Kikaida Brothers Monday - Saturday Vs

Total Page:16

File Type:pdf, Size:1020Kb

Kikaida Brothers Monday - Saturday Vs JANUARY 2010 | VOL. 16, NO. 1 LEGACIES Honoring our heritage. Embracing our diversity. Sharing our future. LEGACIES IS A BI-MONTHLY PUBLICATION OF THE JAPANESE CULTURAL CENTER OF HAWAI`I, 2454 SOUTH BERETANIA STREET, HONOLULU, HI 96826 Come TcelebrateHE YEAR OF THE KIBROS.KAIDA 2454 South Beretania Street Honolulu, HI 96826 Tiger tel: (808) 945-7633 fax: (808) 944-1123 OFFICE HOURS ThE KIKAIDA BROTHERS Monday - Saturday vs. Gill’s Monsters 8:00 a.m. - 4:30 p.m. MEET HAWAI‘I’S FAVORITE GALLERY HOURS JAPANESE SUPERHEROES! Tuesday - Saturday 10:00 a.m. - 4:00 p.m. Two 30-minute shows with audience participation. RESOURCE CENTER HOURS 11:00 a.m. and 2:00 p.m. Wednesday - Friday 10:00 a.m. - 4:00 p.m. See page 6 for more information. Saturday 10:00 a.m. - 1:00 p.m. : GIFT SHOP HOURS Tuesday - Saturday Actor Ban Daisuke, who starred in 10:00 a.m. - 4:00 p.m. Inazuman and Kikaida, will be Mission Statement: available to sign To be a vibrant resource, autographs. strengthening our diverse community by educating present and future generations in the evolving Japanese American experience New Year’s ‘Ohana Festival in Hawai‘i. We do this through Sunday, January 10, 2010 • 10:00 a.m.–4:00 p.m. relevant programming, meaningful JAPANESE CULTURAL CENTER OF HAWAI‘I - community service and & MO‘ILI‘ILI FIELD innovative partnerships that FREE ADMISSION enhance the understanding and PARKING: A complimentary shuttle service will run between celebration of our heritage, the parking structure at the University of Hawai‘i at Ma-noa and the culture and love of the land. Japanese Cultural Center of Hawai‘i throughout the day. To guide us in this work we draw For more information, call the Cultural Center at (808) 945-7633, from the values found in our email at [email protected] or go to www.jcch.com. Japanese American traditions and For more on the New Year’s ‘Ohana Festival, check out pages 6 and 7. the spirit of Aloha. Dear Japanese Cultural Center of Hawai‘i ‘Ohana: ai s 2010 gets underway, of the centerove I want to thank the L A many volunteers and members of the Japanese 7 Shinnen Akemashite or kasane mochi ; small balls of mochi were Cultural Center of Hawai‘i for your continued support and Omedetō Gozaimasu! flattened/formed into ko mochi 8, to be used generous contributions this past year. We know that our for ozoni 9, made into kinako mochi 10, or fried community is facing very challenging times and we are Months of preparation have gone into our with butter/sugar/shoyu. Some ko mochi was deeply grateful for your commitment of time, services New Year’s ‘Ohana Festival (NYOF) which I also flattened even more, and enveloped a ball and donations to the Cultural Center. sincerely hope that you, our valued members, of an 11 to make an mochi most of which was will attend with your friends and family. One Many of us have friends and family who are experiencing eaten as fast as it was being made. difficult times caused by current events. Hard times and of the most popular demonstrations featured adversity are not unique in our culture. The term ganbare, It was a festive time for my family and, sadly, at the New Year’s ‘Ohana Festival, and certainly or never give up, has been a unifying theme throughout one of my favorites, is mochitsuki 1. We have when my Aunt and Uncle passed away, the our Hawaiian history. The Issei fought to forge a new life been so fortunate that Tenrikyo Hawaii tradition passed with them. in a foreign land, the Nisei fought against racial prejudice Dendocho staff and church members have Mahalo to those organizations and families during WWII. The new millennium has brought many challenges and I’m confident that our community will offered themochitsuki demonstration at the who have kept the mochistuki tradition alive, festival for the past several years. ganbare. As this new year begins, give some thought and to George and Willa Tanabe and Carol as to how we may support our friends, family, local Mochitsuki brings back childhood memories Nagano for sharing their simplified mochitsuki businesses and our broader island community. of preparing for the New Year by going to my with our attendees at the osechi ryōri On a lighter note, our Membership Committee, under workshop we offered in December. Uncle Bob and Aunty Toshiko Tanaka’s home the leadership of Board Member Susan Eichor, recently in Kalihi where the mochitsuki tradition was Aloha, completed a membership survey. To those of you who kept alive by the Tanakas for their family and responded, mahalo for taking the time to provide us friends to enjoy. The whole process took an with valuable feedback. entire day! It started early in the morning with One issue that impressed me most about the survey 2 Uncle Bob carefully washing the mochigome Lenny Yajima Andrew results were the number of respondents who had never so as not to spill one grain, and then steaming President/Executive Director visited the Cultural Center, had not been to the Cultural it in several large seiro 3 over a wood burning Center for many years due to health and mobility issues, fire. When the rice was steamed to perfection, TodaY’S ThoUght: or lived on the neighbor island and could not participate Uncle Bob would dump the sweet-smelling, THE HUMAN RacE in the many events hosted at the Cultural Center. You steaming hot mochigome into the usu 4. The may wonder why they are members. I believe the answer most eager of us to participate in the mochi Confucianism says, “All within the four seas are below sums up the feelings of this group. “Although I am brothers.” Buddhism says, “There is no caste in a non-participating member, I believe in the importance pounding would grab the nearest kine 5, blood which runneth on one hue.” Christianity of having a Japanese Cultural Center to keep traditions and making sure its end was saturated with water, says, “God hath made of one blood all nations values alive, and knowledge available to future generations and then the adults or older kids would take of men for to dwell on the face of the earth. of all ethnic groups.” turns pounding the rice—while another brave Yes, at the bottom, humanity is one. The human soul would flip the hot rice over with their heart is everywhere the same with similar During the Year of the Tiger, the Board will continue to dedicate itself to achieving the long-term goals we have wet, bare hands after each whack of the kine. hopes, fears and aspirations. After all, whether set for the Center—ongoing financial stability as we The really talented “flippers” could flip, wet we are black or white, yellow or brown, we belong to the same race: the human race. seek to expand services, improvement of the Resource their hands for the next flip, and even pick out Center’s outreach, maintenance of our facility, and wood splinters (from frayed ends of older kine) —The Reverend Paul S. Osumi support of our staff, volunteers and members. from the mochi while staying in rhythm with FootNotES Mahalo for all of your support and I look forward to the pounders . When the mochigome was the working with and for you in the many exciting activities consistency of very thick poi, it was officially 1 mochi tsuki: mochi making 2 mochigome: mochi rice planned at the Japanese Cultural Center of Hawai‘i 6 mochi , and the mochi was lifted out of the usu 3 seiro: wood-framed steamers this New Year. and onto a large table sprinkled heavily with 4 usu: large stone or wood mortar Akemashite Omedetō Gozaimasu (Happy New Year), mochiko to prevent sticking. One adult at each 5 kine: wooden mallet for pounding mochi end of the log of mochi would pinch off a piece 6 mochi: glutinous rice cake and toss it on the table for someone to form. 7 kagami/kasane mochi: literally, mirror mochi— mochi used as an offering to the gods and for good luck We usually made three sizes of mochi: large 8 ko mochi: small mochi Susan Yamada Chairman of the Board and medium sized balls of mochi were 9 ozoni: mochi soup 10 kinako mochi: mochi dusted with kinako ( bean flour) 7 flattened slightly to be stacked for kagami 11 an: sweet azuki bean paste 2 JAPANESE CULTURAL CENTER OF HAWAI‘I community Gallery JCCH GALLERY AND GIFT SHOP HOURS: TUESDAY – SATURDAY 10 a.m. – 4 p.m. TWO MEN: Recent Work meet the artists by Satoru Abe and Hamilton Kobayashi January 30–March 26, 2010 Opening Reception Community Gallery Saturday, January 30 11:30 a.m. Open to the public Light Refreshments Saturday, February 6 and Saturday, February 13 he Japanese 11:00 a.m. Cultural Center Community Gallery T of Hawai‘i is proud to present Two Men: Recent JOIN US for an informative Work by Satoru program with artists Satoru Abe Abe and Hamilton and Hamilton Kobayashi. Kobayashi in our Community Gallery After a gallery tour with painter from Saturday, Hamilton Kobayashi, make a January 30 to Friday, Satoru Abe (upper slate sculpture with legendary March 26, 2010. The left) and Hamilton sculptor Satoru Abe. Materials Kobayashi (above). work by the two will be provided. longtime friends presents two very different and clouds. “We’re surrounded by ocean but linked views of the natural world.
Recommended publications
  • The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
    [Show full text]
  • Through the Case of Izumo Taishakyo Mission of Hawaii
    The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible.
    [Show full text]
  • Koto Walking Map in Your Hand! Swing Your Arms Rhythmically in Time with Your Feet
    Koto City, a warm-hearted town with a passion for sports FAQs about Walking Let’s start walking to keep you healthy. Enjoy walking without injury, in a good posture, and healthily Why don’t you try getting healthy and enjoy sightseeing spots in Q What is the proper walking form? A ▶▶▶ Pull your chin in and Stay upright and Koto City at the same time? look straight ahead puff out your chest We have created attractive 14 courses with the cooperation of residents who routinely walk for exercise. Let’s walk Koto City with the Koto Walking Map in your hand! Swing your arms rhythmically in time with your feet Put your heel on the ground first Then walk with a heel stride Kick the ground of about 5 to 7 cm bigger than usual with the base of your big toe Q When is a good time to hydrate ourselves? A ▶▶▶ ■1 Get hydrated frequently before feeling thirsty, such as before, during and after walking. ■2 As for what you drink, water is basically OK. It is better if you can also get an adequate amount of minerals (such as salt). ■3 Beverages containing caffeine, which has a diuretic effect such as coffee or tea, are not suitable for hydrating. Good things about walking Walking Style Calorie consumption by walking Before/After Walking What are the benefits of walking? What are appropriate clothes for walking? How many calories are consumed? How should we warm up before walking? FAQs about Q Q Q Q ▶▶▶ ■1 Prevent lifestyle-related ▶▶▶ ■1 Shirts and pants that dry quickly and absorb ▶▶▶ ■1 10-minute walking= calorie ▶▶▶ ■1 Stretch to warm up your body gradually and Walking A A A A diseases moisture well.
    [Show full text]
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
    [Show full text]
  • The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
    Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture.
    [Show full text]
  • Download The
    REVIEW OF REVIEWS Nihon minzokugaku (Japanese Folklore Science), V ol.V, No. 2 (August 1958) Kojima Yukiyoshi: On the Belief in Kompira. Kompira is a guardian-god of fishermen and sailors. The name Kompira is a foreign import, the belief in the god is how­ ever part of the oldest religion of the people, from Izu Oshima in the East on down to the Goto Islands of Nagasaki Prefecture in the West. Folk tradition has it that the god stays at home and takes care of the houses and villages when all other gods start on a journey in October. During this time a festival is celebrated in his honor at which he is frequently worshipped as god of agriculture. Whether the god’s function as caretaker is part of his original nature or a later acquisition we can only guess. Ushio Michio: The Form of Oracles in Kagura,Sacred Shinto Music. In the kagura in honor of the kitchen-god Kojin in Okayama Prefecture people ask for an oracle for every seven or every thirteen years. In order to obtain the divine message they pile up brushwood around the sanctuary (shinden) of the god and set it afire. Ritual straw-ropes are hung along the boundary of the shrine precincts. Then two shrine ministers, swinging pine torches, start a wild dance, shouting goya, goya and beating one another with stones. One of them is supposed to be Kojin, the other one a man. Kojin tries to put the man to flight and a frantic scene develops under the eyes of the onlooking crowd through which the man dashes and gives up.
    [Show full text]
  • HAWN CB5.H3 3525 R.Pdf
    UNIVERSITY OF HAWAI'I LIBRARY FOR A RAINY DAY: RAIN PRACTICES IN NORTHERN NAGANO PREFECTURE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2008 By Matthew Steven Mitchell Thesis Committee: Helen Baroni, Chairperson Poul Andersen Michel Mohr Robert Huey We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Religion (Asian). THESIS COMMITTEE Chairperson J .. '(~ t:2. A,.._~ __ ii Copyright 2008 by Mitchell, Matthew Steven All rights reserved. iii Acknowledgements I have received much help on this joumey. I only hope that in this limited space I can demonstrate even a portion of my gratitude. I would like to thank the members of my committee for their support and suggestions. Special thanks go to Helen Baroni for her kindness and assistance throughout my time as her advisee. Her ability to befriend new graduate students and welcome them into the program (as well as Hawai'i) made my time at VH comfortable. I will miss our talks. I want to thank Faye Higa for the ways, both seen and unseen, that she helped me in my two years at VH. I really think she is a superhero in disguise. The participants (both faculty and student) at the weekly Religion Department Papers in Progress Sessions deserve thanks for their acute observations, encouraging comments, and enlightening questions.· Two people in particular, Matt McMullen and Jolyon Thomas, devoted a great deal of time and effort to helping me in innumerable ways.
    [Show full text]
  • Ajet January 2019
    AJET News & Events, Arts & Culture, Lifestyle, Community JANUARY 2019 SPECIAL END OF THE YEAR ISSUE The Japanese Lifestyle & Culture Magazine Written by the International Community in Japan1 Got an eye for stories? Apply today! 2 CHANGE THE WORLD THROUGH LANGUAGE AND LEARNING. Master of Arts in TESOL APPLY NOW usfca.edu/tesol 3 CREDITS HEAD EDITOR HEAD OF DESIGN & HEAD WEB EDITOR Lauren Hill LAYOUT Dylan Brain Ashley Hirasuna ASSITANT EDITOR ASSITANT WEB EDITOR Angela Hinck ASSISTANT DESIGNERS Alex Furukawa Philippa Lawrie SECTION EDITORS Rhema Baquero SOCIAL MEDIA Peyton Goodman Celine Bennett Tresha Barrett COVER PHOTO Nash Sibanda Colette English Sarah White COPY EDITOR Laura Pollacco Aziz Krich Tayla-Paige van Sittert TABLE OF CONTENTS Emily Riley Amanda Muller PHOTO Alice Ridley Kirsty Broderick GENERAL SECTION EDITOR Nikkita Kent Tayler Skultety ART & PHOTOGRAPHY Gavin Au-Yeung Colette English Kirsty Broderick Tina White R. Doug Wicker Yvette Marquez Dicklyon Rhema Baquero Marc Baquero This magazine contains original photos used with permission, as well as free-use images. All included photos are property of the author unless otherwise specified. If you are the owner of an image featured in this publication believed to be used without permission, please contact the Head of Graphic Design and Layout, Ashley Hirasuna, at [email protected]. This edition, and all past editions of AJET CONNECT, can be found online at http://ajet.net/ ajet-connect/magazine-issues/. Read CONNECT online and follow us on ISSUU. 6 Head Editor: Home
    [Show full text]
  • Iv Beyond the Convent Walls: the Local and Japan
    Beyond the Convent Walls: The Local and Japan-wide Activities of Daihongan’s Nuns in the Early Modern Period (c. 1550–1868) by Matthew Steven Mitchell Graduate Program in Religion Duke University Date: _______________________ Approved: ___________________________ Richard M. Jaffe, Supervisor ___________________________ Barbara R. Ambros ___________________________ Daniel Botsman ___________________________ Hwansoo Kim ___________________________ David Morgan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2016 i v ABSTRACT Beyond the Convent Walls: The Local and Japan-wide Activities of Daihongan’s Nuns in the Early Modern Period (c. 1550–1868) by Matthew Steven Mitchell Graduate Program in Religion Duke University Date: _______________________ Approved: ___________________________ Richard M. Jaffe, Supervisor ___________________________ Barbara Ambros ___________________________ Daniel Botsman ___________________________ Hwansoo Kim ___________________________ David Morgan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion the Graduate School of Duke University 2016 Copyright by Matthew Steven Mitchell 2016 Abstract This dissertation examines the social and financial activities of Buddhist nuns to demonstrate how and why they deployed Buddhist doctrines, rituals, legends, and material culture to
    [Show full text]
  • Inari Pilgrimage Following One’S Path on the Mountain
    Japanese Journal of Religious Studies 1997 2 4/3-4 Inari Pilgrimage Following One’s Path on the Mountain Karen A. Smyers This article provides an example of contemporary pilgrimage practices in Japan by focusing on the Inari pilgrimage on Inari Mountain in Fuslfiimi, Kyoto. Inari Mountain provides the most popular venue for Inari pilgrimage, offering a multitude of Inari shrines and the opportuni­ ty to establish one’s own pilgrimage path. After a brief survey of historical pilgrimage records on the mountain, this study focuses on two groups observed by the author, in order to illustrate how the pilgrimage is individ­ ualized, giving the pilgrims an opportunity to express their own personal­ ized In a ri beliefs. The in div id ualizatio n modeled by these In a ri pilgrimages calls into question generalizations regarding the sense of “com- munitas” that is often identified with the liminality of the pilgrimage. U nlike historical pilgrimage routes that in some way connect to the life and death of the founder of the religion (Turner and Turner 1978,p. 33),or those that transport the pilgrim “by the mimesis of symbolic action” through the realms of existence and states of spiritual death and rebirth (Blacker 1975,p. 208),the pilgrimage that centers on Inari Mountain 稲荷山 in Fushimi 伏見,Kyoto, has neither an his­ torical nor a symbolic narrative that gives it shape.1 It takes shape dif­ ferently for each pilerim,depending on the particular route followed through the dense mountain of symbols. It may be that there was in the past one or more coherent narrative, which has eroded over time from a rich rite of spiritual passage to a test of physical stamina in which the doine is emphasized more than the meaning.2 Or, it may be that there never was a prescribed format, and the pilgrimage tradition developed in similar fashion to that of the rock altar tradition一 1 This article is based on fieldwork conducted from September 1980 to June 1991.
    [Show full text]
  • Japonica Humboldtiana 12 (2008)
    JAPONICA HUMBOLDTIANA 12 (2008) Contents Gerhild endress Familien- und Wohnverhältnisse des Hofadels der Heian-Zeit nach ausgewählten Passagen des Utsuho monogatari .................................................................... 5 ekkehard May Gesehene und gedachte Szenerie Landschaftsschilderung bei Matsuo Bashō ..................................... 39 harald saloMon “Das Heer” (Rikugun) Ein japanischer Propagandafilm aus dem Jahr 1944 Einleitung ......................................................................................... 59 Johannes laube Tanabe Hajimes Philosophie als Metanoetik – eine “Negative Theologie”? Einführung und Übersetzung. Erster Teil ........................................ 151 Book Reviews hans adalbert dettMer DER GROSSE PLOETZ DIE ENZYKLOPÄDIE DER WELTGESCHICHTE 35., völlig neu bearbeitete Auflage .................................................. 211 ekkehard May Yoshiko Watanabe-röGner: Bildwörterbuch zur Einführung in die japanische Kultur Architektur und Religion .................................................................. 219 4 Contents Ian reader Richard boWrinG: The Religious Traditions of Japan 500–1600 ........................................................................... 227 Markus rütterMann David T. bialock: Eccentric Spaces, Hidden Histories Narrative, Ritual, and Royal Authority from The Chronical of Japan to The Tale of the Heike ............................ 239 Familien- und Wohnverhältnisse des Hofadels der Heian-Zeit nach ausgewählten Passagen des Utsuho monogatari Gerhild
    [Show full text]
  • Samurai Bows Down to Receive His Reward in the Form of a Sword. from the „Horie-Monogatari-Emaki“ (堀江物語絵巻) by Iwasa Matabei (岩佐又兵衛), Edo Period (17Th Century)
    Cover: Samurai bows down to receive his reward in the form of a sword. From the „Horie-monogatari-emaki“ (堀江物語絵巻) by Iwasa Matabei (岩佐又兵衛), Edo period (17th century) – 1 – – 2 – Markus Sesko Legends and Stories about the Japanese Sword © 2012 Markus Sesko eBook published by Lulu Enterprises, Inc. – 3 – – 4 – Contents Preface 1. The Dōjigiri-Yasutsuna 2. Onimaru, Hizamaru, Higekiri, and the big „sword renaming“ 3. Tokugawa Ieyasu and the sohaya no tsuruki 4. The maladies healing Ōtenta-Mitsuyo 5. Tegai Kanenaga and the Bodhisattva Monju 6. The „demonic“ Yukihira 7. Ishida Mitsunari and two Masamune less 8. Kannagiri- and Daihannya-Nagamitsu 9. Tōshirō Yoshimitsu 10. Gō Yoshihiro 11. The lost writing-box lid 12. The thousand spears of the Kikuchi 13. Fireflies and swords? 14. Thou shalt not shorten me 15. The Nikkari-Aoe 16. The expulsion of two kasha 17. A giant snake as swordsmith 18. The Yamaubagiri-Kunihiro 19. The daily problems of the giant snakes 20. The Kogitsune-maru 21. Juzumaru-Tsunetsugu and Ichigo-Hitofuri Yoshimitsu 22. Detective work on the Tenkyūwari-Kunimune 23. The Heshikiri-Hasebe 24. The spirit is willing but the flesh is weak... 25. The legendary sharpness of Kotetsu´s blades 26. Sword prices and income of the samurai – 5 – – 6 – Preface In the last years and decates, several publications and translation about the Japanese Sword have been published in the West. In this way, the historical backgrounds, the characteristics of the blades, smiths, and schools, as well as the art of sword forging, and the sword fittings were introduced and explained.
    [Show full text]