Annual Report 2010

National Gallery of Art 2010

NATIONAL GALLERY OF ART 2010 annual report

[ 1 ] ART & EDUCATION Vincent J. Buonanno BOARD OF TRUSTEES COMMITTEE W. Russell G. Byers Jr. (as of 30 September 2010) Victoria P. Sant Melvin S. Cohen † Chairman Leo A. Daly III Earl A. Powell III Robert W. Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Doris Fisher Sharon P. Rockefeller Aaron I. Fleischman John Wilmerding Juliet C. Folger Marina K. French FINANCE COMMITTEE Norma Lee Funger Mitchell P. Rales Lenore Greenberg Chairman Rose Ellen Greene Timothy F. Geithner Frederic C. Hamilton Secretary of the Treasury Richard C. Hedreen Frederick W. Beinecke Teresa F. Heinz John Wilmerding Victoria P. Sant Sharon P. Rockefeller Chairman President Helen Henderson Victoria P. Sant Benjamin R. Jacobs John Wilmerding Sheila C. Johnson Betsy K. Karel A UDIT COMMITTEE Mark J. Kington Frederick W. Beinecke Robert L. Kirk Chairman Jo Carole Lauder Timothy F. Geithner Secretary of the Treasury Leonard A. Lauder Mitchell P. Rales Robert B. Menschel Harvey S. Shipley Miller Sharon P. Rockefeller Frederick W. Beinecke Mitchell P. Rales Victoria P. Sant John G. Pappajohn John Wilmerding Sally E. Pingree Diana C. Prince TR USTEES EMERITI Robert M. Rosenthal David M. Rubenstein Robert F. Erburu Andrew M. Saul John C. Fontaine B. Francis Saul II Julian Ganz, Jr. Thomas A. Saunders III Alexander M. Laughlin Fern M. Schad David O. Maxwell Albert H. Small Ruth Carter Stevenson Michelle Smith Sharon P. Rockefeller John G. Roberts Jr. Benjamin F. Stapleton EXEC UTIVE OFFICERS Chief Justice of the Luther M. Stovall United States Victoria P. Sant Ladislaus von Hoffmann President Diana Walker Earl A. Powell III Director Alice L. Walton Franklin Kelly William L. Walton Deputy Director and Chief Curator Walter L. Weisman Elizabeth Cropper John R. West Dean, Center for Advanced Study in the Visual Arts Andrea Woodner Darrell R. Willson Administrator HONORARY TRUSTEES

James E. Duff COUNCIL Hillary Rodham Clinton Timothy F. Geithner Treasurer (as of 30 September 2010) Secretary of State Secretary of the Treasury Elizabeth A. Croog Secretary and General Counsel Edwin L. Cox Joseph J. Krakora Robert F. Erburu Executive Officer, Development and John C. Fontaine External Affairs Julian Ganz, Jr. Alexander M. Laughlin TR USTEES’ COUNCIL David O. Maxwell (as of 30 September 2010) Ruth Carter Stevenson James T. Dyke John C. Whitehead Chair William H. Ahmanson † Deceased Max N. Berry G. Wayne Clough Secretary of the Smithsonian Institution National Gallery of Art 2010

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Washington, D.C. 2010 annual report

president’s Foreword

t the end of a remarkable year, I Maryland, to the Council in 2010, along with am inspired by the singular returning members Betsy K. Karel, Diana C. compact between the federal Prince, and Luther M. Stovall, all of Washington. government and the private sector My fellow trustees and I would like to express our that enables the National Gallery thanks to all of our Trustees’ Council members for of Art to preserve and present the their dedicated service. Aworld’s most magnificent art. More than four and We were saddened by the death of a close friend a half million people visited the Gallery in person of the Gallery this past year, Evelyn Stefansson this year, and many millions more visited the Nef. She and her late husband John Nef built Gallery’s collection and outreach activities online. an extraordinary collection of nineteenth- and The Gallery’s special exhibition program allowed twentieth-century prints, drawings, and illustrated the public to view masterpieces from the books by artists ranging from Édouard Vuillard to permanent collection in new and exciting ways in Alex Katz, a portion of which she bequeathed to the exhibitions From Impressionism to Modernism: the Gallery. Mrs. Nef’s gifts of art will enhance The Chester Dale Collection and German Master the Gallery’s collection immeasurably, as will her Drawings from the Wolfgang Ratjen Collection, 1580– magnanimous bequest to establish The Evelyn 1900. Other major exhibitions such as The Sacred Stefansson Nef Endowment Fund in support of Made Real: Spanish Painting and Sculpture, visiting professors, lectures, and other initiatives. 1600–1700; Beat Memories: The Photographs of The trustees would like to extend their appre- AllenGinsberg; and Arcimboldo, 1526–1593: Nature ciation to those individuals who made major and Fantasy brought some lesser-known subjects to commitments to the Gallery this year. We would a larger public audience. These accomplishments especially like to thank Juliet and Lee Folger would not have been possible without the for their generous gift for the acquisition of partnership between the federal government Skating on the Frozen Amstel River by Adam van and the private sector that has sustained the Breen through the Lee and Juliet Folger Fund. Gallery since its founding. We extend our deep Our thanks also go to Jo Ann and Julian Ganz, Jr., gratitude to the President and the Congress for for their leadership commitment for the landmark their enduring commitment to supporting the acquisition of the Jasper Johns collection of Gallery’s daily operations and maintenance, and prints and related drawings. We are also grateful to the generous individuals, foundations, and to those foundations and individuals who made corporations who underwrite the museum’s significant commitments for the special exhibi- privately funded activities. tions and art acquisition programs this year: The Trustees’ Council, which serves the Gallery Estate of Mrs. Charles (Florian) Carr, Helen L. as a national advisory body to the Board of Porter and James T. Dyke, Greg and Candy Trustees, welcomed a new chairman, James T. Dyke Fazakerley, and The Honorable Alfred H. Moses of Palm Beach, Florida. We are delighted to have and Ms. Fern M. Schad. Jim’s leadership on the Trustees’ Council and The Andrew W. Mellon Foundation continued to are grateful as well to Lasalle D. Leffall Jr., his demonstrate its extraordinary commitment to the predecessor as Council chair. We also were pleased Gallery with generous grants for the establishment to welcome Benjamin R. Jacobs of Bethesda, of a department of photograph conservation and

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for the scholarly publications program at the Santa Barbara, California, to succeed John G. Center for Advanced Study in the Visual Arts. We Pappajohn and Roselyne C. Swig as co-chairs of are deeply grateful to the Mellon Foundation and the Collectors Committee. Our heartfelt thanks the Samuel H. Kress Foundation for their gifts this go to Denise and Barry for their leadership and year to further the Gallery’s scholarly mission. The to all Collectors Committee members for their trustees and I also would like to commend The dedication to the Gallery. Morris and Gwendolyn Cafritz Foundation for its The Circle, the Gallery’s other annual giving support of our educational outreach to the program, continued to be a vital source of support Washington community. for a wide range of Gallery programs. The Circle The Gallery is very grateful to the generous and comprised more than a thousand members loyal sponsors of its special exhibition program. nationwide at year end. We were delighted to The trustees and staff especially would like to welcome Gregory W. Fazakerley of Middleburg, thank United Technologies Corporation for its Virginia, to succeed Edward J. Mathias as co-chair sponsorship of From Impressionism to Modernism. of The Circle. He joined Diana C. Prince in United Technologies first became involved at the leading the program to another successful year. Gallery in 1979 and in the past thirty years has We are deeply grateful for all that Diana and sponsored eight major exhibitions. The trustees Greg do on behalf of The Circle, as well as for all and staff would also like to give special thanks Circle members’ ongoing support to the Gallery. to longtime supporter Bank of America for its The Legacy Circle honors those who have commitment to the 2011 exhibition Gauguin: included the Gallery in their testamentary plans. Maker of Myth. We are grateful to these companies A number of individuals elected to support for their continuing support. the Gallery through long-range, planned gifts The Exhibition Circle, an annual giving this year. Bequests, charitable gift annuities, program that helps fund special exhibitions, charitable lead and remainder trusts, and other provided crucial support for From Impressionism planned giving vehicles are essential to help to Modernism; Beat Memories; and Arcimboldo, strengthen the Gallery’s endowment and ensure 1526–1593, which was also made possible by the vitality and permanence of both its collection Louisa and Robert Duemling. We also would like and its exhibition program, and we are grateful to to thank the Anna-Maria and Stephen Kellen those who have established these and become Foundation for its commitment in support of the members of The Legacy Circle. 2011 exhibition Venice: Canaletto and His Rivals. We My fellow trustees and I are tremendously grate- were also pleased to receive major commitments ful to the Gallery’s enthusiastic and hardworking from Hata Stichting and the Joseph F. McCrindle staff and our many dedicated donors who help Foundation for the exhibition program. The trust- fulfill the Gallery’s mission of service to the nation. ees and staff are deeply grateful as well to those Bolstered by the enduring support of the federal who provided major support for the exhibition government and the generosity of the private programs this year: the Ryna and Melvin Cohen sector, the Gallery will continue to welcome all Family Foundation and Marcella and Neil Cohen; those who wish to learn about, study, or simply The Charles Engelhard Foundation; The Aaron I. enjoy great works of art. We look forward to Fleischman Foundation; the Spain-USA Foundation; counting you among them. STIFTUNG RATJEN, Liechtenstein (Ratjen Foundation); and the Trellis Fund. The Gallery’s modern and contemporary art collection continued to thrive this year, thanks to the annual support of the Collectors Committee. Victoria P. Sant At their meeting in March, Committee members voted to acquire two important works: Black Plank by John McCracken and Ommah by Nam June Paik. This year we welcomed Denise Saul of New York City and Barry A. Berkus of

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2010 annual report

director’s statement

he National Gallery of Art serves begun by Mr. Mellon and the Founding Benefactors. the American public by preserving, This year, the Collectors Committee brought the collecting, exhibiting, and fostering Gallery two important firsts: its first work of video the understanding of works of art, art by Nam June Paik, one of the founders of that at the highest possible museum and medium, and its first work of sculpture by John scholarly standards. This fiscal year, McCracken, one of the leading figures of mini- Tthe Gallery’s Board of Trustees, staff, volunteers, mal art. Paik’s Ommah, 2005, is a moving reflection and its many supporters worked tirelessly to build on his Korean heritage and his last work of video and care for the collection and present it to sculpture. McCracken’s Black Plank, 1967, is a rare audiences as a demonstration of their commitment black early plank in pristine condition. We are to this mission. very grateful to the Collectors Committee, which Since its creation in 1937 by a joint resolution enables the Gallery to continually enhance its of Congress, accepting the gift of financier and art holdings of contemporary art. collector Andrew W. Mellon, the Gallery has been Concurrently, the Gallery accepted an addi- sustained through a combination of federal and tional gift from Victoria and Roger Sant: private funds. We are grateful to the President Untitled Composition, 1929, by Joaquín Torres-García. and the Congress for the crucial support through This important work of Latin American modernism federal funds for the upkeep, administrative expenses, is the Gallery’s first painting by Torres-García. and costs of operations, including the protection and The Gallery also acquired Four Seasons in One care of the works of art given to the nation, so that Head, c. 1590, a rare masterpiece by Giuseppe we can be open to the public at no charge. Arcimboldo, on the occasion of the exhibition Federal support perhaps was most evident in the Arcimboldo, 1526–1593: Nature and Fantasy. No one continued renovations to the northeast quadrant who has ever seen one of Arcimboldo’s amazing of the West Building through the Master Facilities heads—in a museum, a surrealist spoof, or a com- Plan. This year collections care and management mercial advertisement—is likely to forget it. Four functions were relocated and demolition work was Seasons in One Head was clearly inspired by the performed to prepare for new conservation labs and work of Leonardo da Vinci, the artist’s predecessor offices. A newly designed service entrance opened in Milan. (The Gallery’s Ginevra de’ Benci is the only providing security and accessibility improvements. painting by Leonardo in the Americas.) A construction contract was awarded for the East The Arcimboldo exhibition was one of twenty- Building Exterior Stone Repairs project follow- two special exhibitions presented during this year’s ing completion of the design phase. This major ambitious schedule. Through these exhibitions project involves the removal, refurbishing, and the Gallery is able to celebrate its own collections re-installation of about 16,200 panels of Tennessee as well as works from other institutions in this pink marble, as well as the removal of distressed country and abroad. Highlights from the year anchors and replacement with new anchors to included The Sacred Made Real: Spanish Painting support these panels. and Sculpture, 1600–1700, an exhibition that The Gallery also depends on the generosity of conveyed the artistic excellence and spiritual pro- many individuals, foundations, and corporations fundity of Spanish baroque art to visitors. We are to build its collections and continue the tradition grateful to the museums and Spanish ecclesiastical

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institutions that agreed to lend these exceptional French paintings dating from the seventeenth works, which together provided an illuminating to the early twentieth century. Mary brings and powerful experience. a rich background steeped in academia and American Modernism: The Shein Collection explored distinguished by curatorial positions at top museums, the advent of modernism a century ago through where she was deeply involved in scholarly twenty important paintings, sculptures, and draw- exhibitions and catalogues. ings by the first-generation American avant-garde. The entire staff, strengthened by federal, All the works came from the Edward and Deborah individual, corporate, and volunteer support, Shein Collection, which is distinguished by its constantly strives to inspire the Gallery’s various remarkable quality and rigorous focus on early audiences. Drawn to spectacular exhibitions and American modernism. related programs, more than 4.6 million people Paintings, sculptures, drawings, and prints selected visited the Gallery this year. Another 18.1 million from the famed collection of Robert and Jane visitors experienced the Gallery through its Web Meyerhoff, amassed between 1958 and 2004, went site. Concerts, films, lectures, tours, family programs, on view in The Robert and Jane Meyerhoff Collection: even ice skating at the Sculpture Garden’s rink all Selected Works. The Meyerhoffs built one of the offer a personal experience with art at the Gallery. I greatest collections ever to focus on American paint- join with Board President Victoria Sant in thanking ing of the postwar era, striking not only in its depth all who endeavor to fulfill the Gallery’s vital mission and quality, but also in the passion and acumen with this and every year. which it was assembled. The exhibition probed the visual logic behind the choices made by the collec- tors and by the artists whose work they collected. The first exhibition devoted to the Dutch landscape artist, Hendrick Avercamp: The Little Ice Age featured paintings and drawings that capture a Earl A. Powell III timeless quality that resonates to this day, making his winter landscapes quintessential representations of seventeenth-century Holland. We are grateful to the museums and private collectors in Europe and the United States who graciously agreed to lend their delicate Avercamp paintings and drawings for the exhibition. While most of the West Building galleries dedicated to French paintings of the nineteenth century were closed for renovation, major works from the collection were on view in From Impressionism to Modernism: The Chester Dale Collection. The exhibition brought together eighty-one of the finest French and American paintings from the 1962 bequest of New York investment broker Chester Dale. It is impossible to overestimate the transformative impact of the collection of Chester Dale and his wife Maud on the Gallery. Their legacy has not only enriched the Gallery but the nation as well, by sharing these extraor- dinary works of French and American art with the American public and the world. The exhibition opened as we welcomed Mary Morton as curator and head of the department of French paintings, overseeing the collections of

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COLLECTING

AINTINGS Two important paintings were darker and more somber, the flowers, apples, plums, grapes, added to the American collection during the and cherries echo motifs in Arcimboldo’s most famous work, fiscal year. Gilbert Stuart’s portrait of John Jay, the portrait of his patron Rudolf II as Vertumnus, the ancient first chief justice of the United States Supreme god of vegetation, at Skokloster, Sweden. The gnarled tree Court, has remained with the Jay family since it trunk and branches parallel Arcimboldo’s Winter allegories in Pwas completed in 1794. Stuart, who had returned to America the Louvre and in the Kunsthistorisches Museum, Vienna. the previous year following an extended period abroad, A late work, painted after Arcimboldo had returned to his was eager to paint the young republic’s political, social, and native Milan, Four Seasons may be a reflection on himself in business elite. It was John Jay who provided the artist with the the “winter of his life,” as the craggy features are similar to letter of introduction to George Washington that changed the those in two self-portraits. Purchased through the Paul Mellon course of his career. Over time Stuart would produce more Fund, this is the only undisputed painting by Arcimboldo in than 100 portraits of the president—including the famous an American public collection. “Vaughan Portrait” given to the Gallery by Andrew Mellon. Another exhibition-related acquisition was Adam van Insightful in its characterization and beautifully rendered, Breen’s Skating on the Frozen Amstel River, 1611. In this scene, Stuart’s portrait of John Jay is a partial and promised gift skaters glide past townsfolk who have gathered to create an of the Jay Family. impromptu community on the ice. Set on the banks of the William Stanley Haseltine’s Narragansett Bay, 1864, is Amstel River, just south of Amsterdam, are two distinctive the first of Haseltine’s celebrated “rock portraits” to enter the buildings—a large home surrounded by a painted wooden collection. Geologically precise and meticulously painted, the fence and a painted windmill—that can be identified in early artist’s views of coastal New England were praised by critics documents. Van Breen was a contemporary of Hendrick for their factual accuracy and crystalline beauty that served Avercamp, and the acquisition of this fine work—made science and art equally well. As a young artist, Haseltine set possible by Juliet and Lee Folger—coincided with Hendrick out on a summer sketching tour along the New England Avercamp: The Little Ice Age. coast completing plein air studies he would use to compose The Gallery also acquired a northern baroque work by studio paintings during the winter months. Narragansett Bay is Pieter Soutman. A Young Man Holding a Staff, 1640, is one of an exceptional example of Haseltine’s best work. Foreground only a handful of the artist’s surviving paintings. Its appeal is rocks shelter still pools of water as waves break against more not only in the attractive young model with his expressive distant boulders. In the middle distance, sailboats skim the gaze and flowing golden locks but also in the fresh and waves, and in the horizon is Newport, Rhode Island. vigorous brushwork. Born in Haarlem and trained as an Narragansett Bay is a gift of Alexander and Judith Laughlin. engraver, Soutman was brought to Antwerp in the 1610s On the occasion of the exhibition Arcimboldo, 1526–1593: by Peter Paul Rubens to make reproductive engravings after Nature and Fantasy, the Gallery acquired Four Seasons in One his paintings. In Rubens’ workshop Soutman also began Head, c. 1590. Giuseppe Arcimboldo made the painting to paint, inspired by the fluid manner of another of Rubens’ for writer Gregorio Comanini, who provides a lengthy assistants, Anthony van Dyck. After returning to Haarlem, description in the literary dialogue Il Figino published in 1591. Soutman painted this work, which reflects the impact of Signed, where the bark has peeled away on the branch at the right, “ARCIMBOLDUS F,” Four Seasons in One Head Giuseppe Arcimboldo, Four Seasons in One Head, presents a unique three-quarter view. Although the mood is Paul Mellon Fund

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c o l l e c t i n g

William Stanley Haseltine, Narragansett Bay, Gift of Alexander and Judith W. Laughlin

Van Dyck and Rubens on seventeenth-century Dutch American modernism to enter the collection. The art. An excellent example of a tronie, or “character peripatetic artist, born in Uruguay, made this painting study,” it relates to similar paintings in the Gallery’s in Paris. While it has clear affinities to the paintings collection by Rubens, Van Dyck, Adriaen Brouwer, of Piet Mondrian that he saw there, it also Jan Lievens, and Rembrandt. The painting was acquired heralds what the artist would call his “universal through the generosity of The Derald H. Ruttenberg constructivism” in its use of symbols of the intellect Memorial Fund. (triangle, clock), emotions (house), and nature (fish, The Gallery received an important French painting elephant) to harmonize abstraction with figuration, this year, The Favorite of the Emir, c. 1879, by Jean- art with life. Joseph-Benjamin Constant. Constant was renowned as James Rosenquist’s Spectator—Speed of Light, 2001, a painter of orientalist subjects, ranging from grim and is another visionary painting that straddles the line occasionally violent genre scenes to opulent and between abstraction and figuration. Known first for his alluring harem scenes such as this one. He was an Pop paintings of images cropped from the commercial admirer of Eugène Delacroix whose influence is world, Rosenquist has turned in recent years to evident both in the subject matter and in the lush complex paintings derived, in the case of this series, palette and painterly surface. Nevertheless, Constant from Einstein’s theory of relativity. Spectator—Speed of put his own distinctive stamp upon this composition, Light uses the same arsenal of devices as his White juxtaposing rich pattern with flat planes of vivid color Bread, 1964, a Pop classic in the collection, but also to create a work that is both startling and sensual. acknowledges the sweeping gestures of abstract The painting was donated by the United States expressionism. A gift of Robert E. Meyerhoff, the Naval Academy Museum. work adds yet another dimension to the Gallery’s Among the many modern and contemporary many works constituting the Collection of Robert paintings acquired this year, three stand out. Joaquín and Jane Meyerhoff. Torres-García’s Untitled Composition, 1929, a gift From the artist Jenny Holzer, who has made a career of Victoria and Roger Sant, is the first painting out of delivering words and phrases in a dazzling by the artist and one of the first works of Latin variety of media, comes a gift of six works from her

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recent series of Redaction Paintings. DODDOACID, and playing, accompanied by synthesized music and 2007, features the lyrical silhouette of a hand imagery from Paik’s career. Following this acquisition, placed on an official looking form and enlarged to the Hakuta Family presented the Gallery with Paik’s monumental scale. There is little hint that the source Untitled (Red Hand), 1967. is in fact a Department of Defense document relating to the adjudication of U.S. soldiers who fought in Iraq. SC U L P T U R E In the department of sculpture Holzer has scoured the bureaucracy for images that and decorative arts, a previously unrecorded example combine ominous overtones with aesthetic pleasure of a fantasy bust by Albert-Ernest Carrier-Belleuse to create a contemporary classic. was acquired. Carrier-Belleuse employed Auguste Finally, the Collectors Committee donated two Rodin at various junctures in Rodin’s early career. works to the Gallery’s department of modern and The bust provides additional context for the Gallery’s contemporary art: John McCracken’s Black Plank, Rodin collection, while serving to bridge a gap 1967, and Nam June Paik’s Ommah, 2005. An intense between sculptures by Rodin and earlier nineteenth- materialization of black, Plank has a subtle gloss century academic marble figures. Carrier-Belleuse was suggesting the depths of a pool while also providing one of the most successful artists of his time, and his a mirror for the viewer. This early work by the talents in decorative arts, whether exercised while he West Coast artist fills a gap in the Gallery’s strong was in charge of the Minton ceramic manufactory in holdings of minimalism. England or as the head of the Sèvres porcelain manu- An attack on the passivity that television imposes factory near Paris, are evident in this terra-cotta. He on viewers, Ommah was the last major work by Nam perfected a method of re-working mold-made June Paik, the father of video sculpture. Through multiples while the clay was still malleable, thus an antique silk Korean robe, images can be seen assuring a measure of uniqueness in each example. on an LCD monitor, but not without the moiré The superb condition of this sculpture—thought by pattern caused by the interplay of the two “screens.” some to portray Napoleon III’s mistress—further Viewers see three Korean-American girls dancing enhanced its desirability.

Adam van Breen, Skating on the Frozen Amstel River, The Lee and Juliet Folger Fund, in honor of Arthur J. Wheelock Jr.

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A large medallion by Jean-Baptiste Daniel-Dupuis Headlining gifts of individual drawings was Giovanni was added to the Gallery’s collection of medals and Battista Piazzetta’s tender view of A Young Man plaquettes. The design was originally commissioned Embracing a Girl, c. 1743. Given by Katherine and for the gold medals awarded by the Pennsylvania Alexandra Baer in memory of their father, Dr. George Academy of Fine Arts, but it was also used for medal- Baer, this work is distinguished by its superb condition, lions on a large scale similar to this one. The high tin with the velvety black chalk and crisp whites still content of the alloy produced a silvered effect consonant raised on the surface of the paper. with the shimmering delicacy of this late nineteenth- David Rust donated two excellent studies by century composition. Daniel-Dupuis was a prolific Il Cigoli, the late sixteenth-century Florentine master, member of the generation of medalists who, from including an early composition of Saint Vincent Ferrer about 1880 to 1910, revived the art of the medal in Taking His Vestments, and a watercolor still life by France. This first work by Daniel-Dupuis to enter the Henri-Joseph Harpignies. Lowell Libson added a red, collection is a gift of Mark and Lynne Hammerschlag. black, and white chalk study of the head of an old man by the eighteenth-century French master Antoine DRAWINGS The Gallery’s collection of drawings Coypel. Jane Watkins donated four watercolors from continued to grow this year through gifts and Sean Scully’s seminal Mexico group, 1983–1984, purchases. Joseph F. McCrindle donated a diverse completing her gift of all twelve works from the group of forty European and American drawings Wall of Light series. from five centuries, including examples by Polidoro Notable purchases of eighteenth-century drawings da Caravaggio, Jacopo Palma il Giovane, Ciro Ferri, included pen-and-ink studies by Austrian painter Giovanni Paolo Panini, and Maerten van Heemskerck, Melchior Steidl, The Virgin of the Immaculate Conception and a group of watercolors by John Singer Sargent. and The Assumption of the Virgin; a charming red Dorothy and Herbert Vogel donated thirty-five chalk portrait by Balthasar Denner of his bride, Esther; drawings by Robert Mangold, ranging in date from and an ornate design for a reliquary by the Florentine 1971 to 2007. sculptor Giovanni Battista Foggini. The nineteenth-

Jean-Joseph-Benjamin Constant, The Favorite of the Emir, Courtesy of the United States Naval Academy Museum

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century French collections were strengthened by a P R INTS AND ILL U S TRATED BOOKS double-sided fan design by Maurice Denis in honor of The Gallery acquired a variety of old master and a young woman’s engagement party, acquired with modern prints and illustrated books, beginning funds donated by Helen Porter and James T. Dyke; with three landmark fifteenth-century European a fine landscape attributed to Jules Dupré, purchased publications. One of the finest known copies of a with funds given by Merritt Porter Dyke; and a crucial German woodcut book, Gaistliche usslegong des spare and elegiac pastel seascape by Ernest-Ange lebes Jhesu Cristi, was purchased through the Paul Duez, made possible by a gift from the Hermen and Mellon Fund. Published in Ulm, c.1482, the volume Monica Greenberg Foundation. The Gallery also contains ninety-five hand-colored woodcuts designed added excellent examples of nineteenth-century by Ludwig Schongauer and others. An expressively German drawings by Franz Innocenz Josef Kobell, hand-colored copy of Schatzbehalter der wahren Leopold von Kalckreuth, Gustav Heinrich Naeke, and Reichtümer des Heils, on the life and passion of Christ, Johann Jacob Ulrich. was acquired through funds primarily from an Through gift and purchase, the Gallery acquired anonymous donor, the B. H. Breslauer Foundation, three drawings by Al Taylor. Although humble fishing and William B. O’Neal. Published in Nuremberg in gear is the ostensible subject of Taylor’s Untitled 1491, the Schatzbehalter has ninety-six woodcuts by (Floaters), 1998, and lowly tin cans and wires that of his Albrecht Dürer’s early teachers Michael Wolgemut Untitled (Can Study), 1994, the drawings eloquently and Wilhelm Pleydenwurff. The Gallery also acquired address matters of space, volume, and shadow. the first edition of Terence’s Comoediae, 1493, the most

Joaquín Torres-García, Untitled Composition, Gift of Victoria and Roger Sant

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important illustrated incunable published in Lyon. Containing 161 woodcuts, this volume was given by noted book collector Marianne Gourary in memory of her husband Paul Gourary. David Tunick gave a noteworthy group of works including three engravings by various printmakers after paintings by Rubens, Bernardo Bellotto’s monumental etching Vue des Remparts de Sonnenstein, and a collection of seventeen etchings and lithographs personally selected by the artist Arthur B. Davies. The Gallery also acquired some of Rubens’ most impressive book illustrations in a fine copy of Seneca’s Opera published in Antwerp in 1615. The Ahmanson Foundation made possible the purchase of a pristine impression of the rare first edition of Iconografica Rappresentatione della Inclita Città di Venezia, published in Venice in 1729. One of the greatest printed maps of a city, its creation involved the collaboration of several Venetian artists, including Sebastiano Ricci, Giovanni Il Cigoli, Saint Vincent Ferrer Taking His Vestments, Antonio Faldoni, and Francesco Zucchi. Gift of David E. Rust Highlights from the nineteenth century include Johann Anton Ramboux’s The Brothers Konrad Five meticulously rendered etchings by John and Franz Eberhard, 1822, an iconic example of Taylor Arms were donated by David Wright, and German Romanic lithography, as well as Eugène the Gallery also acquired Arms’ aquatint West Forty- Grasset’s provocative color lithograph La Vitrioleuse, Second Street, Night, 1922, with funds contributed by 1894. Prints given by the Gallery’s information volun- Donald and Nancy de Laski. Heather and Tony Podesta teers and friends to honor Christopher With included gave a group of contemporary prints and drawings, Karl Stauffer-Bern’s 1885 etching and drypoint of the highlighted by Louise Bourgeois’ 1990 portfolio artist Adolph Menzel. The Gallery built upon its of eight hand-colored engravings, while Professor collection of printmaking techniques by adding its Daniel Bell donated five bold color woodcuts earliest German copper plate, for Heinrich Aldegrever’s by Matthias Mansen. 1552 engraving Wrath; the original copper plate plus Among the prints in a generous gift from two artist’s proofs for Jacques Villon’s La Parisienne, Graphicstudio is Allan McCollum’s Each and Every 1904, purchased with funds from Evelyn Nef; and One of You, 2004, a captivating work made up plates for two of Stanley William Hayter’s most of 1,200 file-card size prints that spell out the six important engravings, given by his widow Désirée hundred most popular female and six hundred most Hayter. The Daryl Reich Rubenstein Memorial popular male names in the United States, slyly Fund supported the purchase of a working proof of chronicling the country’s character. With funds from Hayter’s Amazon, 1945, as well as four working proofs the Collectors Committee, the Gallery also acquired for Pablo Picasso’s first reductive method linocut, Glenn Ligon’s Runaways, 1993, ten lithographs that Pique I, 1959. address issues of identity. The acquisition of 758 prints by Jasper Johns was the culmination of a campaign begun in 2004 to POTOGRAH P H S During the year, the acquire the artist’s archive of nearly 1,700 rare proofs, collection of photographs grew by more than 175 including unique impressions, variants, and annotated works. Among the most important acquisitions was a or hand-worked impressions. Generous support for the gift of forty-one photographs from Heather and Johns acquisition was provided by Candace and Rick Tony Podesta that includes work by James Casebere, Beinecke; Jo Ann and Julian Ganz, Jr.; Glenstone; Olafur Eliasson, Nikki S. Lee, Vik Muniz, Thomas Lenore and Bernard Greenberg; Mr. and Mrs. Frederic Struth, and Wolfgang Tillmans. Bouboutte, Rouzat, C. Hamilton; Gail and Benjamin Jacobs; Robert 1908, a rare vintage print by Jacques-Henri Lartigue and Arlene Kogod; Jo Carole and Ronald S. Lauder; acquired with funds donated by Vital Projects, Robert and Mary Looker; Robert E. Meyerhoff and expresses both the youthful zeal of its author—Lartigue Rheda Becker; John and Mary Pappajohn; Sharon and was only fourteen when he made it—and the early John D. Rockefeller IV; Vicki and Roger Sant; Andrew twentieth century’s fascination with instantaneity, and Denise Saul; and Mr. and Mrs. Albert H. Small. movement, and speed.

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Jasper Johns, Decoy, Patron’s Permanent Fund and Alvin Langdon Coburn, New York, Special Friends of the National Gallery of Art Alfred H. Moses and Fern M. Schad Collection Fund

Among the outstanding nineteenth-century photo- Funds from the R. K. Mellon Family Foundation graphs are two works by Linnaeus Tripe, a pioneering expanded the representation of work by women photographer working in the 1850s, purchased with photographers with a group of photographs by funds from Edward J. Lenkin, Diana and Mallory Marjorie Content made between 1930 and 1935, and Walker, William and Sarah Walton, and the Horace donations from the Gallery Girls added another work W. Goldsmith Foundation through Robert and by Content from 1933. Funding from the Collector’s Joyce Menschel. Diana and Mallory Walker made Committee, R. K. Mellon Family Foundation, and possible the acquisition of Charles Nègre’s large-scale William and Sarah Walton allowed us to acquire three photogravure Royal Portal of Chartres Cathedral, c. 1857, compelling photographs by Francesca Woodman, while Chris and Roger Taylor donated Jeremiah an artist known for her self-portraits, made between Gurney’s daguerreotype Portrait of a Family, c. 1855. 1975 and 1980. The collection of photographs by Alfred Stieglitz English photographer Bill Brandt’s nocturnal photo- continued to grow with the acquisition, through the graph Bloomsbury, taken during the blitz of World War Pepita Milmore Fund, of Sherwood Anderson, 1923. Five II, was acquired with funds from Diana and Mallory photogravures by Stieglitz and one by Alvin Langdon Walker. Other notable additions include Robert Coburn, gifts of Mary and Dan Solomon, also joined Frank’s Flowers, Paris, 1951, and 40 Fotos, 1946, gifts of the collection. Holdings of pictorial photographs were the artist, and twenty-one photographs and one artist’s enriched through the acquisition of two photogravures book by photographer Dave Heath, given by the artist, by Gertrude Käsebier and two platinum prints by Jeffrey Hugh Newman, and Charles S. and Elynne B. John Montgomery Grove, purchased with the Vital Zucker. The Charina Endowment Fund made possible Projects Fund, and a superb group of photogravures the acquisition of Lewis Baltz’s Sausalito, 1973. Norman by James Craig Annan, Peter Henry Emerson, and Carolyn K. Carr gave two prints by Weegee, Men Clarence H. White, and Coburn, acquired with funds Arrested for Dressing as Girls, 1941, and At a Night Club, from Carolyn Brody, Gay Block, and Vital Projects. 1946. Michael G. Jesselson generously donated funds Coburn’s portfolio of twenty photogravures, New York, for Irving Penn’s Sunken Rowboat, 1966. Ken Ross 1909, was purchased with funds from Alfred H. donated Penn’s Self-Portrait in a Cracked Mirror, 1986. Moses and Fern M. Schad. Charles Isaacs and Carol Holdings of Richard Misrach’s work were greatly Nigro donated the first photograph by William expanded with the luminous Sante Fe, 1982, B. Post to enter the collection. given by Mr. and Mrs. Earl A. Powell III, along with

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Untitled [New Orleans Wes and Jacqueline Peebles donated funds to and the Gulf Coast, acquire a first edition of Vases from the collection 2005], a portfolio of of Sir Henry Englefield, bart. Drawn and engraved by sixty-nine photo- H. Moses (London, 1820), the only known extant copy graphs made after with hand-colored copper plate engravings. the devastation of The Library’s Image Collections were enriched Hurricane Katrina, through the acquisition of the late New York art given by the artist. photographer Nathan Charles Rabin’s archive of Other important almost 28,000 negatives and photographs. The twentieth-century most significant album purchases were a book of additions include a albumen photographs by Charles Desavary-Dutilleux 2008 photograph by of paintings by Jean-Baptiste-Camille Corot Victoria Sambunaris, assembled circa 1875; Jean Maurice Verdot’s a gift of Dr. Michael L’Hotel de Carnavalet Notice Historique, 1865; Edwin, I. Jacobs; Nicholas third Earl of Dunraven’s Notes on Irish Architecture, Nixon’s The Brown Sisters, Truro, Massachusetts, 2009, 1875–1877; and Gustave Doré by Louis-René purchased with funds from Robert and Elizabeth Delormé, 1879. Individual photographs acquired Fisher and the Horace W. Goldsmith Foundation; included a print by Charles Burlingame Waite of the and four photographs by Jim Steinhardt, given by Hotel Iturbide in Mexico City, c.1910; nine albumen the artist’s family. photographs of Spanish architecture from the 1870s by Juan Laurent; a group of salted paper prints of RARE BOOKS & IMAGES The Library acquired English architecture, c. 1860s; and fifteen photographs 126 titles for the rare book collection with funding of southern California architecture by Julius Shulman, provided by endowments and generous donations. 1950–1960s. Sharon Pollice of Marne, Michigan, Through the David K. E. Bruce Fund eighty-five donated a rare photograph of Pompeii by Giorgio titles dating from the early sixteenth century to the Sommer. New to the collection of artists’ portraits mid-twentieth century were added. were Victor Obsatz’s Portrait No. 29 of Marcel Holdings for the study of Northern European art Duchamp, 1953, and Fred W. McDarrah’s portrait of were enriched thanks to the J. Paul Getty Fund in Bridget Riley, 1965. honor of Franklin D. Murphy. Among the six titles acquired is the first illustrated edition of Thurnier Buch by Georg Ruxner (Frankfurt am Main, 1566) featuring forty-two woodcuts, many by Jost Amman, and Aigentliche wahrhaffte Delineatio[n] vnnd Abbildung aller fürstlichen Auffzüg vnd Rütterspilen by Esaias van Hulsen (Stuttgart, 1618). The Grega and Leo A. Daly III Fund for Architectural Books enabled the purchase of twenty-seven titles published between 1761 and 1931 including a complete first edition of Constructions en briques; la brique ordinaire au point de vue décoratif by J. Lacroux (Paris, 1878). Funds provided by Mr. and Mrs. John C. Fontaine supported the acquisition of two seventeenth-century works: Le guerre festiue delle reali nozze de’ serenissimi e cattolici re di Spagna Carlo secondo e Maria Luisa di Borbone by Pietro Maggio (Palermo, 1680) and Vues de Rome, a compilation of nineteen engraved plates by Giovanni and Domenico de Rossi published between 1651 and 1701.

P ietro Maggio, Le guerre festiue delle reali nozze de’ Giovanni Battista Piazzetta, A Young Man serenissimi e cattolici re di Spagna Carlo secondo e Maria Embracing a Girl, Gift of Katherine and Alexandra Luisa di Borbone, Gift of Mr. and Mrs. John C. Fontaine; Baer in memory of their father, Dr. George Baer David K. E. Bruce Fund

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From Impressionism to Modernism: The Chester Dale Collection 2010 annual report

EXHIBITING

uring fiscal year 2010 the Gallery continued exhibition revealed the “arts of privacy” as the works typically to delight the public with an ambitious were kept in portfolios or stored in cabinets. Such privacy special exhibition program of twenty-two allowed the expression of darker, exotic thoughts and moody exhibitions. Six exhibitions—In the Tower: reflections. A video podcast on the Gallery’s Web site high- Philip Guston; Designing the Lincoln Memorial: lighted the subtle and complex depictions of human DDaniel Chester French and Henry Bacon; The Beffi Triptych: psychology in these works. A fully illustrated catalogue Preserving Abruzzo’s Cultural Heritage; Judith Leyster, accompanied the exhibition. 1609–1660; The Art of Power: Royal Armor and Portraits from Renaissance to Revolution: French Drawings from the National Imperial Spain; and An Antiquity of Imagination: Tullio Lombardo Gallery of Art, 1500–1800 was the first comprehensive and Venetian High Renaissance Sculpture—continued from exhibition to focus on drawings from the Gallery’s permanent the previous year. collection of French old master drawings. A particular The year opened with the exploration of the individual and treasure, the collection of more than 900 works has deep personal view of collecting. The Darker Side of Light: Arts roots in the earliest days of the museum’s existence, with of Privacy, 1850–1900 explored the nature of the private the first of these works arriving shortly after the Gallery aesthetic experience in nineteenth-century collecting, with opened to the public in 1942. Among the key artists are Jean an emphasis on prints. Organized around the city centers of Poyet, Claude Lorrain, Antoine Watteau, François Boucher, Paris, London, and Berlin, the exhibition included more than Jean-Honoré Fragonard, and Jacques-Louis David, 100 works, among them drawings, illustrated books, and small along with less widely known artists such as Jacques sculptures from the Gallery’s collections as well as lenders. The Androuet du Cerceau, Claude Deruet, and Jean-Baptiste Huet.

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In the Tower: Mark Rothko The Robert and Jane Meyerhoff Collection: Selected Works

Organized chronologically, the exhibition presented to provocative themes—Scrape, Concentricity, Line, a visual journey through the development of drawing Gesture, Art on Art, Drip, Stripe to Zip, Figure to in France, from its first flowering during the Ground, Monochrome, and Picture the Frame—which Renaissance through its neoclassical incarnation explored a principal visual element or material device during the political and social upheavals of the French of twentieth-century art, revealing surprising juxtapo- Revolution. A fully illustrated scholarly catalogue sitions among the works. The themes and devices accompanied the exhibition. were demonstrated further in two video podcasts The Robert and Jane Meyerhoff Collection: Selected available on the Gallery’s Web site. The exhibition was Works included 126 paintings, sculptures, drawings, accompanied by a fully illustrated catalogue. and prints from one of the greatest collections to focus Robert Bergman: Portraits, 1986–1995 and Editions on American painting of the postwar era. From 1958 with Additions: Working Proofs by Jasper Johns exemplified to 2000 Robert and Jane Meyerhoff energetically and the generosity of patrons in building and enhancing judiciously assembled this celebrated collection which museum collections. Drawn from a gift of photographs, features work by Jasper Johns, Ellsworth Kelly, Roy Robert Bergman is part of a series of exhibitions cele- Lichtenstein, Brice Marden, Robert Rauschenberg, brating work by contemporary photographers recently and Frank Stella. The works were organized according acquired by the Gallery. This first solo exhibition of

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The Sacred Made Real: Spanish Painting and Sculpture 1600–1700 the American photographer was comprised of thirty- compositions from the 1980s and 1990s, among them three color portraits of everyday people encountered autobiographical references such as family photographs during travels throughout the United States. and works of art owned by the artist. In Editions with Additions, forty-five works were In the Darkroom: Photographic Processes Before the Digital selected from a collection of approximately 1,700 proofs Age chronicled the major technological developments for Johns’ prints that the artist has maintained and care- in photographic processes from the origins of the fully annotated over four decades. This extraordinary medium until the advent of digital photography. body of work was acquired through the Patrons’ The collection-based exhibition included some ninety Permanent Fund and several generous donors. In this photographs that ranged from an early photogenic exhibition, proofs for lithographs, etchings, and screen drawing by William Henry Fox Talbot, the inventor of prints that the artist expanded in a range of media photography, to Polaroid prints by Andy Warhol. including pastel, ink, and paint provided nuanced Superb examples of the major photographic processes, insight into Johns’ artistic process. The first of two including salted paper, albumen, gelatin silver, and galleries featured prints from the 1960s and 1970s, chromogenic prints, were on view along with examples highlighting motifs associated with Johns’ art through- of photomechanical processes such as photogravure out his career such as the alphabet, targets, and and halftone. The selections demonstrated the many body parts. The second gallery introduced complex factors—not only the choice of process, but also scale,

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tone, cropping, enlarging, and paper selection—that and Pablo Picasso’s Family of Saltimbanques directly shape the aesthetic quality and meaning of a photograph. across from one another. A film posted on the Gallery’s A book entitled In the Darkroom: An Illustrated Guide Web site and shown in a theater adjacent to the to Photographic Processes was published in association exhibition charted Dale’s career using archival footage, with this exhibition. photographs, and staff members’ recollections. A This year we celebrated a collector who transformed selection of books from the Chester Dale Collection the Gallery into one of the leading repositories in and related documentary material from the Gallery North America of French art of the late nineteenth Archives were installed in the West Building. A fully and early twentieth centuries. From Impressionism to illustrated catalogue accompanied the exhibition Modernism: The Chester Dale Collection brought together as did a brochure and leaflet directing visitors to eighty-three French and American paintings that additional works collected by Dale on view in the Chester Dale and his wife Maud assembled from the permanent collection galleries. 1920s through the 1950s. This first thematically In the Tower: Mark Rothko featured seven of Mark organized exhibition of the collection in forty-five Rothko’s enigmatic black paintings made in 1964 years provided a fresh look at the scope of the collection. and nine paintings featuring largely black from the Carefully proportioned walls with faux marble and 1930s and 1940s. Drawn mostly from the Gallery’s travertine were built for Edouard Manet’s Old Musician extensive collection of Rothko material, this is the

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A landmark reappraisal of religious art from the Spanish Golden Age, The Sacred Made Real: Spanish Painting and Sculpture, 1600–1700 included eleven paintings by Diego Velázquez, Francisco de Zurbarán, and others, displayed for the first time alongside an equal number of Spain’s remarkable polychromed sculptures, many of which had never before left Spain and are still passionately venerated across the Iberian Peninsula in monasteries, churches, and processions. One notable example paired Zurbarán’s first exhibition since 1966 devoted to these austere Christ on the Cross, displayed in a niche that recreated paintings—each presenting a single black rectangle on the painting’s original setting, with the carved a black or nearly black field. Rothko Chapel, a musical sculpture of Christ on the cross by Juan Martinez composition by the artist’s close friend Morton Montanes installed in a similar, adjacent niche. Feldman, was played during the exhibition adding to Saturated wall colors, dramatic lighting, and Venetian the dramatic and meditative atmosphere in the Tower plaster walls helped convey a chapel-like setting. To Gallery. A short film, shown within the exhibition, preserve the spiritual atmosphere, walls were left free of elucidated the significance of the black paintings in explanatory texts, which were presented in a booklet the context of Rothko’s long career. An illustrated available at the entrance. A fully illustrated catalogue brochure also accompanied the exhibition. accompanied the exhibition.

Hendrick Avercamp, Colf Players on the Ice (detail), Caspar David Friedrich, New Moon above the Riesengebirge Hendrick Avercamp: The Little Ice Age Mountains, German Master Drawings from the Wolfgang Ratjen Collection, 1580–1900

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Allen Ginsberg, Jack Kerouac wandering along East 7th Street…, Beat Memories: The Photographs of Allen Ginsberg

Hendrick Avercamp: The Little Ice Age, the first exhibi- exhibition and catalogue of these works was selected tion devoted to the renowned winter landscapes largely from a recent gift to the Gallery by Gary S. of the seventeenth century Dutch artist, featured Davis as well as from private lenders. fourteen paintings and sixteen drawings that capture For the first time worldwide, 120 German, Austrian, the harsh winters of the period and the activities and Swiss watercolors and drawings from one of they made possible such as skating, sleigh rides, and the finest private European holdings of old master outdoor games on frozen canals and waterways. drawings went on public view in German Master Seventeenth-century Dutch ice skates were mounted Drawings from the Wolfgang Ratjen Collection, 1580–1900. in the wall cases adjacent to the paintings with images The exhibition included rare and influential examples of similar skates. A brochure and fully illustrated of sixteenth-century mannerism, seventeenth-century catalogue accompanied this exhibition. baroque, eighteenth-century rococo, early nineteenth- Beat Memories: The Photographs of Allen Ginsberg century romanticism, and late nineteenth-century explored all facets of the twentieth-century American realism by Adam Elsheimer, Casper David Friedrich, poet’s photography through eighty black-and-white and Adolf Menzel, as well as artists less well known in portraits of himself and fellow Beat poets and writers this country like Hans von Aachen, Johann Wolfgang including William S. Burroughs, Neal Cassady, Baumgartner, Julius Schnor von Carolsfeld, and Johann Gregory Corso, and Jack Kerouac. The same ideas that Georg von Dillis. The Gallery acquired these works in informed Ginsberg’s poetry—an intense observation 2007 with the help of generous private donors as well of the world, a deep appreciation for the beauty of as the Paul Mellon Fund and the Patrons’ Permanent the vernacular, a faith in intuitive expression—also Fund. To fully understand the impact of the Ratjen permeate his photographs. The small, original Collection, the Gallery presented related works in snapshots were pinned, tack-board like, in a wall German Master Drawings from the National Gallery of Art, case to reflect their casual origin. This first scholarly 1580–1900 in the last three galleries of the outer tier.

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American Modernism: The Shein Collection Arcimboldo, 1526–1593: Nature and Fantasy

A fully illustrated catalogue by an international team of received three gifts from Edward and Deborah Shein, scholars accompanied the exhibition. and the Sheins intend to continue making gifts of While German art was on view in the West Building, important works from their collection. American art was the focus in the East Building. The sophisticated variations by Edvard Munch in American Modernism: The Shein Collection included his portrayals of love, attraction, alienation, death, and twenty works by artists such as Patrick Henry Bruce, other universal human experiences were on view in Stuart Davis, Charles Demuth, Arthur Dove, and John Edvard Munch: Master Prints. The exhibition presented Marin from one of the most selective private collections. nearly sixty of Munch’s most important prints in five The collection demonstrates the importance of the first sections, featuring side-by-side comparison of related wave of American modernists in the development of impressions that reveal how Munch changed a particular the avant-garde in the United States and Europe during image over time, in terms of color, line, texture, the twentieth century. Beginning in 2008 the Gallery and pictorial detail. Building on new research, the exhibition considered the exact dating of different impressions. This rare opportunity to combine variations and hand-colored examples from the Catherine Woodard & Nelson Blitz Jr. Collection and the Epstein Family Collection, joined with the Gallery’s collection, illuminated Munch’s central artistic ideas and accom- plishments. A fully illustrated scholarly catalogue accompanied the exhibition. Arcimboldo, 1526–1593: Nature and Fantasy included paintings of heads composed of fruits, vegetables, flowers, and other objects appropriate to the themes Giuseppe Arcimboldo depicted. Together for the first time in the United States, the sixteen paintings included three reversible still lifes installed with mir- rored plinths below, surprising visitors with glimpses of the alternate portraits. Thirty-two additional works, including drawings by Leonardo da Vinci, a watercolor by Albrecht Dürer, small bronzes, illustrated books and

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manuscripts, and ceramics, provided a context for Modern in London. Four paintings by Auguste Renoir Arcimboldo’s inventions. Hand-drawn lizards, frogs, were sent to Renoir au XXe siècle at the Grand Palais in snakes, and shells, incorporated into the architecture of Paris, the Los Angeles County Museum of Art, and the rooms, playfully reinforced Arcimboldo’s fascination the Philadelphia Museum of Art, and three Renoir with nature studies. A film, narrated by Isabella paintings traveled to Renoir: Tradition and Innovation at Rossellini and presented in an adjacent theater and on the National Art Center, Tokyo and the National the Gallery’s Web site, provided an overview of Museum of Art, Osaka. Two Rembrandt drawings Arcimboldo’s career in Milan and at the Habsburg were lent to Drawings by Rembrandt and His Pupils: courts in Vienna and Prague. An illustrated booklet was Telling the Difference at the J. Paul Getty Museum in Los also produced for the exhibition. Angeles, and two Vincent Van Gogh drawings traveled The Gallery administered the loans of 892 works of to the Royal Academy of Arts, London for The Real art to 216 sites during fiscal year 2010. Among the Van Gogh: The Artist and His Letters. notable loans was The Mill by Rembrandt van Rijn The Gallery loaned several large groups of works to sent to Turner and the Masters organized by Tate Britain museums in the United States and abroad, including in London and also seen at the Galeries nationales du thirty photographs by Robert Bergman to the Grand Palais, Paris and the Museo Nacional del Prado Minneapolis Institute of Arts; ninety-eight prints in in Madrid. Seven major American paintings, including the graphics exhibition The Darker Side of Light at the Winslow Homer’s Breezing Up (A Fair Wind) and David and Alfred Smart Museum of Art at the John Singleton Copley’s Watson and the Shark, were University of Chicago; and 174 photographs in loaned to American Stories: Paintings of Everyday Life Looking In: Robert Frank’s “The Americans” at the 1765–1915 at the Metropolitan Museum of Art, New Metropolitan Museum of Art, New York. Forty-five York and the Los Angeles County Museum of Art. Alfred Stieglitz photographs were seen in Alfred Thirty-one Paul Gauguin works including Pair of Stieglitz: The Lake George Years as were paintings by Wooden Shoes (Sabots), Te Pape Nave Nave (Delectable Paul Cézanne and Edouard Vuillard in Paths to Waters), and Parau na te Varua ino (Words of the Devil) Abstraction 1867 to 1917, both on view at the Art were on view in Gauguin: Maker of Myth at the Tate Gallery of New South Wales in Sydney.

Edvard Munch: Master Prints

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ED U C ATING

n fiscal year 2010, educational programs and people and animals in the works of art created an interactive publications served almost a million visitors at the way to experience the collection. The tour is generously Gallery and millions more through televised and supported by the MSST Foundation. electronic outreach. The education division pursued Gallery talks for adults served almost 50,000 visitors and on-site programs including school and family-based included Picture This, sessions for sight-impaired visitors in the Iprograms, gallery talks and tours, auditorium lectures, permanent collection galleries. A pilot program, initiated and printed as well as audio guides to the collection, while in collaboration with Gallaudet University, presented continuing to serve emerging audiences. American Sign Language tours of Hendrick Avercamp: The More than 35,000 students attended tours designed for Little Ice Age in a format that will become a regular offering. grades K–12, including “Every Picture Tells a Story” and Seventy-five auditorium events welcomed distinguished artists, “Breaking the Rules.” Through Art Around the Corner, the collectors, critics, and scholars as speakers, attracting an Gallery’s multiple-visit program offered in association with audience of about 12,000. Author Toni Morrison read District of Columbia public elementary schools, fifth graders “The Fisherwoman,” her poem inspired by a photograph in visited Washington, D.C., artist Lou Stovall’s workshop. In the the Robert Bergman exhibition. Artist Brice Marden was 2010 High School Summer Institute focusing on American interviewed for the Diamonstein-Speilvogel Lecture, and Modernism: The Shein Collection, students from twelve District painter Susan Rothenberg was interviewed for the Elson of Columbia schools created modernist pastels which were Lecture. These presentations were among fifteen notable exhibited at Children’s National Medical Center. In Teen lectures also made available as podcasts. Studio Saturdays, participants explored negative space in the For its independent visitors, the Gallery offers three printed work of contemporary British artist Rachel Whiteread, guides that illustrate and explain key works, as well as a family investigated 1920s and 1930s surrealist paintings, and guide to the collection. In 2010 roughly 500,000 visitors used considered love, jealousy, anxiety, and sorrow as captured in these guides—available at all information desks—to tour the the work of Edvard Munch. A six-month High School Seminar Gallery. Online visitors downloaded 350,000 self-guides. brought students from twenty-one area schools to the Gallery Approximately 10,000 visitors rented permanent collection each week to learn about museum careers, artistic choice, and and exhibition audio tours during the fiscal year. the collection. A pilot program developed in partnership with This year, an audience of more than thirty-seven million area schools connected advanced placement art history high viewers experienced some aspect of the Gallery’s school students with the Gallery’s collection, focusing on collection or past exhibitions, primarily through observation, interpretation, and essay writing. The intern and public television broadcast. Almost five million of fellowship program matched thirty-three undergraduate and those viewers used the teaching packets, classroom activity graduate students with departments throughout the museum. books, image CDs, feature-length DVDs and videos, Several dozen school docents began a balanced course reproductions and Web-based lesson plans offered through of study including art history, visual literacy, and tour 190 free-loan programs and digital resources. A ninety- development led by Gallery staff. two-page Classroom Activities Guide to Painting in the Dutch Audiences attending family programs increased thirty Golden Age is the resource library’s newest publication. percent, enjoying more than 225 family programs this year Full sets of these learning resources are distributed to from Focus on Vermeer to summer passport tours. A free schools, community organizations, and museums across the children’s audio tour animated by actors speaking the parts of nation. Accessed by almost fifteen million users this year,

[ 3 1 ] Students learn to look closely and think critically during Art Around the Corner. e d u c a t i n g

Visitors enjoy the Gallery’s Rotunda before attending the Stories in Art program.

NGAKids was included in Disney’s top ten list of the Quartet presented a piece written by British pianist best children’s Web sites and received the Disney and composer Stephen Hough in honor of The Sacred Family Fun award. Made Real: Spanish Painting and Sculpture, 1600–1700. This year the two Print Study Rooms served 1,576 The National Gallery of Art Orchestra and the visitors, including forty-one classes from twelve National Gallery of Art New Music Ensemble universities and fourteen schools, plus thirty lectures presented music by Roger Reynolds and other for special groups. Besides visiting professors and American composers active in the 1970s and 1980s in teachers, Gallery curators taught thirty-five of the honor of The Robert and Jane Meyerhoff Collection: classes using original works of art. Selected Works. Other exhibitions acknowledged in concert included concerts and films Fifty-two concerts An Antiquity of Imagination: Tullio Lombardo and Venetian were presented in the Gallery’s sixty-eighth season of High Renaissance Sculpture (early music ensemble Arco weekly concerts, which ran from September 2009 Voce performing music of Claudio Monteverdi and through July 2010. The concerts were supported by other Venetian composers); Judith Leister, 1609–1660 funds bequeathed to the Gallery by William Nelson (early music ensemble Carmina singing music by Jan Cromwell and F. Lammot Belin, with generous Pieterszoon Sweelinck and other baroque Dutch additional support from The Billy Rose Foundation, composers); From Impressionism to Modernism: The the Embassy of Spain, and the Gottesman Fund in Chester Dale Collection (two concerts featuring music memory of Milton M. Gottesman. by George Gershwin); Hendrick Avercamp: The Little Ice The National Gallery of Art Brass Quintet opened Age (National Gallery of Art Chamber Players the season with a program of Hispanic music in honor performing music for recorders and harpsichord from of Hispanic Heritage Month and The Art of Power: the Netherlands); and German Master Drawings from Royal Armor and Portraits from Imperial Spain. The the Wolfgang Ratjen Collection, 1580–1900 (The Teiber Gallery Piano Trio and Wind Quintet played music by Trio playing music by J. S. Bach and baritone Randall Claude Debussy and other French composers in honor Scarlata performing Lieder by Felix Mendelssohn, of The Darker Side of Light: Arts of Privacy, 1850–1900. Franz Schubert, and Robert Schumann). In all, The National Gallery of Art Vocal Ensemble sang thirty-one of the season’s fifty-two concerts had a Renaissance music by French composers in honor of connection with a Gallery exhibition. Renaissance to Revolution: French Drawings from the The Gallery celebrated African American History National Gallery of Art, 1500–1800. The Gallery String Month with concerts by the Ritz Chamber Players,

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the National Gallery of Art Brass Quintet, and flutist Contemporania and “Catalunya: Poetry of Place,” a Harold Jones. The Gallery honored Women’s History carefully researched history of the cinema of Catalonia Month with concerts by the Moscow String Quartet with loans of fifteen unusual works from the film and pianist Oni Buchanan. archive Filmoteca de Catalunya in Barcelona. Gallery concerts were the subject of eleven reviews The series “Beat Memories” included thirteen films and four photo previews in Washington-area media. in conjunction with the exhibition of photographs by The music department collaborated with the Allen Ginsberg. The American premiere of De Vilde education department on three occasions: the concert Svaner (Wild Swans), based on a Hans Christian “A Suite Bergamasque in Art and Music” was repeated Andersen tale, was introduced by H.R.H. the Crown for Gallery volunteers; Stephen Ackert presented his Prince of Denmark. virtual tour of paintings in the permanent collection to This year’s “From Vault to Screen” paid tribute to Gallery docents; and education department lecturer “Il Cinema Ritrovato,” an annual celebration in the David Gariff delivered a pre-concert talk on “The heart of Bologna, Italy. Four ciné-concerts were a focal Passion in Art and Music” prior to a performance by point of this annual film festival including a new piano the Stanford University Chamber Chorale of selections score for A Gentleman of Paris recently restored by the from Bach’s Saint Matthew Passion. Library of Congress. During the year a wide-ranging program of film Four works by Norway’s first female director, Edith series, premieres, documentaries, experimental cinema, Carlmar, were presented in association with the Edvard and ciné-concerts attracted a large audience to the East Munch exhibition. Historian and critic Ingrid Dokka Building auditorium each weekend. The quarterly film from Oslo led one of the post-screening discussions. A and lecture event, “New Masters of European Cinema,” lively program of new filmmaking talents from Mexico, featured German director Ulrike Ottinger presenting “GenMex: A New Generation of Cine Mexicano” was her work The Korean Wedding Chest. Also in the fall organized to commemorate the bicentennial of season, the series “Recovered Treasure: UCLA’s Festival Mexican independence from Spain and the 100th of Preservation” included ten events featuring newly anniversary of the start of the Mexican Revolution. preserved 35mm titles, with several presentations introduced by film conservators. An annual film RESO URCES FOR SCHOLARLY RESEARCH lecture event supported by the Vaidya family endow- In fiscal year 2010, the Library added 7,009 books and ment was delivered by historian P. Adams Sitney on 1,705 auction catalogs to its holdings, welcomed 2,068 the topic “American Visionary Filmmakers and the visitors, provided 989 orientations, answered 23,332 Heritage of Emerson.” Two companion British reference inquiries, created approximately 1,800 series, “Joseph Losey: American Abroad” and digital scans of rare text pages for use by scholars, and “Brit Noir,” proved tremendously popular and received shared 5,441 volumes with other institutions through wide press coverage. interlibrary loan, including the Griffith University in Two series were mounted in association with the Queensland, Australia; the Statsbilioteket in Aarhus, Robert and Jane Meyerhoff exhibition, “Homage to Denmark; the University of Hong Kong; and the Merce Cunningham” and “What You See, Is What You Hebrew University, Mount Scopus, Jerusalem. See” including the first American showing of the The Gallery’s department of image collections restored 1973 classic by Emile de Antonio, Painters acquired almost 260,000 photographs, negatives, Painting. “Peleshian: Poet of the Cinema” drew hundreds and images in microform, twenty-five CD-ROMs, of people to view the experimental work of this sixteen rare photographic albums, and more than Armenian master. Historian Scott McDonald published 37,000 digital files. The holdings of the department an article in ArtForum based on the series. now number more than thirteen million images. The largest attendance was for the series “Celebrating Image specialists welcomed seventy-nine outside Chekhov on the Russian Screen,” staged to coincide researchers, answered 1,278 reference inquiries, and with the 150th anniversary of the writer’s birth. provided orientations to 333 visitors. The department Russian literary and film historian Peter Rollberg loaned approximately 400 photographs and 5,000 introduced several of the screenings. Also during the slides for use by Gallery staff. winter season, The Film Foundation in New York The department continued to purchase images from presented the restored 35mm print of The Red Shoes. various commercial sources, accept gifts from scholars During the spring season, film events designed to and Gallery staff, and systematically scan rare holdings celebrate the exhibition of Spanish painting at the to build the digital archive, which now holds approxi- Gallery included “From Ecstasy to Rapture: A Journey mately 150,000 images. Oculus, the department’s image through Spanish Experimental Film” organized in database, continues to add and verify information to cooperation with Barcelona’s Centre de Cultural meet the Gallery’s research needs.

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century painting. Adrian Eeles of London donated his history of European printmaking archive. Sheldon Grossman continued his gifts to enrich the Italian holdings. Several institutions, most notably the Frick Art Reference Library in New York and the Philadelphia Museum of Art, donated photographic material. Gallery Archives holdings were enhanced by the addition of roughly 125 cubic feet of files consisting of some 375,000 documentary pages, 800 drawings of exhibitions, and more than 1,000 construction drawings for architectural projects. Archival digital holdings increased with the addition of some 18,000 digital images and exhibition drawings. To enhance user access, digital scans were created of nearly 7,500 color slides and transparencies, 150 West Building construction photographs, and 275 preparatory sketches and drawings for the East Building. A pilot project to study the feasibility of developing a database to document the history and conservation of the Kress Collection was successfully completed, sup- ported by a grant from the Samuel H. Kress Foundation. Author Lee Seldes donated research files for her biography of Mark Rothko. Some 230 postcards and other communications from artists to Herbert and Dorothy Vogel also were added to archival holdings. More than 200 researchers from the United States and abroad conducted in-depth research in archival records.

imaging and VISUAL SERVICES During the year, the division of imaging and visual services created color-accurate master high-resolution digital files for 463 acquisitions. The department also provided technical imaging in support of eighty- three conservation treatments and uploaded 1,359 The Red Shoes, 1948, Michael Powell and Emeric collection images and 387 temporary exhibition Pressburger, Courtesy of The Film Foundation images to the Web site. Images were provided for five exhibition catalogs, A two-year Samuel H. Kress Foundation grant, the film shown in the Chester Dale exhibition, the awarded to the department in 2008 to conserve, digitize, upcoming loan exhibition Impressionist and Post- and catalogue approximately 8,000 historic negatives Impressionist Masterpieces, the Spring 2010 and Fall 2010 of the works of art in the Samuel H. Kress Collection Bulletins, and the 2009 Annual Report. that were donated to the Gallery in 1977, made NGA Images, the Gallery’s online system for image significant progress this fiscal year. The most recent ordering, licensing, and distribution continued term of a series of Samuel H. Kress Foundation grants, development with a projected launch date of spring supporting the department’s conservation program 2011. More than 18,000 prints and drawings were since 1999, concluded in August when a conservator digitized in the first year of the Rapid Capture project, was hired for the newly established department of funded by the Samuel H. Kress Foundation. These photograph conservation. In 2010, eleven rare albums images will be added to the Gallery’s Web site, and and 368 photographs were examined and treated. all works in the public domain will be available free In addition to Gallery staff, several individuals made to scholars and teachers through NGA Images. significant donations to the department’s collections The project is expected to run through 2014 and this year. Elise Goodman from the University of will result in the digitization and display of more than Cincinnati gave her archive of French eighteenth- half of the Gallery’s collections.

[ 3 5 ] National Gallery of Art 2010

Center for Advanced Study in the Visual Arts

he Center for Advanced Study in the Visual The launch of this volume was marked by a lecture Arts, founded in 1979, sponsors the study of presented by Laurie Olin, principal of OLIN Partnership and the visual arts in each of its four program practice professor of landscape architecture and regional areas: fellowships, research, publications, and planning at the University of Pennsylvania. scholarly meetings. In the program of special meetings, the Center sponsored a TDuring its thirtieth academic year, the Center welcomed two-day Robert H. Smith Colloquy, Tullio Lombardo and the scholars from Israel, France, Italy, the Republic of Georgia, High Renaissance in Venice, in conjunction with the exhibition Spain, Canada, Turkey, the Netherlands, the United An Antiquity of Imagination: Tullio Lombardo and Venetian High Kingdom, and the United States. The topics of their Renaissance Sculpture. research ranged from the women warriors of Dahomey, a The Center also cosponsored, with University of Maryland, kingdom today in the Republic of Benin, to women and the fortieth Middle Atlantic Symposium in the History of modernity in print culture in nineteenth-century France, Art, with papers delivered by graduate students from eight from the Plaza de las Tres Culturas and the adjacent participating departments. Tlatelolco public housing complex in Mexico City, to the This year’s biennial Wyeth Lecture in American Art, development of Tibetan Buddhist pilgrimage culture in the supported by the Wyeth Foundation for American Art, was holy mountain range of Wutai Shan in northern China, and presented by Richard J. Powell of Duke University under the from the art of Anglo-Swiss painter Henry Fuseli to the title “Minstrelsy ‘Uncorked’: Thomas Eakins’ Empathetic iconography of Saint Francis of Assisi as developed in Realism.” Professor Powell’s lecture, which will be made Andean painting and sculpture. available as a video podcast, was followed the next day by an In the program of publications, one new volume was incontro entitled “Minstrelsy and the Art of Kara Walker.” published in the series Studies in the History of Art, volume Roger Taylor, of De Montfort University, the Center’s 75, The Woodcut in Fifteenth-Century Europe, edited by Peter seventh Edmond J. Safra Visiting Professor, led the third Parshall. Studies in the History of Art, volume 69, The Art of A. W. Mellon Colloquy in Modern and Contemporary Art, Natural History: Illustrated Treatises and Botanical Paintings, entitled “Three Perspectives: The Commissions of Roger 1400–1850, edited by Therese O’Malley and Amy R. W. Fenton, Linnaeus Tripe, and Timothy O’Sullivan.” The A. W. Meyers, was reprinted in soft cover to meet demand from Mellon colloquies are designed to bring together small groups readers. The Accademia Seminars: The Accademia di San Luca in of emerging scholars and curators for the intense analysis of Rome, c. 1590–1635, edited by Peter M. Lukehart, is the works of art in various media under the direction of visiting second volume in the new Seminar Papers series. professors and Gallery curators. The launching of the Web site The History of the Accademia The fifty-ninth A. W. Mellon Lectures in the Fine Arts, di San Luca, c. 1590–1635: Documents from the Archivio di Stato delivered by Mary Miller of Yale University under the series di Roma (www.nga.gov/casva/accademia), which occurred in title “Art and Representation in the Ancient New World,” tandem with the publication of the Seminar Series volume, were recorded as audio podcasts and will be published by was celebrated in a two-part program at the Gallery and at Princeton University Press. Helen Vendler’s A. W. Mellon the Archivio di Stato in Rome. The Web site forms part of a Lectures, the fifty-sixth in the series, were published by long-term research project directed by Peter M. Lukehart. Princeton University Press in Bollingen Series XXXV. The The results of a second long-term research project, directed volume is entitled Last Looks, Last Books: Stevens, Plath, Lowell, by Therese O’Malley, appeared this year as Keywords in Bishop, Merrill. American Landscape Design, a richly illustrated reference work For more on the Center’s programs, see the annual report, published jointly by Yale University Press and the Gallery. Center 30, available online at www.nga.gov/resources/casva.shtm.

[ 3 6 ]

An improved detail of Bernard van Orley’s Christ among the Doctors (obverse) is captured using the infrared reflectogram imaging system. National Gallery of Art 2010

PESERVINGR

ainting conservators completed twenty-three online second edition of Dutch Paintings of the Seventeenth major treatments, forty-four minor treatments, Century as well as work on the catalogs of thirteenth-, twenty major examinations, and thirty-seven fourteenth-, and sixteenth-century Italian and nineteenth- minor examinations, as well as minor examina- century French paintings. Object conservators and conservation tions of paintings in fifty-seven galleries. scientists concluded Edgar Degas Sculpture, contributing three PInfrared reflectography was used in the examination of essays, fifty-two technical notes, and the concordance. sixty-eight paintings. Paper conservators completed twenty-four major treatments, Conservators were able to take advantage of the renovations 148 minor treatments, and 700 examinations of prints, drawings, to the nineteenth-century French galleries and treat six and bound volumes. The photograph conservator completed paintings. Paul Gauguin’s Still Life with Peonies and Brittany three major treatments, fifty-six minor treatments, and 398 Landscape, Edouard Manet’s George Moore in the Artist’s Garden, examinations. The contract photograph conservator, funded Claude Monet’s The Cradle, and Auguste Renoir’s Pont Neuf, by the Samuel H. Kress Foundation, treated 368 photographs Paris and A Girl with a Watering Can revealed their brilliance and eleven albums and examined twenty-four albums from after grime and discolored varnish were removed. The earlier the Gallery’s Library Image Collections. Framers prepared Circle of Jacques-Louis David Portrait of a Young Woman in 1,421 mounts, framed or unframed 1,349 works of art, White, treated for the Chester Dale exhibition, provided constructed 133 frames, and made 209 special structures for complex inpainting challenges. Six seventeenth-century artworks on temporary display or in storage. The department Netherlandish paintings were conserved: Sir Anthony van continued integrating 5,250 works acquired from the Reba Dyck’s Susanna Fourment and Her Daughter, Gabriel Metsu’s and David Williams’ Collection of American Prints into the The Intruder, Willem Kalf’s Still Life, Willem van Aelst’s Still Gallery’s holdings. Staff and contract conservators and framers Life with Dead Game, Cornelis Verbeeck’s Spanish Galleon unframed 587 prints, removed poor-quality tape from 850 Firing its Canons, and Gerbrand van den Eeckhout’s The Levite prints, and completed 216 minor treatments. at Gibeah. The treatment of Thomas Gainsborough’s Mrs. The paper conservation department contributed to several Richard Brinsley Sheridan provided important technical important exhibitions this year, including German Master findings, and Henry Fuseli’s Oedipus Cursing His Son, Polynices Drawings from the Wolfgang Ratjen Collection, 1580–1900. While required complex inpainting decisions during treatment. paper conservators removed or disguised disfiguring stains Three American paintings were treated: Gilbert Stuart’s in exquisite watercolors by Caspar David Friedrich, Henrietta Marchant Liston, George Bellows’ The Lone Tenement, Johann Georg von Dillis, and Friedrich Salathé, framers and William Merritt Chase’s A Friendly Call. Three Italian prepared mounts and touched up damages in frames. Renaissance and two Northern Renaissance paintings were For Hendrick Avercamp: The Little Ice Age old repairs in the treated: a Madonna and Child by the Follower of Fra Filippo watercolor and gouache drawing Winter Games on the Frozen Lippi and Pesellino, Orpheus by an Anonymous Venetian, River Ijssel were restored. Andrea del Castagno’s Portrait of a Man, Jan Gossaert’s Saint This year a photograph conservation department was Jerome Penitent, and Bernard van Orley’s double-sided established thanks to a grant from the Andrew W. Mellon panel Christ among the Doctors and, on the reverse, Putto with Foundation. The six-year grant will allow the Gallery to hire Arms of Jacques Coëne. two photograph conservators and a scientist devoted to the Research for systematic catalogs continued at a steady pace. study of photographic materials, which will greatly expand the Painting conservators completed technical entries for the Gallery’s capacity to care for its vast collections.

[ 3 9 ] Embedded surface dirt and grime are removed from Gianfrancesco Susini’s The Young Saint John the Baptist. p r e s e r v i n g

The Art of Power: Royal Armor and Portraits from Imperial Spain were completed early in the year. Additional exhibition projects included Arcimboldo, 1526–1593: Nature and Fantasy and The Sacred Made Real: Spanish Painting and Sculpture 1600–1700. Loans and exhibition conser- vators prepared documents and images for the National Gallery, London project that provides public access to historical and technical information on the paintings of Raphael. This task was completed for Saint George and the Dragon, Bindo Altoviti, and The Small Cowper Madonna. In addition, twenty-five micro-climate, acid-proof, and water-proof packages were Old and discolored restoration layers are removed from constructed. Frame conservators completed 177 minor the fifteenth-century Florentine Madonna and Child. treatments and nine major treatments. Two major treatments were a large elaborate Louis XIV style Object conservators completed 155 major and frame for Susanna Fourment and Her Daughter by Van minor treatments and 500 examinations. Of particular Dyck and the design and construction of single black importance was the long-awaited conservation of the and gold frame for exhibiting two seventeenth- fifteenth century Florentine Madonna and Child and century panels depicting a battle between a Dutch the carved marble The Young Saint John the Baptist and a Spanish ship. by Gianfrancesco Susini. An in-depth technical exam- Following treatment, the tapestry Variation Sur ination in collaboration with Gallery scientists helped “Aubette” created by the Atelier Picaud Aubusson determine the original paint layering on the painted Tapestry Factory after Jean Arp returned to view in and gilded terra-cotta Madonna, enabling conservators the East Concourse. to return its surfaces to the accurate coloration. Textile conservation completed a survey of fifteenth- Research also revealed that the relief is unique in and sixteenth-century Netherlandish tapestries. its wood back construction and that its detailed Return from the Hunt, Christ and the Woman Taken in craftsmanship suggests an important commission for Adultery, The Procession to Calvary, and The Four Cardinal a wealthy patron. Virtues, as well as the eighteenth-century Flemish/ The effort to protect the surface of outdoor sculp- French tapestry Apollo and Daphne were all part of the ture continues, with four of the largest sculptures multi-phased project. at various stages of treatment using the most durable Investigation of Robert Rauschenberg’s Hoarfrost and up-to-date paint formulations designed in Editions continues. Exploration of the fugitive nature collaboration with the Army Research Laboratory. of solvent transferred media on silk, in various states, is Several recent acquisitions required the department’s part of the textile conservation department’s current attention, particularly Nam June Paik’s Ommah and collaborative analysis with Stanford University’s SLAC Roxy Paine’s Graft. National Accelerator Laboratory and the Straus Center, Conservators enhanced the body of technical analyses Harvard Art Museums. on Renaissance bronzes, specifically sculptures by the The conservation division’s art materials collection sixteenth-century sculptor Pier Jacopo Alari Bonacolsi, now includes more than 18,000 catalogued items. called “Antico.” The findings will be published to The collection is being prepared for the next phase coincide with an exhibition in 2011. of its development that will provide public access The department of loans and exhibitions completed on the Gallery’s Web site to information about items more than 1,200 incoming and outgoing exams in the collection. for exhibitions. Responsibilities for Afghanistan: The scientific research department provided support Hidden Treasures from the National Museum, Kabul and for many challenging treatments while also undertaking

[ 4 1 ] National Gallery of Art 2010

research projects. A major study was undertaken The work resulted in a major publication demonstrating for the catalogue of the upcoming Gabriël Metsu the capabilities of the method by mapping and exhibition. Also completed this year, a study of materials identifying many of the pigments used in Pablo and techniques of Willem van Aelst’s paintings in the Picasso’s Harlequin Musician. A comprehensive study of Netherlands, the United Kingdom, and the United the luminescence properties of cadmium pigments in States in collaboration with the Museum of Fine Arts, the visible and near infrared was undertaken and Houston will appear in the catalogue of an upcoming applied successfully to in situ identification and map- monographic exhibition. ping of these pigments in Study for “Le Tournesol (The The study of the optical properties of varnishes, in Sunflower)” by Edward Steichen. All results from imaging collaboration with the National Institute of Standards techniques were verified against those from X-ray and Technology and the Université Pierre et Marie fluorescence spectrometry, fiber optics reflectance Curie, Paris, was concluded, and a final paper on the spectroscopy, polarized light microscopy, and scanning study was published. electron microscopy/energy dispersive spectroscopy. The study of more than 100 modern synthetic In the ongoing study of the formation of brown organic pigments by laser desorption ionization mass lines at the wet-dry interface in paper, or “tidelines,” spectrometry, Raman spectroscopy, and X-ray powder the formation of hydroxyl radicals through a reaction diffraction continued. Two papers on the study, which with terephthalic acid to form 2-hydroxy-terephthalic occurred in collaboration with the United States Naval acid, identified and quantified using reverse phase Academy, were published. high performance liquid chromatography with Visible and infrared imaging spectroscopy to map mass spectrometry and fluorescence detection, was and help identify artist materials in paintings and examined. This study occurs in collaboration with illuminated manuscripts in situ, funded by the Andrew the Centre de Recherche sur la Conservation des W. Mellon and Samuel H. Kress foundations, continued. Collections in Paris.

Minor losses are inpainted during treatment of Sir Anthony van Dyck’s Isabella Brant.

[ 4 2 ]

2010 REVIEW Treasurer’s report

ith economic data signaling the technical end of the recession at the end of 2009, the slow return of consumer confidence helped restore a measure of the Gallery’s prior year losses through both Wmarket gains and increased private contributions. The Gallery maintained a conservative position on spending and management of funds to continue the preservation of core assets and sustain liquidity. The Gallery’s investment portfolio endured the volatility of the market through the fiscal year and attained a favorable gain. The crucial support of the President and Congress, through the ongoing appropriations of federal funds, has allowed the Gallery to continue to serve the United States of America in a national role by preserving, collecting, exhibiting, and fostering the understanding of works of art, at the highest possible museum and scholarly standards. Federal funds are the main source of support for the continuous repair and restoration of the Gallery’s two landmark buildings, the National Gallery Sculpture Garden, and the grounds. Without this fundamental support, fulfillment of the Gallery’s mission would not be possible. In fiscal year 2010, the Gallery also received vital support and funding for the emergency repair of the marble façade of the East Building. The multi-year project will allow for the removal of the East Building’s 16,200 marble panels, building of a new support structure for the panels, and reinstallation of the panels on the thirty-two-year-old building. The Gallery’s federal support is provided for by the 1937 Joint Resolution of Congress, which accepted Andrew W. Mellon’s unprecedented gift to the nation of his art collection, the funds to construct the West building, and an endowment fund; the Joint Resolution pledged the faith of the United States to provide funds for the operations and maintenance of the Gallery free of charge to the public 363 days a year.

i s c u s s i o n o f o p e r a t i n g r e s u l t s For fiscal year 2010, the Gallery reported a net operating surplus of $1.1 million, compared to an $11.6 operating loss in the prior year. The Gallery’s Doverall revenues increased $14.0 million or 10.1 percent in 2010, while operating costs and expenses increased 0.9 percent. The investment portfolio achieved a total return of 9.7 percent, with strong performance across all holdings. Fiscal year 2010 appropriated funds supported necessary expenditures including increases in salary costs and fringe benefits of Gallery employees, as well as utilities and repair and maintenance expenses for the operations and maintenance of the Gallery. Work continued on the comprehensive Master Facilities Plan, which has been designed to address needed improvements to our galleries, public spaces, and infrastructure and provide for the restoration of both the East and West Buildings. During fiscal year 2010, the Gallery completed the construction of the first phase of Work Area 4, creating a new accessible service entrance in the West Building. Design was completed for the second phase of Work Area 4; fire suppression and mechanical improvements were made; and enhancements to the West Building wheelchair lift were completed. On the East Building Exterior Stone Repairs project, a critical federal renovation project, design was completed and a construction contract was awarded. The Gallery’s goal is to offer visitors the widest range of visual experiences through a schedule of special exhibitions that are organized and presented by the Gallery to augment existing strengths in the collection and to provide the opportunity to focus on material of exceptional merit from other cultures and periods. In fiscal year 2010, the Gallery’s special exhibitions gave visitors the opportunity to enjoy hundreds of masterpieces

[ 4 2 ] National Gallery of Art 2010

loaned by public and private collections throughout the world. The Gallery organized and presented twenty-three special exhibitions; among the highlights presented in fiscal year 2010 were: The Robert and Jane Meyerhoff Collection: Selected Works; From Impressionism to Modernism: The Chester Dale Collection; The Sacred Made Real: Spanish Painting and Sculpture 1600–1700; Hendrick Avercamp: The Little Ice Age; and Arcimboldo, 1526–1593: Nature and Fantasy. The federal government appropriation, as well as the indemnity program of the Federal Council on the Arts and Humanities, is a major factor in supporting the Gallery’s special exhibitions program. In fiscal year 2010, three exhibitions received this federal indemnity, making it possible for the Gallery to present exhibitions of the size and caliber that simply would not be possible without this crucial program. The Gallery enjoyed attendance of 4.6 million visitors in fiscal year 2010.

p e r a t i n g r e s u l t s Fiscal year 2010 operating revenue totaled $153.5 million, an increase of $14.0 million, or 10.1 percent over the previous year. Most of this increase was a result of increased operating gifts and Oinvestment return designated for operations. The Gallery’s investment portfolio recognized a total return of 9.7 percent. A portion of the total investment return is designated annually to support the ongoing operations while the remaining gains are reinvested to protect and grow the portfolio to offset inflation and future economic uncertainty. Non-operating support, including gifts and grants designated for special purposes, art acquisitions, and endowment funds increased in 2010 by $73.8 when compared to the prior year, largely due to the appropriation for the East Building façade repair and improved investment performance. Operating expenses of $152.4 million for fiscal year 2010 were 0.9 percent higher than the previous year due to increases in salary and benefits costs, utilities, and other services. Federal appropriated funds totaling $116.1 were utilized for the operation, maintenance, security, and renovation of the Gallery.

t a t e m e n t o f f i n a n c i a l p o s i t i o n The Gallery’s financial position grew stronger in fiscal year 2010 with net assets increasing $89.5 million or 11.6 percent. This was largely due to the strong performance of the investment Sportfolio in 2010 compared with the portfolio’s performance in 2009 and the appropriated funds received for the repair and reinstallation of the East Building façade. The investment portfolio, which includes funds for operations, special purpose funds, and endowment funds, increased $46.5 million in fiscal year 2010 to $630.5 million. The auditor’s report and the statements of financial position, activities, and cash flows for the Gallery for the years ended September 30, 2010 and 2009 are presented on the following pages.

Diane C. Mullis Acting Treasurer

[ 4 3 ] REPORT OF INDEPENDENT AUDITORS

TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART

n our opinion, the accompanying statements of financial position and the related statements of activities and cash flows, present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) at September 30, 2010, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted in the United States of America.I These financial statements are the responsibility of the Gallery’s management; our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery’s 2009 financial statements and in our report dated November 16, 2009 we expressed an unqualified opinion on those financial statements. We conducted our audit of these statements in accordance with auditing standards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion. In accordance with Government Auditing Standards, we have also issued a report dated November 15, 2010, on our consideration of the Gallery’s internal control structure and its compliance with laws and regulations.

November 15, 2010

[ 4 4 ] Financial statements

STATEMENTS OF FINANCIAL POSITION September 30, 2010 and 2009 with summarized financial information as of September 30, 2009 (in thousands) TOTAL

ASSETS PRIVATE FUNDS FEDERAL FUNDS 2010 2009 Cash and cash equivalents $ 4,097 $ 78,155 $ 82,252 $ 49,286 Accounts receivable, net 629 – 629 1,376 Pledges receivable, net 10,979 – 10,979 17,118 Investments 630,488 – 630,488 584,010 Trusts held by others 12,665 – 12,665 11,207 Publications inventory, net 1,214 – 1,214 1,282 Deferred charges and other assets 3,528 23 3,551 4,565 Fixed assets, net 60,932 137,675 198,607 195,343 Art collections – – – – Total assets $ 724,532 $ 215,853 $ 940,385 $ 864,187

LIABILITIES AND NET ASSETS

Liabilities: Accounts payable and accrued expenses $ 11,005 $ 34,556 $ 45,561 $ 40,630 Capital lease obligation – 1,532 1,532 1,716 Contractual obligations 15,800 – 15,800 33,688 Asset retirement obligation – 19,612 19,612 19,746 Total liabilities 26,805 55,700 82,505 95,780

Net assets: Unrestricted Investments in fixed assets, net of accumulated depreciation and amortization 60,932 136,143 197,075 193,627 Future funded expenses recognized – (32,895) (32,895) (31,837) Total undesignated 60,932 103,248 164,180 161,790

Designated for collections and art purchases 26,021 – 26,021 9,781 Designated for special exhibitions 11,322 – 11,322 10,218 Designated for capital projects 16,050 – 16,050 15,123 Designated for education and public programs 12,437 – 12,437 7,414 Designated for other operating purposes 65,042 – 65,042 50,431 Designated for publications, including systematic catalogues 15,354 – 15,354 16,893 Total designated 146,226 – 146,226 109,860 Total unrestricted 207,158 103,248 310,406 271,650

Temporarily restricted 120,172 56,905 177,077 131,409 Permanently restricted 370,397 – 370,397 365,348 Total net assets 697,727 160,153 857,880 768,407

Total liabilities and net assets $ 724,532 $ 215,853 $ 940,385 $ 864,187

The accompanying notes are an integral part of these financial statements.

[ 4 5 ] National Gallery of Art 2010

STATEMENTS OF ACTIVITIES for the years ended September 30, 2010 and 2009 with summarized financial information for the year ended September 30, 2009 (in thousands)

UNRESTRICTED TOTAL PRIVATE FEDERAL temporarIly permanently OPERATING funds funds Total restrIcted restrICTED 2010 2009 Support and revenue: U.S. Government appropriation $ – $ 103,966 $ 103,966 $ 3,386 $ – $ 107,352 $ 103,930 Gifts and grants 7,765 – 7,765 7,666 – 15,431 9,330 Gallery shop sales, net 7,072 – 7,072 – – 7,072 7,772 Investment return designated for operations 11,588 – 11,588 10,567 – 22,155 16,963 Royalties and other income 1,523 – 1,523 – – 1,523 1,505 27,948 103,966 131,914 21,619 – 153,533 139,500 Net assets released from restrictions to fund operating expenses 15,619 3,427 19,046 (19,046) – – – Total support and revenue 43,567 107,393 150,960 2,573 – 153,533 139,500

O pERATINg expenses: Program Services: Collections 5,302 38,582 43,884 – – 43,884 42,596 Special exhibitions 3,543 16,283 19,826 – – 19,826 21,918 Education, gallery shops, and public programs 15,727 29,473 45,200 – – 45,200 44,710 Editorial and photography 2,379 3,422 5,801 – – 5,801 5,519 Total program services 26,951 87,760 114,711 – – 114,711 114,743

Supporting Services: General and administrative 6,193 26,642 32,835 – – 32,835 31,684 Development 3,129 1,732 4,861 – – 4,861 4,665 Total supporting services 9,322 28,374 37,696 – – 37,696 36,349 Total expenses 36,273 116,134 152,407 – – 152,407 151,092 Increase (decrease) in net assets from operating activities 7,294 (8,741) (1,447) 2,573 – 1,126 (11,592)

NON-OPERATING U.S. Government appropriation – – – 56,259 – 56,259 17,368 Non-operating gifts and grants – – – 5,222 4,501 9,723 17,091 Provision for bad debts – – – (500) – (500) (2) Other income – – – – – – 163 Changes in value of trusts held by others (835) – (835) 14 548 (273) (76) Investment return in excess of amount designated for operations 18,507 – 18,507 18,508 – 37,015 (6,166) Reclassifications of net asset balances (321) – (321) 321 – – – Net assets released from restrictions to fund non-operating expenses 22,369 14,360 36,729 (36,729) – – – Change in net assets from non-operating activities before acquisitions of works of art 39,720 14,360 54,080 43,095 5,049 102,224 28,378 Acquisitions of works of art (13,877) – (13,877) – – (13,877) (31,678) Increase (decrease) in net assets 33,137 5,619 38,756 45,668 5,049 89,473 (14,892) Net assets at beginning of the year 174,021 97,629 271,650 131,409 365,348 768,407 783,299 Net assets at end of the year $ 207,158 $ 103,248 $ 310,406 $ 177,077 $ 370,397 $ 857,880 $ 768,407

The accompanying notes are an integral part of these financial statements.

[ 4 6 ] National Gallery of Art 2010

STATEMENTS OF CASH FLOWS for the year ended September 30, 2010 with summarized financial information as of September 30, 2009 (in thousands) TOTAL Cs loa h f ws from operating activities: PRIVATE FUNDS FEDERAL FUNDS 2010 2009 Increase (decrease) in net assets $ 41,996 $ 47,477 $ 89,473 $ (14,892) Astdju ments to reconcile increase (decrease) in net assets to net cash provided by (used in) operating activities: Depreciation and amortization 3,473 6,682 10,155 9,663 Amortization of discount on pledges receivable (390) – (390) (544) Amortization of discount on contractual obligations 725 – 725 1,092 Provision for bad debts 500 – 500 2 Contributions and net investment income for permanently restricted investments (6,292) – (6,292) (3,767) U.S. Government appropriations for renovation projects – (56,259) (56,259) (17,368) Gifts and grants for art acquisitions and capital projects (8,636) – (8,636) (18,399) Acquisitions of works of art 33,627 – 33,627 32,238 Realized (gains) losses on sale of investments (21,863) – (21,863) 22,712 Unrealized gains on investments (34,106) – (34,106) (28,425) (Increase) decrease in value of trusts held by others (1,458) – (1,458) 232 Decrease in accounts receivable, net 747 – 747 1,108 Decrease in pledges receivable, net 6,029 – 6,029 5,166 Decrease in publications inventory, net 68 – 68 390 Decrease (increase) in deferred charges and other assets 387 (23) 364 (3,311) (Decrease) increase in accounts payable and accrued expenses (78) 4,688 4,610 (941) (Decrease) increase in contractual obligations (200) – (200) 10,000 Increase in asset retirement obligation – 847 847 882 Asset retirement remediation payment – (981) (981) (286) Net cash provided by (used in) operating activities 14,529 2,431 16,960 (4,448)

CASFLOH WS FROM INVESTING ACTIVITIES: Purchase of investments (59,880) – (59,880) (82,469) Proceeds from sale of investments 69,371 – 69,371 113,815 Acquisitions of works of art (33,627) – (33,627) (32,238) Purchase of fixed assets (244) (12,854) (13,098) (14,064) Collection of notes receivable 650 – 650 - Net cash used in investing activities (23,730) (12,854) (36,584) (14,956)

Cs loa h f ws from financing activities: Contributions and net investment income for permanently restricted investments 6,292 – 6,292 3,767 U.S. Government appropriation for renovation projects – 56,259 56,259 17,368 Gifts and grants for art acquisitions and capital projects 8,636 – 8,636 18,399 Principal payment on capital lease obligation – (184) (184) (168) Payments on contractual obligations (18,413) – (18,413) (9,213) Net cash (used in) provided by financing activities (3,485) 56,075 52,590 30,153 Net (decrease) increase in cash and cash equivalents (12,686) 45,652 32,966 10,749 Cash and cash equivalents, at beginning of year 16,783 32,503 49,286 38,537

Cash and cash equivalents, at end of year $ 4,097 $ 78,155 $ 82,252 $ 49,286

Sppleu mental disclosure of cash flow information: Cash paid during the year for: Interest on capital lease $ – $ 157 $ 157 $ 172 Income taxes $ – $ – $ – $ 30

Sppleu mental disclosure of non-cash information: Donated investment securities $ 1,350 $ – $ 1,350 $ 1,394 Donated building $ – $ – $ – $ 3,300 Fixed asset additions included in accounts payable $ – $ 1,568 $ 1,568 $ 1,247

The accompanying notes are an integral part of these financial statements

[ 4 7 ] n o t e s (in thousands)

1. ORGANIZATION This is supplemented with income from should be read in conjunction with the endowments designated for current Gallery’s financial statements for the year The National Gallery of Art (the Gallery) operating expenditures as well as gifts and ended September 30, 2009 from which the was created in 1937 for the people grants designated by the donors for other summarized information was derived. of the United States of America by a specific expenditures. (All monies, related joint resolution of Congress, accepting activities and balances from federal sources NET ASSETS the gift of financier and art collector are referred to herein as “federal,” while all The Gallery’s net assets, support and revenue, Andrew W. Mellon. other monies, related activities, and bal- expenses, gains, and losses are classified The Gallery serves the United States in ances are referred to herein as “private.”) All based on the existence or absence of a national role by preserving, collecting, identified inter-fund transactions have been donor-imposed restrictions. Accordingly, exhibiting, and encouraging the under- eliminated from the financial statements. net assets of the Gallery are classified and standing by the American public of reported as follows: original, great works of art. This mission MEASURE OF OPERATIONS Unrestricted net assets include “one-year” and standard of excellence is central to The Gallery includes in its measure of federal appropriations and all other every activity of the Gallery, from caring operations all federal and private support resources, which are not subject to donor- for and strengthening the collection and revenue and expenses that are integral imposed stipulations. One-year federal to presenting special exhibitions and to its core program services: collections; appropriations which are not obligated organizing public programs. special exhibitions; education, Gallery or expended are retained by the Gallery A substantial portion of the Gallery’s shops, and public programs; and editorial in accordance with federal guidelines. operations is funded from annual and photography. The measure of opera- At the discretion of the Gallery’s Board of federal appropriations. Since its founding, tions excludes certain non-operating Trustees, private funds which are not federal funds ensure the operation and activities such as non-operating gifts and expended for operating activities may be maintenance and the protection and care of grants, investment return in excess of set aside in designated reserves and the nation’s art collection enabling the amounts designated for operations, and earmarked to cover future program costs Gallery to remain open 363 days a year at acquisitions of works of art. or other contingencies. no charge to visitors. The Gallery also The Gallery’s Board of Trustees designates The Gallery has recognized for Generally receives federal appropriations for the only a portion of the Gallery’s cumulative Accepted Accounting Principles(GAAP) repair and restoration of its facilities. investment return for support of current reporting purposes liabilities for federal In addition to federal appropriations, operations; the remainder is retained to employee benefits and the asset retirement the Gallery receives private donations and support operations of future years and offset obligation. These future funded expenses earns income from investments. Private potential market declines. The amount are funded by U.S. government appropria- donations from individuals, foundations designated (a portion of which is computed tions only when the expense is incurred at and corporations have provided support under the spending policy) and all interest a date still to be determined in the future. for art acquisitions and conservation, income earned by investing cash in excess Temporarily restricted net assets carry scholarly and scientific research, exhibitions, of daily requirements are used to support specific donor-imposed stipulations on the and education outreach programs. current operations (see Note 6). expenditure or other use of the contributed funds. In addition, the Gallery’s “no-year” 2.SUMMARY OF SIGNIFICANT SUMMARIZED FINANCIAL INFORMATION federal appropriations for special ACCOUNT POLICIES The financial statements include certain exhibitions, emergency response, and summarized prior-year information in for the repair, renovation, and restoration GENERAL total only, but not by net asset class. Such of its buildings are classified as temporarily The National Gallery of Art receives annual information does not include sufficient restricted net assets. appropriations to cover its core programs detail to constitute a presentation in Temporary restrictions may expire by and renovation of its buildings as part conformity with accounting principles the passage of time or as a result of fulfill- of the budget approved annually by generally accepted in the United States of ment of the donor’s stipulations. For gifts Congress and signed by the President. America. Accordingly, such information restricted for capital additions, net assets

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are released when capital expenditures the Gallery applies procedures to assess that purpose. No value has been assigned are incurred. the valuation including comparing in the accompanying financial statements. Permanently restricted net assets have performance to relevant market indices Buildings are recorded at cost and depreci- donor-imposed stipulations that require and verifying the underlying asset ated on a straight-line basis over the that the corpus of the gifts be retained values to quoted market prices. Due to estimated useful life of fifty years. Building permanently. In some cases, the donor has the uncertainty of valuation of these improvements, equipment, furniture, and also permanently restricted the use of excess alternative investments, their values may computer software are also recorded at income and any realized or unrealized differ from values that would have cost and depreciated on a straight-line gains attributable to the corpus. been used had a ready market for the basis over the estimated useful lives investments existed. ranging from five to twenty-five years. CASH AND CASH EQUIVALENTS Purchases and sales of securities are Upon retirement of fixed assets, the related Cash and cash equivalents include interest- reflected on a trade-date basis. Gains and cost and accumulated depreciation are bearing demand deposits and appropriated losses on sales of securities are based on removed from the accounts (see Note 9). amounts remaining on deposit with the average historical value (cost of securities if U.S. Treasury. The Gallery considers all purchased or the fair market value at the ART COLLECTIONS highly liquid investments with an original date of gift if received by donation). The Gallery’s art collections focus maturity of three months at the date of Dividend and interest income is recorded upon European and American paintings, purchase or less to be cash equivalents, when earned on an accrual basis. In sculpture, and works on paper. In except where such cash equivalents are accordance with the policy of stating conformity with accounting policies held as part of a long-term investment investments at fair value, the net change in generally followed by art museums, the strategy (see Notes 3 and 6). unrealized appreciation or depreciation for value of art has been excluded from the the year is reflected in the statement of statement of financial position. PLEDGES RECEIVABLE activities (see Notes 6 and 19). The Gallery’s collections are maintained Unconditional promises to contribute to for public exhibition, education, and the Gallery in the future (pledges receiv- TRUSTS HELD BY OTHERS research in furtherance of public service, able) are recorded at the fair value of The Gallery has been named as beneficiary rather than for financial gain. future cash flows, after providing in several irrevocable charitable trusts held The Gallery acquires its art collections an allowance for uncollectibility. For by third parties. The Gallery’s share of through purchase or by donation-in-kind. unconditional promises to give recog- these trusts is recorded at current fair value. Only current year purchases made from nized prior to October 1, 2008, a risk-free Income distributions from these trusts are specifically designated funds, not donations- rate of return at the date of the gift was recorded as investment income and changes in-kind, are reflected in the statement of used. For unconditional promises to give in the value of these trusts are recorded as activities. The Gallery does not deaccession recognized on or after October 1, 2008, a “changes in the value of trusts held by any of its permanent collections. discount rate approximating the market others” in the statement of activities. rates for unsecured borrowing as required ACCRUED LEAVE by a newly adopted accounting standard PUBLICATIONS INVENTORY Annual leave is accrued as it is earned by related to fair value determination is used Publications inventory is carried at the employees and is included in personnel (see Note 19). Conditional promises to lower of cost or market. Cost is determined compensation and benefit costs. An give are recognized as income when the using the average cost method. unfunded liability as of the date of the conditions stipulated by the donor are financial statements is recognized for substantially met. DEFERRED CHARGES AND OTHER ASSETS earned but unused annual leave by federal The Gallery defers recognition of private employees since this annual leave will be INVESTMENTS expenses incurred in connection with paid from future federal appropriations Investments are generally reported at fair future special exhibitions and other when the leave is used by employees. value. Common and preferred stocks and activities until the period in which the The amount accrued is based upon mutual funds are valued using readily exhibition or activity occurs. Other assets current pay of the employees. determinable market prices. Alternative largely represent a private asset contribution investments are reported at the estimated to the Gallery which is recorded at fair EMPLOYEE BENEFITS fair value as provided by the investment value at the date of the gift. The Federal Accounting Standards managers. The Gallery reviews and evaluates Advisory Board issued Statement of valuation methods and assumptions the FIXED ASSETS Federal Financial Accounting Standards investment managers use in determining The land occupied by the Gallery’s No. 5 (SFFAS No. 5), “Accounting for the fair value. For investments valued based buildings was appropriated and reserved Liabilities of the Federal Government,” which on manager reported net asset values, by the Congress of the United States for requires employing agencies to recognize

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the cost of pensions and other retirement the law requires certain costs of retirement imposed restrictions, gifts of long-lived benefits during their employees’ active programs to be paid by OPM and certain assets are reported as unrestricted revenue. years of service. The pension expense legal judgments against the Gallery to be recognized in the Gallery’s financial paid from the Judgment Fund maintained FUNCTIONAL ALLOCATION OF EXPENSES statements is equal to the current service by Treasury. Costs that are identifiable to The cost of providing various programs cost for the Gallery’s employees for the the Gallery and directly attributable to and other activities has been summarized accounting period less the amount the Gallery’s operations are paid by these on a functional basis in the statement contributed by the employees. The Federal agencies. of activities. Certain costs including measurement of the pension service cost depreciation, utilities, building mainten- requires the use of an actuarial cost method FAIR VALUE MEASUREMENTS ance, security, and other operating costs and assumptions with factors applied by In September 2006 the Financial Acco- have been allocated among program and the Gallery. These factors are supplied by unting Standards Board (FASB) issued supporting services. the Office of Personnel Management Accounting Standards Codification (ASC) Included under the Collections category (OPM), the agency that administers the Topic 820, “Fair Value Measurements and are the costs of the care and display of the plan. The excess of the recognized pension Disclosures” (ASC Topic 820) which defines Gallery’s collections. Special exhibition expense over the amount contributed by fair value, provides a framework for expenses include travel, transportation of the Gallery represents the amount being measuring fair value, and expands items, and other services necessary for the financed directly through the Civil Service disclosures about fair value measurements. display of special exhibitions. Education, Retirement and Disability Fund admini- Subsequent to this issuance additional Gallery shops, and public programs stered by OPM. This amount is considered related guidance has been released which includes the cost of providing a wide imputed financing by the Gallery. clarifies the application. array of lectures, tours, films, music, All permanent employees of the Gallery, On October 1, 2008 the Gallery adopted symposia, and academic programs to both federal and non-federal, hired the provisions of ASC Topic 820 for fair the general public, in addition to Gallery subsequent to January 1, 1984 participate value measurements and disclosures of shops cost of goods sold and expenses. in both the Social Security Retirement financial assets and liabilities and for fair Editorial and photography expenses System and the Federal Employees’ value measurements of nonfinancial items include the costs to produce the many Retirement System (FERS). Employees that are recognized or disclosed at fair publications produced by the Gallery. hired prior to January 1, 1984 had the value in the financial statements on a General and administrative expenses option of remaining under the Civil recurring basis. ASC Topic 820 defines include costs for executive management, Service Retirement System (CSRS) or fair value as the price that would be financial administration, information sys- electing FERS. All employees have the received to sell an asset or paid to transfer tems, human resources, and legal services. option to make tax-deferred contributions a liability in an orderly transaction Development expenses include those costs to a Thrift Savings Plan and, in some between market participants at the associated with individual and corporate instances, receive a matching portion measurement date. ASC Topic 820 also gifts and grants, annual appeals, and other from the Gallery. The Gallery funds all established a framework for measuring fundraising efforts. retirement contributions on a current basis, fair value and expands disclosures about and accordingly there are no unfunded fair value measurements (see Note 19). ESTIMATES retirement costs (see Note 16). The preparation of the financial statements, SFFAS No. 5 also requires that the CONTRIBUTED SERVICES AND in conformity with generally accepted Gallery recognize a current-period expense DONATED ASSETS accounting principles, requires manage- for the future cost of post-retirement The Gallery has volunteers who provide ment to make estimates and assumptions health benefits and life insurance for its assistance in various departments. Such that affect the reported amounts of assets employees while they are still working. contributed services do not meet the and liabilities, disclosures of contingencies The Gallery accounts for this expense in criteria for recognition of contributed at the date of the financial statements, and its financial statements in a manner similar services contained in ASC Topic 958, the reported amounts of support and to that used for pension expense, with the “Not-for-Profit Entities,” and accordingly, revenue and expenses during the reporting exception that employees and the Gallery are not reflected in the accompanying period. Actual results could differ from do not make current contributions to fund financial statements. these estimates. these future benefits. Donated assets, which do not become part of the Gallery’s art collections, are RECLASSIFICATIONS IMPUTED FINANCING SOURCES recorded at their fair value at the date Certain prior year balances have been In certain cases, the operating costs of the of the gift. The Gallery does not imply reclassified to conform to current year Gallery are paid out of funds appropriated time restrictions for gifts of long-lived presentation. to other Federal agencies. As an example, assets. As a result, in the absence of donor-

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RECENTLY ISSUED ACCOUNTING share, allowing the Net Asset Value per 3. CASH AND CASH EQUIVALENTS PRONOUNCEMENTS Share (NAV) to be used as a practical In April 2009, FASB issued ASC Topics expedient for fair value where investment As of September 30, 2010 and 2009, cash 820-10-35, 50 and 55 (formerly FAS companies follow the American Institute and cash equivalents include federal cash 157-4), “Determining Fair Value When of Certified Public Accountants (AICPA) of $78,155 and $32,503, respectively, on the Volume and Level of Activity of an Asset or Guide in arriving at their reported deposit with the U.S. Treasury representing Liability Have Significantly Decreased.” This NAV. The Gallery adopted ASU 2009-12 appropriated amounts yet to be disbursed. provides additional guidance on estimating effective October 1, 2009. There are no reconciling items between the fair value of an asset where the level of In January 2010, the FASB issued ASU the amounts recorded by the Gallery and activity has decreased significantly, and No. 2010-06, “Improving Disclosures about on deposit with the U.S. Treasury. affirms that the objective fair value is the Fair Value Measurements.” This amends ASC The Gallery places its cash in a financial price that would be received to sell the 820 (formerly FAS 157-4) to require institution that is federally insured for asset in an orderly transaction, even when additional disclosures. The guidance $250 under the Federal Depository the market for the asset is not active. The requires entities to disclose transfers of Insurance Corporation Act. At September Gallery adopted ASC Topics 820-10-35, 50 assets in and out of Level 1 and 2 of the fair 30, 2010 the aggregate balances were in and 55 effective October 1, 2009. value hierarchy, and the reasons for those excess of the insurance and therefore bear In September 2009, the FASB issued transfers. ASU 2010-06 is effective January, some risk since they are not collateralized. FASB Accounting Standards Update No. 2010. In addition, the guidance requires 2009-12, “Investment in Certain Entities That the separate presentation of purchases and Calculate Net Asset Value per Share” (ASU sales in the Level 3 Asset reconciliation: this 2009-12). ASU 2009-12 (formerly FAS is effective for reporting periods beginning 157-g) amends FASB Statement No. 157, after December 15, 2010. The adoption Fair Value Measure-ments, adds disclosures, of their guidance is not expected to and provides guidance for estimating the have a material impact on the Gallery’s fair value of investments in investment financial statements. companies that calculate net asset value per

4. ACCOUNTS RECEIVABLE, NET As of September 30, 2010 and 2009, accounts receivable consisted of the following:

2010 2009 Accrued investment income $ 389 $ 556 Special exhibition and other program receivables 235 816 Other 54 53 Subtotal 678 1,425 Less: allowances (49) (49) Total $ 629 $ 1,376

5. PLEDGES RECEIVABLE, NET

As of September 30, 2010 and 2009, pledges receivable consisted of the following:

2010 2009 Due in one year or less $ 7,643 $ 12,390 Due between one year and five years 4,032 7,375 Due in more than five years 200 302 Subtotal 11,875 20,067 Less: discounts of $446 and $799 and allowances of $450 and $2,150 respectively (896) (2,949) Total $ 10,979 $ 17,118

As of September 30, 2010 and 2009, $768 and $1,724 of the pledge receivable balance was receivable from related parties. The Gallery has received conditional promises to give of $1,758 and $5,414 as of September 30, 2010 and 2009, respectively.

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6. INVESTMENTS

As of September 30, 2010 and 2009, the fair value of investments consisted of the following:

2010 2009 Loan to the U.S. Treasury $ 5,000 $ 5,000 Common and preferred stocks 78,480 69,255 Mutual funds 147,330 136,784 Alternative investments 399,678 372,971 Total $ 630,488 $ 584,010

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000 permanent loan to the U.S. Treasury. This loan bears interest at 0.25% below the average monthly rate for long-term funds paid by the U.S. Treasury (ranging from 4.0% to 4.13% during fiscal year 2010). Interest income on this loan was $204 and $206 for the fiscal years ended September 30, 2010 and 2009, respectively. Investments in common and preferred stocks and mutual funds, limited partnerships, and limited liability companies consist of the Gallery’s ownership interest in externally managed investment funds, which invest in market-traded equity and fixed income securities. Alternative investments also include the Gallery’s ownership interest in externally managed private equity, venture capital, multi-asset class, and hedge funds which are organized as limited partnerships. The following schedule summarizes the investment return and its classification in the statement of activities for the years ended September, 30 2010 and 2009:

Torarilemp y Permanently 2010 2009 unRestricted Restricted Restricted Total Total Dividends and interest (net of expenses of $ 3,127 and $ 3,334, respectively) $ 847 $ 2,358 $ – $ 3,205 $ 5,084 Net investment appreciation 29,248 26,717 – 55,965 5,713 30,095 29,075 – 59,170 10,797 Appropriated for operations (11,588) (10,567) – (22,155) (16,963) Investment return in excess of amount designated for operations $ 18,507 $ 18,508 $ – $ 37,015 $ (6,166)

7. Publications inventory, net

As of September 30, 2010 and 2009, net publications inventory consisted of the following:

2010 2009 Retail $ 1,229 $ 1,158 Work-in-process 141 266 Consignment 228 248 Subtotal 1,598 1,672 Less: allowance for obsolescence (384) (390) Total $ 1,214 $ 1,282

8. OTHER ASSETS

During fiscal year 2009, the Gallery received real and personal property with an estimated fair value of $3,300 at the date of donation. The Gallery has adjusted the fair value of the property in accordance with ASC Topic 360 “Property, Plant and Equipment” to recognize the estimated costs to sell.

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9. FIXED ASSETS, NET

As of September 30, 2010 and 2009, net fixed assets consisted of the following:

2010 2009 private fUNDS FEDERAL funds total total Buildings and improvements $ 156,310 $ 145,189 $ 301,499 $ 300,474 Equipment 4,609 51,693 56,302 53,883 Construction-in-progress 909 16,248 17,157 7,181 Equipment under capital lease – 2,962 2,962 2,962 Subtotal 161,828 216,092 377,920 364,500 Less: accumulated depreciation and amortization (100,896) (78,417) (179,313) (169,157) Total $ 60,932 $ 137,675 $ 198,607 $ 195,343

Depreciation and amortization expense was $10,155 and $9,663 for the years ended September 30, 2010 and 2009, respectively.

10. ACCOUNTS PAYABLE AND ACCRUED EXPENSES

As of September 30, 2010 and 2009, accounts payable and accrued expenses consisted of the following: 2010 2009 private fUNDS FEDERAL funds total total Accounts payable and accrued expenses $ 1,027 $ 3,223 $ 4,250 $ 4,005 Employee benefits 6,139 17,081 23,220 21,186 Other accrued liabilities 3,839 2,626 6,465 6,813 Due to federal government – 11,626 11,626 8,626 Total $ 11,005 $ 34,556 $ 45,561 $ 40,630

11. CONTRACTUAL OBLIGATIONS

The Gallery has entered into a number of contractual obligations with various parties for the acquisition of art for its collection. These contractual obligations are unsecured, non-interest bearing and require annual payments. As of September 30, 2010 and 2009, contractual obligations consisted of the following:

2010 2009 Contractual obligations $ 16,275 $ 34,888 Less: discounts on contractual obligations (475) (1,200) Total $ 15,800 $ 33,688

Annual payments due during the next two years on contractual obligations are as follows:

Annual Payments 2011 8,325 2012 7,950 Total $ 16,275

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12. U.S. GOVERNMENT APPROPRIATIONS

The Gallery’s U.S. Government appropriation revenue recognized in fiscal year 2010 is reconciled to the U.S. Government appropriations received as follows:

Operating renovation total U.S. Government appropriation revenue recognized $ 107,352 $ 56,259 $ 163,611 Unexpended obligations 8,924 – 8,924 Amounts expended from prior year’s appropriations (5,530) – (5,530) Total U.S. Government appropriations $ 110,746 $ 56,259 $ 167,005

The Gallery’s U.S. Government appropriation in fiscal year 2010 is reconciled to the federal expenses for fiscal year 2010 as follows:

Operating renovation total Total U.S. Government appropriations $ 110,746 $ 56,259 $ 167,005 Appropriations not expended in prior years – 16,089 16,089 Appropriations available 110,746 72,348 183,094 Less appropriations Unexpended (8,924) (57,748) (66,672) Accrued liabilities 52 (1,473) (1,421) Capitalized for GAAP purposes (724) (10,150) (10,874) Appropriations expensed 101,150 2,977 104,127 Add expenses recognized for GAAP purposes Depreciation and amortization 3,117 3,565 6,682 Expenses not funded by appropriations 980 607 1,587 Amounts expended from prior year’s appropriations 3,247 491 3,738 Total federal expenses $ 108,494 $ 7,640 $ 116,134

13. Net ASSETS RELEASED FROM RESTRICTIONS

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2010 2009 Operating Non-operating Operating Non-operating Acquisition of art $ – $ 21,852 $ – $ 20,502 Collections 2,075 – 1,816 – Special exhibitions 2,361 – 5,263 – Education and public programs 4,585 – 4,098 – Editorial and photography 203 – 549 – Capital projects – 517 – 100 Operations 6,395 – 6,579 – Subtotal private funds 15,619 22,369 18,305 20,602 Special exhibitions 3,427 – 3,388 – Capital projects – 14,360 – 13,993 Subtotal federal funds 3,427 14,360 3,388 13,993 Total $ 19,046 $ 36,729 $ 21,693 $ 34,595

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14. ANALYSIS OF RESTRICTED NET ASSETS

As of September 30, 2010 and 2009, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes:

2010 2009 Torarilemp y Permanently Temporarily Permanently Restricted Restricted Restricted Restricted Acquisition of art $ 26,953 $ 72,396 $ 34,026 $ 69,841 Collections 7,203 34,880 4,526 34,130 Special exhibitions 10,865 31,386 7,249 31,142 Education and public programs 35,498 83,644 33,139 83,644 Editorial and photography 268 3,498 317 3,498 Capital projects – – 577 – Operations 39,385 144,593 36,528 143,093 Subtotal private funds 120,172 370,397 116,362 365,348 Special exhibitions and renovation funds 56,905 – 15,047 – Subtotal federal funds 56,905 – 15,047 – Total $ 177,077 $ 370,397 $ 131,409 $ 365,348

15. ENDOWMENTS

The Gallery’s endowment consists of sixty-six individual funds established for a variety of purposes. The endowment includes both donor-restricted endowment funds and funds designated by the Board of Trustees to function as endowments. As required by GAAP, net assets associated with endowment funds, including funds designated by the Board of Trustees to function as endowments, are classified and reported based on the existence or absence of donor-imposed restrictions. The Gallery has interpreted the Uniform Prudent Management of Institutional Funds Act (UPMIFA), effective January 2008 of the District of Columbia, as requiring the preservation of the fair value of the original gift as of the gift date of the donor- restricted endowment funds absent explicit donor stipulations to the contrary. As a result of this interpretation, the Gallery classifies as permanently restricted net assets (a) the original value of gifts donated to the permanent endowment, (b) the original value of subsequent gifts to the permanent endowment and (c) accumulations to the permanent endowment made in accordance with the direction of the applicable donor gift instrument at the time the accumulation is added to the fund. The remaining portion of the donor-restricted endowment fund that is not classified in permanently restricted net assets is classified as temporarily restricted net assets until those amounts are appropriated for expenditure by the Gallery in a manner consistent with the standard of prudence prescribed by UPMIFA. In accordance with UPMIFA, the Gallery considers the following factors when making a determination to appropriate or accumulate donor-restricted funds:

The duration and preservation of the fund The purposes of the Gallery and the donor-restricted endowment fund General economic conditions The possible effect of inflation and deflation The expected total return from income and the appreciation of investments Other resources of the Gallery The investment policies of the Gallery

Endowment net assets were comprised of the following as of September 30, 2010 and 2009:

2010 2009 Dnor o -rESTRICTED Board-designated Donor-restricted Board-designated endowment fUNDS ENDOwment fUNDS ENDOwment fUNDS ENDOwment funds Unrestricted $ (31,494) $ 16,527 $ (42,882) $ 12,706 Temporarily restricted 41,870 – 29,756 – Permanently restricted 370,397 – 365,348 – Total funds $ 380,773 $ 16,527 $ 352,222 $ 12,706

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The following table summarizes the change in the endowment funds during the years ended September 30, 2010 and 2009:

Torarilemp y Permanently 2010 2009 unRestricted Restricted Restricted Total Total Endowment net assets as of October 1 $ (30,176) $ 29,756 $ 365,348 $ 364,928 $ 368,886 Investment return: Investment income 52 2,118 – 2,170 3,310 Net appreciation (depreciation) 12,641 21,929 548 35,118 3,232 Total investment return 12,693 24,047 548 37,288 6,542 Contributions 5,281 192 4,501 9,974 792 Re-instatement of endowment through liquidation of an asset – – – – 1,944 Appropriation of endowment assets for expenditures (2,765) (12,332) – (15,097) (13,443) Reclassifications – 207 – 207 207 Endowment net assets as of September 30 $ (14,967) $ 41,870 $ 370,397 $ 397,300 $ 364,928

FUNDS WITH DEFICIENCIES From time to time, the fair value of assets associated with individual donor-restricted endowment funds may fall below the level that the donor requires the Gallery to retain as a fund of perpetual duration. Deficiencies of this nature that are reported in unrestricted net assets were $31,494 and $42,882 as of September 30, 2010 and 2009, respectively. These deficiencies were the result of unfavorable market fluctuations that occurred after the investment of new contributions and continued appropriation for certain programs that was deemed prudent by the Gallery. Subsequent gains that restore the fair value of the assets of the endowment fund to the required level will be classified as an increase in unrestricted net assets.

RETURN OBJECTIVES AND RISK PARAMETERS The Gallery has adopted investment and spending policies for endowment assets that provide for the continued financial stability of the Gallery and a revenue stream for funding the Gallery’s mission. Endowment assets include those assets of donor restricted funds that the organization must hold in perpetuity as well as board-designated funds. Under this policy, as approved by the Board of Trustees, the endowment assets are invested in a manner that ensures safety through diversification while obtaining a competitive rate of return. The Gallery expects its endowment funds over time to provide an average rate of return of approximately 5.0% annually. Actual returns in any year may vary from this amount.

STRATEGIES EMPLOYED FOR ACHIEVING OBJECTIVES To satisfy its long-term rate-of-return, the Gallery relies on a total return strategy in which investment returns are achieved through both capital appreciation (realized and unrealized) and current yields (interest and dividends). The Gallery targets diversified asset allocation that utilizes fixed income and equity-based investments to achieve its long-term objectives within prudent risk constraints.

SPENDING POLICY AND HOW THE INVESTMENT OBJECTIVES RELATE TO SPENDING POLICY The Gallery’s spending policy is based on an annual endowment spending rate of 5.0% of the average fair value of endowment investments at the end of the previous three-and-one quarter years. This spending rate constitutes the Board’s annual appropriation for spending endowment earnings to support the purchase of art and for the support of operations. This spending assumption is intended to allow for the spending of the income of the portfolio, provide a target rate of return for the fund, and provide a sustainable spending level that will allow for support of the Gallery’s initiatives in the accomplishment of its mission, while maintaining the purchasing power of the endowment fund’s assets.

16. EMPLOYEE BENEFITS

Total pension expense recognized in the Gallery’s financial statements was $7,035 and $6,727 for the years ended September 30, 2010 and 2009, respectively. These amounts do not include pension expense financed by OPM and imputed to the Gallery of $3,153 and $1,810 respectively. To the extent that Gallery employees are covered by the thrift savings component of FERS, the Gallery’s payments to the plan are recorded as operating expenses. The Gallery’s costs associated with the thrift savings component of FERS for the years ended September 30, 2010 and 2009 were $2,214 and $2,085, respectively.

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In addition, the Gallery makes matching contributions for all employees who are eligible for current health and life insurance ben- efits. The Gallery’s contributions for active employees are recognized as operating expenses. During fiscal years 2010 and 2009, the Gallery contributed $5,159 and $4,821, respectively. Using the cost factors supplied by OPM, the Gallery has not recognized as an expense in its financial statements the future cost of post-retirement health benefits and life insurance for its employees. These costs amounted to approximately $6,071 and $5,952 during fiscal years 2010 and 2009 respectively, and are financed by OPM and imputed to the Gallery. The Gallery has a commitment to certain key employees whereby the Gallery will pay those employees a specified amount at a future point in time. The cost of these benefits is accrued over the key employees’ future years of service to the Gallery. The cost of these benefits for fiscal years 2010 and 2009 total $387 and $420, respectively, and is recognized as an expense in the statement of activities and as a liability included in accounts payable and accrued expenses in the accompanying statement of financial position.

17. Income taxes

The Gallery is a nonprofit organization exempt from federal income taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code. On October 1, 2008, the Gallery adopted the provisions of ASC Topic 740-10-25, “Income Taxes Recognition” (ASC Topic 740-10-25). ASC Topic 740-10-25 requires that a tax position be recognized or derecognized based on a more-likely-than-not threshold. This applies to positions taken or expected to be taken in a tax return. The implementation of ASC Topic 740-10-25 had no impact on the Gallery’s financial statements. The Gallery does not believe its financial statements include any uncertain tax positions.

18. Lease commitments

During fiscal year 2002, the Gallery entered into a capital lease obligation in connection with the installation of equipment. The Gallery has also entered into several operating leases for warehouse and office space, which continue through January 31, 2018. The terms of these operating leases include additional rent for operating expenses, real estate taxes, utilities and maintenance. Future minimum lease payments under these leases for the fiscal years ended September 30 are as follows: 2010 Capital lease Operating leases 2011 $ 342 $ 3,677 2012 342 3,763 2013 343 1,767 2014 343 889 2015 344 911 Thereafter 345 3,112 Total minimum lease payments 2,059 $ 14,119 Less: amount representing interest (527) Present value of minimum capital lease payments $ 1,532

Rental expense was approximately $4,800 and $4,830 for the years ended September 30, 2010 and 2009, respectively.

19. FAIR VALUE MEASUREMENTS

Statement of Financial Accounting Standard (SFAS) ASC 820 defines fair value as the exit price that would be received to sell an asset or paid to transfer a liability in the principal or most advantageous market in an orderly transaction between market participants on the measurement date. The standard establishes a fair value hierarchy that prioritizes the inputs to valuation techniques used to measure fair value. The hierarchy consists of three broad levels: Level 1 – Valuations based on unadjusted quoted prices in active markets for identical assets or liabilities that the Gallery has the ability to access as of the reporting date. Valuation adjustments and block discounts are not applied to Level 1 securities. Since valuations are based on quoted prices that are readily and regularly available in an active market, valuation of these securities does not entail a significant degree of judgment. Level 2 – Valuations based on quoted prices in markets that are not active or for which all significant inputs are observable, either directly or indirectly as of the reporting date.

[ 5 7 ] National Gallery of Art 2010

Level 3 – Valuations based on inputs that are unobservable and significant to the overall fair value measurement as of the reporting date. The determination of fair value for these financial instruments requires one or more inputs subject to significant management judgment or estimation. As of September 30, 2010 and 2009, the carrying value of the Gallery’s cash, cash equivalents, and balances with U.S. Treasury, receivables, deferred charges, and other assets, loan to the U.S. Treasury, accounts payable, and accrued expenses approximate their fair values because of the terms and relatively short maturity of these assets and liabilities. The following tables summarize the fair value measurement as of September 30, 2010 and 2009 for financial assets by pricing observability levels:

PRICES IN ACTIVE OTHER OBSERVABLE UNOBSERVABLE M ARKETS FOR IDENTICAL INPUTS INPUTS FAIR VALUE ASSETS (LEVEL 1) (LEVEL 2) (LEVEL 3) AT 9/30/10 Common and preferred stocks $ 78,480 $ – $ – $ 78,480 Mutual funds—equity 43,765 – – 43,765 Mutual funds—fixed income 103,565 – – 103,565 Public equity funds – 204,440 – 204,440 Hedge funds – – 112,690 112,690 Multi-asset class fund – – 42,587 42,587 Private equity funds – – 29,148 29,148 Venture capital funds – – 10,813 10,813 Trust held by others – – 10,119 10,119 Assets measured at fair value on a recurring basis 225,810 204,440 205,357 635,607 Trust held by others – – 2,546 2,546 Assets measured at fair value on a non-recurring basis – – 2,546 2,546 Total assets measured at fair value $ 225,810 $ 204,440 $ 207,903 $ 638,153

PRICES IN ACTIVE OTHER OBSERVABLE UNOBSERVABLE M ARKETS FOR IDENTICAL INPUTS INPUTS FAIR VALUE ASSETS (LEVEL 1) (LEVEL 2) (LEVEL 3) AT 9/30/09 Common and preferred stocks $ 69,255 $ – $ – $ 69,255 Mutual funds—equity 40,275 – – 40,275 Mutual funds—fixed income 96,509 – – 96,509 Public equity funds – 192,997 – 192,997 Hedge funds – – 108,934 108,934 Multi-asset class fund – – 40,468 40,468 Private equity funds – – 22,027 22,027 Venture capital funds – – 8,545 8,545 Trust held by others – – 8,661 8,661 Assets measured at fair value on a recurring basis 206,039 192,997 188,635 587,671 Trust held by others – – 2,546 2,546 Assets measured at fair value on a non-recurring basis – – 2,546 2,546 Total assets measured at fair value $ 206,039 $ 192,997 $ 191,181 $ 590,217

The 2009 presentation of the fair value hierarchy table has been reclassified to conform to the 2010 presentation for investments which the Gallery has the ability to redeem at NAV up to 120 days beyond the measurement date. Public equity funds of $192,997 were reclassified from Level 3 to Level 2 as a result. Most investments classified in Levels 2 and 3 consist of shares or units in investment funds as opposed to direct interests in the funds underlying holdings, which may be marketable. Because the net asset value reported for each fund is used as a practical expedient to estimate the fair value of the Gallery’s interest therein, its classification in Level 2 or 3 is based on the Gallery’s ability to redeem its interest at or near the date of the statement of financial position. If the investment can be redeemed in less than 120 days the investment is classified in Level 2. The classification in the fair value is not necessarily an indication of the risks, liquidity or degree of difficulty in estimating the fair value of each of the investments underlying assets and liabilities.

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In general for Level 3 investments, the Gallery utilizes the investment manager of the asset to provide a valuation estimate based on previously disclosed techniques and processes which have been reviewed for propriety and consistency with consideration given to asset type and investment strategy. Management makes best estimates based on information available. The following estimates and assumptions were used to determine the fair value of each class of financial instruments listed above:

Firaluea v measured on a recurring basis Alternative Investments Investments include but are not limited to separately held accounts in hedge funds and limited partnership holdings. These assets which are grouped by investment objective consist of both publicly traded and privately- held securities, diversified globally. In the case of the private equity and venture capital investments there are limited options to transfer or withdraw from these funds prior to their termination. The portfolio holdings of underlying funds in partnerships may not be disclosed; therefore, the Gallery relies on the investment manager to provide a valuation estimate. Inputs to the valuation are unobservable and therefore included in Level 3. Trusts Held by Others Assets managed under trust agreements from donors where the Gallery is the beneficiary of the income are categorized as Level 3. These trusts are managed by external parties and are for the most part invested in cash equivalents, mutual funds, and publicly traded equities.

Firaluea v measured on a non-recurring basis Trusts Held by Others One trust is invested in real property based on property valuations that involve significant judgment and estimation.

The following table summarizes the changes in Level 3 assets, measured at fair value on a recurring basis, as of September 30, 2010:

Y ear ended September 30, 2010 TRUST Hedge mULTI-Asset PRIVATE EQUITY VENTURE HELD BY Funds Class FUNDS CAPITAL FUNDS OTHERS Fair value of Level 3 assets at September 30, 2009 $ 108,934 $ 40,468 $ 22,027 $ 8,545 $ 8,661 Realized gains (losses) 1,201 (561) 482 (9) – Net unrealized gains 5,655 4,799 2,223 689 1,458 Proceeds from sales, redemptions and distributions (3,100) (2,119) (1,153) (401) – Purchase of investments – – 5,569 1,989 – Fair value of Level 3 assets at September 30, 2010 $ 112,690 $ 42,587 $ 29,148 $ 10,813 $ 10,119

The following table summarizes the changes in Level 3 assets, measured at fair value on a recurring basis, as of September 30, 2009:

Y ear ended September 30, 2009 TRUST Hedge mULTI-Asset PRIVATE EQUITY VENTURE HELD BY Funds Class FUNDS CAPITAL FUNDS OTHERS Fair value of Level 3 assets at September 30, 2008 $ 121,827 $ 43,487 $ 25,305 $ 7,814 $ 8,444 Realized losses (3,078) (1,515) (1,133) (362) – Net unrealized gains (losses) 7,045 (1,504) (6,026) (715) 217 Proceeds from sales, redemptions and distributions (16,860) – (431) (123) – Purchase of investments – – 4,312 1,931 – Fair value of Level 3 assets at September 30, 2009 $ 108,934 $ 40,468 $ 22,027 $ 8,545 $ 8,661

Realized and unrealized gains/(losses) for level 3 assets included in changes in net assets for the years ended September 30, 2010 and 2009 are reported as follows:

2010 2009 Total gains (losses) $ 15,987 $ (7,070) Change in unrealized gains (losses) relating to assets still held at reporting date $ 14,825 $ (983)

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The fair values of the following investments have been estimated using the net asset value per share of the investments as of September 30, 2010:

Redemption Redemption Fair Value Commitments Frequency Notice Period Public equity funds (a) $ 204,440 $ – No limitation 30 – 120 days Hedge funds (b) 112,690 – Annually 60 – 365 days Multi-asset class fund (c) 42,587 – Annually 365 days Private equity funds (d) 29,148 31,362 n/a n/a Venture capital funds (e) 10,813 7,332 n/a n/a Trust held by others 10,119 – n/a n/a $ 409,797 $ 38,694

The fair values of the following investments have been estimated using the net asset value per share of the investments as of September 30, 2009:

Redemption Redemption Fair Value Commitments Frequency Notice Period Public equity funds (a) $ 192,997 $ – No limitation 30 – 120 days Hedge funds (b) 108,934 – Annually 60 – 365 days Multi-asset class fund (c) 40,468 – Annually 365 days Private equity funds (d) 22,027 37,030 n/a n/a Venture capital funds (e) 8,545 9,221 n/a n/a Trust held by others 8,661 – n/a n/a $ 381,632 $ 46,251

(a) Public equity funds consist of investments in limited liability partnerships and limited liability corporations that invest in publicly traded stocks of domestic and international companies. (b) Hedge funds includes investments in hedge funds, one of which (representing 55% of this category) invests both long and short primarily in U.S. and international common stocks, and the other (representing 45% of this category) pursues multiple strategies to diversify risks and reduce volatility. (c) Multi-asset fund is invested in all asset classes, including publicly traded U.S. and international stocks, fixed income, cash equivalents, private equity, venture capital, hedge funds, real estate, and natural resources. (d) Private equity funds includes funds that invest directly in private U.S. and international companies or conduct buyouts of public companies resulting in the delisting of public equity, as well as two funds which invest in U.S. and international real estate. These assets are invested through limited partnerships which have stated terms of typically eight to twelve years. The remaining terms of the Gallery’s private equity investments range from three to seven years. These investments can never be redeemed. Instead, distributions are received through the liquidation of the underlying assets of the fund. (e) Venture capital funds include several funds that invest in early stage, high-potential, growth start-up U.S. and international companies. These assets are invested through limited partnerships which have stated terms of typically eight to twelve years. The remaining terms of the Gallery’s venture capital investments range from three to seven years. These investments can never be redeemed. Instead, distributions are received through the liquidation of the underlying assets of the fund.

20. SUBSEQUENT EVENTS

The Gallery has performed an evaluation of subsequent events through November 15, 2010, which is the date the financial statements were available to be issued, noting no events which affect the financial statements as of September 30, 2010.

[ 6 0 ] acquisitions

PAINTINGS >DODDOACID, 2007, oil on linen, Coyne, Petah, American, born 1953 >Shepherd Playing a Flute and Leading His 2010.78.6, Gift of the Artist >Untitled #807 (Miss Haversham), 1995– Flock, pen and brown ink, 2010.93.11, Arcimboldo, Giuseppe, Italian, 1526–1593 1996, ribbon, bows, chicken-wire fencing, Joseph F. McCrindle Collection Mangold, Robert, American, born 1937 >Four Seasons in One Head, c. 1590, oil on specially formulated wax, pigment, cable, >Window Wall Yellow and Tan Sketch, 1964, Campi, Bernardino, Italian, 1522–1595 panel, 2010.77.1, Paul Mellon Fund chain, red artificial cardinals, Day of the oil on plywood, 2010.2.1, Dorothy and >The Flaying of Marsyas, pen and brown Dead painted figures, pearl-headed hat Bloemart, Abraham, Dutch, 1564–1651 Herbert Vogel Collection and black ink with brown wash, pins, silk and rayon satin fabric, thread, >Head of an Old Man, c. 1620s, oil on >Four Squares within a Circle, 1975, acrylic heightened with white gouache, on Velcro, steel understructure, and metal panel, 2010.93.41, Joseph F. McCrindle and graphite on canvas, 2010.2.2, brown prepared paper, 2010.93.14, hardware, 2009.119.1, Gift of The LeWitt Collection Dorothy and Herbert Vogel Collection Joseph F. McCrindle Collection Collection (study), 2002, acrylic Breen, Adam van, Dutch, c. 1585–1640 >Curled Figure XVIII Cibo, Gherardo, Italian, 1512–1600 Daniel-Dupuis, Jean-Baptiste, French, >Skating on the Frozen Amstel River, on canvas, 2010.2.3, Dorothy and >Mountainous Landscape with a Rocky Herbert Vogel Collection 1849–1899 1611, oil on panel, 2010.20.1, Cove, pen and brown ink with brown Mura, Francesco de, Neapolitan, >Medallion for the Pennsylvania Academy of The Lee and Juliet Folger Fund, in wash, heightened with white gouache, 1696–1782 the Fine Arts, probably 1893, tin-plated honor of Arthur K. Wheelock Jr. on blue paper, 2010.93.13, , bronze, 2010.65.1, Gift of Mark and Lynne >Alexander Condemning False Praise Joseph F. McCrindle Collection Chimes, Thomas, American, 1921–2009 1760s, oil on canvas, 2010.93.43, Hammerschlag in honor of Nicholas Penny >Messenger, 1989, oil on wood, 2009.122.1, Il Cigoli, Italian, 1559–1613 Joseph F. McCrindle Collection McCracken, John, American, born 1934 Gift of Gene and Sueyun Locks >The Pietà (recto); A Saint Healing the Rosenquist, James, American, born 1933 >Black Plank, 1967, polyester resin, Sick (verso), pen and brown ink, squared Codazzi, Viviano, Italian, c. 1604–1670 , 2001, oil on fiberglass, and plywood, 2010.18.1, Gift >Spectator—Speed of Light for transfer in red chalk and graphite >The Basilica of Constantine with a Doric linen, 2010.14.2, Collection of Robert of the Collectors Committee Colonnade, 1685/1690, oil on canvas, (recto); pen and brown ink (verso), and Jane Meyerhoff Paik, Nam June, American, born South 2010.93.42, Joseph F. McCrindle 2009.126.2.a, b, Gift of David E. Rust Korea, 1932–2006 Collection Scully, Sean, American, born Ireland, 1945 >Saint Vincent Ferrer Taking His Vestments, >ONEONEZERONINE RED, 2009, >Untitled (Red Hand), 1967, 19th century c. 1580, pen and brown ink with brown Constant, Jean-Joseph-Benjamin, oil on linen, 2009.125.1, Gift of Alan and paper scroll by Komatsu Akira, red ink, wash over black chalk, heightened with French, 1845–1902 Ellen Meckler light bulb, and wood frame, 2010.17.1, white gouache, 2010.92.1, Gift of >The Favorite of the Emir, c. 1879, oil on >All There Is, 1986, oil on linen, 2010.13.1, Gift of Hakuta Family David E. Rust canvas, 2010.95.1, Courtesy of the Gift of William Zachs Corenzio, Belisario, Italian, 1558–1646 United States Naval Academy Museum MEDIA ART Soutman, Pieter Claesz, Flemish, >A Battle on a Bridge, pen and brown ink Graves, Nancy, American, 1940–1995 c. 1580–1657 with blue wash and black chalk, squared >Agualine, 1980, oil on canvas, 2010.14.1, >A Young Man Holding a Staff, 1640, Paik, Nam June, American, born South for transfer in black chalk, 2010.93.17, Collection of Robert and Jane Meyerhoff oil on panel, 2010.19.1, The Derald H. Korea, 1932–2006 Joseph F. McCrindle Collection Ruttenberg Memorial Fund >Ommah, 2005, one-channel video Haseltine, William Stanley, American, Coypel, Antoine, French, 1661–1722 installation on nineteen-inch LCD 1835–1900 Stamos, Theodoros, American, >Head of an Old Man, c. 1716, colored monitor, silk robe, 2010.62.1, Gift of >Narragansett Bay, 1864, oil on canvas, 1922–1997 chalks, 2009.140.1, Gift of Lowell Libson the Collectors Committee 2010.10.1, Gift of Alexander M. and >North Carolina Landscape, 1950, in Honor of Margaret Morgan Grasselli Judith W. Laughlin oil on Masonite, 2009.123.1, Gift of Villareal, Leo, American, born 1967 Dean, Stephen, American, born Heade, Martin Johnson, American, Georgianna Stamatelos Savas honoring >Multiverse, 2008, light-emitting diodes France, 1978 1819–1904 the artist’s wishes (LEDs), Mac mini, and electronic circuitry, >Crosswords, 2005, acrylic on folded 2009.115.1, Gift of Victoria and Roger newspaper, 2009.131.2, Gift of the >Sunlight and Shadow: The Newbury Stuart, Gilbert, American, 1755–1828 Sant and Sharon P. and Jay Rockefeller Heather and Tony Podesta Collection Marshes, c. 1871/1875, oil on canvas, >John Jay, 1794, oil on canvas, 2009.132.1, 2010.74.1, John Wilmerding Collection Gift (Partial and Promised) of DRAWINGS Denis, Maurice, French, 1870–1943 Holzer, Jenny, American, born 1950 the Jay Family >Design for a Fan: The Engagement Party of (recto) >Left Hand DOD-044401, 2007, oil on Torres-García, Joaquín, Uruguayan, Yvonne Lerolle ; Design for a Fan: Bison, Giuseppe Bernardino, Italian, linen, 2010.78.1, Gift of the Artist 1874–1949 Dance on the Terrace at Saint Germain 1762–1844 (verso), 1898, pastel and black crayon >RIGHT HAND DOD-050577, 2007, >Untitled Composition, 1929, oil on canvas, >Salome with the Head of Saint John the with watercolor (recto); watercolor and oil on linen, 2010.78.2, Gift of the Artist 2010.15.1, Gift of Victoria and Roger Sant >Left Palm and Knife Edge 000417, 2007, Baptist, c. 1805, pen and brown ink with graphite (verso), 2010.33.1, Dyke Fund watercolor over graphite, 2010.93.22, oil on linen, 2010.78.3, Gift of the Artist SCULPTURE Denner, Balthasar, German, 1685–1749 Joseph F. McCrindle Collection >PALM AND FINGERS + >The Artist’s Wife Esther, 1713, red chalk, FINGERTIPS, LEFT HAND 000052, Cambiaso, Luca, Italian, 1527–1585 Carrier-Belleuse, Albert-Ernest, French, 2010.53.1, Ailsa Mellon Bruce Fund 2007, oil on linen, 2010.78.4, Gift of the >Charity, pen and brown ink with brown 1824–1887 Duez, Ernest-Ange, French, 1843–1896 Artist wash, 2010.93.15, Joseph F. McCrindle >Fantasy Bust of a Veiled Woman , 1880s, pastel, >PALM, FINGERS & FINGERTIPS Collection >A Seascape at Sunset (Marguerite Bellanger?), c. 1865/1870, (RIGHT HAND) 000394, 2007, oil on 2010.70.1, Purchased as the Gift of the glazed terracotta on red marble socle, Campagnola, Domenico, Italian, linen, 2010.78.5, Gift of the Artist Hermen and Monica Greenberg 2010.63.1, New Century Fund before 1500–1564 Foundation in honor of Monica Lind Greenberg

[ 6 1 ] National Gallery of Art 2010

Dupré, Jules, attributed to, French, >White Mountains and Townships from >To Herb on His 75th Birthday, Polidoro da Caravaggio, Italian, 1811–1889 a Plain, gray wash 1997, acrylic c. 1499–probably 1543 >Two Ancient Trees before a Mountain Peak, >A Town on a Hilltop, gray wash >Untitled, 1994, ball-point pen >Fleeing Barbarian, black chalk, 2010.93.10, c. 1830, watercolor, 2010.71.1, >Figures Setting out in Canoes from a Palm >Curved Plane Figure, 1994, colored Joseph F. McCrindle Collection Merritt Porter Dyke Fund Grove, gray wash pencil, graphite, and ink Richter, Hans, German, 1888–1976 Ferri, Ciro, Italian, 1634–1689 >Winding River through a Rock Formation, >Three Column/Figures, pastel and >Man with a Dagger, 1916, graphite, >Saint Zenobius Resuscitating a Child, black gray wash graphite on three sheets of paper 2010. 97.1, Gift of Peter and chalk, squared for transfer in black chalk >Ghosts Resting above a River Gorge, >Study for Column Painting #1, 2002, Linda Parshall in honor of Wendy Ruppel , pen gray wash pastel and graphite >Study for a Reliquary Sarcophagus Rubiku, Anila, Albanian, born 1970 and brown ink with brown wash, >Mahatta, Desert Town with Figures in the >Column Structure XII, 2006, pastel, >Object of Desire, 2005, sewn and 2010.93.19, 20, Joseph F. McCrindle Shade of Tropical Trees, gray wash graphite, and colored pencil perforated paper Collection >Cattle Crossing a River in Thebes, >Untitled, 2005, acrylic and colored pencil >Object of Desire, 2005, sewn and gray wash >Study for Column Structure, 2006, pastel Foggini, Giovanni Battista, Italian, perforated paper >Three Figures on the Shore of a Tropical colored pencil and graphite 1652–1725 >Object of Desire, 2005, sewn and River, gray wash >Untitled, 2001, pastel, graphite and >A Reliquary of Saint Sigismondo, 1719, perforated paper, 2009.131.10–12, Gift of >View across a Bay, gray wash colored pencil pen and brown ink over black chalk, the Heather and Tony Podesta Collection >Bridge with Mountains in the Distance, >Column Structure XVI, 2007, pastel, 2010.38.1, Ailsa Mellon Bruce Fund gray wash graphite and colored pencil Sabatelli I, Luigi, Italian, 1772–1850 Haagen, Joris van der, Dutch, 1615–1669 >Naples with the Eruption of Mount >Untitled, 2007, pastel, graphite and >The Four Horsemen of the Apocalypse, >Extensive Landscape with a Village in the Vesuvius, gray wash, 2010.93.27–40, colored pencil, 2010.12.1–9, 12–23, 25, 1807/1808, pen and black ink over black Middle Distance, 1666, black chalk with Joseph F. McCrindle Collection 26, 28, 32–34, 37, 38, 40–45, Dorothy and chalk, 2010.40.1, William B. O’Neal Fund pen and gray and brown ink and gray Herbert Vogel Collection Mangold, Robert, American, born 1937 Saftleven, Herman, Dutch, 1609–1685 wash, 2010.93.25, Joseph F. McCrindle >Four Squares within a Square—Four Müller, Charles-Louis-Lucien, French, >Village with Figures in an Extensive Collection Squares within a Circle, 1974, graphite 1815–1892 Landscape, c. 1648, black chalk with gray Harpignies, Henri-Joseph, French, >Drawing for a Proposed Announcement >A Female Nude Seated on a Ledge, wash, 2010.93.24, Joseph F. McCrindle 1819–1916 Never Realized, 1974, colored pencil and 1863/1866, red chalk with white Collection , watercolor, graphite on tri-folded paper heightening on blue paper >A Corner of a Studio Salviati, Francesco, Italian, 1510–1563 2009.126.1, Gift of David E. Rust , , early >I. Circle—Distorted Square >Head of a Bearded Gentleman >Christ Falling under the Cross, pen and 1974, graphite 1860s, black chalk with white Heemskerck, Maerten van, Netherlandish, brown ink with brown wash, heightened , heightening on blue paper 1498–1574 >II. Distorted Square—Distorted Circle with white gouache, over black chalk, 1974, graphite >Satan Challenges God to Remove His >A Bearded Gentleman with a Glass of 2010.93.12, Joseph F. McCrindle Collection , , early 1860s, black chalk Protection from Job, 1562, pen and brown >III. Distorted Circle—Square Wine 1974, graphite heightened with white on blue paper Sargent, John Singer, American, ink, incised for transfer, 2010.93.23, , , 1856–1925 Joseph F. McCrindle Collection >Two Triangles within a Square #2 >Head and Hand of a Man Throwing Dice 1975, graphite and colored pencil on early 1860s, black chalk heightened with >Spanish Church Interior, c. 1880, watercolor Heine, Wilhelm Joseph, German, brown paper white on blue-gray paper, 2010.41.1–4, >Sir Neville Wilkenson on the Steps of 1813–1839 >Untitled, 1976, graphite and colored Ailsa Mellon Bruce Fund a Venetian Palazzo, 1905, watercolor >Gisbert Flüggen, 1830s, graphite, pencil on blue paper over graphite Munch, Edvard, Norwegian, 1863–1944 2010.42.1, Ailsa Mellon Bruce Fund >Untitled, 1976, acrylic, graphite and >Base of Adossed Columns, c. 1907, >Men in a Village Square, 1922, graphite colored pencil watercolor over graphite Italian 16th century on sketchbook page, 2010.56.4, (recto and verso), 1987–1988, >The Calle della Rosa with the Monte >Salome with the Head of St. John the >Untitled The Epstein Family Collection di Pietà, Venice, c. 1904, watercolor Baptist, c. 1580, pen and black ink with pastel, crayon, colored pencil, and Naeke, Gustav Heinrich, German, over graphite brown wash and black chalk, heightened graphite (recto); black ink and colored 1786–1835 , 1905, watercolor over graphite with white gouache and squared for pencil (verso) >Cairo , , 1918, watercolor and transfer in black chalk, on blue paper, >Untitled, 1973, graphite >A Seated Man Nude and then Clothed >A War Memorial 1820s, graphite with white heightening gouache over graphite, 2010.93.2–5, 7, 9 2010.93.18, Joseph F. McCrindle >A Square in and out of a Polygon, on tan paper, 2010.68.1, Joseph F. McCrindle Collection Collection 1976, graphite and colored pencil on Ailsa Mellon Bruce Fund Kalckreuth, Leopold von, German, brown paper Sargent, John Singer, American, 1855–1928 >Untitled, 1979, graphite Osorio, Ruby, American, born 1974 1856–1925, attributed to >The Artist’s Sister, Marie von Kalckreuth, >Distorted Square—Circle Series, >Bruised, 2004, ink, gouache, and thread >The Piazzetta, c. 1911, watercolor 1897, graphite, 2010.1.1, 1971, acrylic and graphite >Falling, 2004, ink, gouache, and thread over graphite Ailsa Mellon Bruce Fund >Untitled, 1978, graphite >Gerber, 2004, ink, gouache, and thread >Sunlit Wall Under a Tree, c. 1913, >The Artist’s Children Wolf and Anna >Untitled (recto and verso), 1978, acrylic >Snip, 2004, ink, gouache, and thread, watercolor over graphite, 2010.93.6, 8, Asleep, c. 1900, charcoal, 2010.54.1, and graphite (recto); graphite (verso) 2009.131.4–7, Gift of the Heather and Joseph F. McCrindle Collection Ailsa Mellon Bruce Fund >Untitled (recto and verso), 1979, acrylic, Tony Podesta Collection Sargent, John Singer, American, graphite, and colored pencil (recto); Kobell, Franz Innocenz Josef, German, Palma il Giovane, Jacopo, Italian, 1856–1925, follower of graphite (verso) 1749–1822 c. 1548–1628 >Resting, c. 1880–1890, watercolor over >Untitled, 1982, graphite >Traveler in a Mountainous Landscape >Madonna and Child in Glory with Saints graphite, 2010.93.1, Joseph F. McCrindle >Untitled, 1989, crayon and graphite at Sunset, 1800/1805, pen and brown John the Baptist, Stephen, and Lawrence, Collection >Untitled, 1993, acrylic and graphite ink with watercolor, 2009.130.1, pen and brown ink with brown wash, >Untitled, 1992, pen and black ink Scully, Sean, American, born Ireland, 1945 Ailsa Mellon Bruce Fund 2010.93.16, Joseph F. McCrindle >Untitled, 1990, crayon, colored pencil, >Mexico Calpulli, 1983, watercolor over Collection Lear, Edward, British, 1812–1888 and graphite graphite >Tanjore Temple Complex by the Jungle, >Untitled, 1994, graphite Panini, Giovanni Paolo, Italian, 1691–1765 >Mexico La Cina, 1983, watercolor over gray wash >Curved Plane/Figure VII, 1994, acrylic >Saint Paul Preaching in Athens, 1734, pen graphite >Three Trees by Ruins above a Plateau, and graphite on three sheets of paper and black ink with gray wash, heightened >Traveller, 1984, watercolor over graphite gray wash >Yellow/Black Zone Study (5 panels), with white gouache, on orange prepared >Mexico Zacula, 1983, watercolor over >View of a Bay from a Hillside, gray wash 1997, acrylic and graphite paper, 2010.93.21, Joseph F. McCrindle graphite, 2010.98.1 4, Gift of Collection Jane Watkins

[ 6 2 ] National Gallery of Art 2010

Steidl, Melchior, Austrian, 1657–1727 >Basilica of the Madeline, Vézelay, Information Volunteers and Friends in >Circling Doves, 1921, transfer lithograph >The Virgin of the Immaculate Conception, 1929, etching, 2010.45.1 5, Gift of Honor of Christopher B. With >Passing of Dreams, 1921, lithograph with 1711, pen and brown ink with gray wash David F. Wright Bradshaw, Dove, American, born 1949 lithotint >The Assumption of the Virgin, 1704, pen >West Forty-Second Street, Night, 1922, >The Art of Dove Bradshaw: Nature, >Twelve Men, 1921, lithograph with lithotint and brown ink with gray wash over black aquatint and etching, 2010.52.1, Change and Indeterminacy, 2003, portfolio >Recurrence, 1921, lithograph with lithotint, and red chalk, 2010.30.1; 2010.88.1, Donald and Nancy de Laski Fund of seven works in various media, 2009.127.3–19, Gift of David P. Tunick Ailsa Mellon Bruce Fund Baksteen, Dirk, Belgian, 1886–1971 together with a signed copy of the de Cervantes, Esperanza, Mexican, Tavarone, Lazzaro, Italian, 1556–1641 >Le Village, etching and drypoint, monograph “The Art of Dove Bradshaw: active 20th century >The Blessed in Paradise with the Virgin 2010.103.2, Gift of Christopher and Nature, Change and Indeterminacy,” >Desolación, c. 1950, lithograph, 2010.90.1, and St. John the Baptist before God, 1630s, Beverly With in memory of Karl and 2010.9.1.1 7, Gift of Michael Straus in Given by Art Information Volunteers in pen and brown ink with brown wash Gerda With honor of Ruth Fine Honor of Marta Madrid Horgan over black chalk, 2010.93.26, Bauman, Joseph, American, 1789–1862, Bruycker, Jules de, Belgian, 1870–1945 Delorme, Pierre Claude François, French, Joseph F. McCrindle Collection after Heinrich Ezechiel Sangmeister, >Autour le Château des Comtes de Flandre, 1783–1859 Taylor, Al, American, 1948–1999 German, 1723–1784 Gand, 1913, etching, aquatint, and drypoint, >Zephyr and Psyche, c. 1820, >Untitled (Can Study), 1994, >Ein kleiner Abriss von denen Irr= und 2009.137.1, Ailsa Mellon Bruce Fund crayon-manner lithograph [proof before gouache and graphite Abwegen, derer von Gott gerufenen Seelen, Calame, Alexandre, Swiss, 1810–1864 title], 2010.25.3, Ailsa Mellon Bruce Fund >Untitled (Floaters), 1998, gouache, ink, and 1820, letterpress, 2010.50.1, >Essais de gravure à l’eau forte par Dente, Marco, Italian, c. 1493–1527 graphite with correction fluid, 2010.51.1, Ailsa Mellon Bruce Fund Alexandre Calame, I–IV, 1838/1850, four >A Roman Legion, 1515/1527, engraving, 2, Gift of the Collectors Committee and Bellicard, Jérôme Charles, attributed to, sets of landscape etchings (forty-five in all) 2009.118.1, Ailsa Mellon Bruce Fund Luhring Augustine Gallery French, 1726–1786 >Essais de gravure à l’eau forte >The Peabody Group #32, 1992, graphite, Drevet, Pierre-Imbert, French, 1697–1739 >Capriccio with Ruins and an Obelisk, (Geneva, 1838), bound volume with watercolor, gouache, ink and coffee, >Maria Klementyna Sobieska (after etching, 2010.75.1, Katharine Shepard complete set of thirteen etchings, 2010.64.1, Gift of Debbie Taylor Antonio David), c 1720, engraving and Fund 2009.129.1 45, 2009.133.1, etching, 2010.31.1, Ailsa Mellon Bruce Fund Traviès, Édouard, French, born 1809 Bellotto, Bernardo, Italian, 1722–1780 Ailsa Mellon Bruce Fund Feldman, Eugene, American, 1921–1975 >Trompe l’Oeil: A Curlew Hanging from >Vue des Remparts de Sonnenstein, etching, Chodowiecki, Daniel Nikolaus, German, a Nail, 1850s(?), watercolor and >Neuere drucke von Eugene Feldman: 2009.127.2, Gift of David P. Tunick 1741–1796, and Theodor Gottlieb von gouache over black chalk, 2010.38.2, Kunstgewerbemuseum, Zürich, 1962, Benassit, Louis Émile, French, 1833–1902 Hippel (author), German, 1726–1801 Ailsa Mellon Bruce Fund color offset lithograph >L’Absinthe!, 1862, lithograph on chine >Lebensläufe nach Aufsteigender Linie nebst >Jacqueline Kennedy, 1964, offset Tschäpe, Janaína, German Brazilian, collé, 2010.75.2, Given by Art Information Beylagen A, B, C (Berlin, 1778 1781), set lithograph born 1973 Volunteers and Friends in Honor of of four bound volumes with a combined >Headlights on West River Drive 1, 1964, >Armpiece for Creature, 2002, colored Christopher B. With total of twenty-three etched illustrations, offset lithograph pencil and graphite, 2009.131.9, Gift of 2010.49.1–4, William B. O’Neal Fund Blampied, Edmund, British, 1886–1966 >Rudolf Nureyev, 1969, color offset the Heather and Tony Podesta >Loading Vraic, 1926/1927, drypoint, Cochin II, Charles-Nicolas, French, lithograph Collection 2010.103.3, Gift of Christopher and 1715–1790 >Nureyev Flying (black), 1969, color offset Ulrich, Johann Jacob, Swiss, 1798–1877 Beverly With in memory of Karl and >Putti Preparing the Interior Decoration of lithograph >Wine Barrels Loaded onto a Sailing Barge Gerda With a Mansion, 1737/1738, etching [proof], >Nureyev Flying (blue), 1969, color offset at Vevey, c. 1850, watercolor over graphite, 2010.75.5, Jan Paul Richter Fund lithograph, 2010.11.1–6, Gift of Ruth Fine Bléry, Eugène, French, 1805–1887 2010.35.1, Ailsa Mellon Bruce Fund in honor of Rosina Feldman >Large Thistle, 1843, etching and roulette Dalen I, Cornelis van, Dutch, 1602–1665 >Large Coltsfoot, 1843, etching and roulette, >Giorgione Barbarelli, engraving, 2010.5.1, Galle I, Cornelis, Flemish, 1576–1650, PRINTS 2009.143.1, 2, Gift of Jane F. Stapleton Ailsa Mellon Bruce Fund Theodor Galle, Flemish, 1577–1640, and Lucius Annaeus Seneca (author), Bonnard, Pierre, French, 1867–1947 Davies, Arthur B., American, 1862–1928 Albertolli, Raffaeli, Italian, 1770–1812, Roman, 5–65 >Ex Libris (Bookplate for Charles Terrasse), >Angled Beauty, 1918, softground etching Ferdinando Albertolli, Italian, 1781–1844, drypoint [proof] with pen and brown- with aquatint >L. Annaei Senecae Philosophi Opera, quae and Luigi Cagnola, Italian, 1762–1883 black ink >Nocturne, 1918–1919, softground etching extant omnia: A Iusto Lipsio Emendata et >Illustrations for Le Solenni Esequie di Scholiis Illustrata. Editio Secunda, atque ab >Ex Libris (Bookplate for Charles Terrasse), >By the Caliban, 1919–1920, softground Monsignor Filippo Visconti Arcivescovo di (Antwerp, 1615), drypoint, 2010.67.2, 3, Ailsa Mellon Bruce etching with aquatint ultima Lipsii manu Milano..., (Milan, 1802), bound volume with bound volume with three engraved Fund >Three Acrobats, 1919–1920, lithograph one engraved portrait and five aquatints, with lithotint illustrations after Sir Peter Paul Rubens, 2010.24.1, William B. O’Neal Fund Bonnet, Louis-Marin, French, 1736–1793 >Orchard of Bounties, 1919–1920, 2010.58.1, William B. O’Neal Fund >Venus and Cupid on a Dolphin (after Aldegrever, Heinrich, German, lithograph with lithotint Gandolfi, Gaetano, Italian, 1734–1802 François Boucher), 1767, chalk manner 1502–1555/1561 >Orchard of Bounties, 1919–1920, , printed in black and white on blue >The Holy Family with God the Father >Wrath, 1552, engraved copper plate, lithograph with lithotint aquatint with etching in brown, paper, 2010.86.1, Katharine Shepard 2010.4.1, Ailsa Mellon Bruce Fund >Free of Clouds, 1919–1920, lithograph 2010.29.1, Ailsa Mellon Bruce Fund Fund and Andrew Robison Fund with lithotint Alix, Pierre-Michel, French, 1762–1817 German 15th Century, Terence [Publius Bourgeois, Louise, French-American, >Nymphs of the Stream, 1919–1920, >Voltaire, color etching, engraving and Terentius Afer] (author), 195–159? B.C. born France, 1911–2010 lithograph with lithotint aquatint, 2010.103.1, Gift of Christopher >Comoediae (Lyon, published >The Puritan, 1990, bound volume with >Stir of Shadowed Melodies, 1919–1920, and Beverly With in memory of Karl and August 29, 1493), bound volume with one eight hand-colored engravings, lithograph Gerda With hundred sixty-one woodcut illustrations 2009.131.1.1 8, Gift of the Heather and >Release at the Gates, 1919–1920, Arms, John Taylor, American, 1887–1953 (one hundred fifty-nine woodblocks, Tony Podesta Collection lithograph with lithotint >Towers of San Gimignano, 1932, etching eight repeats, one woodcut titlepage Bracquemond, Félix, French, 1833–1914 >Release at the Gates, 1919–1920, >Downtown, New York, 1921, aquatint showing the author in his study and one >A Rainbow Landscape with Two Women lithograph with lithotint and etching full-page woodcut of an antique theater), Viewing it from Above, 1856, etching on >Bird Men, 1919–1920, lithograph >Leon, 1923, etching 2009.141.1, Gift of Marianne Gourary in green paper [proof] with lithotint >The Herbert Lowell Dillon Gymnasium, memory of her husband Paul Gourary >Zacharie Astruc, 1865, etching [proof >Men in Agony, 1919–1920, lithograph Princeton, NJ, 1947, etching before letters], 2010.75.3, 4, Given by Art with lithotint

[ 6 3 ] National Gallery of Art 2010

Gober, Robert, American, born 1954 Lauwers, Nicolaes, Flemish, 1600–1652 Maupin, Paul, French, 1596–1657 Bartolomeo Marliani (author), Italian, >Untitled, 1991, photolithograph, hand- >The Adoration of the Magi with Torches >Susanna and the Elders (after 1488–1566 colored with coffee, insert in Parkett, (after Sir Peter Paul Rubens), engraving, Jacques Stella), c. 1625, woodcut, >Urbis Romae Topographia (Rome, 1544), no. 27, special edition, 1991, 2010.34.1, 2009.127.21, Gift of David P. Tunick heightened with white gouache, on blue illustrated volume with one woodcut title, Gift of the Collectors Committee paper, 2010.55.1, Ailsa Mellon Bruce Fund five initials and twenty-four woodcut Lelu, Pierre, French, 1741–1810 illustrations, bound with Grasset, Eugène, French, 1841–1917 >Maternal Love, etching, 2010.87.2, McCollum, Allan, American, born 1944 >Rilegata con Annales Consulum, Dictatorum, >La Vitrioleuse, 1894, photo-relief with Katharine Shepard Fund >Each and Every One of You, 2002/2004, (Rome, 1560), watercolor stenciling, 2010.67.1, set of 1,200 digital inkjet prints with two Censorumque Romanorum Leoni, Ottavio, Italian, c. 1578–1630 one woodcut title and five initials, Ailsa Mellon Bruce Fund handmade walnut boxes, 2010.99.10, >A Man with a Moustache and Goatee, 2010.84.1, Vincent J. and Linda Buonanno Gift of Graphicstudio/University of Guarana, Jacopo, Italian, 1720–1808 Facing Right, 1620s, etching with Fund South Florida >The Judgment of Paris, etching, engraving Paroy, Jean-Philippe-Guy Le Gentil, 2009.127.20, Gift of David P. Tunick >A Man with a Moustache and Goatee, Meryon, Charles, French, 1821–1868 Comte de, French, 1750–1824 , 1620, engraving, , 1862, etching printed in Haden, Francis Seymour, British, Facing Forward >Benjamin Fillon 2009.136.1, 2, Bert Freidus Fund red and black on japan paper, 2010.25.2, >A Bacchanale with Egyptian and Classical 1818–1910 (after Charles Monnet), 1787, Ailsa Mellon Bruce Fund Figures >Grayling Fishing, 1897, mezzotint, Ligon, Glenn, American, born 1960 etching with roulette on green prepared 2010.102.1, Gift of John Bernstein >Runaways, 1993, portfolio of ten Milatz, Franciscus A., Dutch, 1763–1808 paper, 2010.39.1, Katharine Shepard Fund lithographs, 2010.57.1–10, Gift of the >Travelers on a Forest Road in a Storm, Hayter, Stanley William, British, 1901–1988 Parrocel, Charles, French, 1688–1752 Collectors Committee etching >Amazon, 1945, engraving and softground >A Dragoon on Horseback, c.1730, etching, >Forest with Travelers by a Road, etching, etching with graphite and chalk Mangold, Robert, American, born 1937 2010.75.7, Ailsa Mellon Bruce Fund 2010.75.6, 8, Ailsa Mellon Bruce Fund [artist’s working proof], 2010.6.1, >Untitled, 1990, drypoint Parrocel, Étienne, French, 1696–1775 Daryl Reich Rubenstein Memorial Fund >Untitled (Holiday Card), 1989, color Milhazes, Beatriz, Brazilian, born 1960 >The Drawing of Lots to Divide the Promised >Fastnet, 1985, etched copper plate woodcut on japan paper >Coisa Linda (Something Beautiful), 2002, Land, black chalk on buff paper, >Shoal Green, 1967, etched zinc plate, >Untitled (Holiday Card), 1990, color bound volume with color screenprints, Anonymous gift in honor of Peter Parshall, 2010.8.1, 2, Gift of Désirée Hayter woodcut on japan paper some with collage, 2009.131.3, Gift of 2010.100.1 , 1995, color the Heather and Tony Podesta Collection Isabey, Eugène, French, 1803–1886 >Untitled (Holiday Card) woodcut on japan paper Piazzetta, Giovanni Battista, Italian, >Marée Basse, 1831, lithographic Milton, Peter, American, born 1930 >Untitled (Holiday Card), 1997, color 1683–1754 mezzotint on chine collé, 2010.87.1, >Hidden Cities II: Embarkation for Cythera, woodcut on japan paper , c. 1743, Purchased as the Gift of the Indiana 2004, etching and engraving, 2010.96.1, >A Young Man Embracing a Girl , 1994, color black chalk, heightened with white, on University Alumni Association >Untitled (Holiday Card) Patricia Emison on the retirement of Peter woodcut on japan paper blue paper, 2010.101.1, Gift of Katherine Parshall, curator of Old Master Prints Janinet, Jean-François, French, >Untitled (Holiday Card), 1992, color and Alexandra Baer in memory of their 1752–1814 linocut on japan paper Miró, Joan, Spanish, 1893–1983 father, Dr. George Baer >Two Male Nudes (after Charles-Nicolas , 1993, color >La Bague d’Aurore, No. 6, 1957, etching >Untitled (Holiday Card) Picasso, Pablo, Spanish, 1881–1973 Cochin the Younger), c. 1774, chalk woodcut on japan paper with aquatint, 2010.73.1, Gift of >Pique I, 1959, linocut, proof of first state manner printed in red ink, 2010.16.5, , 1999, color Cooper Phillips Speaks >Untitled (Holiday Card) printed in dark brown over a tan Ellwanger/Mescha Collection, gift in woodcut on japan paper Motherwell, Robert, American, background honor of Margaret Morgan Grasselli >Untitled (Holiday Card), 2002, color 1915–1991 >Pique I, 1959, linocut, proof of first state woodcut on japan paper Johns, Jasper, American, born 1930 >The Basque Suite: Untitled, 1971, color printed in dark brown over tan , 2006, color >749 artist’s proofs, 1981–1982, 1985–2001, >Untitled (Holiday Card) screenprint background on thin card woodcut on japan paper, 2010.12.10, 11, 2010.116.1–749, Patron’s Permanent >The Basque Suite: Untitled, 1971, color >Pique I, 1959, linocut, proof of second 24, 27, 29–31, 35, 36, 39, 46, Dorothy and Fund and Special Friends of the screenprint, 2009.139.1, 2, Gift of state printed in black (recto); linocut, Herbert Vogel Collection National Gallery of Art Mr. and Mrs. Earl A. Powell III proof of a new background plate printed Jongkind, Johan Barthold, Dutch, Mansen, Matthias, German, born 1958 Moyreau, Jean, French, 1690–1762 in tan with graphite notes by the printer, 1819–1891 >East of Ipswich, 1987, woodcut >J. B. Rebel (after Antoine Watteau), crossed through with an X by the printer >Soleil couchant, port d’Anvers, 1868, >Badende vor dem Gewitter, 1991, woodcut c. 1730, etching [proof], 2009.133.2, (verso) etching, 2010.87.3, >Sitzend am Tisch, 1991, woodcut Ailsa Mellon Bruce Fund >Pique I, 1959, linocut, proof with the Ailsa Mellon Bruce Fund >Sitzen, Stehen, Liegen, 1995, woodcut second state in black over the first state Munch, Edvard, Norwegian, 1863–1944 >Sitzen, Stehen, Liegen, 1995, woodcut, in dark brown, 2010.80.1–4, Daryl Reich Katz, Alex, American, born 1927 >Worker with a Moustache, 1903, etching, 2010.27.1–5, Gift of Daniel Bell Rubenstein Memorial Fund >Sharon, 2009, color lithograph and 2010.56.1, The Epstein Family Collection woodcut, 2010.99.1, Gift of Marclay, Christian, American, born 1955 >The Urn, 1896, lithograph on japan Pontius, Paulus, Flemish, 1603–1658 Graphicstudio/University of South Florida >Sound Holes, 2007, portfolio of twenty- paper, 2010.56.2, The Epstein Family >The Assumption of the Virgin (after one photogravures, 2010.99.2.1–21, Collection Sir Peter Paul Rubens), 1624, engraving, Klein, Johann Adam, German, 1792–1875 Gift of Graphicstudio/University of >Woman with Long Hair, 1896, etching, 2009.127.23, Gift of David P. Tunick >Military Scenes, 1816, set of four South Florida 2010.56.3, The Epstein Family Collection etchings heightened with white on Posada, José Guadalupe, Mexican, gray-green paper, 2010.16.1–4, Matham, Jacob, workshop of, Dutch, Neeffs, Jacobus, Flemish, 1610–1660 1851–1913 Ellwanger/Mescha Collection, gift in 1558–1617 or after >Gran Alarma Escandalosa, 1904, metalcut honor of Andrew Robison >The Holy Family with Saint Elizabeth >Christ on the Cross (after Sir Anthony van on pink newspaper and Saint John the Baptist (after Hendrik Dyck), engraving, 2009.127.22, Gift of >Serafina, 1914?, metalcut on yellow Klein, Yves, French, 1928–1962 Goltzius), 1600/1620, engraving, David P. Tunick newspaper >Dimanche 27 Novembre 1960, 1960, 2009.118.2, Ailsa Mellon Bruce Fund >La Mujer de Cien Maridos—Como newspaper, 2010.91.1, Donald and Nittis, Giuseppe de, Italian, 1846–1884 Alfileres Prendidos, 1901, metalcut on red Nancy de Laski Fund Matisse, Henri, Imitator of, French, >The Dancer Holoke-GO-Zen, 1873, newspaper, 2010.89.1–3, Given by Art 20th century etching, drypoint, and roulette, 2010.7.1, Kuitca, Guillermo, Argentinean, Information Volunteers in Honor of >Untitled, lithograph, 2010.73.2, Ailsa Mellon Bruce Fund born 1961 Marta Madrid Horgan Gift of Cooper Phillips Speaks >The Neufert Suite, 2002, series of six Palatino, Giovanni Battista, Italian, cyanotypes, 2010.99.4–9, Gift of c. 1515–c. 1575, and Giovanni Graphicstudio/University of South Florida

[ 6 4 ] National Gallery of Art 2010

Prestel, Johann Gottlieb, German, Tissot, James Jacques Joseph, French, >Group on a Hill Road—Granada, 1914 Frank, Robert, American, born 1739–1808 1836–1902 >Janet Burnet, 1907 Switzerland, 1924 >The Temple of Hercules at Cori >Le Matin, 1886, mezzotint, 2009.127.1, >Ploughing Team, 1907 >Flowers, Paris, 1951, gelatin silver print, (probably after Alessandro Moretti), Gift of David P. Tunick >Portrait of Mrs. C., 1907, photogravures, printed 2004–2005 c.1784, color aquatint, 2010.86.2, >The Apparition, 1885, mezzotint, 2010.83.1–9, Gay Block Fund and Vital >40 Fotos, 1946, volume of forty Ailsa Mellon Bruce Fund 2010.25.1, Given by Art Information Projects Fund gelatin silver prints, 2010.22.1 and Volunteers and Friends in Honor of 2010.114.1.1–40, Gift of the artist Ramboux, Johann Anton, German, Baltz, Lewis, American, born 1945 Christopher B. With >April 28, 1995 in Mabou—Part of the 1790–1866 >Sausalito, 1973, gelatin silver print, Box that was Pablo near Window on a >The Brothers Konrad and Franz Eberhard, Various Artists, American 2010.81.1, Charina Endowment Fund Chair—on Top are Two Fish, 1995 1822, lithograph, 2009.88.6, Pepita >Gemini G.E.L. Portfolio Exchange, 1999, Brandt, Bill, British, born Germany, Milmore Memorial Fund, Eugene L. and portfolio of sixteen prints in various >For Kazuko—Room 1050 Hotel Ibis, Tokyo, 1904–1983 , 1994, gelatin silver prints Marie-Louise Garbaty Fund, and the media by sixteen artists, 2010.11.7 22, April 25, 1994 >Bloomsbury, 1940–41, gelatin silver print, , , 2000, Ahmanson Foundation Fund Gift of Ruth Fine in memory of >Invitation, Mabou, Sept 26 ’00 2010.61.2, Diana and Mallory Walker Fund internal dye diffusion transfer print Alexander Wynter Steinsnyder Toulouse Ricci, Sebastiano, Italian, 1659–1734, Casebere, James, American, born 1953 (Polaroid SX-70) Lodovico Ughi, Italian, active c. 1729, Villon, Jacques, French, 1875–1963 >Fan as Eudemonist: Relaxing after an >Letter to Kazuko, undated, gelatin Giovanni Antonio Faldoni, Italian, >La Parisienne (small plate), 1904, Exhausting Day at the Beach, 1975, silver print c. 1690–c. 1770, and Francesco Zucchi, drypoint with aquatint gelatin silver print, printed 2001 >March 2002, 2002, chromogenic print Italian, 1692–1764 >La Parisienne (small plate), 1904, drypoint >Fork in the Refrigerator, 1975, gelatin >Mabou on a Cold Day, undated >Iconografica Rappresentatione della Inclita with aquatint, printed in black, yellow, silver print, printed 2000 >Pablo, March 1979, 1979, gelatin silver Città di Venezia (after Luca Carlevariis), and pink [working proof] >Prison at Cherry Hill, 1993, silver dye prints from Polaroid negatives 1729, etching and engraving on twenty >La Parisienne (small plate), bleach print, 2009.131.13–15, Gift of the >Early Morning, Breezbay Hotel, 1995 joined sheets of paper; 2010.66.1, 1904, copper plate, 2010.94.1–3, Heather and Tony Podesta Collection >The Japanese Flamingo in Pablo’s Bottle, The Ahmanson Foundation Evelyn Stefansson Nef Fund 1997, 1997 Coburn, Alvin Langdon, British, born Ridinger, Johann Elias, German, Vuillard, Edouard, French, 1868–1940 >From Memory and Reality, December 14, United States, 1882–1966 1698–1767 >The Tuileries Gardens, 1895, 1995, 57th Street Apt 57B, 1995, gelatin >The Park Row Building, c. 1910, >Nashorn, 1748, etching, 2010.32.1, lithograph printed in green, 2010.67.4, silver prints photogravure, 2009.128.1, Gift of Mary Ailsa Mellon Bruce Fund Ailsa Mellon Bruce Fund >Sun + Sky, 1998, 1998, gelatin silver and Dan Solomon print of four images Roberts, Julie, Welsh, born 1963 Winkler, John W., American, 1890–1979 >New York, 1909, bound volume of >Secret Ceremony, 2000, 2000, gelatin >Sickert’s Shadow, 2006, portfolio of five >St. Vallery En Caux, 1924, etching twenty photogravures, 2009.134.1, silver print etchings, 2009.131.8.1–5, Gift of the >Mission Street Wharf (small plate), Alfred H. Moses and Fern M. Schad >Winter, Mabou, 1996, 1996, diffusion Heather and Tony Podesta Collection 1917, etching Collection Fund transfer print (Polaroid) >Mission Street Wharf (large plate), >The Battery, c. 1909 Rosenquist, James, American, born 1933 >For Her Fantome, undated, internal dye 1918, etching >The Sphinx, c. 1905 >Hole in the Center of the Clock, 2007, diffusion transfer print (Polaroid SX-70) >From Simon’s Wharf, 1925, etching >Trafalgar Square, c. 1909 color lithograph, 2010.99.3, Gift of >Balloons, France, 1950, gelatin silver print >St. Paul’s from the River, 1927, etching, >The Cloud, c. 1912 Graphicstudio/University of >Moving Out, 1994, hardcover book with 2010.43.1–5, Gift of Carol L. Johnson >The Singer Building, New York, c. 1910 South Florida internal dye diffusion transfer print >Farmyard in Normandy, 1924, etching >Portrait of Clarence H. White, c. 1913 Sadeler II, Aegidius, Flemish, (Polaroid SX-70), 2010.108.1, 4, 7–20, >Delicatessen Maker, 1922, etching >Brooklyn Bridge, c. 1910 c. 1570–1629 Gift from the Estate of Kazuko Oshima >Chinese Card Players (plate A), >The Bridge—Sunlight, c. 1906, >Narcissus, engraving, 2010.87.4, 1935, etching photogravures, 2010.76.3–10, Vital Gaskell, Anna, American, born 1969 Ailsa Mellon Bruce Fund >Chinese Card Players (plate B), Projects Fund >Untitled #21 (from the Override series), Scheuren, Caspar Johann Nepomuk, 1936, etching 1997, silver dye bleach print Content, Marjorie, American, 1895–1984 German, 1810–1887 >Chinese Card Players (plate C), >Untitled #48 (Sally Salt Says), 1999 >Many Glacier, Canada, 1931 >Radirungen, 1842, complete set of etched 1936, etching, 2010.44.1–5, Gift of >Untitled #49 (Sally Salt Says), 1999 >Susan Loeb, 1930 title page and twenty-five etchings, John G. Aronovici >Untitled #50 (Sally Salt Says), 1999 >Anthurium, 1931 2010.69.1–26, Ailsa Mellon Bruce Fund >Untitled #51 (Sally Salt Says), 1999 Wolgemut, Michael, German, 1434–1519, >Jean Toomer 39 West 10th Street, >Untitled #52 (Sally Salt Says), 1999 Schmidt, Georg Friedrich, German, Wilhelm Pleydenwurff, German, New York City, 1934 >Untitled #53 (Sally Salt Says), 1999 1712–1775 c. 1458–1494, and Stephan Fridolin, >Washington Square, 1930 >Untitled #54 (Sally Salt Says), 1999 >Louise Albertine de Brandt, Baroness von German, 1430–1498 (author) >Lola Ridge, 1935, gelatin silver prints, >Untitled #55 (Sally Salt Says), 1999, Grapendorf (after Pierre Le Sueur), >Der Schatzbehalter oder Suhrein der waren 2009.117.1–4 and 2010.23.1–2, chromogenic prints, 2009.131.20–28, engraving with etching, 2010.85.1, Reichtümer des Heils und ewige Seligkeit R. K. Mellon Family Foundation Gift of the Heather and Tony Podesta Ailsa Mellon Bruce Fund (Nuremberg, 1491), bound volume with >Adam Trujillo and His Son, 1933, gelatin Collection ninety-six full-page woodcuts from ninety- silver print, 2009.117.5, Purchased as the Schongauer, Ludwig (German, one blocks, 2010.82.1, Purchased with Gift of the Gallery Girls Ginsberg, Allen, American, 1926–1997 1450/1455–1494), German 15th Century, funds given by an Anonymous Donor, >Joe Richey walking down main street, 1987 and Ludolph of Saxony (author) Eliasson, Olafur, Danish, born 1967 the B. H. Breslauer Foundation, William >Joe Richey and New York ladies, 1986, (German, died 1378) >Untitled (Iceland series), 2004 B. O’Neal Fund, Ailsa Mellon Bruce gelatin silver prints, 2010.106.1–2, Gift >Gaistliche usslegong des lebes Jhesu Cristi >Untitled (Iceland series), 1998 Fund, and Glimcher Pace Wildenstein of Joe Richey (Ulm, c. 1482), bound volume with >Untitled (Iceland series), 1999 ninety-five hand-colored woodcut >Untitled (Iceland series), 1999, Grannan, Katy, American, born 1969 PHOTOGRAPHS illustrations, 2010.36.1, Paul Mellon Fund chromogenic prints, 2009.131.16–19, >Katie, Cut, Tilden Park, 2006 Gift of the Heather and Tony Podesta >Untitled (from the Poughkeepsie Journal), Stauffer-Bern, Karl, German, 1857–1891 Annan, James Craig, British, 1864–1946 Collection 1998 >Adolph Menzel, 1885, etching and >A Blind Musician—Granada, 1914 >Untitled (from the Poughkeepsie Journal), drypoint, 2009.138.1, Given by Art >A Gateway—Segovia, 1914 Emerson, Peter Henry, British, 1856–1936 1998 Information Volunteers and Friends in >A Gitana—Granada, 1914 >A Winter’s Morning, 1887, photogravure, >Untitled (from the Poughkeepsie Journal), Honor of Christopher B. With >A Square—Ronda, 1914 2010.28.1, Carolyn Brody Fund and 1998, chromogenic prints, 2009.131.29–32, >Bridge of St. Martin—Toledo, 1914 Vital Projects Fund Gift of the Heather and Tony Podesta Collection

[ 6 5 ] National Gallery of Art 2010

Grove, John Montgomery, Irish, Lee, Nikki S., Korean, born 1970 Stieglitz, Alfred, American, 1864–1946 Wilson, Jane, British, born 1967, and born 1847 >The Lesbian Project #15, 1997, >Sherwood Anderson, 1923, gelatin silver Louise Wilson, British, born 1967 >The Gate of Fairyland, c. 1896 chromogenic print, 2009.131.40, Gift of print, 2009.116.1, Pepita Milmore >8.30 VII, 1992, chromogenic print >Parting Day, c. 1896–1901, platinum the Heather and Tony Podesta Collection Memorial Fund >Red Room, 1995, silver dye bleach print, prints, 2010.76.1–2, Vital Projects Fund , 1903 2009.131.52–53, Gift of the Heather and Marder, Malerie, American, born 1971 >In the New York Central Yards >Lower Manhattan, 1910 Tony Podesta Collection Gurney, Jeremiah, American, 1812–1886 >Untitled, 2000, chromogenic print, >Old and New New York, 1910 >Portrait of a Family, c. 1855, 2009.131.41, Gift of the Heather and Woodman, Francesca, American, , 1910 daguerreotype, 2010.59.1, Chris and Tony Podesta Collection >The City Across the River 1958–1981 >The Mauretania, 1910, photogravures, Roger Taylor Fund >Caryatid (Study for Temple Project), Misrach, Richard, American, born 1949 printed 1911, 2010.128.2–6, Gift of New York, 1980, inkjet print, printed Heath, Dave, American, born 1931 >The Sante Fe, 1982, silver dye bleach Mary and Dan Solomon 2003, 2010.60.1, William and Sarah >Lesley, Stratford, Ontario 26 Aug 2002, print, 2009.124.1, Gift of Mr. and Mrs. Struth, Thomas, German, born 1954 Walton Fund and Gift of the Collectors 2002 Earl A. Powell III >June Leaf and Robert Frank/New York >Untitled [New Orleans and the Gulf >Wangfujing Dong Lu, Shanghai, 1997, Committee chromogenic print, 2009.131.45, Gift of >Untitled, Rome, 1977–78 City, 25 May 02, 2002 Coast, 2005], 2005, series of sixty-nine the Heather and Tony Podesta Collection >Untitled, Providence, Rhode Island, 1975– >Bryant Park/New York City, inkjet prints, printed 2010 78, gelatin silver prints, 2010.60.2–3, 30 November 2001, 2001 >The Sante Fe, 1982, inkjet print, printed Tillmans, Wolfgang, German, born 1968 Gift of the Collectors Committee and >First Anniversary Memorial for 2010, 2010.21.1.1–69 and 2010.105.1, >blood dancer, 1992 the R. K. Mellon Family Foundation 9-11/NYC/09 Sept. 2002, 2002 Gift of the artist >carpet, 1999, printed 2001 , , 1996, printed 2001 >Washington, D.C., 30 May 02 Moffatt, Tracey, Australian, born 1960 >Eis im Baum 2002, inkjet prints, printed 2009 >Sternenhimmel, 1995, printed 2001 >Doll Birth, 1972 (from Scarred for Life), , 2007, artist’s > , 1999, printed 2001 >Dave Heath’s Art Show 1994 Swimming Pool book, 2010.46.1–6, Gift of Dave Heath >Konzentrische Kreise, 1999, chromogenic >Useless, 1974 (from Scarred for Life), , 1958 prints, 2009.131.46–51, Gift of the >New York City 1994, color offset lithographs, , 1964 Heather and Tony Podesta Collection >San Diego, California 2009.131.42–43, Gift of the Heather and , 1966 >New York City Tony Podesta Collection Tripe, Linnaeus, Captain, British, > , 1962 New York City 1822–1902 >Kennedy Airport, New York City, July, Muniz, Vik, American, born Brazil, 1961 >Namculdroog: Droog and Tank, 1857–1858, 1962 >Bowl, 1998, gelatin silver print, salted paper print, 2009.135.1, , 1964 2009.131.44, Gift of the Heather and >Elko, Nevada, Fall Edward J. Lenkin Fund and Diana and , 1951, gelatin silver prints, Tony Podesta Collection >Philadelphia Mallory Walker Fund 2010.47.1–7, Gift of Jeffrey Hugh Nègre, Charles, French, 1820–1880 >Quarter Deck of HMS Impregnable, Newman >Chartres Cathedral. Right Door of the 1853–54, salted paper print, 2010.72.1, , 1960 >Washington Square, New York City Royal Portal, West Side, XII Century, William and Sarah Walton Fund, , 1959 >Washington Square, New York City c. 1857, photogravure, 2010.61.1, Diana and Mallory Walker Fund and , 1963 >Central Park, New York City Diana and Mallory Walker Fund Horace W. Goldsmith Foundation >Hall of Issues, Judson Memorial Church, Nixon, Nicholas, American, born 1947 through Robert and Joyce Menschel Washington Square, New York City, 1962 >The Brown Sisters, Truro, Massachusetts, >Hall of Issues, Judson Memorial Church, Tytell, Mellon, American 2009, gelatin silver print, 2009.142.1, New York City, 1962 >Robert Frank, Boulder, Colorado 1982, Robert and Elizabeth Fisher Fund and >Kennedy Airport, New York City, July, 1962 1982 Horace W. Goldsmith Foundation >Barbara and Sean Freed, Erin in >Carl Solomon & Gregory Corso, Boulder, through Robert and Joyce Menschel background, New York City, 1963 Colorado 1982, 1982, gelatin silver >Rochester, New York, 1963 Penn, Irving, American, 1917–2009 prints, 2010.108.5–6, Gift from the Estate >Rittenhouse Square, Outdoor Art >Self-Portrait in Cracked Mirror, 1986, of Kazuko Oshima Exhibition, Philadelphia, 1950, gelatin gelatin silver print, 2009.120.1, Gift of Unknown, Twentieth Century silver prints, 2010.48.1–9, Gift of Ken Ross >Kurigami 20 April ’94 (Portrait of Charles S. and Elynne B. Zucker >Sunken Rowboat, 1966, platinum-iridium Robert Frank in Kurigami, Japan), 1994 print, printed 1973, 2010.79.1, Käsebier, Gertrude, American, >Kurigami 21 April 1994 (Portrait of Michael G. Jesselson Fund 1852–1934 Robert Frank in Kurigami, Japan), 1994, >Blessed Art Thou Among Women, c. 1900 Post, William B., American, 1857–1921 gelatin silver prints, 2010.108.2–3, Gift >The Manger, c. 1900, photogravures, >Sunset Over Water, 1890s, platinum print, from the Estate of Kazuko Oshima 2010.76.11–12, Vital Projects Fund 2010.3.1, Gift of Charles Isaacs and Weegee, American, 1899–1968 Carol Nigro Kurland, Justine, American, born 1969 >At a Night Club, 1946 >12 Point Buck, 1999 Sambunaris, Victoria, American, >Men Arrested for Dressing as Girls, 1941, >Curtsy, 1999 born 1967 gelatin silver prints, 2010.104.1–2, Gift of >Making Happy, AKA Exit 43, 1998 >Untitled, Elk Farm near Menan, ID, Norman and Carolyn K. Carr >Roadkill, 2000 2008, chromogenic print, 2010.26.1, White, Clarence H., American, >The Pig Roast (Apache Junction, Arizona), Gift of Dr. Michael I. Jacobs 1871–1925 2001 Steinhardt, Jim, American, 1917–2010 >Edge of the Woods, Evening, 1900 >Toi Toi Fairies, 2001 >Boy Playing with Water in Street, c. 1955 >Morning, c. 1905, photogravures >Wild Things, 1999, chromogenic prints, >Lady in Black, c. 1960 >Model in New York Studio, c. 1915, 2009.131.33–39, Gift of the Heather and >Pearl Seller, c. 1948 halftone print Tony Podesta Collection >Girl in front of Doll Shop Window, c. 1955, >Telephone Poles, c. 1900 Lartigue, Jacques-Henri, French, gelatin silver prints, 2009.121.1–4, Gift of >Alvin Langdon Coburn and His Mother, 1894–1986 the Steinhardt Family c. 1909, photogravures, 2010.76.13–17, >Bouboutte, Rouzat, 1908, gelatin silver Vital Projects Fund print, 2010.37.1, Vital Projects Fund

[ 6 6 ] CHANGES OF ATTRIBUTION

The following changes of attribution are c. 1450/1499 New: Guiseppe Nicolo Vicentino after the result of scholarly research utilizing New: design and cartoon Flemish 16th Giovanni Antonio Pordenone the latest art historical investigations and Century, probably Tournai; woven in 1982.11.1 scientific examinations. It is the policy Tournai in an undetermined workshop, Saturn of the National Gallery of Art to publish c. 1525/1550 Old: Ugo da Carpi after Giovanni these changes regularly. The following Antonio Pordenone changes of attribution were proposed New: Guiseppe Nicolo Vicentino after by Gallery curators and approved by DRAWINGS Giovanni Antonio Pordenone the Gallery’s Board of Trustees during fiscal year 2010. Each list is arranged in 1991.150.56.a alphabetical order according to former Presentation of the Virgin in the Temple (recto) SCULPTURE attribution. Changes of title and/or date Old: Francisco Ribalta are included if they were a part of the New: Antonio Zanchi 1942.9.105 attribution change. Pietro Talani 1991.102.1 Old: Giovanni Bastianini, undated The Deliverance of the Demoniac of [19th century] DECORATIVE ARTS Constantinople by Saint John Chrysostom New: Attributed to Gregorio di 2007.150.3 Old: Giovanni Andrea Sirani Lorenzo (Probably Master of the Marble Old: Possibly French 16th Century, New: Elisabetta Sirani Madonnas), 1490s Possibly Apollo and Marsyas New: French 16th Century, 2003.124.1 Hat-Badge with Apollo and Marsyas PRINTS Saint John of the Cross (San Juan (or possibly Orpheus) de la Cruz) 1943.3.541 Old: Attributed to Francisco 1942.9.415 Christ on the Cross with Angels Antonio Gijón Old: French 18th Century, Old: German 15th Century, 15th century New: Francisco Antonio Gijón Writing Table (bureau plat), 18th century New: German 19th Century after New: Charles Cressent and Western German 15th Century, 19th century 1961.9.150 European 19th/20th Century, Writing Dead Christ Supported by Two Angels Table (bureau plat à espagnolettes coiffées 1968.1.4 Old: Italian 15th Century, 15th century d’aigrettes), c. 1720/1725 and after Old: Charles-Balthazar-Julien-Févret New: Probably Venetian 16th Century, de Saint-Mémin, Mrs. Tingey c. 1589 1951.1.1 New: Augustin de Saint-Aubin, Head of Apollo and Daphne a Woman Wearing a Striped Bonnet 1942.9.134 Old: French 18th Century, 18th century The Young Saint John the Baptist New: design by Charles de La Fosse; 1982.10.1 Old: Master of the Marble Madonnas cartoon by Zeger Jacob van Helmont Saturn New: Master of the Marble Madonnas (figures) and Augustin Coppens Old: Ugo da Carpi after Giovanni (Probably Gregorio di Lorenzo) (landscape); woven in Brussels in the Antonio Pordenone workshop of Urbanus Leyniers, Daniël New: Guiseppe Nicolo Vicentino after 1942.9.139 Leyniers II, and Hendrik Reydams II, Giovanni Antonio Pordenone Incense Burner 1713/1721 Old: Attributed to Agostino Zoppo, 1982.10.2 undated 1961.5.5 Saturn New: Possibly Paduan or Venetian The Return from the Hunt Old: Ugo da Carpi after Giovanni 16th Century, c. 1560/1580 Old: Netherlandish 15th Century, Antonio Pordenone

[ 6 7 ] EXHIBITIONS AND LOANS

During the fiscal year, 170 lenders from Organized in association with the Sharon and John D. Rockefeller IV; Vicki >German Master Drawings from the seventeen countries and nineteen states Spanish Ministry of Foreign Affairs and and Roger Sant; Andrew and Denise Wolfgang Ratjen Collection, 1580–1900 loaned 888 works of art to twenty-three Cooperation and the Ministry of Culture, Saul; and Mr. and Mrs. Albert H. Small 16 May 2010–2 January 2011 with the assistance of the Embassy of exhibitions. The Gallery also worked >In the Darkroom: Photographic Processes Organized by the National Gallery of Art Spain in Washington, D.C. on another thirty-five projects scheduled Before the Digital Age Andrew Robison, curator Alvaro Soler del Campo, curator Made possible through the generous to open in the next five years and 25 October 2009–14 March 2010 administered the tour of six exhibitions. Supported by an indemnity from the support of the STIFTUNG RATJEN, Federal Council on the Arts and the Organized by the National Gallery of Art United States Government Indemnity was Liechtenstein Humanities Sarah Kennel and Diane Waggoner, secured for five exhibitions on view in In-kind promotional support provided by curators >German Master Drawings from the fiscal year 2010, resulting in a savings of Chef José Andrés of Jaleo and >From Impressionism to Modernism: National Gallery of Art, 1580–1900 $1,380,360 in insurance premiums. THINKfoodGROUP The Chester Dale Collection 16 May 2010–2 January 2011 Organized by the National Gallery of Art 31 January 2010–2 January 2012 >In the Tower: Philip Guston >An Antiquity of Imagination: Andrew Robison, curator Organized by the National Gallery of Art Continued from previous fiscal year to Tullio Lombardo and Venetian High Supported by a generous grant from the Harry Cooper and Kimberly Jones, 3 January 2010 Renaissance Sculpture Thaw Charitable Trust curators Organized by the National Gallery of Art Continued from previous fiscal year to Made possible by United Technologies >American Modernism: The Shein Collection Harry Cooper, curator 1 November 2009 Corporation 16 May 2010–2 January 2011 Made possible by The Exhibition Circle Organized by the National Gallery of Art Film made possible by the HRH Organized by the National Gallery of Art of the National Gallery of Art Alison Luchs, curator Foundation Nancy Anderson and Charlie Brock, Film made possible by the HRH Sponsored by The Exhibition Circle of curators Foundation the National Gallery of Art >In the Tower: Mark Rothko >Designing the Lincoln Memorial: Daniel Additional support provided by the 21 February 2010–9 January 2011 >Edvard Munch: Master Prints Chester French and Henry Bacon Samuel H. Kress Foundation Organized by the National Gallery of Art 31 July 2010–28 November 2010 Continued from previous fiscal year to Supported by an indemnity from the Harry Cooper, curator Organized by the National Gallery of Art 4 April 2010 Federal Council on the Arts and the Made possible by the generous support Andrew Robison, curator Organized by the National Gallery of Art Humanities of the Aaron I. Fleischman Foundation Made possible through the generous Film made possible by the HRH Deborah Chotner, curator >The Darker Side of Light: Arts of Privacy, loans and support of the Epstein Family Foundation and Catherine Woodard and Made possible by the generous support 1850–1900 Nelson Blitz Jr. of Robert H. Smith 1 October 2009–18 January 2010 >The Sacred Made Real: Spanish Painting >Edouard Manet’s Ragpicker from the Organized by the National Gallery of Art and Sculpture 1600–1700 >Arcimboldo, 1526–1593: Norton Simon Foundation Peter Parshall, curator 28 February 2010–31 May 2010 Nature and Fantasy Organized by the National Gallery of Continued from previous fiscal year to >Renaissance to Revolution: French 19 September 2010–9 January 2011 Art, Washington, and the National Organized by the National Gallery of Art 29 November 2010 Drawings from the National Gallery of Art, Organized by the National Gallery of Gallery, London David Brown, Gretchen Hirschauer, and 1500–1800 Xavier Bray and Mary Levkof, curators Sylvia Ferino-Pagden, curators Art, Washington, and the Norton Simon 1 October 2009–31 January 2010 Foundation, Pasadena, California Washington presentation made Made possible by Louisa and Robert Organized by the National Gallery of Art possible by the generous support of Duemling Kimberly Jones, curator Margaret Grasselli, curator Made possible by The Exhibition Circle Robert H. Smith, The Charles Engelhard Sponsored by Altria Group of the National Gallery of Art >The Robert and Jane Meyerhoff Collection: Foundation, and an anonymous donor; Additional support provided by Selected Works with additional support provided by The Exhibition Circle of the National >The Beffi Triptych: Preserving Abruzzo’s 1 October 2009–2 May 2010 Buffy and William Cafritz Gallery of Art Cultural Heritage Organized by the National Gallery of Art Presented on the occasion of the Supported by an indemnity from Continued from previous fiscal year to Harry Cooper, curator Spanish Presidency of the European the Federal Council on the Arts and 10 January 2010 Supported by an indemnity from Union, with the support of the Ministry the Humanities Lent by the Soprintendenza dell’Abruzzo the Federal Council on the Arts and of Culture of Spain, the Spain–USA Film made possible by the HRH e la Direzione Regionale dell’Abruzzo the Humanities Foundation, and the Embassy of Spain Foundation David Brown, curator Podcast made possible by the HRH in Washington, D.C.; and included in Presentation at the National Gallery of Foundation the “Preview Spain: Arts & Culture ’10” Art made possible by the Ministero per i program LENDERS TO EXHIBITIONS Beni e le Attività Culturali and the >Robert Bergman: Portraits, 1986–1995 Supported by an indemnity from 11 October 2009–10 January 2010 Embassy of Italy in Washington, D.C. the Federal Council on the Arts and Private Collections Organized by the National Gallery of Art the Humanities >Judith Leyster, 1609–1660 Sarah Greenough, curator Michael D. Abrams Continued from previous fiscal year to >Hendrick Avercamp: The Little Ice Age Joseph L. Allbritton 29 November 2009 >Editions with Additions: Working Proofs by 21 March 2010–5 July 2010 Organized by the National Gallery of Art Jasper Johns Organized by the National Gallery of Ms. Avelitcheva Arthur K. Wheelock, curator 11 October 2009–4 April 2010 Art, Washington, and the Rijksmuseum, Howard Bass Organized by the National Gallery of Art Made possible by the generous support Amsterdam De heer H. Beuth of Mr. and Mrs. Thomas A. Saunders III Ruth Fine, curator Arthur Wheelock, curator Generous support for the Jasper Johns Ivo Bouwman >The Art of Power: Royal Armor and acquisition provided by Candace and >Beat Memories: The Photographs of Anrie Broere Portraits from Imperial Spain Rick Beinecke; Jo Ann and Julian Ganz, Allen Ginsberg Risa Browder Continued from previous fiscal year to 2 May 2010–16 September 2010 Jr.; Glenstone; Lenore and Bernard John C. Bute 29 November 2009 Greenberg; Mr. and Mrs. Frederic C. Organized by the National Gallery of Art Gary S. Davis Organized by the National Gallery of Art, Hamilton; Gail and Benjamin Jacobs; Sarah Greenough, curator Washington, the State Corporation for Robert and Arlene Kogod; Jo Carole Made possible through the generous Pieter C. W. M. Dreesmann Spanish Cultural Action Abroad and Ronald S. Lauder; Robert and Mary support of the Trellis Fund Robert B. Eichholz (SEACEX), and the Patrimonio Nacional Looker; Robert E. Meyerhoff and Rheda Additional support provided by The Sarah G. Epstein of Spain Becker; John and Mary Pappajohn; Robert Mapplethorpe Foundation, Inc.

[ 6 8 ] National Gallery of Art 2010

Thomas M. Evans ARGENTINA Genova: Museo di Archeologia Ligure SWITZERLAND Sr. Don Alejandro Fernández Buenos Aires: Museo Nacional L’Aquila: Museo Nazionale d’Abruzzo Basel: Kunstmuseum Basel de Araoz y Marañon de Belles Artes Milan: Pinacoteca Ambrosiana Geneva: Musée d’art et d’histoire, Mr. and Mrs. Robert J. Fisher Naples: Soprintendenza Speciale per i Ville de Genève AUSTRIA Fondation Aetas Aurea Beni Archeologici di Napoli e Pompei; Pully: Fiduciaire Kernohan & Associés Salzburg: Museum Carolino Augusteum Museo Archeologico Nazionale di Robert Frank Winterthur: Fotostiftung Schweiz Vienna: Galerie Sanct Lucas; Napoli; Museo e Gallerie Nazionali di Zurich: Kunsthaus Zürich Galerie Katia Granoff, Paris Kunsthistorisches Museum Wien Capodimonte Mr. and Mrs. David Ganek Pompei: Soprintendenza Speciale per i UNITED KINGDOM—ENGLAND BELGIUM Beni Archeologici di Napoli e Pompei Leonard Gianadda Bakewell: Chatsworth House Trust John Gossage Brussels: Musées royaux des Beaux-Arts Rome: Musei Capitolini de Belgique Berkshire: Her Majesty Queen Elizabeth II Howard Greenberg JAPAN Liverpool: Walker Art Gallery Groninger Museum BRAZIL Okayama: Ohara Museum of Art London: Blackheath, Ranger’s House; Mr. and Mrs. Manfred Heiting Sao Paulo: Museu de Arte de São Paulo Brevan Howard Asset Management LLP; Jeffrey E. Horvitz LIECHTENSTEIN The British Museum; Christie, Manson CANADA & Woods, Ltd.; The Courtauld Institute Jasper Johns Schaan: Hilti Art Foundation Ottawa: Canadian Museum of Gallery, Courtauld Institute of Art; Simon Thomas Kaplan C. Dickinson Ltd.; Dulwich Picture Gallery; Contemporary Photography; NETHERLANDS Betsy Karel National Gallery of Canada Waldemar Januszczak; The National Amsterdam: Rijksmuseum; Gallery; Her Majesty Queen Elizabeth II; Andrea Kayne Kaufman and Toronto: Art Gallery of Ontario Van Gogh Museum Jacob J. Kaufman Robilant + Voena; Tate Britain; Haarlem: Teylers Museum Victoria and Albert Museum Mark Kelman DENMARK The Hague: Royal Picture Gallery Manchester: Manchester Art Gallery; David Knaus Copenhagen: Kunstindustrimuseet; Ny Carlsberg Glyptotek Mauritshuis The Whitworth Art Gallery Herr Ferdinand J. Knecht Frederikssund: J. F. Willumsens Museum Leiden: Stedelijk Museum De Lakenhal Shrewsbury: Attingham Park Dr. Carlo Knight Maastricht: Noortman Master Paintings UNITED KINGDOM—SCOTLAND Sherry and Alan Koppel FRANCE NORWAY Edinburgh: National Gallery of Scotland Mr. Joseph Lau Liège: Musée d’Art moderne et d’Art Bergen: Bergen Art Museum Glasgow: Pollok House Robert Lehrman contemporain, Liège Lyon: Musée des Beaux-Arts de Lyon Oslo: Nasjonalmuseet for kunst, arkitektur Asbjorn R. Lunde UNITED STATES Orléans: Musée des Beaux-Arts, Orléans og design Mr. and Mrs. Peter MacGill Paris: Collection Frits Lugt; École Alabama Mrs. Paul Mellon RUSSIA Nationale Supérieure des Beaux-Arts; Birmingham: Birmingham Museum of Art Moscow: The State Pushkin Museum Robert E. Meyerhoff Galerie Charles Bailly; Musée des Arts of Fine Arts Stavros Niarchos Décoratifs; Musée d’Orsay; California Musée du Louvre St. Petersburg: The State Hermitage Laguna Beach: Laguna Art Museum Ivan E. Phillips Museum Dr. and Mrs. Joram Piatigorsky Strasbourg: Musée d’art moderne et Los Angeles: The Armand Hammer contemporain; Musée des Beaux-Arts, SPAIN Foundation; The J. Paul Getty Museum; Prentice and Paul Sack Photographic Trust Strasbourg Los Angeles County Museum of Art Antequera: Museo de Antequera Mr. and Mrs. John Pritzker Toulouse: Musée des Augustins Pasadena: Norton Simon Art Foundation Barcelona: Museu Nacional d’Art de Steven Rales Versailles: Musée national des Châteaux San Francisco: The Fine Arts Museums of Catalunya David Rockefeller Sr. de Versailles et de Trianon San Francisco; San Francisco Museum of Burgos: Chapel of Saint Bruno, Cartuja de James de Rothschild Modern Art GERMANY Miraflores; Patrimonio Nacional Michael A. Rubel and Kristin Rey San Marino: The Huntington Library, Berlin: Kupferstichkabinett; Staatliche El Pedroso: Church of Our Lady of Art Collections, and Botanical Gardens Lord Harold Samuel Consolation Museen zu Berlin, Antikensammlung Santa Monica: Gallery Luisotti; Mr. and Mrs. Thomas A. Saunders III Dresden: Albertinum; Staatliche Granada: Fundacíon Rodríguez-Acosta; The Kelton Foundation Barbara Schwartz Kunstsammlungen Dresden Museo de Bellas Artes Connecticut Mr. and Mrs. Norman Selby Essen: Museum Folkwang Essen Madrid: Convento de la Encarnación (Patrimonio Nacional); Patrimonio Greenwich: Dahesh Museum of Art Edward Shein Frankfurt: Städelsches Kunstinstitut und Nacional, Monasterio de las Descalzas Hartford: Wadsworth Atheneum Kenneth Slowik Städtische Galerie Reales; Ministerio de Asuntos Exteriores; Museum of Art Hamburg: Hamburger Kunsthalle Museo de la Real Academia de Bellas Dan and Mary Solomon New Haven: Yale University Art Gallery; Kassel: Staatliche Museen Kassel Artes de San Fernando; Museo del Anthony Speelman Yale University, Beinecke Library Meissen: Staatliche Porzellan-Manufaktur Ejercito; Museo del Prado; Museo Donald Stone Meissen Thyssen-Bornemisza; Patrimonio Nacional, District of Columbia Tabley House Real Monasterio de San Lorenzo de Munich: Bayerisches Washington: The Architect of the Capitol; El Escorial Baron Willem van Dedem Staatsgemäldesammlungen-Alte The Corcoran Gallery of Art; Dumbarton William Van Loo Pinakothek; Neue Pinakothek Malaga: Parroquia Santa Maria de Oaks; Folger Shakespeare Library; la Victoria Mr. and Mrs. Eijk Van Otterloo Schwerin: Staatliches Museum Schwerin Hirshhorn Museum and Sculpture Garden; Seville: Archicofradía del Santísimo The Library of Congress; National Gallery Carol Lynn Ward-Bamford Stuttgart: Staatsgalerie Stuttgart Cristo del Amor, Collegiate Church of of Art Library; National Gallery of Art Weimar: Stiftung Weimarer Klassik Jane Watkins El Salvador, Seville; Catedral de Seville; Library, Department of Image Collections; Goethe-Nationalmuseum Mrs. Henry H. Weldon Iglesia del Convento de Santa Isabel; National Museum of American History; Fundación Casa Ducal de Medinaceli; Mr. and Mrs. Arthur K. Wheelock HUNGARY National Museum of Women in the Arts; Convento del Santo Angel; Museo The Phillips Collection; Smithsonian Ms. Catherine Woodard and Budapest: Museum of Fine Arts, Budapest de Bellas Artes de Seville; Universidad Institution Libraries Mr. Nelson Blitz Jr. de Sevilla IRELAND Dian Woodner Toledo: Catedral de Toledo Florida Dublin: National Gallery of Ireland Eric Martin Wunsch Valladolid: Iglesia de San Miguel y San West Palm Beach: Norton Gallery and School of Art ISRAEL Julián; Monasterio/Convento de San Public Collections Jerusalem: The Israel Museum Joaquín y Santa Ana; Museo Diocesano y Illinois Catedralicio Chicago: The Art Institute of Chicago AFGHANISTAN ITALY SWEDEN Urbana: The Spurlock Museum Tehran: Tehran Museum of Cremona: Museo Civico Ala Ponzone Mariefred: Gripsholm Castle Contemporary Art Florence: Museo di Storia della Fotografia Indiana Stockholm: Nationalmuseum; Fratelli Alinari Indianapolis: Indianapolis Museum of Art Skoklosters Slott

[ 6 9 ] National Gallery of Art 2010

Massachusetts Collection of the Artist French 13th Century >An Italianate Landscape with Figures Andover: Addison Gallery of American Art Helen Frankenthaler >Vita Contemplativa Sandro Botticelli Boston: Museum of Fine Arts, Boston >Mountains and Sea >Heraldic Panel >Young Man Holding a Medallion >Bishop Blessing Cambridge: Harvard Art Museums Collection of the Artist Gerrit Adriaensz Berckheyde Worcester: Worcester Art Museum >Angel Holding a Cross and the Crown >The Grote or St. Bavokerk in Haarlem Jasper Johns of Thorns Pieter Brueghel the Younger Maryland >Between the Clock and the Bed Mr. Jack Soultanian >The Wedding Party Baltimore: The Baltimore Museum of Art; >Field Painting Aelbert Cuyp The Walters Art Museum >No Jean Penicaud II >Target >Cicero >A Pier in Dordrecht Harbor Minnesota Dirck van Delen >Dancers on a Plane Mrs. Frederick M. Stafford Minneapolis: The Minneapolis Institute of Arts >Church Interior with Elegant Figures Collection of the Artist Claude Lorrain >Landscape with Apollo and Mercury German 18th Century New Hampshire Frank Stella >Pair of Female Figures Hanover: Hood Museum of Art, >Delta U.S. Department of the Interior, Jan Davidsz de Heem Dartmouth College Collection of Robert and Jane National Park Service, Saint-Gaudens >Still Life with Fruit, Oysters, and Wine National Historic Site, Cornish, New York Meyerhoff Pieter Lastman New Hampshire Buffalo: Albright-Knox Art Gallery Frank Stella >David Gives Uriah a Letter for Loab >Marquis de Portago (first version) Augustus Saint-Gaudens New York: French & Company LLC; >Study Head of a Black Soldier (6 works) Jan Lievens Howard Greenberg Gallery; Cooper Hewitt, National Design >Self-Portrait The John Simon Guggenheim Memorial >Preliminary Sketch for Shaw Memorial Museum, Smithsonian Institution >Shaw Memorial Edouard Manet Foundation; The Metropolitan Museum >Spring of Art; The Pierpont Morgan Library; Giovanni Domenico Tiepolo >Early Study of the Allegorical Figure for the The Museum of Modern Art; >The Immaculate Conception Shaw Memorial Jan Miense Molenaer The New York Public Library; Solomon >A Lute Player Faro World Inc. The White House R. Guggenheim Museum; Sonnabend Jacopo Palma il Giovane Gallery; Wildenstein & Co., Inc. Leo Villareal Paul Cézanne >Venus and Cupid at the Forge of Vulcan >Multiverse >Hamlet at Payannet, near Gardanne Roslyn Harbor: Nassau County Richard Caton Woodville Museum of Art Fioratti Collection (Hameau à Payannet près de Gardanne) >War News from Mexico >House on a Hill Syracuse: Syracuse University Library Giovanni Minello >Still Life with Skull Philips Wouwerman North Carolina >Bust of a Woman >Riders and Horses Resting by a River Mr. and Mrs. Eijk Van Otterloo Raleigh: North Carolina Museum of Art Glenstone Esaias van de Velde I Bruce Nauman NGA LOANS TO Ohio >An Elegant Company in a Garden >Fifteen Pairs of Hands TEMPORARY EXHIBITIONS Cleveland: The Cleveland Museum of Art Aert van der Neer Toledo: The Blair Museum of Lithophanes; Kaufman Americana Foundation >A Snowy Winter Landscape The department of loans and the Toledo Museum of Art Jan van der Heyden Gabriel Metsu >View Down a Dutch Canal >An Old Woman at a Meal National Lending Service administered Pennsylvania the loans of 892 works of art to 216 sites Philadelphia: Philadelphia Museum of Art The Library of Congress Mr. and Mrs. Erving Wolf during fiscal year 2010. This number Unknown Artist Horatio Greenough includes the loan of 686 works to 128 Texas >Hubbard and Broekman Reproduction of >Portrait of George Washington temporary exhibitions at 169 institutions Fort Worth: Kimbell Art Museum a Pascal Taksin Harpsichord Anna Hyatt Huntington and the extended loan of 157 Gallery Houston: The Museum of Fine Arts, >Yawning Panther works to thirty-eight sites. Forty-nine Houston Manoogian Collection Gaston Lachaise works from Gallery collections were on San Antonio: McNay Art Museum George Caleb Bingham >The Jolly Flatboatmen >Peacocks short-term loan to the permanent Virginia Frederick William MacMonnies collections of eight U.S. museums and Musée du Louvre, Réunion des Musées Norfolk: Chrysler Museum of Art >Pan of Rohallion one foreign museum. Nationaux, Paris Paul Manship Venetian 16th Century >Briseis *Works in National Lending Service LENDERS OF WORKS >Boy on a Dolphin >Oriental Dancer: Vase AUSTRALIA DISPLAYED WITH THE NGA National Museum of Health and >Salome COLLECTION Medicine, Institute of Pathology >Actaeon Sydney, Art Gallery of New South Wales Thomas Eakins >Atalanta Alfred Stieglitz: The Lake George Years Mr. Roger Arvid Anderson >Dr. John H. Brinton >Flight of Europa 17 June 2010 to 5 September 2010 >Flight of Night Possibly Germain Pilon The Norton Simon Foundation Alfred Stieglitz >Veiled Mourner with Torch >Panther leaping at deer (Bronze Relief Edward Manet >After Working Hours—The Ferry Boat from the New York Century Association >Marius de Zayas The Morris and Gwendolyn Cafritz >Ragpicker Flower Boxes) Foundation >Brancusi Exhibition at 291 Patsy Orlofsky Edward McCartan >Francis Picabia David Smith Jim Dine >Nymph and Satyr >Kitty at Lake George >Cubi XI >Name Painting #1 >Bacchus >Helen Freeman Calder Foundation Elie Nadelman >Hedwig Stieglitz Schroder Collection, London Alexander Calder >Classical Head >Georgia Engelhard >Aztec Josephine Baker Hans Mielich >Head of a Girl >Barn and Carriage >Portrait of a Woman >Red Panel Augustus Saint-Gaudens >Rebecca Salsbury Strand >1 Red, 4 Black plus X White Candida and Rebecca Smith >“The Puritan” (Deacon Samuel Chapin) >Marcel Duchamp >Tom’s David Smith >Samuel Gray Ward >The Black Barn & White Snow >Cheval Rouge >Aggressive Character, Black-White Forward >Robert Louis Stevenson (square format) >Dorothy Norman >Cheval Rouge (maquette) >Robert Louis Stevenson (horizontal format) >Richard Menshausen >Tom’s (maquette) Robert H. Smith >Victory/Peace >Back of Little House >Untitled Manner of Pugin >Music—A Sequence of Ten Cloud >Marble Octagonal Pedestal (2 Works) Anonymous Photographs, No. I The Catholic University of America, Bernardo Bellotto >Music—A Sequence of Ten Cloud Oliveira Lima Library Smithsonian American Art Museum >Pirna, The Fortress of Sonnenstein Sir Anthony van Dyck Photographs, No. II Frans Post Nicolaes Pietersz Berchem >Music—A Sequence of Ten Cloud >Brazilian Landscape, Probably Pernambuco >Marchesa Elena Grimaldi-Cattaneo

[ 7 0 ] National Gallery of Art 2010

Photographs, No. III FRANCE >Argenteuil IRELAND >Music—A Sequence of Ten Cloud >The Artist’s Garden at Vétheuil Giverny, Musée des impressionnismes Dublin, Irish Museum of Modern Art Photographs, No. IV >Interior, after Dinner Giverny >Music—A Sequence of Ten Cloud >Woman with a Parasol—Madame Monet Vertical Thoughts: Morton Feldman and Photographs, No. V Joan Mitchell Retrospective and Her Son the Visual Arts >Music—A Sequence of Ten Cloud 23 August 2009 to 31 October 2009 6 April 2010 to 27 June 2010 Photographs, No. VI Joan Mitchell Paris, Musée du Louvre Mark Rothko >Music—A Sequence of Ten Cloud >Piano mécanique Titian, Tintoretto, Veronese: Rivals in >No. 8 * Photographs, No. VII Renaissance Venice Impressionism on the Seine Dublin, National Gallery of Ireland >Music—A Sequence of Ten Cloud 17 September 2009 to 4 January 2010 Photographs, No. VIII 1 April 2010 to 18 July 2010 Titian Gabriel Metsu, 1629–1667 >Music—A Sequence of Ten Cloud Gustave Caillebotte >Venus with a Mirror 4 September 2010 to 5 December 2010 Photographs, No. IX >Skiffs * >Ranuccio Farnese Gabriel Metsu >Music—A Sequence of Ten Cloud Auguste Renoir >The Intruder Paris, Musée national d’art moderne, Photographs, No. X >Oarsmen at Chatou Centre Georges Pompidou ITALY >Songs of the Sky A2 Marseille, Musée Cantini Pierre Soulages Retrospective >Songs of the Sky A3 Conegliano, Palazzo Sarcinelli De la Scène au tableau 14 October 2009 to 8 March 2010 >Songs of the Sky A4 Cima da Conegliano: Poeta del Paesaggio 1 October 2009 to 3 January 2010 Circulated to: Museo de la Ciudad, >Songs of the Sky A5 26 February 2010 to 2 June 2010 >Songs of the Sky A6 Circulated to: Museo di Arte Moderna Mexico City Cima da Conegliano >Songs of the Sky A7 e Contemporanea di Trento e Rovereto 3 June 2010 to 29 August 2010 >Saint Jerome in the Wilderness >Songs of the Sky A8 6 February 2010 to 23 May 2010 Pierre Soulages >Saint Helena >Songs of the Sky A9 Circulated to: Art Gallery of Ontario, >Painting * >Equivalent 27B Toronto Florence, Museo degli Argenti Rouen, Musée des Beaux-Arts de Rouen >Equivalent 27A 19 June 2010 to 26 September 2010 Precious and Beautiful: Cameos and >From My Window at Edgar Degas A City for Impressionism: Monet, Intaglios of the Medici (Pregio e Bellezza. An American Place, North >Dancers Backstage Pissarro, and Gauguin in Rouen Cammei e Intagli dei Medici) >Georgia O’Keeffe—Exhibition at 291 4 June 2010 to 26 September 2010 25 March 2010 to 27 June 2010 Paris, Galerie Nationale du Jeu de Paume >Georgia O’Keeffe Claude Monet Follower of Michelangelo, André Kertész >Georgia O’Keeffe >Ships Riding on the Seine at Rouen after the Antique >Georgia O’Keeffe 28 September 2010 to 30 January 2011 >Apollo and Marsyas >Georgia O’Keeffe André Kertész GERMANY French 16th Century >Georgia O’Keeffe >Clock of the Académie Française Essen, Museum Folkwang Essen >Hat-Badge with Apollo and Marsyas >Georgia O’Keeffe >“Buy,” Long Island University Das schönste Museum der Welt: Museum (or possibly Orpheus) >Georgia O’Keeffe and Donald Davidson >Elizabeth and I Folkwang bis 1933 (The Most Beautiful >Georgia O’Keeffe >Self-Portrait in the Hotel Beaux-Arts Museum in the World: Museum Folkwang Florence, Museo Nazionale del Bargello >Lion and Shadow Paths to Abstraction 1867 to 1917 since 1933) I grandi bronzi del Battistero. >Skywriting Rustici e Leonardo 26 June 2010 to 19 September 2010 1 March 2010 to 10 August 2010 >Jeno Kertész as Satyr 10 September 2010 to 10 January 2011 Paul Cézanne André Derain >Jeno Kertész as Icarus Giovanni Larciani (Master of the Kress >At the Water’s Edge * >Still Life * >Blind Musician, Abony Landscapes) Edouard Vuillard >Self-Portrait Frankfurt, Städelsches Kunstinstitut und >Scenes from a Legend >Woman in Black >West 134th Street, New York Städtische Galerie >Sleeping Boy Florence, Palazzo Strozzi BELGIUM Botticelli >The Fairy Tale 13 November 2009 to 28 February 2010 Inganni ad Arte: Meraviglie del trompe >Street Scene, Budapest l’oeil dall’antichità al contemporaneo Leuven, Municipal Museum Vander Sandro Botticelli >Village (Budafolk?) Kelen-Mertens >Giuliano de’ Medici 16 October 2009 to 16 January 2010 Rogier van der Weyden, ca. >New York Domenico Fetti 1400–1464— Master of Passions >Communications Building, New York Hannover, Sprengel Museum >The Veil of Veronica 20 September 2009 to 6 December 2009 World’s Fair Der Blick auf Fränzi und Marcella. John Frederick Peto >Wooden Horses Master of the Prado Zwei Modelle der Brücke-Künstler >For the Track >Blvd de la Madeleine 29 August 2010 to 9 January 2011 “Adoration of the Magi” De Chirico, Magritte, Balthus: Il Silenzio >Paris, “After School in the Tuileries” Max Pechstein >The Presentation in the Temple del Mondo >Paris, “Alexander Calder” >Franzi and Her Sister in a Hammock South Netherlandish 15th Century 26 February 2010 to 18 July 2010 >Pietà Paris, Galeries nationales du Grand Palais Wuppertal, Von der Heydt-Museum René Magritte Renoir au XXe siècle CANADA Bonnard–Magier der Farbe >La condition humaine 23 September 2009 to 4 January 2010 14 September 2010 to 30 January 2011 Edmonton, Art Gallery of Alberta Bronzino Circulated to: Los Angeles County Pierre Bonnard 24 September 2010 to 23 January 2011 Degas: Figures in Motion Museum of Art >Table Set in a Garden 22 January 2010 to 30 May 2010 10 February 2010 to 9 May 2010 Agnolo Bronzino >The Holy Family Edgar Degas Circulated to: Philadelphia Museum HUNGARY Florentine 16th Century >Nude Woman Standing, Drying Herself of Art Budapest, Museum of Fine Arts, Budapest (Femme nue debout, a sa toilette) 10 June 2010 to 5 September 2010 >Allegorical Portrait of Dante Turner and Italy >Woman Seated in an Armchair, Auguste Renoir Milan, Palazzo Reale, Milan Wiping Her Neck >Head of a Young Girl 15 July 2009 to 25 October 2009 Joseph Mallord William Turner Goya e el mundo moderno >Study in the Nude of Little Dancer Aged >Girl with a Basket of Fish (Goya and the Modern World) Fourteen (Nude Little Dancer) >Girl with a Basket of Oranges >The Dogana and Santa Maria >Young Spanish Woman with a Guitar della Salute, Venice 18 March 2010 to 27 June 2010 Vancouver, Vancouver Art Gallery Francisco de Goya Botticelli to Titian: Two Centuries of Italian Expanding Horizons: American and Monet Monographic Exhibition >Bartolomé Sureda y Miserol Masterpieces Canadian Painting and Photography: 20 September 2010 to 24 January 2011 1860–1918 Claude Monet 28 October 2009 to 14 February 2010 17 October 2009 to 17 January 2010 >Bazille and Camille (Study for Jacopo Tintoretto John Henry Twachtman “Déjeuner sur l’Herbe”) >A Procurator of Saint Mark’s >Winter Harmony

[ 7 1 ] National Gallery of Art 2010

Naples, Museo e Gallerie Nazionali >A Miracle of Saint Francis of Paola Rotterdam, Museum Boijmans Zurich, Kunsthaus Zürich di Capodimonte >The Exaltation of the True Cross Van Beuningen Georges Seurat: Figures in Space Ritorno al barocco: da Caravaggio a All Eyes on Kees Van Dongen 2 October 2009 to 17 January 2010 JAPAN Vanvitelli (Return to the Baroque: From 18 September 2010 to 23 January 2011 Circulated to: Schirn Caravaggio to Vanvitelli) Kobe, Hyogo Prefectural Museum of Art Kees van Dongen Kunsthalle Frankfurt 6 December 2009 to 11 April 2010 Visual Deception >Saida 11 February 2010 to 9 May 2010 Bernardo Cavallino 25 August 2009 to 3 November 2009 Georges Seurat >The Triumph of Galatea PORTUGAL René Magritte >The Lighthouse at Honfleur Rome, Complesso del Vittoriano >The Blank Signature * Lisbon, Fundaçäo Calouste Gulbenkian, Temporary Exhibitions Gallery UNITED KINGDOM—ENGLAND Dada e Surrealismo riscoperti Sakura, Kawamura Memorial The Object Observed: Four Centuries of Cambridge, The Fitzwilliam Museum 8 October 2009 to 7 February 2010 Museum of Art European Still Life Painting Max Ernst Barnett Newman: Dialogue Between Endless Forms: Charles Darwin, 11 February 2010 to 2 May 2010 >A Moment of Calm Man and Work Natural Science, and the Visual Arts Juan van der Hamen y León 16 June 2009 to 4 October 2009 Joan Miró 4 September 2010 to 12 December 2010 >Still Life with Sweets and Pottery Joseph Mallord William Turner >A Shooting Star * Barnett Newman >The Evening of the Deluge Da Corot a Monet. La sinfonia >Pagan Void SPAIN Martin Johnson Heade della natura Tokyo, Mitsubishi Ichigokan Museum Barcelona, Centre de Cultura >Cattleya Orchid and Three Hummingbirds 6 March 2010 to 29 June 2010 Manet et le Paris moderne Contemporània de Barcelona Liverpool, Tate Liverpool Eugène Cuvelier 6 April 2010 to 25 July 2010 Il Secolo del Jazz/Le Siècle du jazz/ >Belle-Croix Afro Modern: Journeys through Edouard Manet El Segle de Jaz >Carrefour de l’Epine the Black Atlantic >The Dead Toreador 21 July 2009 to 18 October 2009 >Marais de Fampoux 29 January 2010 to 25 April 2010 Claes Oldenburg >Mare à Piat (Marsh at Piat) Tokyo, The National Art Center, Tokyo >Clarinet Bridge Jacob Lawrence Alphonse Jeanrenaud Renoir: Tradition and Innovation >Street to Mbari >Fontainebleau Madrid, Fundación Caja Madrid 20 January 2010 to 5 April 2010 London, The National Gallery Alfred Sisley Circulated to: The National Museum Tears of Eros >Flood at Port-Marly The Sacred Made Real: Spanish Painting of Art, Osaka 20 October 2009 to 31 January 2010 and Sculpture 1600–1700 17 April 2010 to 27 June 2010 Luca Giordano Rome, Palazzo delle Esposizioni 21 October 2009 to 24 January 2010 Auguste Renoir >Diana and Endymion Alexander Calder Francisco Antonio Gijón >Madame Henriot 22 October 2009 to 14 February 2010 Madrid, Museo Thyssen-Bornemisza >Saint John of the Cross >Georges Rivière (San Juan de la Cruz) Alexander Calder >Flowers in a Vase Monet and Abstraction >Cascading Flowers 23 February 2010 to 30 May 2010 London, Royal Academy of Arts >Little Spider Yokohama, Yokohama Museum of Art Mark Rothko >Tower with Pinwheel The Real Van Gogh: The Artist and Edgar Degas >Untitled * His Letters >Untitled (The Constellation Mobile) 17 September 2010 to 5 January 2011 Domenico Ghirlandaio: Portrait of 23 January 2010 to 18 April 2010 Rovereto, Museo di Arte Moderna e Edgar Degas Giovanna Tornabuoni, Contexts of the Vincent van Gogh Contemporanea di Trento e Rovereto >Scene from the Steeplechase: Permanent Collection >Roses The Fallen Jockey De la Scène au tableau 22 June 2010 to 10 October 2010 >Postcard with Two Peasants Digging 6 February 2010 to 23 May 2010 MEXICO Style of Niccolò Fiorentino London, Tate Britain >Lorenzo di Giovanni Tornabuoni, Circulated to: Art Gallery of Turner and the Masters Ontario,Toronto Mexico City, Museo del Palacio de 1466–1497 [obverse] Bellas Artes 23 September 2009 to 24 January 2010 19 June 2010 to 26 September 2010 Attributed to Niccolò Fiorentino Edgar Degas El mundo invisible de René Magritte >Lodovica Tornabuoni, Daughter of Giovanni Circulated to: Galeries nationales du >Dancers Backstage (The invisible world of René Magritte) Tornabuoni [obverse] Grand Palais, Paris 22 February 2010 to 23 May 2010 18 March 2010 to 14 July 2010 Domenico Ghirlandaio Siena, Complesso Museale Santa Maria René Magritte >Madonna and Child Circulated to: Museo Nacional del della Scala >The Blank Signature * Prado, Madrid Da Jacopo della Quercia a Donatello. SWEDEN 21 June 2010 to 19 September 2010 NETHERLANDS Le Arti a Siena nel Primo Rinascimento Stockholm, Nationalmuseum Rembrandt van Rijn >The Mill 26 March 2010 to 11 July 2010 Amsterdam, Joods Historisch Museum Rubens and Van Dyck Master of the Osservanza (Sano di Pietro?) Meijer de Haan 25 February 2010 to 23 May 2010 London, Tate Modern >The Meeting of Saint Anthony and 12 October 2009 to 24 January 2010 Sir Anthony van Dyck Gauguin: Maker of Myth Saint Paul Circulated to: Musée d’Orsay, Paris >Isabella Brant >Saint Anthony Distributing His Wealth 30 September 2010 to 16 January 2011 15 March 2010 to 20 June 2010 Paul Gauguin to the Poor SWITZERLAND >Saint Anthony Leaving His Monastery Circulated to: Musée des Beaux-Arts >Wayside Shrine in Brittany >The Death of Saint Anthony de Quimper Basel, Fondation Beyeler (Le calvaire Breton) 8 July 2010 to 11 October 2010 >Human Sorrow (Miseres humaines) Jacopo della Quercia Giacometti >Title Page for “Le Sourire” >Madonna of Humility Paul Gauguin 31 May 2009 to 11 October 2009 >Landscape at Le Pouldu (Titre du Sourire) Alberto Giacometti Venice, Collezione Peggy Guggenheim >Title Page for “Le Sourire” Haarlem, Frans Hals Museum >No More Play Prendergast in Italy (Titre du Sourire) Judith Leyster’s 400th Anniversary 9 October 2009 to 3 January 2010 Henri Rousseau >Maruru (Thank You) 19 December 2009 to 9 May 2010 Maurice Brazil Prendergast 7 February 2010 to 9 May 2010 >Eve >Te Arii Vahine (Lady of Royal Blood) >Caffè Florian in Venice Judith Leyster Circulated to: Museo >Bouddha (Buddha) >Self-Portrait Guggenheim Bilbao Venice, Exhibition Facilities, Ex Convitto, >The Ox Cart (Le char a boeufs) 25 May 2010 to 12 September 2010 Island of San Giorgio Maggiore The Hague, Gemeentemuseum >The Rape of Europa Den Haag Henri Rousseau Sebastiano Ricci: Il Trionfo dell’invenzione (L’enlevement d’Europe) >Rendezvous in the Forest * nel Settecento veneziano Picasso–Cézanne, le soleil en face >Be in Love and You will be Happy >Tropical Forest with Monkeys * 24 April 2010 to 19 July 2010 17 October 2009 to 24 January 2010 (Soyez amoureuses, vous serez heureuses) Sebastiano Ricci Paul Cézanne >Title Page for “Le Sourire” >Harlequin (Titre du Sourire)

[ 7 2 ] National Gallery of Art 2010

>The Bathers Mark Rothko Hirshhorn Museum and Sculpture Garden Philip Galle after Maerten van >Title Page for “Le Sourire” >Figure Composition * Anne Truitt: Perception and Reflection Heemskerck (Titre du Sourire) >Olympian Play * 8 October 2009 to 3 January 2010 >Saint Peter Speaks to the People >Oviri (The Savage) [recto] >Untitled Anne Truitt about Christ >Pair of Wooden Shoes (Sabots) Raphael Soyer >Mid-Day * Philip Galle after Jan van der Straet >Haystacks in Brittany * >Blond Figure >Saint Paul Preaching in Rome >Parau na te Varua ino (Words of the Devil) * Max Weber Colorforms Atlanta, High Museum of Art >Te Pape Nave Nave (Delectable Waters) >Interior of the Fourth Dimension 8 March 2010 to 28 August 2010 >The Invocation * Mark Rothko Leonardo da Vinci and the Art of Sculpture >Breton Girls Dancing, Pont-Aven Connecticut >Untitled * 6 October 2009 to 21 February 2010 >Self-Portrait Dedicated to Carrière Greenwich, Bruce Museum of Arts >Untitled * Desiderio da Settignano >Geese; Girls in Bonnets, Geese [recto] and Science >Untitled * >The Christ Child (?) >Monkey and Cottage; Little Breton Alexander Calder: Printmaker Workshop of Andrea del Verrocchio Boy [recto] National Museum of American History >Alexander the Great >Address List; Manuscript Page [recto] 31 October 2009 to 31 January 2010 The Price of Freedom >Profile of a Boy and Self-Portrait [recto] Alexander Calder 14 January 2009 to 31 January 2012 Savannah, Telfair Museum of Art >Three Studies of a Pig; Breton Boy Walking >The Big I Charles Peale Polk Dutch Utopia: American Artists in with a Jug [recto] >Horse >General Washington at Princeton * Holland, 1880­—1914 >Circles and Numbers; Self-Portrait [recto] >Untitled (Man and Woman Walking a Dog) 30 September 2009 to 10 January 2010 The Phillips Collection >Still Life with Peonies Circus! Art and Science Under the Big Top Circulated to: Taft Museum of Art, Man Ray, African Art and the Cincinnati >Two Tahitians Gathering Fruit [recto] 24 September 2010 to 9 January 2011 Modernist Lens 5 February 2010 to 2 May 2010 John Steuart Curry UNITED KINGDOM—SCOTLAND 10 October 2009 to 10 January 2010 Circulated to: The Grand Rapids >Circus Elephants * Circulated to: University of New Mexico Edinburgh, National Gallery of Scotland Art Museum Hartford, Wadsworth Atheneum Museum Art Museum, Albuquerque 21 May 2010 to 15 August 2010 Impressionist Gardens of Art 6 February 2010 to 30 May 2010 Circulated to: Singer Museum, Laren, 31 July 2010 to 17 October 2010 Rembrandt’s People Circulated to: University of Virginia Art The Netherlands Camille Pissarro 8 October 2009 to 24 January 2010 Museum, Charlottesville 15 September 2010 to 16 January 2011 >The Artist’s Garden at Eragny 7 August 2010 to 10 October 2010 Rembrandt van Rijn Gari Melchers Auguste Renoir >Self-Portrait Alfred Stieglitz >The Sisters * >Flowers in a Vase >Claudia O’Keeffe Robert Henri Claude Monet New Britain, New Britain Museum of Object as Subject: Photographs of the >Volendam Street Scene * >The Artist’s Garden in Argenteuil American Art Czech Avant-Garde (A Corner of the Garden with Dahlias) John Haberle: Master of Illusion Illinois 10 October 2009 to 7 February 2010 11 December 2009 to 14 March 2010 Chicago, The Art Institute of Chicago UNITED STATES Jaromír Funke Circulated to: Brandywine River >Abstract Photo Lewis Baltz: Prototypes/Ronde de Nuit California Museum, Chadds Ford >Still Life 25 September 2010 to 19 January 2011 17 April 2010 to 11 July 2010 Lewis Baltz Los Angeles, Fowler Museum at UCLA Jaroslav Rössler Circulated to: Portland Museum >Untitled (Composition with Magic Two) >New Monterey Steeped in History: The Art of Tea of Art (Maine) Frantisek Vobecky >Sausalito 2 August 2009 to 29 November 2009 18 September 2010 to 12 December >Irvine Ranch 2010 >Torso The Gansevoort Limner >Sausalito John Haberle Ladislav Foltýn (Possibly Pieter Vanderlyn) >Chairs in the Prater (Stolicky v Pratri) >East Palo Alto >Susanna Truax * >Imitation Chicago, David and Alfred Smart Museum New Haven, Yale Center for British Art Predominantly White: Richard Pousette- Los Angeles, The J. Paul Getty Museum Dart Paintings of Art, University of Chicago Horace Walpole’s “Strawberry Hill” Drawings by Rembrandt and His Pupils: 5 June 2010 to 12 September 2010 The Darker Side of Light: Arts of Privacy, Telling the Difference 15 October 2009 to 3 January 2010 Richard Pousette-Dart 1850­—1900 8 December 2009 to 28 February 2010 Circulated to: Victoria and >White Garden, Sky 11 February 2010 to 10 June 2010 Rembrandt van Rijn Albert Museum Adolphe Appian >The Artist Drawing from the Model 6 March 2010 to 4 July 2010 Florida >Au Valromey >Head of an Old Man (recto) Follower of Jacques Callot >Pêcheur en Canot, au bord d’une Rivière >Artist’s Pocket Book Sarasota, The John and Mable Ringling Los Angeles, Los Angeles County Museum of Art (Fisherman in a Boat) Follower of Nicolas Poussin Museum of Art Venice in Canaletto’s Age Louis-Ernest Barrias >Nymphs Feeding the Child Jupiter >Nature Unveiling Herself before Science Luis Meléndez: Master of the Spanish 8 October 2009 to 10 January 2010 Albert Besnard Still Life District of Columbia Circulated to: Memphis Brooks >Intimacy (Intimté) 23 September 2009 to 3 January 2010 The Corcoran Gallery of Art Museum of Art 13 February 2010 to 9 May 2010 >In the Embers (Dans les cendres) Circulated to: Museum of Fine Arts, Helios: Eadweard Muybridge in a Time >Morphine Addicts (Morphinomanes) Sebastiano Ricci Boston of Change >The End (La Fin de Tout) 31 January 2010 to 9 May 2010 >The Last Supper 10 April 2010 to 18 July 2010 >The Suicide (Le Suicide) Luis Meléndez Giovanni Battista Piazzetta >The Cup of Tea >Still Life with Figs and Bread Circulated to: Tate Britain, London >Madonna and Child Appearing to Saint 8 September 2010 to 16 January 2011 >The Murder (Le Meurtre) Philip Neri Manly Pursuits: The Sporting Images of Eadweard Muybridge >The Rape (Le Viol) Thomas Eakins >Tenaya Canyon from Union Point, Georgia >Woman with a Vase (La femme au vase) 25 July 2010 to 23 October 2010 Valley of the Yosemite >Apotheosis (L’Apothéose) Atlanta, Michael C. Carlos Museum, Thomas Eakins >Ruins of the Church of Santo Domingo— Félix Bracquemond Emory University >The Biglin Brothers Racing Panama >Birds Nailed to a Barn Door (Le haut d’un >Drifting >Phayne L. Running Stride, 19 ft., 9 in., Scripture for the Eyes: Bible Illustration battant de porte) Plate XVI in Netherlandish Prints of the Sixteenth >The Moles (Les taupes) Century San Diego, San Diego Museum of Art >Edgington Georges Bottini American Artists from the Russian Empire >Illustrations of the Paces Walking, Plate LX 17 October 2009 to 24 January 2010 >The Sagot Address 22 October 2009 to 17 January 2010 >Setting out a Coffee Plantation at Antigua Adriaen Collaert after Hans Bol Joseph Pierre Braemt Leonid de Guatemala >“... I am the door of the sheep” (Leo) >Charles de Brouckère, 1796–1860, >Faraduro, Portugal * >The Horse in Motion as Shown by >“... The Kingdom of God shall be taken Mayor of Brussels 1848 [obverse] Instantaneous Photography with a Study on from you ...” (Scorpio) Animal Mechanics

[ 7 3 ] National Gallery of Art 2010

Rodolphe Bresdin Vicomte Ludovic Napoléon Lepic >The Woman Clothed with the Sun Eugène Boudin >Comedie de la Mort >The Shore of the Escaut River with Dirck Volckertz Coornhert after Maerten >Bathing Time at Deauville >Fantasy Farmhouse a Turbulent Sky van Heemskerck Minnesota Félix-Hilaire Buhot Edouard Manet >Triumph of David >Les Esprits des Villes Mortes >Dead Toreador (Torero mort) Claude Mellan Minneapolis, The Minneapolis Institute (Spirits from the Cities of the Dead) >The Absinthe Drinker >Adam and Eve at the Foot of the Cross of Arts >The Demon Printer Adolph Menzel >Allegory of Intellect, Memory, and Will Robert Bergman: Portraits Eugène Carrière >Bear Pit in Zoo 18 June 2010 to 22 August 2010 Maryland >Sleep Charles Meryon Robert Bergman Mary Cassatt >Collège Henri IV, Paris, ou Lycée Napoléon Annapolis, The Mitchell Gallery, >Untitled >Before the Fireplace (No. 1) (Henry IV College or Napoleon St. John’s College >Untitled Alexandre Charpentier School, Paris) From La Serenissima to the Eternal City: >Untitled >Painting (La peinture) [obverse] >La morgue, Paris (The Mortuary) The Grand Tour in 18th Century Venice >Untitled François-Nicolas Chifflart >Le stryge (The Vampire) and Rome >Untitled >Cholera in Paris >La Tour de l’Horloge, Paris (The Clock 14 March 2010 to 23 April 2010 >Untitled Jean-Baptiste-Camille Corot Tower, Paris) Francesco Guardi >Untitled >The Dreamer (Le Songeur) >La galerie Notre-Dame, Paris (The Gallery >Temporary Tribune in the Campo San >Untitled >Young Woman and Death (La Jeune Fille of Notre Dame, Paris) Zanipolo, Venice >Untitled et la Mort) >Le Ministère de la Marine, Paris Antonio Joli >Untitled (The Admiralty, Paris) Charles-François Daubigny >Procession of Gondolas in the Bacino di San >Untitled >Ruins of the Chateau of Cremieux Edvard Munch Marco, Venice >Untitled (Les Ruines du chateau de Cremieux) >Moonlight (Mondschein) Giovanni Battista Brustolon >Untitled >Girl at Window (Madchen im Hemd Edgar Degas after Canaletto >Untitled >Woman Reading (Liseuse) am Fenster) >The Newly Elected Doge Presented to the >Untitled >The Sick Child (Das kranke Madchen) >Untitled Gustave Doré and Pierre Dupont (author) People in San Marco >Untitled >Le Légende du Juif Errant Eugen Napoleon Neureuther >The Doge Carried around the Piazza >Neureuther (Self-Portrait in the >Untitled Gustave Doré and Blanchard Jerrold San Marco Etching Studio) >The Doge in the Bucintoro Departing for >Untitled (author) >Untitled >London. A Pilgrimage Emmanuel Phélippes-Beaulieu the Porto di Lido on Ascension Day >A Heath >Untitled James Ensor >The Doge in the Bucintoro Leaving San >The Tourist Nicolò di Lido >Untitled >The Cathedral (La cathedrale) >Untitled >The Exterminating Angel (L’ange Odilon Redon >The Doge Attends the Giovedi Grasso >Frontispiece Festival in the Piazzetta >Untitled exterminateur) >Untitled >Lust (La luxure) >Cain and Abel >Annual Visit of the Doge to Santa Maria >C’est le Diable della Salute >Untitled Paul Gavarni >Procession on Corpus Christi Day in the >Untitled >Ex Libris Alfred Rethel >Der Tod als Freund Piazza San Marco >Untitled Sir Alfred Gilbert >Auch ein Todtentanz VI >Visit of the Doge to San Zaccaria on >Untitled >Comedy and Tragedy: ‘Sic Vita’ >Auch ein Todtentanz II Easter Day >Untitled Johannes Götz Auguste Rodin Angelica Kauffmann North Carolina >Boy Balancing on a Ball * >The Sirens * >Johann Winckelmann Eugène Grasset Durham, Nasher Museum of Art Félicien Rops Giovanni Battista Piranesi >La Vitrioleuse (The Acid Thrower) at Duke University >Gaspard de la Nuit >Arco di Costantino Harriet Goodhue Hosmer >Satan Sowing Tare (Satan semant l’ivraie) Circle of Giovanni Paolo Panini The Vorticists: Rebel Artists in London and >Clasped Hands of Robert Browning and New York, 1914–1918 Louis-Oscar Roty >Arch of Titus Elizabeth Barrett Browning >The Body of President Sadi Carnot Borne 30 September 2010 to 2 January 2011 Victor Hugo to the Panthéon [obverse] Massachusetts Henri Gaudier-Brzeska >Landscape Henri Rousseau North Adams, Massachusetts Museum of >Hieratic Head of Ezra Pound Max Klinger >La Guerre (The War) Contemporary Art >Place (Ort) New Jersey Henri de Toulouse-Lautrec Sol LeWitt: A Wall Drawing Retrospective >Action (Handlung) >Wounded Eros (Eros vanné) Montclair, Montclair Art Museum >Yearnings (Wünsche) 14 November 2008 to 14 November 2033 >Le Fou Cézanne and American Modernism >Rescue (Rettung) Sol LeWitt >The Manor Lady or the Omen 12 September 2009 to 3 January 2010 >Triumph >Wall Drawing No. 681 C/A wall divided (La chatelaine ou le tocsin) >Homage (Huldigung) vertically into four equal squares separated Circulated to: The Baltimore Museum of Art >Anxieties (Ängste) James McNeill Whistler and bordered by black bands. Within each 14 February 2010 to 23 May 2010 >Repose (Ruhe) >Nocturne square, bands in one of four directions, each >Abduction (Entführung) Adolphe Léon Willette with color ink washes superimposed. Circulated to: Phoenix Art Museum >Hanging Clown (Pierrôt pendu) 26 June 2010 to 26 September 2010 >Cupid (Amor) Williamstown, Sterling and Francine Clark Anders Zorn Paul Cézanne >Siesta I: pl.3 Art Institute >An Irish Girl >Still Life with Apples and Peaches >Bear and Elf (Bär und Elfe): pl.1 Picasso Looking at Degas >Moonlit Night (Mondnacht): pl. 4 >Man with Pipe * Chicago, Museum of Contemporary Art 6 June 2010 to 12 September 2010 Käthe Kollwitz Alexander Calder and Contemporary Art: Edgar Degas New Jersey >Scene from Germinal (Szene aus Germinal) Form, Balance, and Joy >Woman Ironing >Self-Portrait at the Table Princeton, Princeton University Art Museum 26 June 2010 to 17 October 2010 (Selbstbildnis am Tisch) Michigan Gauguin’s Paradise Remembered: >Despair (Not) Alexander Calder The Noa Noa Prints >Finny Fish >At the Church Wall (An der Kirchenmauer) Ann Arbor, University of Michigan Museum 25 September 2010 to 2 January 2011 of Art >Woman with Dead Child Evanston, Mary and Leigh Block Museum Paul Gauguin (Frau mit totem Kind) of Art, Northwestern University The Lens of Impressionism: Photography >Nave Nave Fenua (Delightful Land) and Painting Along the Normandy Coast, Alphonse Lemerre (editor) The Brilliant Line: Following the Early >Te Po (The Long Night) 1850–1874 >Sonnets et Eaux-Fortes Modern Engraver, 1480–1650 >The Universe is Created (L’Univers est créé) 10 October 2009 to 3 January 2010 (Sonnets and Etchings) 9 April 2010 to 20 June 2010 >The Universe is Created (L’Univers est créé) Circulated to: Dallas Museum of Art Jean Duvet >Manao Tupapau (She is Haunted by 21 February 2010 to 23 May 2010 a Spirit)

[ 7 4 ] National Gallery of Art 2010

New York >It is 7 PM and almost everybody has gone >Painted liquor store—Las Vegas, Nevada >Highway sign—Iowa home. With his empty tray the fruit peddler >Main Street at night—Las Vegas, Nevada >Street scene—Chicago Glens Falls, The Hyde Collection returns to the garage for the last time today. >Gambling—Nevada >Motorcyclist—Indianapolis Art Museum >Place de l’Etoile >Sign, “Lost? Repent!”—between Las Vegas >Luncheonette—Jay, New York Degas and Music >Bankers/London and Los Angeles >Fourth of July—Jay, New York 12 July 2009 to 18 October 2009 >Tickertape/New York City >Sign, “28th Street”—between Las Vegas >Station—Chicago Edgar Degas >Profile/Venice and Los Angeles >Men’s room attendant—Chicago >Program for the Soiree Artistique >My Family/New York >Trolley lines—Los Angeles >Podium, convention hall—Chicago (Programme de la Soirée des anciens élèves >Communion/Valencia >Man in drug store—Los Angeles >Pledge drive, convention hall—Chicago du Lycée de Nantes) >Tulip/Paris >Bunker Hill Chapel window—Los Angeles >Car, convention—Chicago >Spanish Dancers and Musicians >Medals/New York >Young boy in automobile—Los Angeles >Delegate in hat, convention—Chicago Long Island City, The Museum of >Men of Air/New York >Lamp—Los Angeles >Man in corner, convention—Chicago Modern Art >Artificial Tulip/Paris >Freeway—Los Angeles >Guggenheim 104/Americans 1— >People 25–34 >New Year’s Eve party at midnight— Hoboken, New Jersey Bauhaus 1919–1933: Workshop for Modernity >Reportage 37–48 Los Angeles >Guggenheim 107/Americans 2— >Convention hall—Chicago >Group in automobile—Los Angeles Hoboken, New Jersey 8 November 2009 to 18 January 2010 >Convention hall—Chicago >Scale—Hollywood >Guggenheim 8/Americans 4— Lyonel Feininger >Convention hall—Chicago >Automobile—Hollywood St. Helena, South Carolina >Zirchow VII * >Convention hall—Chicago >Mary and Andrea—Los Angeles >Guggenheim 1/Americans 6— New York, American Folk Art Museum >Convention hall—Chicago >Usherettes at movie premiere—Hollywood Savannah, Georgia Thomas Chambers >Convention hall—Chicago >Box office at movie premiere—Hollywood >Guggenheim 696/Americans 7— >Convention hall—Chicago >“Man with the Golden Arm” Butte, Montana 29 September 2009 to 7 March 2010 >Convention hall—Chicago premiere—Hollywood >Guggenheim 459/Americans 9— Circulated to: Indiana University Art >Ranch market—Hollywood >Band rehearsing, CBS TV studio— Hollywood Museum, Bloomington >Butte, Montana Burbank, California >Guggenheim 509/Americans 11— 26 March 2010 to 30 May 2010 >Jehovah’s Witness—Los Angeles >Filming, CBS TV studio—Burbank, Los Angeles Thomas Chambers >Mississippi River, Baton Rouge, Louisiana California >Guggenheim 129/Americans 12— >Lake George and the Village of Caldwell * >Crosses on scene of highway accident— >Audience, CBS TV studio—Burbank, New York City >Felucca off Gibraltar * U.S. 91, Idaho California >Guggenheim 27/Americans 13— >Storm-Tossed Frigate * >Convention hall—Chicago >Forest Lawn—Los Angeles Charleston, South Carolina >Threatening Sky, Bay of New York * >Coffee shop, railway station—Indianapolis >Filming, NBC TV studio—Burbank, >Guggenheim 454/Americans 14— >Boston Harbor * >San Francisco California Hollywood >Packet Ship Passing Castle Williams, >U.S. 90, en route to Del Rio, Texas >Filming, NBC TV studio—Burbank, >Guggenheim 115/Americans 17— New York Harbor * >Man seated at desk—North Carolina California Jay, New York New York, El Museo del Barrio >Rural retreat—North Carolina >Woman in crowded restaurant—Los Angeles >Guggenheim 340/Americans 18 and Nexus New York: Latin/American Artists >Auto graveyard—Tennessee >Pablo and Andrea—Los Angeles 19—New Orleans in the Modern Metropolis >Rural shack with automobile—Alabama >Motorama—Los Angeles >Guggenheim 534/Americans 20— 17 October 2009 to 28 February 2010 >Three men near parking meter—Alabama >Motorama—Los Angeles Bunker Hill, Los Angeles >Store clerk—Alabama >Cafeteria line worker—Los Angeles >Guggenheim 3/Americans 22— Alfred Stieglitz >Man at segregated water fountain— >Greek baptism—Long Beach, California Beaufort, South Carolina >Marius de Zayas Alabama >Postcard rack—Long Beach, California >Guggenheim 176/Americans 25— >Francis Picabia >Cotton harvesters in truck—Arkansas >Baby alseep in automobile— Miami Beach New York, Galerie St. Etienne >Cotton harvester wearing bandana— Los Angeles >Guggenheim 699/Americans 26— Galerie St. Etienne’s 70th Anniversary Arkansas >Cigar store, Ventura Boulevard— Butte, Montana 3 November 2009 to 23 January 2010 >Diner table—Arkansas Los Angeles >Guggenheim 422/Americans 28— Egon Schiele >Neon lights, Plantation Inn— >Gas station—Palm Springs, California Los Angeles >Self-Portrait West Memphis, Arkansas >Family in mirror—Santa Cruz, California >Guggenheim 391/Americans 29— >Neon sign, Plantation Inn—West Memphis, >Portrait of George Washington with flags— Gallup, New Mexico New York, The Metropolitan Museum of Art Arkansas San Francisco >Guggenheim 685/Americans 32— Watteau, Music, and Theatre >Neon lights, Plantation Inn— >Andrea in bed—San Francisco U.S. 91, leaving Blackfoot, Idaho 21 September 2009 to 29 November 2009 West Memphis, Arkansas >Don Quixote statue—San Francisco >Guggenheim 169/Americans 33— Nicolas Lancret >Girl behind store counter—Baton Rouge, >Woman inside shop—San Francisco St. Petersburg, Florida >La Camargo Dancing Louisiana >Westlake, California >Guggenheim 537/Americans 34— Antoine Watteau >Mississippi River—Baton Rouge, Louisiana >Westlake, California Long Beach, California >The Italian Comedians >Mississippi River—Baton Rouge, Louisiana >Church of the Living God Faith >Guggenheim 371/Americans 35—U.S. >In front of high school—Port Gibson, Tabernacle—San Francisco 66, between Winslow and Flagstaff, Arizona Looking In: Robert Frank’s Mississippi >Motorcyclist—San Francisco >Untitled “The Americans” >Young boy at circus—Houston, Texas >Cemetery—San Francisco >City of London 22 September 2009 to 27 December 2009 >Cafeteria line—Houston, Texas >Poster, Wintergarden—San Francisco >Welsh Miners Robert Frank >Pawn shop window—Houston, Texas >Boxer, Wintergarden—San Francisco >Mabou, Nova Scotia >At 6 AM Melvin Tocker, the superintendent >Beauty shop window—Houston, Texas >Woman on train—San Francisco >Ford Plant of the Pallizzio shoe factory at the east end >Passport photos shop—San Antonio, Texas >Two men at piano—San Francisco >Detroit Greyhound Station of the block, begins the day sweeping the >Man pumping gas—San Antonio, Texas >Casino—Reno or Elko, Nevada >City of London sidewalk. The cars have been brought out >Interior of bank with portrait of >Jack’s—Blackfoot, Idaho >Detroit of the garage across the street and wait for Eisenhower—San Antonio, Texas >Billboard—Butte, Montana >Peru p. 5 their owners. >Group outside of MaGee Traders store— >Wall with cigarette ads and presidential >Peru p. 7 >For Georgie at noon-time the street becomes New Mexico portraits—Butte, Montana >Peru p. 11 crowded with strangers. >Three figures beside two trucks in snow— >Couple watching TV in lobby— >Peru p. 13 >By early afternoon the fruit peddler has New Mexico Casper, Wyoming >Peru p. 17 restocked his tray for the second time. He has >Grave with children playing nearby— >Woman on horseback—Casper, Wyoming >Peru p. 19 just sold a pear and continues his route. Santa Fe, New Mexico >Cemetery—Wyoming >Peru p. 23 >Like many other people who live within a >Mary, Andrea and Pablo in automobile— >Drive-in theater—Lander, Wyoming >Peru p. 25 few blocks, Mr. and Mrs. Feiertag come in New Mexico >Government meeting room—Lincoln, American Stories: Paintings of >Man in serape—Gallup, New Mexico Nebraska the late afternoon to get their car from the Everyday Life 1765–1915 Handon garage. >Abandoned vehicle in snow—outside >Bus—Iowa Las Vegas, Nevada >Gas station and buildings—Iowa 1 October 2009 to 24 January 2010

[ 7 5 ] National Gallery of Art 2010

Circulated to: Los Angeles County The Hudson Joseph Mallord William Turner Tennessee Museum of Art 18 July 2009 to 14 March 2010 >The Dogana and Santa Maria della Salute, 28 February 2010 to 23 May 2010 Venice Nashville, Frist Center for the Visual Arts John Marin Twilight Visions: Surrealism, Photography, Winslow Homer Giovanni Battista Piazzetta >Hudson River, Region of Peekskill and Paris >Breezing Up (A Fair Wind) >Hudson River near Alpine >Madonna and Child Appearing to Saint 11 September 2009 to 10 January 2010 John Singleton Copley >Hudson River at Peekskill Philip Neri >Watson and the Shark Circulated to: International Center of >Hudson River, Schooner or 4 Master Pennsylvania Charles Willson Peale and Tug Photography, New York 29 January 2010 to 1 May 2010 >Benjamin and Eleanor Ridgely Laming >Loading Dock, River View Philadelphia, Pennsylvania Academy of the George Bellows >Schooner at Dock Fine Arts Circulated to: Telfair Museum of Art, Savannah >Club Night * >Mill Ruins along the Hudson Barkley L. Hendricks: Birth of the Cool 1 June 2010 to 10 October 2010 Mary Cassatt >River Valley (recto) 18 September 2009 to 20 December 2009 >Little Girl in a Blue Armchair >Weehawken Grain Elevators and Tugs Ilse Bing Circulated to: Contemporary Arts >“It was so Windy in the Eiffel Tower,” Paris George Caleb Bingham Syracuse, Syracuse University Art Galleries Museum, Houston (Savannah only) >The Jolly Flatboatmen 23 January 2010 to 18 April 2010 Winslow Homer’s Empire State: Brassaï Richard Caton Woodville Houghton Farm and Beyond Barkley Leonnard Hendricks >Backstage at the Folies Bregère, Paris >War News from Mexico * 18 August 2009 to 11 October 2009 >Sir Charles, Alias Willie Harris (Savannah only) >George Jules Taylor * The Art of Illumination: The Limbourg Winslow Homer >Magic City Dance Hall, Rue Cognacq-Jay, Brothers and the Belles Heures of Jean de >On the Fence Philadelphia, Philadelphia Museum of Art Paris (Savannah only) France, Duc de Berry >Warm Afternoon (Shepherdess) Arshile Gorky: A Retrospective >Pont des Arts 1 March 2010 to 13 June 2010 Yonkers, The Hudson River Museum 20 October 2009 to 10 January 2010 Texas Franco-Flemish 15th Century Dutch New York: The Roots of Hudson Circulated to: Tate Modern, London >Profile Portrait of a Lady Houston, The Museum of Fine Arts, Valley Culture 10 February 2010 to 3 May 2010 French 15th Century (setting western Houston 13 June 2009 to 3 January 2010 Circulated to: The Museum of European late 19th Century) Contemporary Art, Los Angeles Alice Neel: Painted Truths >Morse with the Trinity John Quidor 21 March 2010 to 13 June 2010 >The Return of Rip Van Winkle 6 June 2010 to 20 September 2010 Circulated to: Whitechapel Gallery, New York, PaceWildenstein Arshile Gorky Ohio >The Plow and the Song London 50th Anniversary Exhibition >Study for Marine Building Mural 9 July 2010 to 19 September 2010 15 September 2010 to 23 October 2010 Cincinnati, Cincinnati Art Museum >The Artist and His Mother Alice Neel Chuck Close Thomas Gainsborough and the >One Year the Milkweed >Hartley >Fanny/Fingerpainting Modern Woman >Organization 18 September 2010 to 2 January 2011 Drawing from Nature: Landscapes by New York, >Portrait of the Artist and His Mother Liebermann, Corinth, and Slevogt Thomas Gainsborough >Nighttime, Enigma, and Nostalgia Solomon R. Guggenheim Museum 12 September 2010 to 5 December 2010 >Mrs. Richard Brinsley Sheridan >Self-Portrait Kandinsky die Ausstellung Max Liebermann 18 September 2009 to 13 January 2010 Cleveland, The Cleveland Museum of Art Philadelphia, Rosenwald-Wolf Gallery, >Woman and Child in Garden Wassily Kandinsky Becoming Gauguin: The University of the Arts Virginia >Improvisation 31 (Sea Battle) The Volpini Suite, 1889 Seductive Subversion: Women Pop Artists, 4 October 2009 to 18 January 2010 1958­–1968 Charlottesville, University of Virginia New York, Whitney Museum of Circulated to: Van Gogh Museum, 22 January 2010 to 15 March 2010 Art Museum American Art Amsterdam Thomas Jefferson’s Academical Village: O’Keeffe and Abstraction Circulated to: Sheldon Museum of Art, 19 February 2010 to 6 June 2010 University of Nebraska Lincoln The Creation of an Architectural 17 September 2009 to 15 January 2010 Paul Gauguin 30 July 2010 to 26 September 2010 Masterpiece, 1817–­1824 Circulated to: The Phillips Collection, >At the Black Rocks (Aux roches noires) Vija Celmins 4 September 2009 to 4 January 2010 Washington, D.C. >Breton Girls Dancing, Pont-Aven >Pencil Gilbert Stuart 6 February 2010 to 9 May 2010 >William Thornton * Circulated to: Georgia O’Keeffe Massillon, Massillon Museum Pittsburgh, The Andy Warhol Museum Museum, Santa Fe Against the Grain: Twisted Pair: Marcel Duchamp and Washington 15 May 2010 to 10 September 2010 Modernism in the Midwest Andy Warhol Seattle, Henry Art Gallery, Alfred Stieglitz 15 May 2010 to 12 September 2010 22 May 2010 to 18 September 2010 University of Washington >Georgia O’Keeffe Ivan Le Lorraine Albright Irving Penn Jasper Johns: Light Bulb >Georgia O’Keeffe—Breasts >There Were No Flowers Tonight * >Marcel Duchamp, New York >Georgia O’Keeffe—Hands and Breasts 11 July 2009 to 18 October 2009 >Georgia O’Keeffe Oklahoma Rhode Island Jasper Johns >Light Bulb [trial proof in light gray Georgia O’Keeffe Oklahoma City, Providence, Museum of Art, Rhode Island and ochre] >Jack-in-Pulpit-No. 2 Oklahoma City Museum of Art School of Design >Jack-in-the-Pulpit No. 3 The Allure of La Serenissima: >Light Bulb [trial proof in dark gray The Brilliant Line: Following the Early and ochre] >Jack-in-the-Pulpit No. IV Eighteenth-Century Venetian Art Modern Engraver, 1480–­1650 >Light Bulb [WP] >Jack-in-Pulpit Abstraction-No. 5 9 September 2010 to 2 January 2011 18 September 2009 to 3 January 2010 >Light Bulb >Jack-in-the-Pulpit No. VI Giovanni Battista Tiepolo >Line and Curve Circulated to: Mary and Leigh Block >Women and Men Regarding a Burning Museum of Art, Northwestern Wisconsin >No. 14 Special Pyre of Bones University, Evanston Milwaukee, Milwaukee Art Museum >No. 20—From Music—Special >Joseph Relays to Mary God’s Command 9 April 2010 to 20 June 2010 >First Drawing of the Blue Lines to Flee Street Seen: The Psychological Gesture in Jean Duvet American Photography, 1940–­59 Roslyn Harbor, >The Holy Family Passes under a City Arch >The Woman Clothed with the Sun 30 January 2010 to 25 April 2010 Nassau County Museum of Art Giovanni Domenico Tiepolo Dirck Volckertz Coornhert after Maerten Robert Frank The Sea Around Us >The Holy Family Being Ferried Across van Heemskerck >After lunch Connie jokes with other workers 29 May 2010 to 12 September 2010 the River >Triumph of David >The Rest on the Flight, with Holy Family outside the factory. Thomas Moran Claude Mellan under a Tree >Lena is through working. It is 3 PM and >The Much Resounding Sea * >Adam and Eve at the Foot of the Cross >The Flight, with Madonna at Right she will soon go home. Claude Mellan after Simon Vouet >On Saturday and Sunday the street is Saratoga Springs, The Frances Young Tang Supported by Angels >Allegory of Intellect, Memory, and Will Teaching Museum & Art Gallery >Madonna of the Goldfinch empty. Georgie is alone.

[ 7 6 ] National Gallery of Art 2010

Lisette Model Montgomery, Montgomery Museum >Osage Chief with Two Warriors >Benjamin Franklin >42nd Street from the Sixth Avenue Subway, of Fine Arts >An Osage Indian Pursuing a Camanchee George Inness New York Mark Rothko >Pawnee Indians Approaching Buffalo >Lake Albano, Sunset Weegee >Untitled >A Small Cheyenne Village >Boy Shooting “Zip” Gun in Air near >Three Mandan Warriors Armed for War Administrator of the Environmental Manhattan Police Headquarters, Mulberry California >Three Navaho Indians Protection Agency I. Rice Pereira and Mott Streets (Section Called “Little Oakland, Oakland Museum >Three Young Chinook Men Italy”), New York City Mark Rothko >Two Unidentified North American Indians >Zenith Louis Faurer >Untitled >View in the “Grand Detour,” Mark Rothko >“Champion,” New York, N.Y. Upper Missouri >Untitled (two women before a cityscape) District of Columbia David Vestal >Ball-Play Dance—Choctaw Julian Stanczak >From 133 W 22nd Street, New York The Library of Congress >Buffalo Chase, with Accidents >Shimmer >Camanchees Lancing a Buffalo Bull Carl Milles Secretary of Health and Human Services >Head of Orpheus >Catlin and Indian Attacking Buffalo EXTENDED LOANS FROM THE >Cheyenne Village French 19th Century NGA COLLECTION National Trust for Historic Preservation >A Crow Chief at His Toilette >Women and Two Children in a Field Bernard Hailstone >A Foot War Party in Council Mark Rothko All works are part of the National Lending >David E. Finley >Game of the Arrow—Mandan >Untitled Service unless indicated by ** >Grassy Bluffs, Upper Missouri >Untitled U.S. Commission of Fine Arts >Grizzly Bears Attacking Buffalo Secretary of Homeland Security BELGIUM Alice Neel >K’nisteneux Indians Attacking >William Walton Erastus Salisbury Field Brussels, United States Embassy Residence, Two Grizzly Bears >Leverett Pond >Mired Buffalo and Wolves North Atlantic Treaty Organization Office of Senate Leadership, Walt Kuhn Gilbert Stuart United States Capitol Raoul Dufy >Green Apples and Scoop >Catherine Yates Pollock (Mrs. George Pollock) Franklin C. Courter >The Basin Deauville ** >Pumpkins (returned) Mark Rothko >George Pollock >Lincoln and His Son, Tad ** Captain Edward H. Molyneux Thomas Sully >The Party >Artist on a Quay Office of the Vice President of >No. 17 [or] No. 15 >Ann Biddle Hopkinson the United States George Ropes >Francis Hopkinson >Red Band American 19th Century >Mount Vernon >The Leland Sisters American 19th Century >Imaginary Regatta of America’s >Chief Jumper of the Seminoles Secretary of Housing and Urban Cup Winners FRANCE Edward Corbett Development Alexander Helwig Wyant >Washington, D.C., November 1963 III Mark Rothko Paris, Musée du Louvre >Peaceful Valley Richard Diebenkorn >Contemplation Severo da Ravenna André Derain >Berkeley No. 52 >The Source >The Christ Child ** >Marie Harriman Sam Francis >Untitled >Untitled IRELAND John Marin >White Line >Old Swedish Church, New Castle, >Untitled (four figures in a plaza) Winslow Homer Dublin, United States Embassy Residence Delaware: Close View ** >Sunset Attorney General of the United States Gilbert Stuart Mark Rothko Jasper Johns French 19th Century >Counsellor John Dunn >Untitled (still life in front of window) >Numerals, 0 through 9 >Race Course at Longchamps James McNeil Whistler Ellsworth Kelly Follower of Claude Lorrain ITALY >Alice Butt >Dark Red-Violet Panel (returned) >Harbor at Sunset Florence, Casa Buonarroti Residence of the Vice President of >Light Green Panel (returned) Edward Savage after Michelangelo Buonarroti the United States Giorgio Morandi >George Washington >Damned Soul ** John Ferneley >Still Life Allen Tucker >Still Life UNITED KINGDOM—ENGLAND >Heaton Park Races >Madison Square, Snow Style of Benjamin Marshall Louise Nevelson Director, Office of Management London, United States Embassy Residence >Race Horse and Trainer >Model for “Sky Covenant” and Budget Sir William Beechey Mark Rothko Susan Rothenberg C. Gregory Stapko after John Trumbull >Lieutenant-General Sir Thomas Picton >Untitled (figure lying on park bench) >Butterfly >Alexander Hamilton ** Francis Cotes John Singer Sargent Ed Ruscha >Mrs. Thomas Horne >Miss Mathilde Townsend >I Think I’ll… United States Trade Representative Thomas Gainsborough Gilbert Stuart Leon Polk Smith Leila T. Bauman >William Yelverton Davenport >Ann Barry >Stretch of Black III >Geese in Flight Michiel van Miereveld Georgia Timken Fry Marguerite Zorach Secretary of Defense >Portrait of a Lady with a Ruff >Christmas Mail >Potters in a Landscape George Catlin Mark Rothko Joseph Bartholomew Kidd after John The White House >Fort Union >Orange and Tan James Audubon George Catlin >Prairie Dog Village >Untitled >Orchard Oriole >An Aged Minatarree Chief and His Family Secretary of Education London, Wallace Collection >Antelope Shooting—Assinneboine Mark Rothko Enrico Baj >Untitled Sir Thomas Lawrence >Battle between the Jiccarilla Apachees >When I Was Young >Untitled >Francis Charles Seymour-Conway, and Camanchees Mark Rothko 3rd Marquess of Hertford >Buffalo Chase Secretary of Transporation >The Pugilist >Camanchee Chief, His Wife, and a Warrior James Bard UNITED STATES >Rural Scene >Camanchee Chief with Three Warriors >Steamer “St. Lawrence” >Distinguished Crow Indians >Untitled Alabama >Woman Reading Douglas Volk >Encampment of Pawnee Indians at Sunset >Abraham Lincoln Birmingham, Birmingham Museum of Art >A Flathead Chief with His Family Secretary of Energy Secretary of the Treasury Veronese >Four Dogrib Indians Chinese Qing Dynasty André Derain >Making Flint Arrowheads—Apachees >Saint Jerome in the Wilderness ** >Procession by a Lake >Abandoned House in Provence >Ojibbeway Indians Anders Zorn after Jean-Baptiste Greuze >Road in Provence >Hugo Reisinger >An Ojibbeway Village of Skin Tents

[ 7 7 ] National Gallery of Art 2010

Henri Moret Virginia New York LIBRARY LOANS >The Island of Raguenez, Brittany Fairfax, George Mason University New York, The Metropolitan Museum of Art Maurice Utrillo A uSTRIA >The Pont Saint-Michel, Paris Alfredo Halegua 28 February 2008 to 31 December 2016 >America Francesco di Giorgio Martini Vienna, Kunsthistorisches Museum Chief of Staff, The White House Lila Pell Katzen >God the Father Surrounded by Angels Vermeer. Die Malkunst American 19th Century >Antecedent and Cherubim (Vermeer. The Art of Painting) >Abraham Lincoln 26 January to 10 April 2010 >Stylized Landscape (returned) Virginia TEMPORARY LOANS TO Johannes de Ram, George Catlin Roanoke, Taubman Museum of Art >Afbeeldingen zoo van de platte grond, MUSEUM COLLECTIONS >A Small Crow Village 5 March 2010 to 23 May 2010 als van de voornaamste gebouwen der stad Charles C. Hofmann Delft (Amsterdam, 1703?) Supreme Court of the United States *Works in National Lending Service >Berks County Almshouse, 1878 Chief Justice Roberts SPAIN Asahel Powers George Cuitt, the Younger >Possibly William Sheldon >Easby Abbey, near Richmond Oviedo (Asturias), Museo de Bellas Artes >Possibly Mrs. William Sheldon de Asturias Gilbert Stuart Ammi Phillips >George Washington 17 May 2009 to 9 May 2010 >Joseph Slade * Francisco de Goya William Matthew Prior Justice Ginsburg >Don Antonio Noriega Mark Rothko >Baby in Blue >The Omen UNITED STATES Redpath >Untitled >Mounting of the Guard * District of Columbia American 19th Century Justice Kennedy Washington, National Portrait Gallery, >Allegory of Freedom * Dutch 17th Century Washington >Liberty * >Flowers in a Classical Vase >Village by the River 4 July 2006 to 31 December 2012 Walt Kuhn >Man of Science * John Wesley Jarvis >Zinnias >The Proud Mother * >Thomas Paine * Berthe Morisot >The Cat * >Girl in a Boat with Geese Irving R. Wiles >Basket of Fruit with Flowers >Miss Julia Marlowe * >Washington at Valley Forge * Justice O’Connor >Birds * George Catlin Florida Samuel Jordan >After the Buffalo Chase—Sioux West Palm Beach, Norton Gallery and >Eaton Family Memorial * >An Apachee Village School of Art Erastus Salisbury Field >Buffalo Chase, Sioux Indians, 1 September 2010 to 6 February 2011 Upper Missouri >Man with Vial * Vincent van Gogh Thomas Chambers >A Crow Village and the Salmon >Self-Portrait River Mountains >The Connecticut Valley * >Two Blackfoot Warriors and a Woman Illinois >Mount Auburn Cemetery * Susan C. Waters Justice Sotomayor Chicago, The Art Institute of Chicago >Brothers * Philip van Kouwenbergh 25 January 2010 to 31 May 2010 Leila T. Bauman >Flowers in a Vase Orazio Gentileschi >U.S. Mail Boat * >The Lute Player Justice Stevens Joseph Whiting Stock American 19th Century Indiana >Mary and Francis Wilcox * >Portland Harbor, Maine Francis A. Beckett Indianapolis, Indianapolis Museum of Art George Catlin >Blacksmith Shop * >Scene from the Lower Mississippi 1 September 2009 to 1 September 2014 George Washington Mark Lawrence Weiner Alphonse Legros >Marion Feasting the British Officer on >Hampstead Heath >MANY THINGS PLACED HERE Sweet Potatoes * & THERE TO FORM A PLACE C. Gregory Stapko after John Constable Fritz Müller CAPABLE OF SHELTERING >A View of Salisbury Cathedral ** >Capture of the “Savannah” by the MANY OTHER THINGS PUT “U.S.S. Perry” * Maurice Utrillo HERE & THERE >Street at Corté, Corsica American 18th Century Franz Xaver Winterhalter Maryland >Hunting Scene with a Pond * >Queen Victoria Martin Edgar Ferrill Easton, Academy Art Museum >Country Dance * Maryland 16 October 2009 to 28 February 2010 Dana Smith Eugène Boudin Dowell, Annmarie Garden Sculpture >Southern Resort Town * >Beach at Trouville Park & Arts Center Joshua Johnson >On the Jetty >Adelina Morton * Jean Arp >Women on the Beach at Berck H. Call >Oriforme >Washerwomen on the Beach of Etretat >Prize Bull * George Rickey >Festival in the Harbor of Honfleur >Cluster of Four Cubes >Beach Scene Erastus Salisbury Field >Woman Holding a Book * Pennsylvania Massachusetts George A. Hayes >Bare Knuckles Doylestown, James A. Michener Worcester, Worcester Art Museum Edward Hicks Art Museum 1 September 2010 to 20 March 2011 >The Grave of William Penn * Joseph Goodhue Chandler Edouard Manet Charles Henry Granger >Girl with Kitten >The Dead Toreador Edward Hicks >Muster Day * >The Landing of Columbus Attributed to Reuben Rowley >Dr. John Safford and Family *

[ 7 8 ] PUBLICATIONS AND MEDIA

During the fiscal year the Gallery Sarah Kennel et al. >Center 30 >The Robert and Jane Meyerhoff Collection: produced nine exhibition catalogues (104 pages, 61 color, 28 diagrams, Annual report, print and Web versions Exhibition Highlights, Parts 1 and 2 and six other book-length publications softcover edition only) Published in association with Thames & Hudson >The Robert and Jane Meyerhoff Collection: and had several major publications in EXHIBITION BROCHURES Selected Works, Opening Preview progress for publication in fiscal year >The Pre-Raphaelite Lens: British Highlights 2011. In addition to labels and wall Photography and Painting, 1848–1875 >Arcimboldo, 1526–1593: Nature and >Turner on the Tyne texts for all fiscal year 2011 exhibitions, Diane Waggoner et al. Fantasy by Sylvia Ferino-Pagden materials for more than 142 education (240 pages, 200 color, hardcover >From Impressionism to Modernism: >Vermeer: In the Light of Delft projects, and several hundred other edition only) Published in association The Chester Dale Collection Audio Presentations pieces of Gallery ephemera, the with Lund Humphries by Kimberly A. Jones publishing office produced numerous >Renaissance to Revolution: French >About Abstraction: A Conversation with exhibition-related brochures, recurring >Hendrick Avercamp: The Little Ice Age Drawings from the National Gallery of Art, by Margaret Doyle Melvin Edwards, Sam Gilliam, and event calendars and periodicals, 1500–1800 William T. Williams and Web features, newsletters, and Margaret Morgan Grasselli >In the Tower: Mark Rothko programs. The publishing office was by Harry Cooper >American Modernism: The Shein (320 pages, 250 color, hardcover Collection also instrumental in planning the edition only) Published in association >The Sacred Made Real: Spanish Painting program for the fourteenth National with Lund Humphries and Sculpture, 1600–1700 by Xavier >American Visionary Filmmakers and the Museum Publishing Seminar, a biannual Bray Heritage of Emerson conference whose theme this year >The Robert and Jane Meyerhoff Collection: Selected Works >Beat Memories: The Photographs of addressed “Print and the Digital PERIODICALS AND EVENT Allen Ginsberg: Parts 1 and 2 Network.” Hundreds of museum Harry Cooper CALENDARS >Celebrating “Civilisation” publishers—editors, Web and new (164 pages, 169 color, hardcover edition only) Published in association media producers, designers, and >Auditorium Lecture Programs: Winter/ >Conversations with Artists: Leo Villareal with Lund Humphries printers—came together in Summer and Fall >Conversations with Collectors: Dorothy and Washington, DC, to learn about the >Calendar of Events: bimonthly Herbert Vogel relationship between print and online COLLECTION CATALOGUES sources, including sessions led by >Concerts: biannual >The Diamonstein-Spielvogel Lecture Series: >The Andy Goldsworthy Project Brice Marden on Art Gallery staff on how we read, digital >Film Program: quarterly workflows, and writing and editing for Molly Donovan, Tina Fiske, et al. >The Diamonstein-Spielvogel Lecture Series: weekly, as required by Web audiences. (228 pages, 280 color, hardcover >Music Program: Chuck Close edition only) Published in association concert schedule >The Diamonstein-Spielvogel Lecture Series: with Thames & Hudson EXHIBITION CATALOGUES >NGA Bulletin: Fall 2008 and Spring James Turrell >French Paintings of the Fifteenth through 2009 >The Diamonstein-Spielvogel Lecture Series: the Eighteenth Century >American Modernism: The Shein >NGAkids: Winter, Summer, Fall Rachel Whiteread Collection Philip Conisbee et al. (548 pages, 118 color, 214 b/w, >The Diamonstein-Spielvogel Lecture Series: Charles Brock and Nancy Anderson, WEB PRODUCTIONS with Harry Cooper hardcover edition only) Distributed by Theory of Boundaries: A Conversation with (160 pages, 23 duotones, 78 color, Princeton University Press Mel Bochner In fiscal year 2010 the Web site received hardcover edition only) >Editions with Additions: Working Proofs by approximately 18,125,000 visits—an CENTER FOR ADVANCED Jasper Johns >Beat Memories: The Photographs increase of over two million visits from of Allen Ginsberg STUDY IN THE VISUAL ARTS the previous fiscal year. The Gallery >Edvard Munch: Master Prints Sarah Greenough (CASVA) PUBLICATIONS produced ten videos and thirty-eight (152 pages, 63 tritones, 29 color, >Elson Lecture 2010: Susan Rothenberg: audio presentations, which have been hardcover edition only) A Life in Painting >The Accademia Seminars: The Accademia downloaded more than two million Published in association with >From Impressionism to Modernism: The di San Luca in Rome, c. 1590–1635 times. Also this year, the Gallery DelMonico Books Prestel CASVA Seminar Papers, volume 2, Chester Dale Collection: Parts 1 and 2 launched its own Facebook page and edited by Peter M. Lukehart >The Chester Dale Collection Twitter feed. The Gallery’s Facebook >A Gallery Landmark Launched: “French (430 pages, 82 duotones, softcover Kimberly A. Jones and Maygene Daniels presence has garnered more than 12,000 Paintings of the 15th through the 18th (192 pages, 112 color, 18 b/w, hardcover edition only) Distributed by Century,” a Systematic Catalogue Yale University Press fans and approximately 8,000 visits per edition only, first and second printings) month, and the Twitter feed has more >“Graft” by Roxy Paine >The Art of Natural History: Illustrated >Edvard Munch: Master Prints than 800 followers. Treatises and Botanical Paintings, >Hendrick Avercamp: The Little Ice Age: Elizabeth Prelinger and Andrew Robison 1400–1850 Parts 1 and 2 (168 pages, 131 color, hardcover Video Presentations Studies in the History of Art, volume edition only) Published in association >Hendrick ter Brugghen’s “Bagpipe Player” 69, edited by Therese O’Malley and >Arcimboldo: Nature and Fantasy with DelMonico Books Prestel >The History of Books and the Amy R. W. Meyers >Brice Marden in the Studio >German Master Drawings from the (280 pages, 63 color, 164 b/w, Digital Future Wolfgang Ratjen Collection, 1580–1900 softcover edition) Distributed by >From Impressionism to Modernism: >The Image of Abraham Lincoln Peter Prange, Andrew Robison, Yale University Press The Chester Dale Collection >In the Darkroom: Photographic Processes Hinrich Sieveking, et al. >Keywords in American Landscape Design >In the Tower: Mark Rothko (344 pages, 216 color, 24 b/w, hardcover before the Digital Age Therese O’Malley; with contributions edition only) Published in association >The Lions of Peter Paul Rubens by Elizabeth Kryder-Reid and >Martin Puryear: “Sculpture that Tries to with Paul Holberton publishing Anne L. Helmreich >New Masters of European Cinema: Describe Itself to the World” >In the Darkroom: An Illustrated (736 pages, 106 color, 881 b/w, Everlasting Moments by Jan Troell >The Monuments Men: Allied Heroes, Guide to Photographic Processes before hardcover edition only) Published in Nazi Thieves, and the Greatest Treasure the Digital Age association with Yale University Press Hunt in History

[ 7 9 ] National Gallery of Art 2010

>Reading of “The Fisherwoman” by Toni DESIGN AWARDS la Rie, and Ann Hoenigswald, “Visible >Yuri Long, “The Body Inside and Out,” Morrison from Robert Bergman’s book and Infrared Imaging Spectroscopy of ARLIS, October 4, 2010, “A Kind of Rapture,” in conjunction with >The Chester Dale Collection Picasso’s Harlequin Musician: Mapping http://arlisdmv.org/2010/10/the-body- the exhibition Robert Bergman: Portraits, American Association of Museums and Identification of Artist Materials in inside-and-out. 1986–1995 2010 Publications Design Competition Situ,” Applied Spectroscopy 64 (2010): 584–594, www.opticsinfobase.org/as/ >Alison Luchs, The Mermaids of >Richard Misrach: On the Beach >The Darker Side of Light: Arts of Privacy, abstract.cfm?URI=as-64-6-584. Venice: Fantastic Sea Creatures in 1850–1900 Venetian Renaissance Art >Robert Bergman: Portraits, 1986–1995: >E. René de la Rie, John K. Delaney, A Conversation with the Photographer Association of American University (London and Turnhout, Belgium: Presses Book, Jacket, and Journal Kathryn M. Morales, Christopher A. Maines, and Li-Piin Sung, “Modification Harvey Miller Publishers, 2010). >The Role of Art in Diplomacy Show 2010 of Surface Roughness by Various >Eleonora Luciano, catalogue entry on >The Sacred Made Real: Spanish Painting >In the Darkroom: An Illustrated Guide Varnishes and Effect on Light and Sculpture, 1600–1700: Parts 1 and 2 Saint John of the Cross, in The Sacred to Photographic Processes before the Reflection,” Studies in Conservation 55 Made Real: Spanish Painting and >The Sacred Made Real: The Making of Digital Age (2010): 134–143. Sculpture 1600–1700, ed. Xavier Bray Association of American University an Exhibition >Lamia Doumato, review of The Jaharis (London: National Gallery Company, Presses Book, Jacket, and Journal Gospel Lectionary: The Story of a 2009), 126–127. >Sculpture Comes to Life: Splendor, Color, Show 2010; Washington Book and Realism in Baroque Spain and Byzantine Book, by John Lowden, Publishers 2010 Book Design and >———, “Addendum on Paola Elsewhere Choice 47, no. 10 (May 2010). Effectiveness Competition; American Gonzaga,” The Medal no. 56 >The Somewhat Private Life of Association of Museums 2010 >Terry Drayman-Weisser, Melanie Gifford, (Spring 2010): 69. Allen Ginsberg Publications Design Competition Chris McGlinchey, David Bomford, and Karen Trentelman, “The Science in >Peter Lukehart, review of Dentro la >The Sydney J. Freedberg Lecture in Italian >Looking In: Robert Frank’s the Art: A Discussion about Collections bottega: Culture del lavoro in una città Art: Ghiberti and the Painters of Florence “The Americans” Research,” Conservation Perspectives: d’età moderna, by Andrea Caracausi, >Synecdoche: The Relationship of Big to International Center of Photography The GCI Newsletter 25, no. 1 American Historical Review 114, no. 5 Small in the Work of Byron Kim 2010 Infinity Award: Publication (Spring 2010): 18–23. (December 2009): 1561–1562. >Venus as Odalisque: Ingres’s Reimagining >Luis Meléndez: Master of the Spanish >Andrea Gibbs, “Treasures in the Cellar: >Louisa C. Matthew and Barbara H. of the Female Nude Still Life Images of Architecture in the National Berrie, “Memoria de colori che Washington Book Publishers 2010 Gallery of Art Library Image Collections, bisognino torre a Vinetia: Venice as a >The Vogel Collection Story, The Fifty Works Book Design and Effectiveness and Other Highlights for Slavic and East centre for the purchase of painters’ for Fifty States Project: Two Years Later Competition European Scholars,” Slavic & East European Information Resources Journal colours,” >“Winter (after Arcimboldo)” by Philip Haas >Tullio Lombardo and Venetian High in 11, nos. 2–3 (April–September 2010): Trade in Artists’ Materials: Markets Renaissance Sculpture and Commerce in Europe to 1700, ed. Exhibition Features 184–195. Association of American University Jo Kirby, Susan Nash, and Joanna >American Modernism: The Shein Collection Presses Book, Jacket, and Journal >Sarah Gordon, review of Thomas Eakins Cannon (London: Archetype Show 2010 and the Cultures of Modernity, by Publications, 2010), 245–252. >Announcing the Text: The Development of Alan Braddock, Pennsylvania Magazine the Title Page, 1470–1900: Selections >The Woodcut in Fifteenth-Century Europe of History and Biography 134, no. 2 >Constance McCabe and Lisha Deming from the National Gallery of Art Library International Fine Print Dealers (April 2010). Glinsman, “Understanding Alfred Association 2010 Book Award >Arcimboldo, 1526–1593: Nature and >Margaret Morgan Grasselli, “Tanging Stieglitz’ Platinum and Palladium Fantasy the Bees: A Curious Apiarian Practice in Prints: Examination by X-ray STAFF PUBLICATIONS Fluorescence Spectrometry,” in Issues >Beat Memories: The Photographs of a Drawing by Claude Simpol,” Master Allen Ginsberg Drawings 47, no. 4 (Winter 2009): in the Conservation of Photographs, ed. >Andaleeb Banta, “A Commission Gone 443–446. Debra Norris and Jennifer Gutierrez >The Body Inside and Out: Anatomical Awry: Bernardo Strozzi’s Frescoes in the (Los Angeles: Getty Trust Publications, >John Hagood, review of The Plains Literature and Art Theory: Selections from Palazzo Lomellino, Genoa,” in Art in 2010), 68–87. the National Gallery of Art Library Spain and the Hispanic World: Essays in of Mars: European War Prints Honor of Jonathan Brown, ed. S. Schroth 1500–1825, from the Collection of the >Mary G. Morton, paintings entries and >The Darker Side of Light: Arts of Privacy, (London: Paul Holberton, 2010), 236–265. Sarah Campbell Blaffer Foundation, “Gérôme in the Gilded Age,” in The 1850–1900 by James Clifton et al., ARLIS/NA >Judith Brodie, entries in Gray Collection: Spectacular Art of Jean-Léon Gérôme >Editions with Additions: Working Proofs Reviews, http://www.arlisna.org/pubs/ Seven Centuries of Art, ed. Suzanne (Paris: Musée d’Orsay, 2010), 183–195. by Jasper Johns reviews/2009/12/clifton.pdf. Folds McCullagh (Chicago: The Art >Mary G. Morton and Scott Allan, eds. >Edvard Munch: Master Prints Institute of Chicago, 2010), 162–164. >Kerith Koss, Blythe McCarthy, Ellen Salzman Chase, and Dylan Smith, Reconsidering Gérôme (Los Angeles: >From Impressionism to Modernism: >Emiliano Carretti, Massimo Bonani, Luigi “Analysis of Persian Painted Minai The J. Paul Getty Museum, 2010). The Chester Dale Collection Dei, Lora V. Angelova, Barbara H. Berrie, Ware,” in Scientific Research on Historic >Andrea Nelson, “Suspended Piero Baglioni, and Richard G. Weiss, >German Master Drawings from the Asian Ceramics: Proceedings of the Fourth Relationships: The Montage “New Frontiers in Materials Science for Forbes Symposium (London: Archetype Wolfgang Ratjen Collection, 1580–1900 Photography Books of Moshe Raviv Art Conservation: Responsive Gels and Publications, in association with the Vorobeichic,” in Time and Photography, >Hendrick Avercamp: The Little Ice Age Beyond,” Accounts of Chemical Research, Freer Gallery of Art, Smithsonian 43, no. 6 (2010): 751–760, doi: 10.1021/ Institution, 2009). ed. Jan Baetens, Alexander >In the Tower: Mark Rothko ar900282h. Streitberger, and >Renaissance to Revolution: French >Mark Levitch, “Young Blood: Parisian Hilde Van Gelder (Leuven, Belgium: >Judy Cline, Sally Freitag, and Cherie Schoolgirls’ Transformation of France’s Drawings from the National Gallery of Art, Summers, “Loans,” in Museum Leuven University Press, 2010). 1500–1800 Great War Poster Aesthetic,” in Picture Registration Methods 5th Edition, ed. This! Reading World War I Posters, ed. >Therese O’Malley, with contributions >The Robert and Jane Meyerhoff Collection: Rebecca A. Buck and Jean Allman Pearl James (Lincoln: University of by Elizabeth Kryder-Reid and Selected Works Gilmore (Washington: The AAM Press, Nebraska Press, 2010), 145–171. Anne L. Helmreich, Keywords in American American Association of Museums, Landscape Design (New Haven and >Robert Bergman: Portraits, 1986–1995 2010), 120–132. >Suzanne Quillen Lomax, “The Application of X-ray Powder Washington: Yale University Press, >The Sacred Made Real: Spanish Painting >Harry Cooper, Narayan Khandekar, Carol and Sculpture, 1600–1700 Diffraction to the Analysis of Synthetic in association with the Center for Mancusi-Ungaro, Christina Rosenberger, Organic Pigments. Part 1: Dry Advanced Study in the Visual Arts, Katherine Eremin, Kate Smith, Jens Newsletters Pigments,” Journal of Coatings Technology National Gallery of Art, 2010). Stenger, and Dan Kirby, “A Technical and Research 7, no. 3 (2010): 331–346. >Emily Pegues, catalogue entries in The Gallery now has more than twenty Analysis of Three Paintings Attributed to Jackson Pollock,” >———, “The Application of X-ray Pregio e bellezza. Cammei e intagli dei newsletters that reach more than Studies in Conservation 55 (2010): 204–215. Powder Diffraction to the Analysis of Medici, ed. Riccardo Gennaioli (Livorno, 107,000 subscribers. Approximately 1.6 Synthetic Organic Pigments. Part 2: Italy: Sillabe, 2010), 143, 163. million newsletters have been sent to >John K. Delaney, Jason G. Zeibel, Artists’ Paints,” Journal of Coatings subscribers this fiscal year. Mathieu Thoury, Roy Littleton, Michael Technology and Research 7, no. 3 (2010): Palmer, Kathryn M. Morales, E. René de 325–330.

[ 8 0 ] National Gallery of Art 2010

>Hugh C. Phibbs, “Preservation Practices: Understanding ‘Acid burns,’” Picture Framing Magazine, vol. 21, no. 1, January 2010, 64–70. >Debra Pincus, Shelley Sturman, Simona Cristanetti, Karen Serres, and Dylan Smith, “‘Beautiful in Form and Execution’: The Design and Construction of Andrea Riccio’s Paschal Candlestick,” The Burlington Magazine 151, no. 1279 (October 2009): 666–672. >Andrew Robison, “Piranesi’s Venetian Mirrors,” Master Drawings 47, no. 4 (Winter 2009): 502–505. >Stacey Sell, entries in A Pioneering Collection: Master Drawings from the Crocker Art Museum, ed. William Breazeale (Sacramento: Crocker Art Museum), 56–94. >Anne Simmons, review of Psychedelic: Optical and Visionary Art since the 1960s, by David S. Rubin, Choice 48, no. 2 (September 2010). >———, review of Monument Wars: Washington, D.C., the National Mall and the Transformation of the Memorial Landscape, by Kirk Savage, ARLIS/ NA Reviews, http://www.arlisna.org/ pubs/reviews/2010/04/savage.pdf. >Shelley Sturman, review of The Craftsman Revealed: Adriaen de Vries, Sculptor in Bronze, by Jane Bassett, Peggy Fogelmlan, David A. Scott, and Ronald C. Schmidtling II, Studies in Conservation 55 (2010): 227–228. >Sarah S. Wagner, Constance McCabe, and Barbara Lemmen, “Guidelines for the Exhibition of Photographs,” in Issues in the Conservation of Photographs, ed. Debra Norris and Jennifer Gutierrez (Los Angeles: Getty Trust Publications, 2010), 684–689. >Arthur K. Wheelock Jr., “Wouter Kloek and the Attribution of Louis Vallée’s Silvio with the Wounded Dorinda,” The Rijksmuseum Bulletin 58, no. 2 (2010): 173–177. >———, “The Art of Painting,” in Vermeer, The Art of Painting: Scrutiny of a Picture, ed. Sabine Haag, Elke Oberthaler et al. (Salzburg: St. Pölten, 2010), 19–39, 262–270. >———, “Hendrick ter Brugghen’s ‘Bagpipe player’ acquired by the National Gallery of Art, Washington,” The Burlington Magazine 152, no. 1283 (February 2010): 99–100. >———, “Johannes Vermeer: The Art of Painting,” in What Makes a Masterpiece? Artists, Writers, and Curators on the World’s Greatest Works of Art, ed. Christopher Dell (London: Thames & Hudson, 2010), 234–237.

[ 8 1 ] S T A F F L I S T

Staff as of 30 September 2010 Design Assistants EUROPEAN PAINTINGS MODERN AND Associate Curator Abby Bysshe CONTEMPORARY ART Diane Waggoner Jon Frederick French Paintings OFFICE OF THE DIRECTOR Curator and Head of Department Assistant Curator Design Coordinator Curator and Head of Department Harry Cooper Andrea Nelson Director Deborah Clark-Kirkpatrick Mary Morton Associate Curator Research Assistant for Earl A. Powell III Associate Curator Production Coordinators Molly Donovan Exhibitions Kimberly A. Jones Chief of Staff & Executive Assistant John Olson Sarah Gordon Associate Curator Angela M. LoRé Nathan Peek Curatorial Assistant James Meyer Researcher and Writer Michelle Bird Staff Assistant Photographer Mark Levitch Research Associate Melissa B. Goodman Rob Shelley Graduate Intern Jennifer Roberts Curatorial Assistant Elizabeth Tunick Internal Auditor Head of Graphics Kathleen McGovern Curatorial Assistant Larry L. Lewis Barbara Keyes Summer Intern Sydney Skelton Simon Exhibition Assistant Liliane Ehrhart Auditor Graphic Design/Silkscreen Arpad Kovacs Postdoctoral Curatorial Intern Orin Wolf Production Renaissance Paintings Mechtild Widrich Summer Intern Lisa Farrell SPECIAL PROJECTS Curator and Head of Italian and Sabrina Hughes Glenn Perry Spanish Paintings PRINTS AND DRAWINGS Special Projects Officer Graduate Intern Jeffrey Wilson David Alan Brown Andrew W. Mellon Senior Pamela Jenkinson John Witty Stefan Wood Curator of Prints and Drawings Curator and Head of Northern Andrew Robison Special Projects Associate Head of Exhibits Shop Renaissance Paintings SPECIAL PROJECTS IN Beth Fernandes Randy Payne John Oliver Hand Office Manager MODERN ART Susanne L. Cook Curator and Head of Department Special Projects Assistant Exhibits Shop Specialists Associate Curator, Italian and Chelsea Morrocco Ruth Fine Richard Bruce Spanish Paintings Curatorial Assistant EXHIBITIONS Lester Dumont Gretchen Hirschauer Jessica Holl Research Associates George McDonald Janet Blyberg Chief of Exhibitions Curatorial Assistant Old Master Prints Robert Motley Mary Lee Corlett D. Dodge Thompson David Essex Andrew Watt Curator and Head of Department Laili Nasr Exhibition Officers Head of Lighting Shop Andrew W. Mellon Curatorial Fellow Peter Parshall Jennifer F. Cipriano Robert Johnson Oliver Tostmann CURATORIAL RECORDS Naomi R. Remes Associate Curator AND FILES Gregory Jecmen Ann. B. Robertson Lighting Shop Specialist Northern Baroque Paintings Head of Department Juan Garedo Assistants for Exhibition Curator and Head of Department Assistant Curator Nancy H. Yeide Arthur K. Wheelock Jr. Andaleeb Banta Administration Head of Paint Shop Associate Hillary K. Lord Dennis Bult Curatorial Assistant Andrew W. Mellon Curatorial Fellow Anne L. Halpern Lauren Mecca Painters/Finishers Jennifer Henel Naoko Takahatake Nina O'Neil Joseph Richardson REGISTRATION AND LOANS/ Joseph F. McCrindle Foundation Old Master Drawings OFFICE OF THE REGISTRAR Office Manager/Assistant Summer Interns Curatorial Intern Curator and Head of Department Chief Registrar to the Chief of Exhibitions Sarah Hurtt Rozemarijn Landsman Wendy Battaglino Margaret Morgan Grasselli Sally Freitag John Jackson Summer Intern Exhibition Programs Lelia Packer Associate Curator Registrar for Exhibitions OFFICE OF THE Stacey Sell Michelle Fondas Head of Department DEPUTY DIRECTOR Volunteer Interns Susan MacMillan Arensberg Henriette de Bruyn Kops Assistant Curator Collections Information Systems Alexandra Libby Ginger Hammer Coordinator Associate Curators Deputy Director and Chief Curator Susan Finkel Lynn Matheny Franklin Kelly Kress Foundation Curatorial Joseph F. McCrindle Foundation Margaret Doyle Research Assistant Graduate Curatorial Fellow Collections Information Systems Administrator for Policy and Programs Rachel Pollack Carolina Mangone Assistant Film & Video Productions Elizabeth Driscoll Pochter Volunteer Intern Elizabeth Concha Carroll Moore SCULPTURE AND Administrative Assistants Lara Langer Associate Registrar for Loans DECORATIVE ARTS Assistant Producers Nancy Deiss Judith L. Cine David Hammer Amie Price Curator and Head of Department Modern Prints and Drawings Elizabeth Laitman Hughes Mary Levkoff Curator and Head of Department Associate Registrar for AMERICAN AND BRITISH Judith Brodie Exhibitions DESIGN AND INSTALLATION PAINTINGS Curator of Early European Melissa Stegeman Senior Curator and Chief of Design Sculpture Associate Curators Curator and Head of Department Associate Registrar for Mark Leithauser Alison Luchs Carlotta Owens Nancy K. Anderson Collections Associate Curator Charles Ritchie Deputy Chief and Head of Associate Curator Lehua Fisher Exhibition Production Eleonora Luciano Assistant Curator Charles Brock Assistant Registrar Gordon Anson Curatorial Assistant Amy Johnston Assistant Curator Holly Garner-Ponce Office Manager Emily Pegues Curatorial Assistant Deborah Chotner Office Manager Carol Koelemay Volunteer Josephine Rodgers Curatorial Assistant Carol Nesemann Staff Assistant Debra Pincus Nicole Stribling PHOTOGRAPHS Art Services Manager Linda Daniel Joseph F. McCrindle Foundation Summer Intern Senior Curator of Photographs Daniel B. Shay Architects/Designers Graduate Curatorial Fellow Brittany Strupp and Head of Department Supervisory Museum Specialist Jamé Anderson Carolina Mangone Sarah Greenough Robert Cwiok Donna Kirk Volunteers Lars Kokkonen Associate Curator Ellen Layman Sarah Kennel

[ 8 2 ] National Gallery of Art 2010

Senior Art Services Specialists Writer/Editor Senior Editor and Managing Visual Services Deputy Chief and Image James Clark Jennifer Riddell Editor of the Systematic Specialist for Architecture Department Head Andrew Krieger Catalogue Andrea R. Gibbs Head, Education Resources Barbara Bernard Johnnie Mizell Karen Sagstetter Leo J. Kasun Image Specialist for Modern and Daniel Randall Museum Specialists Managing Editor of CASVA Contemporary Art David Smith Program & Production Web Peter Huestis Publications Meg Melvin Development Barbara Goldstein Wood Art Services Specialists Cynthia Ware Susanna Kuehl Image Specialist for American Joan Ganzevoort Secretary Senior Editors and British Art Lewis Schlitt Supervisor, Program Shipping Geneva Rosenboro Tam Curry Bryfogle Andrew L. Thomas William Whitaker Technician Ulrike Mills Roland Young LIBRARY Image Specialist for Italian Art Art Services Technician Julie Warnement Melissa Beck Lemke Goven J. Martinez Media Scheduling Coordinator Executive Librarian Assistant Editors Martha H. Aspron Neal T. Turtell Image Specialist for Special Magda Nakassis Loans and the National Projects Affiliate Loan Coordinator Caroline Weaver Administrative Librarian Lending Service Lisa M. Coldiron Frances Duhart Roger C. Lawson Head of Department Permissions Coordinator, Image Specialist for French Art Stephanie T. Belt Program Shipping Technician Print Media Library Systems Manager Nicholas A. Martin Michael G. Bryant Karen P. Cassedy Senior Loan Officer Sara Sanders-Buell Image Specialist for Spanish Art Alicia B. Thomas Teacher, School, and Family Publishing Designer Staff Assistant Thomas A. O’Callaghan Jr. Programs Kate M. Allen Loan Officer Bradley Ireland Image Specialist for Northern Lisa M. MacDougall Department Head Designer Technical Services European Art Heidi Hinish Rio DeNaro EDUCATION Technical Services Librarian Molli E. Kuenstner Coordinator, Teacher Programs Assistant Production Manager Anna M. Rachwald Division Head Samuel H. Kress Foundation Julie A. Springer John Long Lynn Pearson Russell Acquisitions Assistants Image Specialist Education Assistant, Teacher David Diaz Administrator Production Assistant Adam Rudolphi Programs Mariah Shay Amanda Kim Kim Hodges Samuel H. Kress Foundation Zev Slurzberg Mary Lazarenko Publishing Coordinator/Program Jeffrey Leone Image Technician Adult Programs Coordinator, High School Assistant Megan Cook Programs Daniella Berman Acquisitions Student Assistant Department Head Circulation Desk Technician Elisa Patterson Elizabeth Fitzgerald Wilford Scott Research Assistant Carrie A. Scharf Education Assistant, High School Sumner Powell Cataloguers Lecturers Staff Assistant Programs John P. Heins Eric Denker Summer Intern Debra K. Massey Lorena Baines Bary Johnson David Gariff Tate Strickland J. Bryan Lane Student Assistant J. Russell Sale Museum Educators Cathy F. Quinn Kimberly Sissons Sally Shelburne Elizabeth Diament Web and New Media Marsha D. Spieth Deirdre Palmer Chief of Web and New Media Summer Intern Lecturer & Adult Program Paula L. Zech Initiatives Veronika Poier Docent Coordinator Coordinator, Art Around Joanna Champagne Cataloguing Assistant Diane Arkin the Corner Marcella Pitt CONSERVATION Adult Programs Tour Scheduler Sara Lesk Web Manager John Gordy Cataloguing Student Assistant Chief of Conservation C. Arlette Raspberry Museum Educator, Art Around Gretchen Berkman Mervin Richard Coordinator, Art Information the Corner Web Site Designers Conservation Administrator Dianne Stephens Julie Carmean Guillermo Saénz Bindery Assistant Suzanne Sarraf Jane E. Higgins Michael Skalka Supervisor, Art Information School Tour Scheduler Conservation Program Assistants Volunteers Jennifer Cross Web Producer Reader Services Michelle LeBleu Marta Horgan Carolyn Campbell Coordinator, Family & Teen Head of Reader Services Shelley Kurt Staff Assistant Programs DIVISION OF IMAGING AND Lamia Doumato Nicola Wood Arjumand Hamid Nathalie Ryan VISUAL SERVICES Reference Librarian Andrew W. Mellon Intern, Art Summer Intern Museum Educator, Family & Chief, Division of Imaging and John Hagood Materials Collection Joanna Gohmann Teen Programs Visual Services Reference Assistant Meghan Schindler Sarah Diallo Alan Newman Academic Programs George (Ted) T. Dalziel Jr. Painting Conservation Education Assistants, Family & Digital Asset Management Department Head Teen Programs Interlibrary Loan Technician Head of Department Faya Causey Molly Dalessandro System Coordinator Thomas F. J. McGill Jr. Sarah Fisher Peter Dueker Program Administrator for Katrine Solli Interlibrary Loan Assistant Senior Conservator of Modern Faye Karas Lectures Graduate Intern Digital Imaging Services Painting Ali Peil Natalie Mann Circulation Technicians Jay Krueger Department Head Tina Habash Program Assistant Summer Interns Robert Grove Senior Conservators Yuri Long Ben Masri-Cohen Sarah Cortell Carol Christensen Permissions Coordinator Rodrick McElveen Anastasia Karpova Ann Hoenigswald Carpenter Foundation Fellows Ira Bartfield John Shinn Lingwei Kong Catherine Metzger FILM PROGRAMS Meng Li Photographic Services Circulation Student Assistants Michael Swicklik Tashi Namgay Head of Department Cassandra Graesser Conservator Margaret Parsons Department Head Stephanie Maxwell Chen Xin Lorene Emerson Elizabeth Walmsley Jingping Yang Assistant Head of Department Vertical Files Librarian Conservation Technician Wei Zhao Joanna Raczynska Photographers Anne Simmons David Applegate Douglas Lachance Education Publications PUBLISHING OFFICE Ric Blanc Vertical Files Student Assistant Charles E. Culpeper Advanced and Resources Diana K. Aram Editor in Chief Lee Ewing Training Fellow Department Head & Deputy Judy Metro Ken Fleisher Serials Technicians Kristin deGhetaldi Division Head Greg Williams Tammy Hamilton Deputy Publisher and Production William R. Leisher Memorial Barbara Moore Bruce B. Hebblethwaite Manager Visual Information Specialists Fellow Debbie Adenan Senior Publications Manager Chris Vogel Department of Image Anna Alba Doris Alston Donna Mann Collections Senior Designer Christina Moore Volunteer Intern Senior Writer Wendy Schleicher John Schwartz Chief, Library Image Collections Melissa Gardner Carla Brenner Gregory P. J. Most

[ 8 3 ] National Gallery of Art 2010

Paper Conservation Conservation Science Fellow Claudia Cieri Executive Assistant Engineering Technicians Margaret MacDonald Godelieve Denhaene Kathleen Ortner Mike Case Head of Department James Cromwell Kimberly Schenck Samuel H. Kress Fellow Guest Scholars Staff Assistant Gary Ilko Paola Ricciardi Nino Simonishvili Shelley Baltzer Senior Conservator Mike Ottmers Andrés Ubeda Marian Dirda Loans and Exhibitions Assistant to the Administrator for Michael Smith Millon Architectural History Budget Analysis Conservator Conservation Dan Warrenfeltz Guest Scholar Andrew McCoy Michelle Facini Building Automation System Senior Conservator Margaret Haines Budget Analyst Coordinator of Preservation Michael Pierce Manager A. W. Mellon Postdoctoral Jill Dunham Services Brian McGivney Conservator Fellows Hugh Phibbs Assistant to the Administrator for Sustainability Department Bethann Heinbaugh Hendrik W. Dey Business Activities Cecily Grzywacz Coordinator of Matting and Megan E. O’Neil Head of Frame Conservation Anne Valentine David Matthews Framing East Stephan Wilcox Elaine Vamos PREDOCTORAL FELLOWS CAD Team Work Control Center Conservator of Frames Martin Livezey Exhibition Specialists–Matting IN RESIDENCE Richard Ford Timothy Spencer Facilities Services Manager and Framing David E. Finley Fellow John Haughey Caroline Danforth Ivan Drpic OFFICE OF ARCHITECTURE CENTER FOR Work Control Coordinators Jenny Ritchie AND ENGINEERING ADVANCED STUDY IN Paul Mellon Fellow Tamara Fink Conservation Technician THE VISUAL ARTS Albert Narath Senior Engineer/Senior Taniesha Kelly Michelle Stein Program Manager John Todd Samuel H. Kress Fellow Andrew W. Mellon Advanced Andrei Pop Alison Hunt Dean Building Maintenance Training Fellow Elizabeth Cropper Wyeth Fellow Architect/Program Manager Department Im Chan Carl M. Campioli Associate Deans Tobias Wofford Manager Photograph Conservation Peter M. Lukehart Ittleson Fellow Fire Protection Engineer/ Craig MacFarlane Program Manager Head of Department Therese O’Malley Wen-shing Chou Robert Wilson Production Shop Coordinator, Constance McCabe Center Administrator Andrew W. Mellon Fellow Warehouse Architects/Project Managers Senior Conservator Helen Tangires Sinem Arcak Charlie DiPasquale Bruce D. Condit Sarah S. Wagner Assistant Administrator for Twenty-Four-Month Chester William H. Cross Jr. Carpenter Shop Summer Intern Budget and Accounting Dale Fellow Christopher Ruffing Nash Garton Kenneth Baksys George E. Flaherty Supervisor Engineer/Construction Program Staff Alvin Adams PREDOCTORAL FELLOWS Project Manager Object Conservation Susan Cohn NOT IN RESIDENCE Juan Radulovic Wood Crafters Leader Head of Department Elizabeth Kielpinski Carl Sturm Shelley Sturman Emma Millon David E. Finley Fellows Construction Field Wood Crafters Laura Plaisted Benjamin Anderson Representative Senior Conservators Lynn C. Edwards Jessica Ruse Christina R. Ferando Michelle Gilbert Daphne Barbour William Ferguson Jr. Mattie M. Schloetzer Judy L. Ozone Paul Mellon Fellows Interior Designer Jose Guerra Bailey Skiles Beatrice Kitzinger Susan A. Ritterpusch Allan Scheufele Conservator Research Staff Jennifer M. S. Stager Katherine May Program Analyst Paint Shop Malcolm Clendenin Samuel H. Kress Fellow Lauren Huh Research Conservator, Robert H. Janna Israel Shira Brisman Supervisor Smith Bronze Study Project Jill Pederson Staff Assistant Paul Zappulla Dylan Smith Lorenzo Pericolo Wyeth Fellow Teresa A. Mossi Jessica N. Richardson Jason David LaFountain Painters Conservation Technician EQUAL EMPLOYMENT Joyce Tsai James Miller Brittany Dolph Ittleson Fellow OPPORTUNITY OFFICE Francis Zurmuhlen Dipti Khera Andrew W. Mellon Advanced Members, Center for Advanced Equal Employment Opportunity Mason Shop Training Fellow Study in the Visual Arts, Andrew W. Mellon Fellow Officer Simona Cristanetti Academic Year 2009–2010 Priyanka Basu Kelly Goode Supervisor Roland Martin Graduate Intern Samuel H. Kress Professor Twenty-Four-Month Chester EEO Programs Coordinator Marie Stewart Bert W. Meijer Dale Fellow Sarah Holley Mason Leader Andrew W. Mellon Professor Lisa Lee Gino Ricci Textile Conservation FACILITIES MANAGEMENT Miguel Falomir Twelve-Month Chester Dale Masons Head of Department Chief of Facilities Edmond J. Safra Visiting Fellow Robert Brinkley Julia Burke David Samec Professor Ralph Ghoche Dennis Colella Daniel Depaz Scientific Research Department Roger Taylor Robert H. and Clarice Smith Deputy Chief of Facilities Fellow Carl Pasquali Tony Lowe Head of Department Paul Mellon Senior Fellow Sonja Drimmer Conrad Solomon E. René de la Rie Suzanne Preston Blier Facilities Management Process Charles Sydnor Ailsa Mellon Bruce Predoctoral Specialist Senior Conservation Scientist Samuel H. Kress Senior Fellows Patrick Verdin Fellowships for Travel Abroad for Dan Hamm Barbara H. Berrie Jaime Lara James Ware Historians of American Art Program Specialist Evonne Levy Building Services Department Senior Imaging Scientist Lacey Baradel Vasily Lazarenko John K. Delaney Ailsa Mellon Bruce Senior Joe Madura General Foreman Fellows Assistant Special Projects Research Conservator for Lucy Mulroney Charles Boone David J. Getsy Coordinator Paintings Technology Breanne Robertson Jonathan M. Reynolds William Cabeza Supervisors E. Melanie Gifford Sylvia Dorsey Michael J. Schreffler OFFICE OF THE Wood Crafter/Special Projects Organic Chemist Deborah Hamilton Paul Mellon Visiting Senior ADMINISTRATOR Coordinator Suzanne Quillen Lomax Angela Lee Fellows Anthony Givens Leaders Conservation Scientists David Bindman Administrator Staff Assistant Gerald Carthorne Lisha Deming Glinsman Andrew Hopkins Darrell R. Willson Linda Hilliard Christopher Maines Ruth E. Iskin Steven Crockett Kathryn Morales Anna Minta Deputy Administrator Engineering Department Andre Gordon Michael R. Palmer Mercedes Volait John Robbins Sheldon Malloy Supervisor Darlene Middleton Charles E. Culpeper Advanced Ailsa Mellon Bruce Visiting Deputy Administrator for William Burns Training Fellow Senior Fellows Capital Projects Mathieu Thoury Giovanni Careri Susan Wertheim

[ 8 4 ] National Gallery of Art 2010

Custodians and Laborers Electricians Operations John Davis Benjamin Burgess Calvin Anderson Bryan Allen Deputy Chief Larita Dodson Otis Butler Maurice Anderson David Cole Robert Rule Robert Edwards Richard Byrd Earl Ashford Christopher Fioravanti Charles Forbes David Caldwell Kenneth Betts Timothy Maxwell Major Edward Foster Jacqueline Cameron Jerry Braddock Carlton Williams Larry Kaylor Robert Gayleard Darwin Capers Paul Cotton Captains William Gill Julius Carroll Donnell Cunningham HORTICULTURE SERVICES Cleven Brown Ryan Goolsby Marian Carter Devigar Dozier Chief Karen Perry Carolyn Groce Slats Carter Oliver Fowler Cynthia Kaufmann George Hamilton Mark Caruso Security Driver Carolyn Harvey Peter Henderson Jr. Jesus Castro-Alverez Deputy Chief Carlos Dubose Brock Hawkins Julianna Goodman Yvette Herbert Paul Cawley Alice Holloman Senior Security Command Elvis Hernandez Marcella Champion Anthony Inabinet Horticulturists Center Operators Jimmie Hines David Clark Victor Jamison Solomon Foster Derieck Hairston Donna Hinton Kristopher Cleague Sharon Jenkins David Gentilcore David Weston Jr. Mildred Holeman Thomasine Cloude Michon Jenkins-Savoy Kimberley Mead John Eric Jackson Security Command Center Walter Colbert Teresa Johnson Jeff Nagle Edward Johnson Operators Darnell Cooper Eugene Johnson Paul Marshall Gardener Leader Winston Franklin III Ivy Cooper Gail Maxfield Anthony Ferrell Barbara Height Eliot Jones Derwin Davis Theodora McCard Felisha Jones Leroy Davis Gardeners James Townsend Linda Mitchell Laverne Whitted Veronica Jones Stephen Dobbs Gwendolyn Nathan Charles Bauduy Aaron Kinchen Antonio Dorsey Darryle Parker Shawn Hemphill Commanders Anthony Kittoe Alexander Duboise Jr. Leora Richardson Brian Johnson Quellan Josey Albert Lawrence Patrick Dumsch Devin Sampson Ronald McGill Jeroboam Powell John Legrand Altwann Edwards Michael Peters Cassandra Smith Lieutenants Franklin Lewis Dwayne Farmer Willie Townes Derrick Snowden Timothy Fortt Joe Lewis Brigitte Fitzhugh Derrick Williams Angeline Sutton Armando Hartley David Logan Raynard Forte II Bridgette Thomas PROTECTION SERVICES Patricia Hassell Richard Lydick David Fortunoff Ronald Winston Augustine Maldonado Baron Foxworth Chief of Protection Services Dennis Hill Zilphia Wright Rodney Mathew Olympia Frazier James J. Lucey Joseph Hudson David Lee Isaac Mathis III Tameka Gaines Building Operations Secretary Lawrence Marshall Oumar Mbodj Russell Gaskins Jr. Department Geraldine Green-Smith Quinyardo McClain William McLaughlin Ardella Gill Identification Office Dexter Moten Darrin Moyer Lita Goings Operations Manager Jacob Neal Debra Graham Andy Ramjattan James Carlton James Murphy Brannock Reilly Marlene Tucker Beverly North John Gray Assistant Managers Vladimir Solomykov Gerald Walker Chris Privott Pamela Green Noel Ashton Sheila Wright Jerry Reaves Paul Gresham Rodney Stringer Investigations Marcus Reeves Jason Hall Enis Pinar Sergeants Lonnie Robertson Kaprii Hargrove Supervisors Ronald Bond Technical Services Supervisor Linda Roché Dorothy Harper Zery Mingo Ronald Brown Angelo Catucci Loretta Roy Kaisha Harper Larry Smith Joseph Callahan John Smith Burley Harris Leaders Senior Electronics Technician Jerry Doss Timothy Smith Jamal Hassan James Hamilton William Shaw Alonzo Fountain Michael Strong Kelly Hendley Thomas Gorman Mark Teed Electronics Technicians Altina Sumter Thomas Hill Harry Groce Edward Thomas Lemuel Hillian Control Technicians Nathaniel Stroman James Hairston Reginald Thornton Fred Holmes Jr. Anthony Brooks Louis Wagner Jr. Franklin Jess Joselito Tungcod Priscilla Hopkins Eugene Givens Locksmith Lee Jones Larry Turner Benjamin Hunter Anthony Hayes Ty Cullins Alonzo Kennedy Andre Vaughn Ina Hunter Wayne Valentine Victor McCrea Administration and Visitor Services Quinton Waldon Robert Hyer Utility Systems Repair Operators Vernon Morton Gregory Watson David Jackson Ricky Bruckschen Deputy Chief John Rogers Harold Williams David Jakes Gregory Curry Elizabeth Thomas Johanna Speight Lynn Williams David Johnson Roger Dunning Program Analyst Keith Thalhamer Willie Wright Sherice Johnson Artenas Edwards Cheryl Miller Raymond Tyndle James Yancey Wayman Johnson David Gali Eugenio Velazquez Kenneth Jones Supply Technician Senior Gallery Protection James Gant Nathnial Kefale Sr. Michelle Cameron Gallery Protection Officers II Officers and Trainers Jason Johnson Gabriel Kelley Wayne Alexander Yamashita Johnson Charles Randolph Office Assistants Stephen King Calvin Allen Joe Peterson Carlos Russell Jesus Jimenez Roger Allen Tameka Kyles Troy Taylor Zoya Mussienko Irene Anderson-Thomas Gallery Protection Officers Clifton Leach Sahlu Teklesadik Anani Abalo Office Automation Assistant Philip Arnett Christopher Leonard Rukan Ahmed Michael Lewis Pipefitter Leader Sandra Powell Leonard Bashful Aaron Alexander Robert Lewis Salvador Anciani Wiziri Belcher Special Projects and Charles Berkley Jr. Kodjo Assogba Tyrone Lewis Pipefitters Information Technology Vander Blount Joseph Beidle Dominick Little Gwendolyn Bell Ryan Brown Deputy Chief Howard Boddie Sr. Lionel Livingston Jules Bell Jeff Gandee Stephen Lockard (Union Representative) Joseph Loy George Bergstrom III Insulators John Boone Jr. Larry Macalino IT Specialist Jeffrey Blaher Gregory Hughes Brian Bowman Ramesh Malhotra Patrick Parrett Gary Bland Dwayne Queen Neil Braithwaite Tammara Matthews J. D. Blue Joseph McClain Risk Management Wesley Branon Maintenance Worker Alphonso Brown III Dupree Boddie Sharisa McKenzie Deputy Chief Lewis Dobbs Roy Brown Jr. Kathryn Boyd Toi-Lynn McKenzie Philip Goldsmith David Bradley Sr. Henry McKinnon Jr. Electric Shop Vincent Brown Occupational Safety and Health Wayne Buckner Steve Brock Lawrence Meyers Supervisor Manager George Burgess Henry Brown Denise Milburn Anthony Pizzo Linda Schilder Edward Chapman Jacqueline Brown Willie Miller Leader Venus Cristwell Joshua Brown Gerald Mills Daniel Smith Dominic Dangerfield Travon Bruce Wayne Morris Jr. Wayne Bryant

[ 8 5 ] National Gallery of Art 2010

Christopher Morrison Training Officer Printing Services Specialist Accountant Visual Presentation Technicians Margaret Nelson Judith Frank Frank Schiavone William French Melissa Cherry Shauna Norman Ruth Lewis Mary Tewalt Training Specialists Copier Equipment Operator Willie Norman Jori Raymond James Morris Accounting Technicians Store Managers Ugochukwu Okpara Mendi Cogle Wingfield Richard Eckert Stephen McKevitt Roy Ottley Telecommunications Dyann Nelson-Reese Nancy G. Vibert Joyce Palmer ADMINISTRATIVE SERVICES Kevin C. Oberman Theodore Panglao Supervisory Telecommunications Assistant Store Managers Chief of Administrative Services Brenda M. Stevenson Marian Parker Specialist Frenzetta Coward Cathy Yates Stephanie L. Thorpe Leopoldo Perdomo Mark Ranze Kelly Song Guziewski Valerie M. Wright Ronald Piekarski Deputy Chief of Administrative Telecommunications Specialists C. Kelly Mayle Jr. Pamela Pitts Services Minnie Barbour Payroll Naomi Morgulis Thomas Valentine Carey Porter Jr. Barbara McNair Payroll/Personnel Specialist Category Specialists Reppard Powers III Administrative Officer Brion Shearin Emma G. Moses Nicole Glaude Harry Price Scott Stephens Juanita Walker Mary Heiss Payroll Technician Willie Pugh Lisa P. Morgart Program Specialist (Travel PROCUREMENT AND CONTRACTS Margaret Myers Michael Robinson Mary Powell Sharman Gresham Savoy Coordinator) Chief of Procurement DATA PROCESSING Christopher Siron Michael Simpson Joy Borja Rodney C. Cartwright Chief Information Officer Lead Cashiers Willie Sims Program Specialist Deputy Chief William Smallwood Bonnie Hodgkins Linda Stone Charlene Conlon Henrietta Brox-Campbell Linda Peterson Alexander Stephens Deputy Chief Information Officer Anbarasan Subbaya Jr. Fiscal Technician Contracting Officers Christy Williams Greg Swift Cashiers Bawasin Tchalim Denise Gilson Maria Aragon Dean Koepp IT Specialist/Manager, Luke Thompson Supply, Property, and Pamela Baxter-Simms David Reindl Customer Support Wilbert Thompson Transportation Management Stefanie Clark Damien Toler Geoffrey Spotts Susan Farr Pamela Coleman Gregory Tyson Support Services Supervisor Ricardo Martinez Attorney Advisor IT Specialist/Manager, Denis Donovan Thomas Tyson Ethan S. Premysler Network Infrastructure Nanci Fox Teresa Walker Supply Technicians (Property) Katherine Green Lara Ghelerter Purchasing Agent William Walker Jr. Kevin Grays Sophia Keith James Wortham IT Specialist/Manager, Blease Washington Nathan Howell Adriana Lema-Polo David Watchorn Data Engineering Supply Technicians (Supply) Staff Assistant Bonnie McBride Ricardo Watson Art Nicewick Paul Fortune Patricia Barber Thomas Mertens Michael Webster Ulrick Vilmenay IT Specialist/Intranet Donna Abarr Miller Kelvin White Jr. OFFICE OF THE Development Kim Peacock Verda Whitlow Transportation Assistant TREASURER Neal Johnson Mildred Shivers Agnes Whittle Dora Barksdale Socrates Tiglao Ronald Wilkins IT Specialist/Manager, Internet Drivers Timothy Turner Barry Williams Treasurer and Application Development Gary Pratt Rosemary Wilkerson Lee Williams James E. Duff David Beaudet Brad Sarber Melissa Winter Stephen Williams Deputy Treasurer Network Engineer Merchandise Stock Clerks Vincent Williams Warehouse and Distribution Diane C. Mullis Chris Usher Terry Gibson Phillip Williamson Support Services Supervisor Dexter Willis Executive Assistant GALLERY SHOPS Aaron Seaboch Paul Rodriguez Judy Shindel Andre Wilson Division Chief Operations Supervisor— Lead Materials Handler Chantay Wilson Deputy Chief of Investment and Ysabel Lightner Warehouse Warren Woodson Lemuel Jamison Risk Management Stephen Richardson Deputy Division Chief/ Anthony Wright Support Services Specialist George-Ann Tobin Operations Manager Lead Materials Handler Patricia Wright Anthony Sean Hilliard Kenneth Wright Jr. Financial Manager Karen Boyd Marvin M. Walton Materials Handler Kelly Liller Mitchell Wright Jr. Office Administration/ Materials Handlers Rickie Lee Younce Lawrence Yancey Chief Planning and Budget Officer Office Manager Mioril Andoque Denise Young Mail and Records Management William W. McClure Laura A. Fitzgerald Michael Nichols Philip Young Jr. Support Services Supervisor Financial Manager Staff Assistants Motor Vehicle Operator PERSONNEL Angela Dory Larry Green Miriam Dameron James B. Everett Acting Personnel Officer Support Services Specialists Senior Manager—Financial Adam Prescott Shipping Clerk Meredith Weiser Felton Byrd Systems, Reporting and Analysis Visual Information Specialist Carolyn L. Messineo Bryan Durham Michael Wright Personnel Systems Specialists Noriko Bell OFFICE OF THE Michele Caputo Mail Clerks Assistant to the Treasurer Product Development Darryl Cherry James Arnold for Risk Management and Specialist/Buyer SECRETARY AND Anthony Proctor Special Projects GENERAL COUNSEL Personnel Management Judy C. Luther Jose Vallecillo Nancy Hoffmann Specialist Book Buyers Terrence Snyder Audio Visual Services FMS Systems Manager Dennis E. Callaghan Secretary and General Counsel William Rose Senior Staffing Specialist Supervisory Audio Visual Donald L. Henderson Elizabeth A. Croog Rick Decuir Specialist Financial Systems Manager Buyers Deputy Secretary and Deputy Victoria Toye Carol Ann Proietti Staffing Specialist Janet B. Kerger General Counsel Linda Pettiford Radio Production Specialist Staff Assistant Nancy A. Sanders Nancy Robinson Breuer John Conway Eileen Ng Rachael Valentino Personnel Staffing Assistant Associate General Counsels Web Staff Assistant Carolyn G. McKee Kathy Sutton Davis Audio Visual Production GENERAL ACCOUNTING Specialist Adriana Louisa Meeks Isabelle Raval Gallery Representatives Comptroller Hugh Colston Julian F. Saenz Luis Baquedano David J. Rada Systems Manager Motion Picture Projectionist G. Lee Cathey Legal Assistant Erin Cutler Deputy Comptroller Jeannie Bernhards Sarah E. Fontana Human Resources Specialist Myles Burgess Systems Analyst/Programmer Electrical Equipment Repairer Alexander Bloshteyn Assistant Secretary Miriam Berman Accounts Receivable Manager Frank Tutko Kathryn K. Bartfield Receptionists Steve Arisumi Technology Specialist Martin Rudder Staff Assistants Annette Brown Printing and Duplicating Retail System and Accounts LaVonne Serrano Visual Presentation Manager Carol A. Christ Printing Services Supervisor Payable Manager Amity Wang Dionne Page Michael Chapman Therese Stripling

[ 8 6 ] National Gallery of Art 2010

G ALLERY ARCHIVES Development Assistant for Michael Jacko Andrea Kraus Sue Wickwire Annual Giving Cathy Kazmierczak Bonhee Ku Chief Brooke Wilding Polly Smith Naomi Kulakow Maygene F. Daniels Marjorie Williams Olga Kushnir Development Assistant for VOLUNTEERS Michael Winer Senior Archivist and Oral Rita Landers Operations Maria Wood Historian Julien LeBourgeios Wayne Henson DOCENTS Laura Wyman Anne G. Ritchie Anne-Marie Lee Dora J. Young Development Assistant for Ann Allen Archivist Rosalie Lesser Lois Young Annual Giving Lee Allen Michele Willens Paula Litvak Joan Zeizel Abby Bauman Sue Beddow Jean Loper Kathryn Zoeller Archives Technicians Carol Bellonby Development Assistant for Dianne Maffia Gianna Zucchi Julie Blake Valerie Bernat Major Gifts Barbra Mann Jean Henry Susan Bollendorf SCHOOL DOCENT Erika N. Nelsen Anne Marie Marenburg Marlene Bolze CANDIDATES Paul Mellon Archives and Patricia Martin CORPORATE RELATIONS Irene Bortolussi Records Management Fellow Luba Marx Anamaria Anderson Marina Bradfield Richard Freeman Chief Development and Marylin Mathis Joan Barkin Jill Brett Corporate Relations Officer Ursula McKinney Sharon Baum Kress History and Conservation Maureen Fallon Bridgeland Christine Myers Mary Ellen McMillen Elizabeth Billings Research Fellow Gail Briggs Patricia McMurray Kathleen Bishop Fulvia Zaninelli Senior Associate Florence Brodkey Irma J. McNelia Donita Buffalo Jeanette C. Beers Volunteer Ana Maria Brown Amy Meadows Marjorie Clay Barbara Levitt Special Assistant to the Chief Debra Brown Sandra Mitchell Douglas Cooperman Development and Corporate Richard Burke Sally Molenkamp Brooke Fink Nancy Cammack OFFICE OF Relations Officer Nan Morrison Tina Gulland Karen Campbell Joan Morton DEVELOPMENT AND Caroline Brantley Jan Haugen Valerie Carleton Joan Mulcahy Anne Haynes EXTERNAL AFFAIRS PRESS AND PUBLIC Leonard Coburn Laurie Nakamoto Patty Hohwiesner Carol Cochran INFORMATION Caryn Nesmith George Holliday Nancy Cummings Executive Officer, Development Chief Press and Public Akemi Nishida Michelle Koerner Theresa Daly and External Affairs Officer Information Officer Olga Nosova JoAnne Lanouette Dina D’Arcangelo Joseph J. Krakora Deborah Ziska Nur Nossuli Susan Lewis Gerard de la Cruz Titiana O’Blazney Patricia Mattimore Deputy to the Executive Deputy Press and Public Bela Demeter Mary Catherine O’Connell Linda Meer Officer, Development and Information Officer Rickey de Rivera Mariko Oka Alexandra Neustadt External Affairs Anabeth Guthrie Joan Dickey Yasuko Okuno Ann Marie Plubell Ellen Bryant Publicist Anna Dixon Mary O’Neill Jane Pomeroy Special Assistant Sara Beth Walsh Margaret Doole Gail H. Ostergaard Linda Powell Sandra Dugoff Patty Owens Francine Linde Web Designer/Systems Patricia Ramirez-Gomez Helga Ehudin Hedwig Pasolini Janet Roberson Development and External Developer Alice Ellington Deborah Pietras Cathy Ryan Affairs Associate Dwayne Franklin Marilyn Farrington Karen Piper Steven Selden Erin Fisher Staff Assistant/Calendar Editor/ Sharon Feldman Judith Pomeranz Katy Senkus Victoria Feldman DEVELOPMENT Financial Manager Nancy Porter Christine Stinson Laurie Tylec Paula Ferdinand Ludmila Pruner Traer Sunley Chief Development and Sima Ficks Maria Amelia Ramaciotti Eleanor Wang Corporate Relations Officer Administrative Assistant Harriet Finkelstein Pickett Randolph Constance Wynn Christine Myers Larissa Trociuk Sandra Fischer Kara Reinsel Deputy Chief Administrative Assistant Virginia Flavin Lucia Jean Reynolds ART INFORMATION Development Officer Domini LeNoir Howard Fogt Cynthea Riesenberg VOLUNTEERS Kay Casstevens Stephanie Frasher Eileen Romano SPECIAL EVENTS Liane Atlas Barbara Freeman Susan Rudy Rosalie Baker Senior Development Officer Chief of Protocol and Phyllis Freirich Sheila Ruffine Jay Ball for Major Gifts Special Events Maureen Gevlin Lois Sacks Valerie Ballard Cathryn Dickert Scoville Carol W. Kelley Thomas Gilday Angelika Sasin Barbara Behr Joan Gottfried Senior Development Officer for Deputy Chief of Protocol and Joyce Schwartz Barbara Bluestone Gail Gregory Major Gifts and Foundation Giving Special Events Nancy Searles Janet Boccia Laura Hagood Patricia A. Donovan Bethann Siegel Judy Shulman Denise Boxberger Pamela Gulley Hardin Ruth Sickel Greta Brown Senior Development Officer for Executive Assistant Alyson Hardy Trudi Small Amy Bruins Annual Giving and Major Gifts Alice Kim Joyce Harmon Jill Haynie Marie-France Smith Arthur Bugler Jr. Senior Event Planner Mary Harms Sally Smyser Joan Chapin Development Officer for Maria E. A. Tousimis Melissa Harris Christine Spencer Catherine Clark Foundation Giving and Shannon Hobbs Langley Spurlock Kimball Clark Special Projects Event Planner Nira Hodos Celia Steingold Robert Marn Nancy Clarke Katherine M. Lemery Sally Hoffmann Elizabeth Sullivan Simone Clarke Adriana Hopper Development Officer for Invitations and Protocol Jem Sullivan Lynn Cleary Marta Horgan Annual Giving Courtney Bui Laura Symcak Pat Clopper Sandy Horowitz Kathryn A. Heaberg Molly McFarland Victor Tang Marlene Conner Marilyn Horwood Shu Chen Tasi Janet Cooper Development Officer for Volunteer Merry Hunt Lillian Taylor Megan E. Courtney Planned Giving Brynne Pfirrman Patricia Jacobs Carolyn Thayer Michelle Crockett Giselle Larroque Obermeier Francesca Janni MUSIC Ruth Thomas Sherry Cross Michaela Johnson Development Associate for Diedre Tillery Sue Degnan Head of Department Cynthia Juvan-Dormont Reports and Record Integrity Jean Toan Joanne DeSiato Stephen Ackert Evelyn Katz Heather C. Sullivan Paula Tosini Therese desRosiers Music Program Specialist Nancy Keefe Diane Tucker Verda Deutscher Development Associate for Danielle DeSwert Carolyn Kelloff Susan Van Nice Alexander Dobert Stewardship and Communications Marney Kennedy Suzanne Vegh Janet Donaldson Caroline Halayko Welsh Assistant to the Music Carol King Joy Vige Valerie Edwards Department Ilze King Development Associate for Bruno Nasta Josephine Wang Estelle Eisendrath Research and Information Jane King Hession Maria Elena Weissman Jinny Eury Kristi Mathews Concert Aides Anne Klein Margaret Wesbecher Rose Evans Vrejoohie Armenian Phyllis Knight William Whalen Susana Fainbraun Mary Carter Audrey Kramer Sue White Gloria Fastrup

[ 8 7 ] National Gallery of Art 2010

Judith Feldman Lola Olabode LIBRARY VOLUNTEERS Maureen Ferguson Laura Olariu Judith Bernanke Janet Fesler Jinx (Frances) Oliver Pat Clopper Barbara Fisher Patricia Orr Katrine Eik Marjorie Fisher Arnold Palley Ellen Layman Sue Fretts Susan (Suzi) Pease Lura Young Alan Friedman Anthony (Tony) Piantes Spencer Weinreich Pamela Fry Karin Regan Betty Sue (Suzi) Gallagher Mary L. Regan Chhanda Ganguly Bette Richardson Maria Garcia-Borreguero Gail Ridgway John Garneski Arlene Ring Quondra Gaskins Alix Robinson Agnes Gavin Dorothy Robinson Joyce Gentile Wynefred Rogerson Jean Gerhardt John Rooney Martin Gerstell Melissa Roover Jaclyn K. Gibson Eugene (Gene) Rosenfeld Bernard (Benny) James Glenn Shirley Rosenfeld Annette Goldschmidt Audri Schiller Gretchen Goodrich Susan (Sue) Schneider Barbara Goodwin Roberta Schneidman Lucile Gordon Sonja Schulken Helen Grayson Suzanne Scott Edward Greenberg Frances (Fran) Short Lois Gregg Margaret Sickels Helena Gunnarsson Iris Silverman Harvey Hale Leslie Silverman Mary Hanrahan Nancy Silverman Tawney Harding Esther Slaff Betty Hatch Ann Snuggs Jo Ann Hearld Carol Snyder Barbara Hodges Janice (Jan) Soergel Jean Holder Joan Steigelman Leonard Holder Donna St. John Mark Huey Linda Sundberg Gail Huh Michelle Sutton Carol Huls Bonnie Sweet Mary Hurd Ann C. Szabo Joan Janshego Victor Tang Agnes Johnson Ragan Tate Marilyn (Lyn) Jones James Robert (Jim) Thurston Nancy Kane Joan Timberlake Jill Kasle Marylee Tinsley Henrietta (Henri) Keller Alicia Tisnado Stephen Klatsky Ward Van Wormer Bonnie Kleinhans Gene Venzke Angela Kline Mary Waggoner Elaine Krassner Harry Walsh Marjorie Kress Moon-Shia Wang Adel Labib Diane Wapner Julie LaFave Michael Weaver Stephen Lake Elizabeth (Penny) White Julie Lantz Eleanor Williams Mary Lawler Sally Wise Marion H. Lebanik Lindsey Withem Allen M. Lewin Maria Wood Lisa Lewis Edith Wubben Guenter Lewy Vinnie Zagurski Ilse Lewy Susan Lightsey ART INFORMATION Karen Livornese VOLUNTEER CANDIDATES Mary Ann Lucey Mary Claire MacDonald Broman Marion Macdonald Carolyn Codamo Theresa Maciejewski Dina Cotleer Cynthia (Cindy) Major Shirley Edelman Iris Mann Hilary Evans Donna Marits Marcia Ford Donald Markle Jean Hay Geraldine (Geri) Markle Irene Jacoby Harriett Mathews Betsy Jenkins Lee Ann Matthews Jean Johnson Roy Matthews Marlane Liddell John McCaffrey Kerrie Messelbeck Joan McCormick Elaine Miller Carolyn McDevitt Stephen Pelszynsky Margaret McDonald Martha (Marty) Rogers Barbara Meyers Carol Russell Yolanda Morris Audrey Shuckburgh Carolyn Morse Suzanne Vaughn Elizabeth (Betty) Mullen Ellen Edwards Villa Terry Neves Joan Wessel Mary Niebuhr Joan Novell

[ 8 8 ] GIFTS/DONORS

The support of the federal government and The Lee and Juliet Folger Fund David F. Wright Helen Porter and James T. Dyke private sector enables the Gallery to fulfill Robert Frank William Zachs Greg and Candy Fazakerley its mission to collect, exhibit, interpret, Marianne Gourary in memory of her Charles S. Zucker The Lee and Juliet Folger Fund and preserve works of art at the highest husband Paul Gourary Dr. Stephen Zwirn in honor of The Andrew W. Mellon Foundation possible standard. The federal government Graphicstudio, U.S.F. Peter Parshall The Honorable Alfred H. Moses and provides an annual appropriation for the The Hakuta Family Ms. Fern M. Schad Gallery’s operation and maintenance. Mark and Lynne Hammerschlag LIBRARY GIFTS Estate of Evelyn Stefansson Nef Works of art in the collection, the two Désirée Hayter buildings and the sculpture garden, and Dave Heath The following individuals and institutions numerous educational and scholarly $500,000–$999,999 Jenny Holzer made significant gifts to the Library and programs are made possible through Derald H. Ruttenberg Memorial Fund Charles Isaacs and Carol Nigro its Image Collections Department in private gifts. The Gallery extends its fiscal year 2010: Ladislaus and Beatrix von Hoffmann gratitude to the federal government and Dr. Michael I. Jacobs to the many generous donors listed here The Jay Family Library $250,000–$499,999 who made gifts during fiscal year 2010. Carol L. Johnson Grega and Leo A. Daly III Anonymous Their contributions allowed the Gallery to The Kaufman Americana Foundation The Hirshhorn Museum and Sculpture Glenstone in honor of George M. † and enhance its art collections, build its library Garden, Smithsonian Institution Mr. and Mrs. Frederic C. Hamilton Linda H. Kaufman holdings, present special exhibitions, Estate of Evelyn Nef HRH Foundation undertake conservation and research, Ann and Mark Kington/ Anna-Maria and Stephen Kellen The Kington Foundation C. Wesley and Jacqueline Peebles offer comprehensive educational initiatives, Foundation Alexander M. and Judith W. Laughlin and pursue scholarly endeavors. Thanks to Dorothy and Herbert Vogel Samuel H. Kress Foundation the ongoing commitment of its supporters Carol A. LeWitt Robert and Mary Looker and the federal government, the Gallery Lowell Libson in honor of Image Collections Margaret Morgan Grasselli David M. Rubenstein continues to serve the American people. Adrian Eeles Gene and Sueyun Locks The Frick Art Reference Library $100,000–$249,999 Alan and Ellen Meckler GIFTS TO THE NATIONAL B. H. Breslauer Foundation Robert E. Meyerhoff Elise Goodman GALLERY OF ART Vincent and Linda Buonanno Richard Misrach Sheldon Grossman (October 1, 2009–September 30, 2010) The Morris and Gwendolyn Evelyn Stefansson Nef † The Philadelphia Museum of Art Cafritz Foundation Jeffrey Hugh Newman Sharon Pollice The Charina Endowment, Inc. GIFTS OF ART Estate of Kazuko Oshima Nathan Charles Rabin Marshall B. Coyne Foundation, Inc. Linda and Peter Parshall in honor of The Charles Engelhard Foundation The Gallery’s collection is the result of Wendy Ruppel The Aaron I. Fleischman Foundation private generosity. Unlike other national Heather and Tony Podesta CORPORATE GIFTS Jo Ann and Julian Ganz, Jr. museums throughout the world, the Mr. and Mrs. Earl A. Powell III Gallery receives no government funds for The Gallery is grateful to the following Estate of Letitia Hanson Joe Richey the acquisition of art. Works of art were corporations whose generous support Gail and Benjamin Jacobs Ken Ross added to the Gallery’s collection through allowed us to make possible special Ellsworth Kelly Foundation David E. Rust the generosity of the friends listed here. exhibitions and related programs of the Robert and Arlene Kogod The Derald H. Ruttenberg highest quality in fiscal year 2010: Memorial Fund Joseph F. McCrindle Foundation The Ahmanson Foundation Victoria and Roger Sant Bank of America Diane A. Nixon John G. Aronovici Georgianna Stamatelos Savas Bank of America Foundation Sharon and John D. Rockefeller IV Katherine and Alexandra Baer in Robert H. † and Clarice Smith memory of their father, Dr. George Baer Mary and Dan Solomon Booz Allen Hamilton Spain-USA Foundation Professor and Mrs. Daniel Bell Cooper Phillips Speakes † United Technologies Corporation STIFTUNG RATJEN, Liechtenstein John Bernstein Ben and Jane † Stapleton [Ratjen Foundation] Max and Heidi Berry The Steinhardt Family INDIVIDUAL AND Trellis Fund Norman and Carolyn K. Carr Michael Straus in honor of Ruth Fine FOUNDATION GIFTS The Walton Family Foundation, Inc. A. Thompson Ellwanger III in honor of Debbie Taylor Gifts of $1,000 or more for art acquisition, Dian Woodner Margaret Morgan Grasselli and in honor David P. Tunick of Andrew Robison special exhibitions, education, outreach, The United States Naval conservation, research initiatives, and $50,000–$99,999 Patricia Emison in honor of Academy Museum Peter Parshall unrestricted support were received from The Ahmanson Foundation Dorothy and Herbert Vogel Foundation for the Epstein Family the following generous donors during Candace and Rick Beinecke Ladislaus and Beatrix von Hoffmann Munch Collection fiscal year 2010: Max and Heidi † Berry Jane Watkins Ruth Fine in honor of Rosina Feldman Nelson Blitz Jr. and Catherine Woodard $1,000,000 or more and in memory of Alexander Wynter John Wilmerding Steinsnyder Toulouse Chris and Beverly With in memory of The Annenberg Foundation Karl and Gerda With Estate of Mrs. Charles (Florian) Carr

[ 8 9 ] National Gallery of Art 2010

The Ryna and Melvin Cohen Family Professor Joseph L. Gastwirth Mr. and Mrs. Robert Goergen Grega and Leo A. Daly III Foundation and Marcella and Ann and Gordon Getty Foundation Lenore and Bernard Greenberg Robert W. Duemling and Neil Cohen Mrs. Martha Gil Montero and Peggy and Richard Greenfield Louisa C. Duemling Grega and Leo A. Daly III Fund for Mr. Joseph A. Page Irwin and Ginny Edlavitch Architectural Books Agnes Gund Mr. and Mrs. Louis Glickfield Dr. Mark Epstein and Amoretta Hoeber Foundation for the Epstein Family The Mimi and Peter Haas Fund Munch Collection The Gottesman Fund in memory of Mr. and Mrs. Frederic C. Hamilton Frank and Carly Fiorina Milton M. Gottesman Lenore and Bernard Greenberg Richard C. and Elizabeth A. Hedreen The Lee and Juliet Folger Fund Harman Cain Family Foundation The Mr. and Mrs. Raymond J. Horowitz Mr. and Mrs. J. Tomilson Hill III Bernard and Sarah Gewirz Foundation for the Arts The Randy Hostetler Living Room Monica and Hermen Greenberg Music Fund Ms. J. Lisa Jorgenson and Virginia Cretella Mars Mr. David D. Doniger Foundation Alexander & Ruth Jacobson Charitable Sylvia Greenberg Park Foundation, Inc. Foundation Robert and Arlene Kogod Gail and Benjamin Jacobs Edmond J. Safra Philanthropic Morris Louis Conservation Fund Lorie Peters Lauthier Foundation Mr. and Mrs. Reuben Jeffery III W. Bruce and Delaney H. Lundberg Jacqueline and Marc Leland Estate of Irma Seitz Barbara and Jack Kay Edward E. MacCrone Charitable Trust Thelma and Melvin Lenkin The Diana Sloane Field Revocable Trust Mr. Robert L. Kirk National Academy of Sciences Robert and Mary Looker Mr. and Mrs. Albert H. Small Thomas G. Klarner Ms. Margaret B. Parsons Christopher and Lois Madison Robert and Arlene Kogod Vital Projects Fund, Inc. Wes Peebles and Jackie Peebles Joan and David Maxwell Lt. Col. and Mrs. William K. Konze Andrea Woodner Mr. Jan Paul Richter and The Honorable Bonnie McElveen-Hunter Jo Carole and Ronald S. Lauder Wyeth Foundation for American Art Ms. Ellen von Seggern-Richter Mr. and Mrs. Edwin Van R. Milbury Mr. and Mrs. Roger D. Stone Mary V. Mochary The Helen Sperry Lea Foundation $25,000–$49,999 Roger and Chris Taylor Nancy B. Negley Dr. and Mrs. LaSalle D. Leffall Jr. Anonymous Terra Foundation for American Art Mr. and Mrs. H. Tony Oppenheimer The Jacqueline Badger Mars 2001 Charitable Lead Trust Carolyn S. Brody Dr. Shailendra S. Vaidya John and Mary Pappajohn Virginia Cretella Mars Buffy and William Cafritz Veverka Family Foundation Sally Engelhard Pingree Mr. Edward J. Mathias and The de Laski Family Foundation Mr. Chris Vroom Heather and Tony Podesta Ms. Dale Lenzner Mathias Merritt Porter Dyke Mr. and Mrs. Stephen A. Walker II The Honorable Leon B. Polsky and James and Zoe Moshovitis George W. Elliott Mrs. Cynthia H. Polsky Mr. and Mrs. William Edwin Warren Mrs. Pat Munroe Melvin Henderson-Rubio Prince Charitable Trusts The J. and H. Weldon Foundation, Inc. Wes Peebles and Jackie Peebles Michael G. Jesselson, Mr. and Mrs. Mitchell P. Rales Prince Charitable Trusts Jewish Communal Fund Anita and Burton Reiner COLLECTORS COMMITTEE OF Sharon and John D. Rockefeller IV Jo Carole and Ronald S. Lauder Mr. and Mrs. Stewart Resnick THE NATIONAL GALLERY OF ART Vicki and Roger Sant The Robert Mapplethorpe Foundation, Inc. Sharon and John D. Rockefeller IV Admiral and Mrs. Tazewell Shepard Jr. R. K. Mellon Family Foundation The Collectors Committee serves a vital Michele Rollins and Monique Rollins Leonard and Elaine Silverstein Margaret P. Riesz role in broadening the scope of the Mr. and Mrs. Robert M. Rosenthal Clarice Smith Robert T. and Bonnie Sweet Gallery’s modern collection. Committee Mary Beth and Don Roth Michelle Smith Thaw Charitable Trust members provide invaluable support Vicki and Roger Sant Mr. Benjamin F. Stapleton III Diana Walker with their annual gifts of $15,000, Louisa Stude Sarofim $30,000, and more for the acquisition Mr. and Mrs. William L. Walton Mr. and Mrs. William L. Walton Mr. and Mrs. Andrew Saul of modern art. Diane B. Wilsey Chara Schreyer – Kadima Foundation $10,000–$24,999 Mr. Bruce B. Wiltsie Co-chairs Jon and Mary Shirley Henry and Alice H. Greenwald Katherine Wood Barry Berkus Mr. and Mrs. Albert H. Small Ms. Beverly Grossman James and Christine Young Denise Saul Michelle Smith Harris Family Foundation, Toni and Ronald Paul Peter F. Soriano Members THE CIRCLE OF THE NATIONAL The Mark and Carol Hyman Fund Roselyne Chroman Swig Robert E. Abrams and Richard Thompson GALLERY OF ART Johnson Family Foundation Cynthia Vance-Abrams Leopoldo Villareal Mrs. George M. Kaufman Howard and Roberta Ahmanson The Gallery extends thanks to contributors Mr. and Mrs. Wallace S. Wilson Alexander M. and Judith W. Laughlin Ann and Steven Ames to The Circle for their generous annual gifts Edward J. Lenkin and Roselin Atzwanger Anne T. and Robert M. Bass of $1,000, $2,500, $5,000, $10,000, or more, which provide unrestricted funding for a George Preston Marshall Foundation Barry and Jo Berkus THE EXHIBITION CIRCLE OF range of activities throughout the Gallery. The Richard B. Marsten and Dr. Luther W. Brady THE NATIONAL GALLERY OF ART Sarah J. Marsten Charitable Eli and Edythe Broad Co-chairs Remainder Unitrust The Gallery wishes to thank the members Mr. and Mrs. Calvin Cafritz Gregory W. Fazakerley The Packard Humanities Institute of The Exhibition Circle for their generous Ivan E. and Winifred Phillips Joseph Cohen support at the level of $20,000 or more, Diana C. Prince Washington Drama Society Mr. and Mrs. Michael M. Connors which provides funding for special Patron ($10,000 and above) Edwin L. Cox exhibitions each year. $1,000–$9,999 Dr. and Mrs. Brian D. Dailey Brittain Bardes Anonymous Anonymous Mrs. John R. Donnell Terri and Tom Barry Mr. and Mrs. George C. Andreas The Alvord Foundation Mr. Barney A. Ebsworth Wayne and Lea Berman Mr. and Mrs. Frederick W. Beinecke The Gladys Krieble Delmas Foundation Mrs. Donald G. Fisher Mr. and Mrs. Lawrence N. Brandt Ronald M. Bradley and Danielle Kazmier Joan M. Eckert Aaron I. Fleischman and Lin Lougheed Mr. and Mrs. Edgar H. Brenner Embassy of Spain The Clark Charitable Foundation and Ruth Buchanan Norma Lee and Morton Funger A. James and Alice B. Clark Mr. and Mrs. Robert J. Fisher Russell and Anne Byers Jo Ann and Julian Ganz, Jr. Ron and Barbara Cordover Mr. Bert Freidus Mr. and Mrs. Carter Cafritz Mr. and Mrs. Carl S. Gewirz Ian and Annette Cumming

[ 9 0 ] National Gallery of Art 2010

Giuseppe and Mercedes Cecchi Mei Xu Mrs. James R. McAlee Merritt P. Dyke Marshall B. Coyne Foundation, Inc. Judy and Leo Zickler Jaylee M. Mead Elizabeth W. Edgeworth The Darby Foundation Mr. Robert B. Menschel Sue and Chuck Edson Mr. Mark D. Ein Sustaining ($5,000–$9,999) Eleanor Merrill Mr. and Mrs. Edward L. Emes Jr. Mr. and Mrs. Robert F. Erburu Anonymous (2) Robert E. Meyerhoff and Rheda Becker Harold and Louise Engle The Roger S. Firestone Foundation Mr. and Mrs. Dana T. Ackerly II Jim and Tracy Millar Sarah C. Epstein and Joseph P. Junkin The Lee and Juliet Folger Fund Ms. Debbie K. Alex and Mr. David Harris A. Fenner Milton Tony and Kathryn Everett Nancy M. Folger and Sidney L. Werkman Carolyn Small Alper Frederick W. and Linda K. Moncrief Mr. and Mrs. Frank Fahrenkopf John C. and Elizabeth E. Fontaine Mr. and Mrs. Harry Alverson Joan and Dan Mulcahy Dr. Bolling Farmer Betsy and Pete Forster Mr. and Mrs. John H. Ariail Jr. E. Michael and Karen Magee Myers Barbara G. Fleischman Mrs. Marina Kellen French Aileen Athy The Honorable and Mr. and Mrs. Neil C. Folger Dale and Suzi Gallagher Mr. Andrew Athy Jr. Mrs. William A. Nitze Mr. and Mrs. David Morgan Frost Jo Ann and Julian Ganz, Jr. Miss Gillian Attfield Mr. and Mrs. Gerald Petitt Anne and Paul Gambal Mr. and Mrs. Gordon P. Getty Merribel S. Ayres The Honorable Stephen W. Porter and Deborah Garza Mrs. Susan Porter Mrs. Barbara K. Gordon Gay and Tony Barclay Steven B. and Katrina H. Gewirz Mrs. J. L. Quillen Lenore and Bernard Greenberg Miriam and Eliezer Benbassat Thomas R. Gibian and Mr. David Rockefeller Patrick W. and Sheila Proby Gross Mrs. Lyn K. Berger Christina G. Grady Mr. David E. Rust Mr. and Mrs. Newman T. Halvorson Jr. Angelina Billon Beth Ourisman Glassman Andrew Brown Mr. Christopher M. Schroeder and Nancy K. Glassman Mr. and Mrs. Frederic C. Hamilton Ms. Alexandra H. Coburn Frances Ann Bufalo Mrs. Ian Glenday The Heinz Family Philanthropies Mr. and Mrs. Charles C. Shelleman Jr. Mr. and Mrs. Richard I. Burnham Richard and Mary L. Gray Mr. and Mrs. Joseph W. Henderson Dr. Richard A. Simms Jane Rosenthal Cafritz Harry Grubert J. W. Kaempfer Mrs. Frederick M. Stafford Mr. and Mrs. Daniel J. Callahan III Ms. Jo Ann Hearld Mrs. Cyrus Katzen Mr. and Mrs. Edward Symes III Jean and Steve Case Mrs. Charles T. Hellmuth Sr. Linda H. Kaufman Mr. and Mrs. A. Alfred Taubman Ellen MacNeille Charles Patti and Mitchell D. Herman Mrs. Stephen M. Kellen Anne and Peter Thomas Mrs. David A. Cofrin Mr. and Mrs. Robert N. Herman Ann and Mark Kington Mr. and Mrs. John V. Thomas Judy and Richard Cohen Julio E. Heurtematte Jr. Lee G. Kirstein Emily and Steve Ward Mr. Gregory Connors Megan E. Hills Mr. and Mrs. Chiswell D. Langhorne Jr. The Washington Post Company Mr. and Mrs. Michael M. Connors John and Dori Holaday Mr. and Mrs. Leonard A. Lauder Dennis and Bridgette Weitzel T. A. Cox Wallace F. and Wilhelmina C. Holladay Judith and Alexander Laughlin Wolfensohn Family Foundation Andrea B. Currier Beth and Larry Horowitz The Lemon Foundation Ken and Dorothy Woodcock Porter and Lisa Dawson John K. Hoskinson and Ana I. Fábregas Edward J. Lenkin Lynn and Ted Leonsis Ruth and Bruce Dayton Supporting ($2,500–$4,999) Helen M. Hubbard Marlene and Fred Malek Donald de Laski Anonymous (7) Lorna Jaffe Mr. and Mrs. Richard E. Marriott Hester Diamond Iris Aberbach Mr. James A. Johnson Jr. and Mr. Frank L. Spencer Joan and David Maxwell Dr. Joseph P. DiGangi Jan and Warren Adelson Mr. and Mrs. Evan Jones Mr. and Mrs. Thomas F. McLarty III Mr. and Mrs. Richard England Ruth and Sam Alward Mrs. Ford A. Kalil James R. and Suzanne S. Mellor Mr. Lionel C. Epstein and Agatha and Laurence Aurbach Ms. Elizabeth P. Streicher Dr. Cyrus Katzen Foundation Mrs. G. William Miller Mr. and Mrs. Robert S. Bennett The Honorable and Mrs. Melvyn J. Estrin Joëlle M. Kayden Diane A. Nixon Marguerite H. Benson Mr. and Mrs. James W. Evans Margot Kelly The George L. Ohrstrom Jr. Foundation Mr. and Mrs. Douglas J. Besharov Elinor K. Farquhar Justine and David Kenney Dr. James D. Parker Mr. and Mrs. James I. Black III Mr. and Mrs. Alan H. Fleischmann Robin and Carol King Mr. and Mrs. John Pemberton/ Barbara and Tom Boggs David and Jackie Fowler Mr. and Mrs. Norman V. Kinsey Southern Company Jean Ramsay Bower Professor Joseph L. Gastwirth Mrs. Betsy Kleeblatt Jania and Phil Peter Joan and Jack Bray Mr. and Mrs. Joseph Goldstein Patricia and John Koskinen Mr. and Mrs. Thomas D. Rutherfoord Jr. Margot Brinkley Dr. Margaret A. Goodman Nick and Mary Lynn Kotz Mrs. Stanley J. Sarnoff Marc H. and Vivian S. Brodsky Mr. and Mrs. Temple Grassi Bill and Marilyn Lane Mr. and Mrs. B. Francis Saul II Mr. and Mrs. John G. Brunner Guest Services, Inc. Maria and Stephen Lans Ellen and Gerry Sigal Mr. and Mrs. Wiley T. Buchanan III Mr. and Mrs. Andrew S. Gundlach Mrs. Anthony A. Lapham Clarice Smith Mr. and Mrs. Conrad Cafritz Herbert Hansell Gigi and Arthur Lazarus Jr. Mr. and Mrs. Robert N. Snyder Mr. and Mrs. Henry C. Cashen II Helen Lee Henderson LaSalle D. Leffall III Dr. Abigail R. Spangler The Honorable John E. Chapoton and Mr. and Mrs. Bennett Coyne Stichman Lynne and Joe Horning Mrs. Chapoton Leon Levy Foundation Barry S. Strauch, M.D., and Mr. Clark F. Hoyt and Ms. Linda Kauss Mrs. Robert H. Charles Rob and Patty Liberatore Evelyn M. Strauch Margaret Stuart Hunter Annetta J. Coffelt Jerome and June Libin Mary H. D. Swift Arthur and Anne Hale Johnson Robert M. Coffelt Jr. The Honorable Eugene and Dr. Carol Ludwig Eugene V. Thaw The Fannie and Stephen Kahn Bonnie and Louis Cohen/ Jay and Toshiko Tompkins Charitable Foundation Rubenstein Charitable Foundation John Lueders and Elizabeth Larson Mallory and Diana Walker Mr. and Mrs. David T. Kenney Kenneth and Marcia Dam Dr. and Mrs. Michael Maccoby George A. Weiss Jack and Betty Lou Ludwick The Charles Delmar Foundation Bruce and Virginia MacLaury Marvin F. Weissberg Mr. Forrest E. Mars Jr. Edith R. Dixon Mr. and Mrs. Worth D. MacMurray Frederica Wheeler and Tom and Charlene Marsh Family The William H. Donner Foundation The Honorable John D. Macomber and Foundation Mrs. Macomber Charles E. Johnson Mr. and Mrs. Paul C. Dougherty Mr. and Mrs. Timothy Matz Anne and John Marion Mr. and Mrs. John C. Whitehead Mr. and Mrs. Douglas D. Drysdale

[ 9 1 ] National Gallery of Art 2010

Jennifer L. Marshall and Neal H. Flieger The Honorable Allan Wendt and Mr. and Mrs. Jonathan L. Billings Mr. and Mrs. Thomas C. Clarke James A. Mateyka and Ms. Que D. Nguyen Ms. Clara Bingham Mr. Harris Clay Marsha Perry Mateyka Vickie and Ken Wilson Mr. and Mrs. Arthur A. Birney Lindsay Kunder Coates Mayo Charitable Foundation Frances C. Winston † Dr. and Mrs. Richard Bissell Suzanne F. Cohen Mrs. Susan McCabe Alan F. Wohlstetter Mr. and Mrs. Roger W. Block Nancy and Andrew Colb Allan McKelvie Alan and Irene Wurtzel Sally and Tersh Boasberg Robert Collett and Nancy Mika Carrill Kelly McKenzie Mr. and Mrs. George T. Boggs Mark Colley and Deborah Harsch Contributing ($1,000–$2,499) Irma Jean and John McNelia Mr. and Mrs. William C. Boicourt Jeremiah C. Collins Anonymous (10) Dr. Robert and Laurel Mendelsohn Count and Countess Peder Bonde Mr. and Mrs. Terence Collins Mr. and Mrs. Timothy D. Adams Richard and Ronay Menschel Kathy Borrus Elizabeth R. Consolvo and Errol M. Adels and Adrienne Adels Iris and Lawrence Miller Bennett Boskey Wilson N. Krahnke Mr. and Mrs. Mario A. Aguilar Allen and Myra Mondzac Edward C. Bou, Esq. Paula Cooper and Jack Macrae Dr. and Mrs. John C. Alexander Catherine Murray Mr. and Mrs. Stephen A. Bou Jay and Margaret Costan Robert N. Alfandre Sharon and Michael Nemeroff Susan A. Boyd Mr. and Mrs. John Courtright Dr. Katherine Alley and Dr. Richard Flax Nespola Charitable Foundation Katherine and David Bradley Warren and Claire Cox Dr. and Mrs. Melvin G. Alper Todd and Angela Newnam Nomita von Barby Brady Mr. and Mrs. Robert H. Craft Jr. Dr. and Mrs. Clement C. Alpert Melanie and Larry Nussdorf Charles and Maureen Brain Dr. Nancy B. Cummings Richard Anderson Ph.D. Frederick I. and Maria Victoria Ordway Mr. and Mrs. Raymond E. Brann Jr. Mr. and Mrs. G. Allen Dale Ms. Judith Areen and Mr. Richard Cooper Suzy and Bob Pence Randall Brater and Erin Barnes Peggy and Richard M. Danziger Alexandra Armstrong and Jerry McCoy Jack and Donna Pflieger Bob and Vivian Braunohler Mrs. Stuart C. Davidson Gale H. Arnold Mr. and Mrs. Eric G. Phillips Rita Braver and Robert Barnett Philip and Sara Davis Linda Arret Mrs. Benjamin T. Pierce † Robin and Jill Brett The Honorable and Allie and Ellen Ash Mrs. Whitney Debevoise Judy and Mort Pomeranz Edith H. Brewster Lila Oliver Asher Delaney Family Foundation Fund of Dr. and Mrs. Jerold J. Principato Mr. and Mrs. John DeQ. Briggs Joseph S. Asin The Community Foundation for the Whayne and Ursula Quin Mrs. Harry L. Brock Jr. National Capital Region Ann M. Askew Earl and Carol Ravenal Robert D. Broeksmit and Mrs. Willem J. de Looper Midori and William Atkins Reinsch Pierce Family Foundation, Inc. Susan G. Bollendorf Joy de Ménil and Laird Reed Atlas Foundation Dr. and Mrs. F. Turner Reuter Jere and Bonnie Broh-Kahn Mr. Bosworth Dewey and Anne-Lise Auclair-Jones and Hal Jones Rick Rickertsen Dr. Peter F. Bross and Dr. Lisa Rarick Ms. Liz Barratt-Brown Alison H. Auger Douglas and Katherine Rigler Richard G. Brown Sally and Edison Dick Mrs. Gerald D. Aurbach Toni A. Ritzenberg Mr. and Mrs. Anthony D. Bruce Mr. and Mrs. James F. Dicke II Marilyn and David Austern Jacqueline S. Rizik Joseph M. Bryan Jr. John and Anne Dickerson Mrs. Kenneth H. Bacon Bruce and Shelley Ross-Larson Mr. and Mrs. John L. Buchanan Carole Dickert-Scherr and Jacob Scherr Thayer and Kevin Baine Roberta O. Roumel Elizabeth Buchbinder Phyllis G. Diebenkorn Colonel Owen C. Baker and James J. Sandman and Deborah and Jeremiah Buckley Dean and Margarita Dilley Barbara Baker Elizabeth D. Mullin Janet C. Bullinger Allison Cryor DiNardo and Mr. and Mrs. Geoffrey B. Baker Mr. and Mrs. Bruce W. Sanford Frances and Leonard Burka Robert DiNardo Mr. and Mrs. A. L. Ballard Mr. and Mrs. B. Hagen Saville Mary C. Burrus Michael and Betsy Dingman Marion and Mr. Frederic L. Ballard III Susan Small Savitsky and Gerald Savitsky Toni and Dwight Bush Ms. Martha Dippell and Mr. and Mrs. Michael Baly III Mr. Daniel L. Korengold Jean Schepers Mr. and Mrs. C. Michael Buxton Louisa and John Barker Hollis and Neal Dittersdorf The David M. Schwarz Architects William E. Cain and Barbara Harman Charitable Foundation Memorial to Marian T. Barnes Sean and Joslyn Dobson The Honorable John Thiers Calkins Louise and Stephen Schwebel Mr. and Mrs. Edmund Bartlett Sonnie and Bill Dockser Nora L. Cameron Thomas and Cathryn Scoville Mr. and Mrs. Lee M. Bass David and Tess Doheny Mrs. Daniel S. Campbell Joan and Ev Shorey Mr. and Mrs. Richard S. Beatty Robert and Kitty Dove Mr. W. Stephen Cannon and Judith and Jerry Shulman Mr. and Mrs. Dennis Bechara Ms. Barbara Gordon Mr. and Mrs. Ryan Drant Hugh and Ruth Sickel John and Priscilla Becker Dorothy and Jerry Canter The Honorable William H. Draper and Mrs. Draper Mr. and Mrs. Robert Bland Smith Jr. Mr. and Mrs. James R. Beers Samuel Carabetta and Richard Molinaroli Barbara Spangenberg Mrs. W. Tapley Bennett in memory of our friend, Mary Jo Kirk John and Joanna Driggs Lou M. Stovall and Di B. Stovall Elizabeth R. Benson John F. and Ruth H. Carr Mr. and Mrs. Larry D. Droppa Bill and Susan Sweeney Mrs. Anne S. Bent The Honorable Henry E. Catto Jr. Helen and Ray DuBois Mr. Akio Tagawa and Ms. Yui Suzuki Mr. Richard Ben-Veniste and Carroll J. Cavanagh and Mr. and Mrs. H. Stewart Dunn Jr. Aileen and Russell Train Ms. Donna M. Grell Candida N. Smith Mrs. Weaver Dunnan Antoine and Emily van Agtmael Mrs. Edwin A. Bergman Mr. and Mrs. J. Pat Cave Mr. and Mrs. Benjamin Dupuy Victoria and Michael Vergason Mrs. Ellen R. Berlow Mr. Steve Champlin and Becky and Alan Dye Ms. Mary Beth Cahill Millicent Adams Vesper David Bernstein Mr. and Mrs. Jonathan N. Dyke Ms. Randall Chanler Mr. and Mrs. G. Duane Vieth Elizabeth G. Berry E & B Family Trust Mrs. Aldus H. Chapin Mr. William Walker and Dr. Sheila Walker Max N. Berry Mr. and Mrs. LeRoy Eakin III Mrs. Mary L. Chapman William and Irene Wallert Robert Hunt Berry Franklin Eck and Bailey Morris Eck Dr. and Mrs. Kenneth Chase Gregory Weingast Fund of The Mr. and Mrs. Michael R. Beschloss Dr. and Mrs. Daniel Ein Community Foundation for the Judd Best and Emily Sopensky The Rhoda and David Chase Estelle S. Eisendrath Family Foundation National Capital Region Mark Betts and Shelley Slade Mr. and Mrs. Julian Eisenstein Mr. and Mrs. C. Lynch Christian III Dr. and Mrs. Allan M. Weinstein Mr. and Mrs. Albert J. Beveridge III Anthony and Marjorie Elson Kate Clark and Miles Carlisle Gene Bialek and Arlene Brown Mr. and Mrs. Carter Eltzroth

[ 9 2 ] National Gallery of Art 2010

Ms. Catherine B. Elwell Charlotte Greenewalt Mr. and Mrs. Harris Hyman IV Jeanne G. Lewis Anne L. Emmet Henry Greenewalt William and Dandridge Ince Mr. and Mrs. John Van Dusen Lewis Pat and Lenore England Donna Greenfield and Burkey Belser Mr. Breckenridge Ingles Willee and Finlay Lewis Mr. Xavier Fco. Equihua, Federal Ms. Dee Ann Gretz John Peters Irelan Mr. and Mrs. Daryl A. Libow Strategies Group, Inc. George and Christina Griffin Mr. Greg Jacobs Donald V. Lincoln Ronald A. and Kristine S. Erickson Mr. Vincent J. Griski and Shirley Jacobs Francine S. Linde Dr. and Mrs. John G. Esswein Mr. Cameron W. Knight Capt. EJ Jewett Robert and Barbara Liotta Mrs. John Dwight Evans Jr. Nina B. Griswold Joan and Garry Jewett Bill and Betty Livingston The Honorable Thomas B. Evans Jr. Mr. and Mrs. Corbin Gwaltney The Honorable R. Tenney Johnson Dave Lloyd and Mrs. Evans Mr. and Mrs. T. W. Hague Barbara J. Jones Janet and Wingate Lloyd Tania G. and Thomas M. Evans Jill and Ridgway Hall Boisfeuillet and Barbara Jones Mr. Joseph P. Lloyd Mr. and Mrs. Rodney E. Eyster Mr. Charles Burgess Westbrook Halvorson Mr. and Mrs. Terral M. Jordan Mr. and Mrs. Thomas Lloyd Elaine Fein/Fein Foundation James and Kristina Hamilton Mr. and Mrs. Peter H. Jost Ms. Kate Lluberes Mrs. James J. Ferguson Jr. Gail and John Harmon S. Kann Sons Co. Foundation Joe and Pat Lonardo Janet M. Fesler Jack and Tucker Harris Jeffrey M. Kaplan Dr. and Mrs. George P. Lupton Mr. and Mrs. Thomas A. Fink Douglas and Marion Hart Julius and Ann Kaplan Jed and Blythe Lyons Ms. Gail S. Fleder Arthur and Donna Hartman Sally B. Kaplan Jane MacLeish Mr. and Mrs. Robert T. Foley Mr. and Mrs. John T. Hazel Jr. Mr. and Mrs. Steven Kaplan Mrs. James T. Magee John and Eleanor Forrer Lucia M. Heard Madeleine Keesing John and Susan Magill Mr. and Mrs. P. W. Foster Jr. Mrs. Anthony Hecht Lynn and Taylor Keith Mr. and Mrs. Coe M. Magruder Sarajane Foster Lenore Hecht Foundation, Inc. Mr. and Mrs. David E. Kendall Wendy W. Makins Mr. and Mrs. Nils Fostvedt Margaret Heiner J. Keith Kennedy Paul Malamud Florence Bryan Fowlkes Cynthia Helms Roger G. and Frances H. Kennedy Mr. and Mrs. Peter L. Malkin Megan McNelia Frantz and M. Henderson-Rubio Mark Alexander Frantz Dr. and Mrs. Kenneth A. Kessler Claudine B. Malone Charles and Ann Hendricks Frank and Judy Franz Paul W. Killian David and Cynthia Manke Mr. and Mrs. William J. Hennessy Peter and Barbara Freeman Lila W. Kirkland Mr. and Mrs. Phillip L. Mann Stephen and Sally Herman Mr. John French III Mrs. Elizabeth L. Klee Mr. and Mrs. Jan W. Mares Ms. Judith F. Hernstadt Mr. and Mrs. Alvin Friedman Mr. and Mrs. Robert H. Knox Mr. and Mrs. John F. Mars Anita Herrick Mr. and Mrs. N. Rickard Frisbie J. Koella Lydia and Michael Marshall Christy and Fred Hertz Rebecca T. Frischkorn Mr. and Mrs. James L. Koltes Christine M. Martin Mr. and Mrs. Frank J. Hevrdejs James T. Fuller III and Matt Korn and Cindy Miller David and Martha Martin Catherine T. Porter Joe Higdon and Ellen Sudow Fund Stephen P. Koster Mr. and Mrs. I. Guyman Martin III Mr. and Mrs. Robert P. Gabriel James H. Higgins Mr. and Mrs. M. Kipp Kranbuhl Mr. and Mrs. James B. Martin Susan Gallagher and Michael Williams Maria C. Higgins Robert and Hale Krasne Robin B. Martin Mr. and Mrs. Terry A. Gans Mary L. Hildreth Kirsten and Andreas Kristinus Mr. C. Raymond Marvin David L. Gardner, M.D. and James Walton Hill Mr. Eugene F. Krueger II Jane and Arthur Mason Pete Williams Richard and Pamela Hinds Suzanne Kuser Mr. and Mrs. Mike Massie Epstein Becker & Green/ Robert and Nancy Hinton Elisabeth Lacayo Miss Anissa Masters The Honorable Stuart M. Gerson Catherine Hirsch and James White Deborah and Gary LaCroix Lisa and J. B. Masters Mr. and Mrs. Michael K. Gewirz Lisina M. Hoch The Honorable Philip Lader and Charles T. Matheson Mr. and Mrs. William Gibb Ingola and John Hodges Mrs. Lader The Pierre and Tana Matisse Foundation Mr. and Mrs. Lawrence B. Gibbs The Honorable Eric H. Holder and Mr. and Mrs. Jeremiah Lambert Roy and LeeAnn Matthews Mrs. Barbara J. Gibby Dr. Sharon D. Malone David A. Lamdin Dan and Karen Mayers Mr. and Mrs. Kenneth W. Gideon Austen and Chloe Holderness Sheela K. Lampietti and Jacquelyn G. Mayfield and Maria D. Gilbert and Jackson B. Gilbert Elizabeth C. Holleman François M. J. Lampietti Joseph B. Patuleia Gardner and Stevie Gillespie Mr. and Mrs. James K. Holman Mr. and Mrs. Christopher T. Landau Michael and Hannah Mazer L.S.T. Gimbel Amanda and Carter Hood Mr. and Mrs. Richard Landfield Edward and Tessa McBride Marilyn and Michael Glosserman Mr. and Mrs. Stephen A. Hopkins Bruce and Leslie Lane Pat and Jim McCarrick Mr. and Mrs. Richard D. Gluck William Logan Hopkins Mrs. Edward W. Lane Jr. Camilla McCaslin Mr. and Mrs. Henry H. Goldberg Mr. Roger Horchow Jean and John Lange Mr. and Mrs. Leander McCormick-Goodhart Patricia and Kenneth Golding Charles Horn and Jane Luxton Mr. and Mrs. Mark P. Lay Cathy and Scot McCulloch Mary Anne Goley Dr. Sari R. Hornstein and Ellen and Paul Lazar Jay and Lisa McGonigle Dr. David W. Lightfoot Elizabeth Marsteller Gordon Robin and Barbara Lee John and Martha McGrane Mr. and Mrs. Outerbridge Horsey Mr. and Mrs. John Gore Virginia C. Lee Ms. Katlin E. McKelvie and Cheryl Gorelick Mr. and Mrs. Timothy Howard Mr. and Mrs. Lewis Leibowitz Mr. Sam Backfield J. Gottfried James R. Howe and Rosemarie R. Howe Emily Lenzner and Peter Cherukuri Roderick R. McKelvie and Mary and Kingdon Gould Philip and Fiona Huber Mr. and Mrs. Terry Lenzner Claire M. McCarthy Nancy and Tony Gould Mr. and Mrs. Richard Miller Huber Jr. Richard and Carol LePere Ms. Katherine McLeod Kathleen and Austin Graff Robert and Elizabeth Huffman Herb and Dianne Lerner Caroline and Hollis McLoughlin Mr. Bradley L. Graham and Philippa P. B. Hughes Jennifer L. Levin Mr. and Mrs. James C. Meade Ms. Lissa Muscatine R. Bruce Hunter Susan B. Levine and James W. Lauer Amy and Marc Meadows Alexandra and John Graubert Mr. Christopher M. Hutson and Dr. and Mrs. Jerome H. Levy Rona and Allan Mendelsohn Mr. Rick Parnell Tom and Pam Green Richard H. Levy and Lorraine Gallard David and Anne Menotti Dr. Daniel Hutter Allan Greenberg and Judith Seligson Allen M. Lewin Anne L. Metcalf

[ 9 3 ] National Gallery of Art 2010

Mrs. Frederick Meyers Sydney M. Polakoff and Geane and Richard Schubert Lalie and Mike Tongour Julie Middleton and Barry West Carolyn Goldman Jill A. Schuker Chris Tousimis Maxine Whalen Millar Annette Polan Alan and Marianne Schwartz Jessica and Henry Townsend Edward and Noël Miller Dr. and Mrs. Warren Poland Dr. and Mrs. Andrew Schwartz Steven and Candace Umin Elaine R. Miller Mrs. Charles L. Poor Joan Searby Dr. Beth L. Ungar and Mark Miller Helen Porter and James T. Dyke Mr. and Mrs. Truman T. Semans Mr. Sanford J. Ungar Henry and Judith Millon The Honorable Trevor Potter and Paul and Deane Shatz Jennifer C. Urquhart and Mr. Dana Scott Westring Michael W. Edwards Myra and Toby Moffett Linda and Stanley Sher Mr. and Mrs. Jeffrey S. Powell Mr. and Mrs. Semih Ustun Margaret Moore and Robert Wilson Gerald H. Sherman Joanne Powell The Honorable Margaret Vanderhye Mr. and Mrs. F. Joseph Moravec Stephen and Barbara Sherwin Judy Lynn Prince and Robert Vanderhye Mr. and Mrs. David B. Morgan Foundation Mr. and Mrs. Steven J. Quamme Mr. and Mrs. George D. Vassiliou Barbara and David Morowitz Dr. Irwin Shuman and Quatt Associates, Inc. Mrs. Elaine O. Feidelman Melanne and Philip Verveer Pearl and Seymour Moskowitz Dr. and Mrs. Charles E. Rackley J. L. H. Simonds Mr. and Mrs. Frank Vogl Mr. and Mrs. Sean F. Mullins Major General and Charles J. Simpson and Barbara S. Wahl and Charles D. Ossola Mr. and Mrs. Arthur H. Nash Mrs. James G. Randolph Pamela Raymont-Simpson Ambassador Jenonne Walker Mr. and Mrs. John N. Nassikas III Dr. and Mrs. Coleman Raphael William K. Simpson Gerald Warburg and Joy Jacobson The Evelyn Stefensson Nef Mr. and Mrs. Donald Rappaport Dr. and Mrs. Laz Singer David and Judith B. Ward Management Trust Mary and Alan Raul Mr. and Mrs. Hayes Smith Carol Warden Sanford and Jo Anne Nelson Cynthia T. Redick and Robert Brent Hedrick Smith and Susan Zox Smith John W. Warner IV Sherry and Louis Nevins Mrs. John M. Reed Mr. and Mrs. James S. Smith Virginia A. Weil Matthew and Sandy Newton Mr. James V. Reyes Mr. and Mrs. Matthew C. Smith Amy Weinberg and Norbert Hornstein Mr. and Mrs. R. C. Nicholas III Mr. and Mrs. Robert P. Reznick Mr. and Mrs. T. Eugene Smith Mr. Robert A. Weinberger Dane A. Nichols Mr. Donald H. Richardson Mr. and Mrs. Richard W. Snowdon Mrs. Eric W. Weinmann Henry and Mary Ann Nichols H. Richardson and M. Challinor Mr. and Mrs. John W. Snyder Mrs. David K. Welles Sr. (Georgia E.) Akemi Nishida and S. Paul Selavko Nina and John Richardson Paul So Susanne and W. Harrison Wellford Mr. Gerson Nordlinger † Ms. Cary Ridder and Devereux and James Socas Kathy and Robert Wenger Floyd L. Norton and Kathleen F. Mr. David Albersworth Patterson Janet W. Solinger Ms. Elizabeth Werner and Marie W. Ridder Mr. Carl Kravitz Jeffrey Nuechterlein Mr. and Mrs. Daniel Solomon Joseph E. Robert Jr. Mrs. Eileen Shields West Mr. and Mrs. Hubert O’Bannon Dr. and Mrs. Jonathan Solomon Mr. and Mrs. David Roberts Ms. Dorothy B. Wexler Mr. and Mrs. John Oberdorfer Dr. Stephen M. Solomon and Mr. and Mrs. Robin D. Roberts Dr. Phyllis Barson Katharine Weymouth Washburn and Susan Oberwager Cara W. Robertson Christine Michel Spencer Mr. and Mrs. Thomas J. Whalen Mr. and Mrs. Aidan H. O’Connor William W. Robertson Jr., M.D. and Anne and Joan Steigelman Mr. and Mrs. George Y. Wheeler Roger H. Ogden Karel Dierks Robertson Christine J. and Robert L. Steiner Chris and Sue White Mr. and Mrs. Christopher F. Ohrstrom Jane Washburn Robinson George Stelljes III Mrs. Charles S. Whitehouse Mrs. Roderic E. Ordway Mr. and Mrs. Robert W. Robinson Jr. Joanne M. Sten Mr. and Mrs. Jon M. Wickwire Orentreich Family Foundation George A. Roche The Honorable Malcolm Sterrett and Mr. and Mrs. Charles C. Wilkes Mr. and Mrs. David Osnos Mrs. Paul G. Rogers Mrs. Sterrett Suzanne and Dick Willett Patty and Carroll Owens Wynefred W. Rogerson Mr. and Mrs. Edward R. Stettinius Williams Family Foundation of Barbara R. Palmer Felix and Elizabeth Rohatyn Foundation Mr. and Mrs. Guy Steuart Georgia, Inc. John and Mary Pappajohn Mr. and Mrs. Dugan Romano Mr. and Mrs. George C. Stevens Jr. Edwin and Kathe Williamson Mr. and Mrs. Nicholas C. Pappas Bill and Shirley Rooker Ruth Carter Stevenson Professor John Wilmerding Gail and Howard Paster Mrs. Milton M. Rose Betsy Stewart Donald M. and Susan N. Wilson Alma and John Paty Christy Halvorson Ross and Garth Ross Mr. and Mrs. Geoffrey Stewart Gavin and Odile Wilson Judge and Mrs. Michael T. Paul Helen G. Ross Kathryn Stewart Ms. Margot Dinneen Wilson Ernestine (Tina) Pauley Mrs. Britt Moses Rothrock Whitney Stewart Jill A. Wiltse and H. Kirk Brown Mr. and Mrs. Malcolm E. Peabody David and Carolyn Ruben Mr. and Mrs. Richard P. Stifel Jr. Mr. and Mrs. David L. Winstead The Honorable Marcus Peacock and Sheldon and Ruth Sue Ruben Mr. and Mrs. Robert D. Stillman Rhea S. Schwartz and Paul Martin Wolff The Honorable Donna R. McLean Lilly Gray Rubin Reverend Gerard L. Stockhausen S. J. Robert and Farida Wozniak Muriel Miller Pear Dr. and Mrs. Thomas Rubio Marianne D. Stohlman Mavis and Hal Wylie Stanley and JoAnn Pearlman Dr. and Mrs. J. R. Rudzki Richard and Pamela Storch Francene and William Xanten Mr. and Mrs. Ronald H. Peele Jr. Dr. and Mrs. Paul S. Russell Clint Stretch and Beth Norcross Anita Yaffe H. O. Peet Foundation Ms. Hattie Ruttenberg and A. Michael Sullivan Jr. and Stuart Blue Penny and David Yao Simmy and Haven Pell Mr. Jonathan Molot Mr. and Mrs. Brendan V. Sullivan Jr. Elizabeth and Stephen Yeonas Nancy and Mark Penn Marie C. Sadd Mr. Richard V. Sullivan Lois and Ira Young Jean Perin Louise and Arnold Sagalyn Jake and Carrington Tarr Suzanne and Glenn Youngkin Mr. and Mrs. Bruce C. Perkins Rebecca and William C. Sanders Jr. Mrs. Waverly Taylor Margot and Paul Zimmerman Dr. and Mrs. Michael J. Petite Savitt Family Fund of Tides Foundation Topsy Taylor Lenore G. Zinn Mr. and Mrs. Malcolm R. Pfunder Pamela and J. Drew Scallan II Mr. and Mrs. Stanley Tempchin Dario and Gió Zucchi Mr. and Mrs. Devereaux Phelps Ms. Frances Way Schafer David and Adena Testa Donald and Barbara Zucker Family Mr. Franklin C. Phifer Mr. and Mrs. Peter C. Schaumber Henry L. Thaggert III Foundation Pinnacle West Capital Corporation, Bob and Patricia Schieffer Mr. Robert S. Aiken William R. and Norma Kline Tiefel Reverend Gail Nicholas Schneider Greg and Liz Platts Peggy and Alec Tomlinson

[ 9 4 ] National Gallery of Art 2010

LEGACY CIRCLE Ms. Jane Engle Mrs. Robert B. Menapace The Honorable Caspar W. Weinberger † The Epstein Family Collection Mr. Harvey Shipley Miller and and Mrs. Weinberger † Legacy Circle members are those Dr. K. Bolling Farmer Mr. J. Randall Plummer John C. Whitehead who have decided to include the Lee and Ann Fensterstock Kent and Marcia Minichiello Malcolm Wiener Gallery in their estate plans through Aaron I. Fleischman Lucy G. Moorhead Professor John Wilmerding various means. Peter T. Foley Diane L. Morris Frances C. Winston † Ann Mosca Christopher and Beverly With in Memory Anonymous (29) Barbara W. Freeman The Honorable Alfred H. Moses and of Karl and Gerda With The Adels Family Maryann and Alvin Friedman Fern M. Schad Andrea Woodner Seena and Joseph Aisner, M.D. David Morgan Frost Evelyn Stefansson Nef † David F. Wright in memory of my good John Fletcher Allums † in honor of Morton and Norma Lee Funger Jeffrey Hugh Newman friend, John Taylor Arms IV Ann Lee Parris Jo Ann and Julian Ganz, Jr. Diane A. Nixon Judy and Leo Zickler Carolyn Small Alper William H. Gerdts and Stephen and Claudine Ostrow Charles S. and Elynne B. Zucker Dennis Alter Abigail Booth Gerdts Mary and John Pappajohn Lynn K. Altman Family Trust Mr. and Mrs. Carl S. Gewirz † Deceased Elisa M. Patterson M. Francis Anders Mr. and Mrs. William T. Gibb Ivan E. and Winifred Phillips Every effort has been made to create Mrs. Martin Atlas Milly and Arne Glimcher Judith D. Pomeranz a complete and accurate list of Ann M. and Thomas W. Barwick Dr. Margaret A. Goodman contributors. Due to limited space, Cheryl O. Gorelick Helen Porter and James T. Dyke Mr. L. Graeme Bell III gifts under $1,000 are not listed. Richard and Jeanne Press Professor John Andrew Bernstein Joyce Z. Greenberg in memory of her husband, Jacob Greenberg Judy Lynn Prince The Honorable Max N. Berry and Gifts to the Gallery may be made in Sarah Greenough Francis H. Rasmus Mrs. Berry † the form of cash, securities, or real and Robert Hunt Berry in memory of The Grinstein Family Carol Bird Ravenal, Ph.D. personal property, and may be directed R. K. Mellon, Ormond E. Hunt, and Agnes Gund Anita and Burton Reiner toward specific programs or be unrestrict- Paul Mellon Helena Gunnarsson Mr.† and Mrs. George W. Riesz ed. Some donors make outright gifts, The Honorable and The Stephen Hahn Family Collection The Rizik Family while others elect to make deferred Mrs. William McCormick Blair Jr. Denise Hale Alix I. Robinson gifts to help provide for the future. Ambassador and Mrs. Donald Blinken in memory of Maurice H. Blinken John C. Harbert, M.D. Mary and David † Robinson All gifts and bequests are deductible, within the limits prescribed by law, for Jay Bowyer and Christopher Greer Richard C. and Elizabeth A. Hedreen Andrew Robison applicable federal tax purposes. For Kathryn Brooke Helen Lee Henderson David Rockefeller further information, please call the Andrew Brown Judith F. Hernstadt Sharon Percy Rockefeller development office at (202) 842-6372. Ruth H. Buchanan William L. Hopkins and Diane Rosacker Richard B. Anderson Frances Ann Bufalo Trina and Lee G. Rubenstein Jeffrey E. Horvitz Gilbert Butler Gwendolyn Russell R. Bruce Hunter Mr. and Mrs. W. Russell G. Byers Jr. David E. Rust Arthur C. G. Hyland Dr. Gerald Cerny The Honorable Arnold A. and Earle Hyman in memory of Rolf Sirnes Joan Saltzman Chuck L. Chandler Ira and Virginia † Jackson Mrs. Stanley J. Sarnoff Bruce and Sharyn Charnas Mr. James A. Johnson Jr. Jean Schepers in memory of Robin Rowan Clarke Betsy Karel W. Robertson Schepers and Ted Cooper E. Beeson Bruce Schepers Jak Katalan Ian and Annette Cumming Deanna J. Schupbach, Ph.D. Gift of Kaufman Americana Foundation Ted Dalziel in honor of George M. † and Charles and Helen Schwab Joan Danziger Linda H. Kaufman Joyce Pomeroy Schwartz Roy and Cecily Langdale Davis Ina † and Jack Kay Deborah and Edward Shein Shirley Ross Davis Judith Keenan Ruth and Hugh Sickel Virginia L. Dean Ellsworth Kelly Gerald and Ellen Sigal Alexandra D. de Borchgrave Mr. Thomas G. Klarner Iris Silverman Dr. Lois de Ménil and Thomas and Kathleen Koepsell Albert and Shirley Small Dr. Georges de Ménil Robert and Arlene Kogod Robert H.† and Clarice Smith Mr. Harry DeMott and Alice S. and William K. Konze Mrs. Rudolf Sobernheim Dr. Samantha Aldred Julie LaFave Stephen G. Stein Dr. J. Robert DiFulgo Evelyn and Leonard Lauder Ruth Carter Stevenson Dr. Joseph P. DiGangi Jo Carole and Ronald S. Lauder Mrs. Walter J. Stoessel Jr. Patricia A. Donovan Alexander M. and Judith W. Laughlin Donald D. Stone Robert W. and Louisa C. Duemling The Honorable and Mrs. Marc E. Leland Robert T. and Bonnie Sweet Merritt P. Dyke Simon and Bonnie Levin Stanley and Barbara Tempchin Mr. Barney A. Ebsworth Donald V. Lincoln Ann Van Devanter Townsend and Joan M. Eckert Francine Schear Linde in honor of her Lewis Raynham Townsend Jean Efron parents, Herbert and Blanche Schear Jack and Margrit Vanderryn Robert † and Mercedes Eichholz Angela M. LoRé in memory of her André-François H. Villeneuve Mr. and Mrs. Gerry Elliott parents, Charles and Alice LoRé Dorothy and Herbert Vogel Virginia F. Harrison Elliott † and Jack and Betty Lou Ludwick Bettye S. Walker George W. Elliott Penn Lupovich Ambassador Jenonne Walker Mr. A. Thompson Ellwanger III and Joan and David Maxwell Mr. Gregory E. Mescha † Mrs. Robert M. Weidenhammer Sameeran Yonan McAlee

[ 9 5 ] Copyright © 2011 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978-0-89468-372-5

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Dennis Brack, Black Star: Front Cover Pages 30, 40-41

Photographs by Rob Shelley: Inside Front Cover Pages 4-5, 18-19, 20, 21, 22-23, 26, 27

Film Still Courtesy of The Film Foundation Page 32

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram

NATIONAL GALLERY OF ART Washington, D.C.