pillory once stood Permanent exhibition 6 Celts, spa guests, Charlemagne Prize 6 Flintstone and hot springs 8 Charlemagne takes up residence in Aachen 10 What the Palace looked like 12 The city of coronations 14 The Great Town Fire 15 A spa taxi for the nobility 16 The French in Aachen 18 Cloth and needles 19 From frontline town to European city 20 Service 22 Information 23 Imprint 24 2 Centre Charlemagne – Neues Stadtmuseum Aachen Route Charlemagne Aachen’s Route Charlemagne connects significant locations around the city to create a path through history leading from the past into the future. At the centre of the Route Charlemagne is the former palace complex of Charlemagne, with the Town Hall, the Katschhof and the Cathedral – once the focal point of an empire of European proportions. Aachen is a historical town, a centre of science, and a European city whose story can be seen as a history of Europe. This and other major themes like religion, power and media are reflected and explored in places like the Cathedral and the Town Hall, the International News - paper Museum, the Grashaus, the Couven Museum, the SuperC of the RWTH Aachen University and the Elisenbrunnen. The central starting point of the Route Charlemagne is the “Centre Charlemagne – New City Museum Aachen”, located on the Katschhof between the Town Hall and the Cathedral. Here, visitors can get infor- mation on all the sights along the Route Charlemagne. A three-cornered museum Why does the triangle play such an important role in the Centre Char- lemagne? The answer is simple: the architects drew inspiration from an urban peculiarity of Aachen. -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
Elhanan Bicknell - Collection of Paintings
Elhanan Bicknell - Collection of paintings. Detail of those by JMW Turner Index Himalayan mountains ....................................................................................................2 Himalayan mountains ....................................................................................................3 Giudecca, la Donna della Salute and San Georgio ........................................................4 Campo Santo, Venice.....................................................................................................5 Palestrina – a Composition ............................................................................................6 Sun rising through Vapour.............................................................................................7 Calder Bridge.................................................................................................................8 Ivy Bridge Mill ..............................................................................................................9 Port Ruysdael...............................................................................................................10 Wreckers - Coast of Northumberland,.........................................................................11 Ehrenbreitstein:............................................................................................................12 Helvoetsluys: ‘The City of Utrecht’, 64, going to sea .................................................14 Antwerp: Van Goyen Looking for a Subject