Maurice-Quentin De La Tour
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Thames Valley Papists from Reformation to Emancipation 1534 - 1829
Thames Valley Papists From Reformation to Emancipation 1534 - 1829 Tony Hadland Copyright © 1992 & 2004 by Tony Hadland All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means – electronic, mechanical, photocopying, recording or otherwise – without prior permission in writing from the publisher and author. The moral right of Tony Hadland to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988. British Library Cataloguing-in-Publication Data A catalogue for this book is available from the British Library. ISBN 0 9547547 0 0 First edition published as a hardback by Tony Hadland in 1992. This new edition published in soft cover in April 2004 by The Mapledurham 1997 Trust, Mapledurham HOUSE, Reading, RG4 7TR. Pre-press and design by Tony Hadland E-mail: [email protected] Printed by Antony Rowe Limited, 2 Whittle Drive, Highfield Industrial Estate, Eastbourne, East Sussex, BN23 6QT. E-mail: [email protected] While every effort has been made to ensure accuracy, neither the author nor the publisher can be held responsible for any loss or inconvenience arising from errors contained in this work. Feedback from readers on points of accuracy will be welcomed and should be e-mailed to [email protected] or mailed to the author via the publisher. Front cover: Mapledurham House, front elevation. Back cover: Mapledurham House, as seen from the Thames. A high gable end, clad in reflective oyster shells, indicated a safe house for Catholics. -
Charles De La Fosse (Or Delafosse) Occasionally 1; New Haven 2009
Neil Jeffares, Dictionary of pastellists before 1800 Online edition LA FOSSE, Charles de J.442.106 Allégorie de Louis XIV, cr. clr/ppr, Paris 15.VI.1636–13.XII.1716 26.5x31.5 (British Museum 1962,0714.41. Iolo Primarily a history painter (agréé 1671, reçu 1673), Williams; legs 1962). Exh.: London 1962c, no. Charles de La Fosse (or Delafosse) occasionally 1; New Haven 2009. Lit.: Hedley 2001, p. 23, executed heads in pastel (although most of the fig. 11, as pstl, by Lafosse; Gustin-Gomez sheets so described are in trois crayons with 2006, II, no. D.R. 46, rejected, as ?Laguerre. touches of pastel), some of which are studies for Olim attr. Louis Laguerre, as study for tapestry figures in his compositions while others are of Queen Anne’s victories ϕ?α portraits. There is little consistency in the technique of the few known examples, and attributional errors seem likely. Bibliography Bellier de La Chavignerie & Auvray; Bénézit; Grove 1996; Clementine Gustin-Gomez, Charles de La Fosse 1636–1716, Dijon, 2006; Hedley 2001; New York 1999c; Prat 2013; Rambaud 1965–71, I, p. 171; II, p. 307f; Ratouis de Limay 1946; Sanchez 2004; Toledo 1975; Washington J.442.108 Huit têtes, la plûpart en pastel (Pierre 2009 Crozat; vente p.m., Paris, Mariette, 10.IV.– 13.V.1741, Lot 1056, 18 livres 15; Tessin) Pastels J.442.109 Un beau sujet de composition, pstl J.442.101 Tête d’un agréable jeune homme, pstl/ppr gr., 33x26.3 (Julllienne; Paris, Martin, (Cottin; Paris, salle des Grands Augustins, Grignard, Helle & Glomy, 27.XI.1752 & seq., Remy, 30.III.–22.V.1767, Lot 763, 24 livres; Liancourt) Lot 263, 17 livres; d’Argenville) J.442.11 Tête, pstl (Julllienne; Paris, Martin, Remy, J.442.102 Jeune femme, la tête inclinée et regardant à g. -
The Church Militant: the American Loyalist Clergy and the Making of the British Counterrevolution, 1701-92
The Church Militant: The American Loyalist Clergy and the Making of the British Counterrevolution, 1701-92 Peter W. Walker Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Peter Walker All rights reserved ABSTRACT The Church Militant: The American Loyalist Clergy and the Making of the British Counterrevolution, 1701-92 Peter W. Walker This dissertation is a study of the loyalist Church of England clergy in the American Revolution. By reconstructing the experience and identity of this largely-misunderstood group, it sheds light on the relationship between church and empire, the role of religious pluralism and toleration in the American Revolution, the dynamics of loyalist politics, and the religious impact of the American Revolution on Britain. It is based primarily on the loyalist clergy’s own correspondence and writings, the records of the American Loyalist Claims Commission, and the archives of the SPG (the Church of England’s missionary arm). The study focuses on the New England and Mid-Atlantic colonies, where Anglicans formed a religious minority and where their clergy were overwhelmingly loyalist. It begins with the founding of the SPG in 1701 and its first forays into America. It then examines the state of religious pluralism and toleration in New England, the polarising contest over the proposed creation of an American bishop after the Seven Years’ War, and the role of the loyalist clergy in the Revolutionary War itself, focusing particularly on conflicts occasioned by the Anglican liturgy and Book of Common Prayer. -
Broward Center for the Performing Arts 2018-19 Calendar Listings
July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events. -
Jacobite Revolution 1689 – 1746 and Its Consequences Bachelor Thesis
Palacký University Philosophical Faculty Department of English and American studies Jacobite Revolution 1689 – 1746 and its Consequences Bachelor Thesis Jan Valenta English Philology – Applied Economics Dr. Ema Jelínková, Ph.D. Statement: I hereby declare that I have completed this thesis myself and all used sources are properly listed and cited. In Olomouc .......................... ........................................ Acknowledgement I would like to thank Dr. Ema Jelínková, Ph.D. without whom this thesis would not be possible. Dr. Jelínková managed to obtain the crucial literature needed for this work, which had to be imported from abroad. I would also like to praise her for her neverending patience in answering my questions, her diligency in going through this thesis over and over and last but not least for her friendly approach that made working with her a pleasure. I would also like to thank two native speakers and my friends Mrs. Piama Svoboda and Mr. Sharez Achmed for proofreading my thesis and giving me a valuable feedback. Contents Introduction 6 Political background 8 The Tories 10 The Whigs 11 The Blending 12 The Religion 13 The Catholics versus Protestants 14 The Episcopalians versus Presbyterians 15 The Glorious Revolution 17 Reasons 17 Impact 19 Jacobites 20 The Non-jurors 21 England, Scotland and Ireland 22 The Jacobite Diaspora (Jacobites in Exile) 22 Rising in Ireland (Attempt at Reclaiming) 25 Development 25 The Consequences (‘James the Shite’) 26 The First Attempts at Revolution 28 The Act of Union 1707 30 Background -
Advance Exhibition Schedule
^ Advance Exhibition Schedule 2020–2022 Exhibition Calendar Current as of December 2020. Information is subject to change. For a listing of all exhibitions and installations, please visit www.lacma.org Yoshitomo Nara Vera Lutter: Museum in the Camera Cauleen Smith: Give It Or Leave It ON-VIEW OUTDOOR EXHIBITIONS While the indoor galleries remain temporarily closed, visit LACMA outdoors. The museum’s outdoor spaces and public art, including Chris Burden’s Urban Light (2008), Michael Heizer’s Levitated Mass (2012), and Yoshitomo Nara’s Miss Forest (2020) are free to visit and accessible 10 am–10 pm daily. Alex Prager: Farewell, Work Holiday Parties November 21, 2020–January 3, 2021 Los Angeles–based artist Alex Prager is known for making photographs and short films embellished with Technicolor fantasy but grounded in the pains and pleasures of the everyday. In this installation, Prager satirizes a specific part of working life, drawing on pop culture tropes to create a simulation of office holiday parties. The artist animates figurative sculptures with costumes, makeup, props, and sound, and places them in recognizable office-party situations, creating a strange yet celebratory scene that can be experienced in the round. “Through my work I’ve been able to process things in the world that I’m questioning or struggling with,” says Prager, “which is one of the many reasons I feel this piece is important for the current social climate. Right now, during this strange and life-altering time, many of us are reprioritizing our lives and figuring out what actually matters to us.” Curators: Liz Andrews, Director’s Office and Rita Gonzalez, Contemporary Art, LACMA Credit: This exhibition was organized by the Los Angeles County Museum of Art. -
030295688.Pdf
UNIVERSITÉ DU QUÉBEC THÈSE PRÉSENTÉE À L'UNIVERSITÉ DU QUÉBEC À TROIS-RIVIÈRES COMME EXIGENCE PARTIELLE DU DOCTORAT EN LETTRES PAR ALEXANDRE LANDRY RHÉTORIQUE DES DISCOURS ANTIPHILOSOPHIQUES DE L ENCYCLOPÉDIE A L4 RÉVOLUTION DÉCEMBRE 2011 Université du Québec à Trois-Rivières Service de la bibliothèque Avertissement L’auteur de ce mémoire ou de cette thèse a autorisé l’Université du Québec à Trois-Rivières à diffuser, à des fins non lucratives, une copie de son mémoire ou de sa thèse. Cette diffusion n’entraîne pas une renonciation de la part de l’auteur à ses droits de propriété intellectuelle, incluant le droit d’auteur, sur ce mémoire ou cette thèse. Notamment, la reproduction ou la publication de la totalité ou d’une partie importante de ce mémoire ou de cette thèse requiert son autorisation. 11 REMERCIEMENTS Mes prenuers remerciements vont à M. Marc André Bernier qui, dans les dix dernières années, a su me transmettre sa passion pour la recherche et son amour pour les lettres. Il m'a apporté un soutien inestimable durant ce parcours, autant par sa vaste érudition que par sa générosité sans borne et sa grande humanité. Je tiens également à témoigner toute ma reconnaissance à M. Didier Masseau : grâce à ses travaux et à ses conseils avisés, il a grandement contribué à donner à cette recherche le souffle qui l'anime maintenant. M. Masseau a toujours insisté pour que mes travaux se démarquent des autres et sortent des sentiers battus. Pour sa connaissance inestimable de l'esprit de la Compagnie de Jésus et pour nos entretiens toujours aussi plaisants que stimulants, un grand merci à mon ami Yves Bourassa. -
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FGSDGSDFGDFGFDGFGSDGSDFGDFGFDG JTA - Journal of Theatre Anthropology 1 1 JTA JTA J J OURNA OURNA OURNA OURNA T T AT AT AT AT A A NTOPOLOGY NTOPOLOGY JOURNAJOURNA TATTAT ANTOPOLOGYANTOPOLOGY T T ISSN 2784-8167ISSN 2784-8167 ISBN 978-88-5757-809-5ISBN 978-88-5757-809-5 MIMESIS MIMESIS 1 2021 1 2021 Mimesis EdizioniMimesis Edizioni www.mimesisedizioni.itwww.mimesisedizioni.it 22,00 euro22,00256 euro 9 7 8 8 895 77 8587885079 55 7 8 0 9 5 257 JTA JOURNAL OF THEATRE ANTHROPOLOGY NUMBER 1 - THE ORIGINS 2021 MIMESIS 258 Journal of Theatre Anthropology Annual Journal founded by Eugenio Barba JTAJTA In collaboration with International School of Theatre Anthropology (ISTA), JOURNAL OF THEATRE ANTHROPOLOGY Odin Teatret Archives (OTA), Centre for Theatre Laboratory Studies (CTLS) Department of Dramaturgy Founded by Eugenio Barba Aarhus University With the support of NUMBER 1 - THE ORIGINS Fondazione Barba Varley March 2021 © 2021 Journal of Theatre Anthropology and Author(s) This is an open access journal Editor distributed under the terms of the Creative Commons Attribution License (CC-BY-NC-ND 4.0) Eugenio Barba (Odin Teatret, Denmark) Journal’s website: https://jta.ista-online.org Printed copies are available at the Publisher’s website Managing Editor Leonardo Mancini (Verona University, Italy) Editorial correspondence and contributions should be sent Editorial Board to the managing editor Leonardo Mancini: [email protected] Simone Dragone (Genoa University, Italy / Odin Teatret Archives) Rina Skeel (Odin Teatret, Denmark) Julia Varley -
Charles De La Fosse, L'automne, Figuré Par Bacchus Et Ariane
musée des beaux-arts dijon lumière sur… Charles de la Fosse L’Automne, figuré par Bacchus et Ariane En 1679, Louis XIV, «lassé à la fin du beau et de la foule, se persuada qu’il voulait quelquefois du petit et de la solitude», raconte le célèbre mémorialiste Saint-Simon. Le roi décide alors de créer à Marly, non loin de Versailles, un château d’agrément consacré à ses invités personnels, d’où provient L’Automne de Charles de la Fosse. 1 Aujourd’hui disparu car détruit peu après la Révolution, le septembre : « il faut faire travailler à quatre tableaux comme château de Marly eut une grande importance et fut même, à vous le proposez, il faut bien choisir les peintres et ne pas la fin de la vie du roi, le lieu où celui-ci passait le plus clair de les presser pour qu’ils soient beaux. » son temps, au cours des « marlys », les séjours qu’il réservait à ses invités, pendant lesquels l’étiquette était allégée. Cette Le choix des quatre saisons est particulièrement adapté au faveur fut très recherchée, ce qui fut moqué par Saint-Simon, décor d’une résidence royale, car l’alternance des saisons citant une réplique faite par le cardinal de Polignac au roi : « Ce n’est rien, Sire, la pluie de Marly ne mouille point. » Le château de Marly suivait une conception radicalement différente de celle de Versailles : au lieu d’un immense bâtiment 2 construit au plus haut point d’un parc, Marly était constitué de treize pavillons (un par signe du Zodiaque et un pour la famille royale) nichés au sein d’un vallon (fig. -
Of Painting and Seventeenth-Century
Concerning the 'Mechanical' Parts of Painting and the Artistic Culture of Seventeenth-CenturyFrance Donald Posner "La representation qui se fait d'un corps en trassant making pictures is "mechanical" in nature. He understood simplement des lignes, ou en meslant des couleurs, est proportion, color, and perspective to be mere instruments in consider6e comme un travail m6canique." the service of the painter's noble science, and pictorial --Andre F61ibien, Confirences de l'Acadimie Royale de Pezn- elements such as the character of draftsmanship or of the ture et de Sculpture, Paris, 1668, preface (n.p.). application of paint to canvas did not in his view even warrant notice-as if they were of no more consequence in les Connoisseurs, ... avoir veus "... apr6s [les Tableaux] judging the final product than the handwriting of an author d'une distance s'en en raisonnable, veiiillent approcher setting out the arguments of a philosophical treatise.3 Paint- suite pour en voir l'artifice." ers who devoted their best efforts to the "mechanics of the de Conversations sur connoissance de la -Roger Piles, la art" were, he declared, nothing more than craftsmen, and 300. peinture, Paris, 1677, people who admired them were ignorant.4 Judging from Chambray's text, there were a good many A of Champion French Classicism and His Discontents ignorant people in France, people who, in his view seduced ca. 1660 by false fashion, actually valued the display of mere craftsman- In Roland Freart de his 1662 Chambray published IdMede la ship. Chambray expresses special -
New Acquisitions 1 April 1999 – 31 March 2000
New Acquisitions 1 April 1999 – 31 March 2000 Album of c.350 photographs of the Rothschild family, their relatives and associates taken around 1860, by Eugène Disdéri (by purchase) Mezzuzah from New Court, in place from 1965 to 1999 (by presentation) Five arrows emblem on red shield with chaplet and motto, painted wood, c.30cms x 20cms (by presentation) Signed carte de visite of Rossini, with inscription on verso to Alfred de Rothschild (by purchase) Stock Jobbing Extraordinary!!!: Brookman v. Rothschild, (London, H. Stokes, n.d.), printed pamphlet relating to a civil lawsuit and including a previously unrecorded caricature of Nathan Rothschild (by purchase) Photographic prints made from autochromes in the Musée Albert Kahn of members of the Rothschild family and some of their properties (by presentation) 35mm slides of illustrations in the Bibliothèque Nationale, Paris, of Rothschilds and houses in Paris (by purchase) Five 35mm slides of items from Henri de Rothschild’s autograph collection now in the British Library (Charles V to François I, Catherine de Medici to Mary Stuart, Macchiavelli, Henri IV to Marie de Medici, Mary Stuart to Antoinette de Bourbon) (by purchase) Two 35mm slides of photographs in the British Library of Henri de Rothschild’s Ferme du Coteau in Deauville (by purchase) Five 35mm slides of plans and drawings in the RIBA Library, London of Ashton Wold, Ascott and Königstein (by purchase) Monograph “The Rothschilds in Naples” by Francesco Barbagallo, delivered at an event at Villa Pignatelli, Naples (the former residence -
Public Safety Drops, Then Reopens De Rothschild Case After Getting New Lead Housing Project Starts Wednesday Henderson Pleads Gu
THE CHRONICLE FRIDAY, SEPTEMBER 8, 1989 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 V0L.85.N0.il Public Safety drops, then reopens de Rothschild case after getting new lead By MATT SCLAFANI de Rothschild who claimed to be Maurice J.L. de Rothschild. After initially announcing a student in 1983. De Rothschild reported to pub Thursday that it was dropping Duke University registrar re lic safety officers at Berkeley in its investigation of alleged im cords lists the person currently May, 1983 that he was a student poster Maurice de Rothschild due under investigation as Baron See DECEPTION on page 9 • to lack of evidence, Duke Public Safety reversed its decision hours later and has since reopened the case after receiving Imposter deeply involved unspecified leads. Public Safety said Wednesday that it has confirmed that Trinity with philanthropic events College student Maurice de Rothschild is not a member of the wealthy, Paris-based de By KEITH LUBLIN son contacted Tuesday was Rothschild family. Ever since en Regardless of his tr_ te iden- not familiar with the fund, rolling two years ago, the student tity, Maurice de Rot hschild VinwAVAr Tt vi ras actually con- has led the University to believe contributed to sevei Rothschild and that he is related to the French banking dynasty. JIM FLOWERS/THE CHRONICLE Public Safety originally drop was intended to Slop it on ped their investigation of le by funding Maurice de Rothschild Thursday do not usually Construction on the new tennis court speed ramp is right on morning because there was "no use nis assumed nam " de Rothschild schedule.