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Wake in Fright
Ryde Library Service Community Book Club Collection Wake in Fright By Kenneth Cook First published in 1961 Genre & subject Horror Australian fiction Synopsis Wake in Fright tells the tale of John Grant's journey into an alcoholic, sexual and spiritual nightmare. It is the original and greatest outback horror story. Bundanyabba and its citizens will haunt you forever. Author biography Kenneth Cook was born in Sydney. Wake in Fright, which drew on his time as a journalist in Broken Hill, was first published in 1961 when Cook was thirty-two. It was published in England and America, translated into several languages, and a prescribed text in schools. Cook wrote twenty-one books in a variety of genres, and was well known in film circles as a scriptwriter and independent film-maker. He died in 1987 at the age of fifty-seven. Discussion starters • How did you experience the book? Were you engaged immediately, or did it take you a while to "get into it"? How did you feel reading it? • What did you think of John Grant?—personality traits, motivations, inner qualities. • Are his actions justified? • How has the past shaped him? • How does Grant change by the end of the book? Does he learn something about himself and how the world works? • What main ideas—themes—does the Cook explore? Does he use symbols to reinforce the main ideas? • What passages strike you as insightful, even profound? Perhaps a bit of dialog that's funny or poignant or that encapsulates a character? Maybe there's a particular comment that states the book's thematic concerns? • Is the ending satisfying? If so, why? If not, why not...and how would you change it? Page 1 of 2 Ryde Library Service Community Book Club Collection If you liked this book, you may also like… The watch tower by Elizabeth Harrower Theft by Peter Carey If you are looking for something new to read try NoveList! It is a free database to help you find that perfect book. -
Društvo Slovenskih Pisateljev Avtorji V Tej Knjigi So Predstavljeni Z Delom V Izvirnem Jeziku in Slovenskem Prevodu
Društvo slovenskih pisateljev Avtorji v tej knjigi so predstavljeni z delom v izvirnem jeziku in slovenskem prevodu. Elektronska oblika zbornika vsebuje še prevode v angleškem oziroma nemškem jeziku. The works of the authors presented in this book are printed in the original and in the Slovene translation. English or German versions are available in the electronic form of the anthology. Mednarodna pisateljska nagrada International Literary Prize 1 Vilenica 2004 Urednika / Editors Iztok Osojnik, Barbara Šubert Založilo Društvo slovenskih pisateljev / zanj Vlado Žabot Published by Slovenian Writers’ Association Grafièno oblikovanje Klemen Ulèakar Tehnièna ureditev in organizacija tiska Ulèakar&JK Ljubljana, avgust 2004 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 061.7(497.4 Vilenica)"2004" 821(4)-82 VILENICA 2004 [Elektronski vir] : mednarodna pisateljska nagrada = international literary price / [urednika Iztok Osojnik in Barbara Šubert]. - Ljubljana : Društvo slovenskih pisateljev = Slovenian Writers’ Association, 2004 ISBN 961-91010-7-3 1. Osojnik, Iztok 214855680 2 KAZALO / CONTENT Nagrajenka Vilenice 2004 / Prize – winner Vilenica 2004 Brigitte Kronauer 6 Literarna branja Vilenica 2004 / Literary readings Vilenica 2004 Jan Balabán 50 Muharem Bazdulj 56 Eric Brogniet 72 ªtefan Caraman 84 Daša Drndić 96 Martin Fahrner 116 Edward Foster 128 Georgi Gospodinov 138 Gintaras Grajauskas 154 Daniela Kapitáňová 168 Vojislav Karanović 180 Artjom Kavalevski 194 Juris Kronbergs 208 Alain Lance 228 Sydney Lea -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
Slovothek Nr.1
Impressum: SlovoKult, Slovothek Nr. 1, Berlin-Skopje, 2010 © (wenn nicht anders vermerkt) alle Rechte bei den Autoren und den Übersetzern, Berlin-Skopje, 2010. Alle Rechte vorbehalten. Kein Teil dieser Publika on darf ohne vorherige Zus mmung durch den Herausgeber in irgendeiner Form oder auf irgendeine Weise - sei es elektronisch, mechanisch, als Fotokopie, Aufnahme oder anderwei g - reproduziert, auf einem Daten- träger gespeichert oder übertragen werden. ISBN 978-9989-59-323-9 Die Veröff entlichung dieser Publika on wurde von dem Verein Albanischer Verleger in Makedonien (Associa on of Albanian Publishers - AAP - in Macedonia) ermöglicht. Diese Publika on wurde zum Teil von dem Kultusministerium der Republik Makedonien unterstützt. Herausgeber: SlovoKult (Elizabeta Lindner) Verlag: Blesok, Skopje Umschlaggestaltung: Ana Matovska Umschlagfoto: Elizabeta Lindner Layout und Satz: Igor Isakovski Lektorat: Petra Huber und Benjamin Langer Druck: Maring, Skopje, 2010 Printed in Macedonia Aufl age: 700 Kontakt: SlovoKult: www.slovokult.de; [email protected] Blesok: www.blesok.com.mk; [email protected] AAP: www.libri.org.mk; [email protected] SlovoKult.de Slovothek Nr. 1 Lyrik von: Kata Kulavkova, Igor Isakovski, Eftim Kletnikov und Vladimir Martinovski Prosa von: Igor Isakovski, Luan Starova, Dragi Mihajlovski, Kim Mehmeti, Goce Smilevski, Petre M. Andreevski und Aleksandar Prokopiev SlovoKult (www.slovokult.de) ist ein Online-Literaturportal für make- donische Literatur auf Deutsch. Es wurde 2008 von Elizabeta Lindner gegründet und hat sich mi lerweile zu einem Übersetzernetzwerk entwickelt, das regelmäßig übersetzte Literatur aus Makedonien ver- öff entlicht. SlovoKult sind: Elizabeta Lindner, Petra Huber, Benjamin Langer, Will Firth, Ksenija Čočkova und Lydia Nagel. Für diese erste Ausgabe der Textsammlung Slovothek Nr. -
Josep Ramoneda, Aleksandar Prokopiev, Thomas Symeonidis, Andro Martinović
H OST – ΓΕΦΥ M ΡA “ ” – – A R M O U – C T T O Ъ T T – C P O O M D U – L Ü – R M P O Ö K C T – THEthe magazine of BRIDGEAcademia Balkanica Europeana May 2020 (Number 6) Dossier: Culture, Art, Society Josep Ramoneda, Aleksandar Prokopiev, Thomas Symeonidis, Andro Martinović THE CULTURE OF COEXISTENCE 1395 DAYS THE YELLOW EAST, IN THE LONGUE DUREE WITHOUT RED THE WHITE WEST By Krzysztof Czyżewski By Šejla Kamerić By Burhan Sönmez ContentsEditorial Supported by a grant from the Foundation Open Society Institute in cooperation with the OSIFE of the Open Society Foundations Supported by a grant from the European Cultural Foundation www.culturalfoundation.eu Maintain the blue margins around the logo CONTENTS CHRONYSTERIC, Editorial TRIBUNE, CLOWN 13 By Aleksandar Prokopiev VIRUS(ES) 3 Forum ON ART: DRAFT FOR IS IT BECOMING A COUNTRY A POCKET AESTHETIC TRACTATUS 15 OF OLD MEN? 4 By Thomas Symeonidis By Mediha Ardović The Gaze of the Other Andro Martinović: WHEN EVERYTHING ELSE IS PUT ASIDE, CULTURE THE CULTURE OF COEXISTENCE IN THE REMAINS 17 LONGUE DUREE Interviewed by Amila Kahrović-Posavljak By Krzysztof Czyżewski 6 Loc-alia Visible Soul THE YELLOW EAST, THE WHITE WEST 19 « MY ART - A MIRROR OF By Burhan Sönmez THE PERSONAL EXPERIENCE IN THE OUTER WORLD. » 9 Zharko Basheski (1957) Ars Poetica 1395 DAYS BEFORE THE BEGINNING WITHOUT RED 10 Fragment from the novel “Hamam Balkania” Šejla Kamerić By Vladislav Bajac 21 Dossier Our Essay CULTURE, ART, SOCIETY THE UNHOLY TRINITY FROM “11 THESIS ON CULTURE” OF NEW MEDIA, POST-TRUTH By Josep Ramoneda 12 AND POPULISM 23 By Bashkim Shehu 2 Editorial VIRUS(ES) n the editorial of the previous issue, we and thus to protect humanity from this evil. -
C6076ff7ce484da269215574233
ПРЕВОДНИ ЛИТЕРАТУРНИ ЗАГЛАВИЯ ОТ БЪЛГАРСКИ, ИЗДАДЕНИ В ПЕРИОДА 1989-2010 НА 39 ЕЗИКА Библиография на фондация „Следваща страница”1 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1. Aléxieva, Elena: ¿Quién? (Кой?) / Liliana Tabákova / Madrid: Nocturna ediciones, 2010 2. Andasarov, Pyetr / Андасаров, Петър: Отворен круг: Избрана лирика [Македонски] / Бранко Цветкоски./ Скопје: Макавеј, [Македонија], 2006. 98 p. 3. Andreeva, Natalia: Rose, Kreuz und Freiheit : Lyrik [German] (Bilingual ed.) / Ebersdorf: Web-Site-Verl [Germany], 2002. 63 p. 4. Andreeva, Natalia: Ein Blick von Oben. Lyrik [German] / Rottenburg: Mauerverlag [Germany], 1999, 60 p. 5. Angelov, Dimităr: Furacao no labirinto [Portuguese] / Mem Martins: Europa-América [Portugal], 1996. 197, (1) p. 6. Antonova, Neda: L'asile des heureux : Roman [French] / Janeta Ouzounova / Arles: Actes sud [France], 1993. 208 p. 7. Antonova, Neda: Útulek pro šťastné [Čes] / Zlata Kufnerová / Praha: NV & ČSPB [Czechoslovakia (to 1992)], 1990 8. Antonova, Neda; Dimitrov, Dimko; Krystev, Asen: Prozračnaja maska [Russian] / I. I. Kormil'cev / Moskva: Voenizdat [USSR (to 1991)], 1989 9. Apostolov, Kiril: Znajdeš čy vratyš [Ukrainian] / Sofija Skyrta / Kyjiv: Veselka [USSR (to 1991)], 1990. 191 p. 10. Apostolova, Bozhana: Kreuzung ohne Wege / Ines Sebesta / Berlin: Dittrich Verlag, 2010 11. Aprilov, Boris: Priključenija Lisenka [Russian] / E. Andreeva / Rostov na Donu: TOO NIRiK [Russian Federation], 1993. 1 v. 12. Arditi, Leontina: An meinem Ende steht mein Anfang: Ein judisches Leben in Bulgarien [German] / Penka Angelova / Wien: Milena-Verl [Austria], 2002. 303 p. 1 Пълният списък на библиографските източници се намира в Приложение 2. -
Straya Mate: Probing an Australian Masculinity Through Landscape Narrative, Visual Art and Dystopian Cinema
‘STRAYA MATE: PROBING AN AUSTRALIAN MASCULINITY THROUGH LANDSCAPE NARRATIVE, VISUAL ART AND DYSTOPIAN CINEMA ASHLEY DAVID KERR This paper explores the prevalence of landscape narratives in art and cinema containing post-apocalyptic futures, bushranger mythology and vigilantism, with a focus on the type of masculinity reflected within these contexts. I will introduce the kind of masculinity that is attributed to Australian men as part of a national myth of character, and will examine various dystopic film narratives, such asMad Max 2 (1981) and its recent counterpart The Rover(2014). In other words, I am drawn to narratives that feature a decline of civilisation, are set in an expansive Australian landscape, and often contain troubled male protagonists. I wish to demonstrate that this landscape, and its history of violence, hostility and suffering, feeds into post-colonial representations of reworked historical narratives and characters. Here, I link the American frontier to Australian representations of the fringe of white settlement via film theorist David Melbye’s theory on landscape allegory. I also present creative works of my own that were produced in relation to these ideas, and use them to explore male characters not only as a facet of Australian cultural identity, but also in relation to wider concerns of masculinity and nature. I conclude with a discussion about Australian artists of my generation who are also tackling the issue of ‘Aussie’ masculinity. AUSSIE BLOKES Masculinity in ‘White Australia’ has been shaped by the pioneering spirit of the colony, and its dominant formation remains a complex construction of Anglo-Saxon settler experience. It can be read as a vestige, if you will, of the hardships of the colony, such as the brutality of conditions faced by convicts, the competition of the Gold Rush and land prospecting, and the physical struggle of convicts and free settlers alike with the harsh Australian environment. -
WAY out WEST by Ian Muldoon* ______
WAY OUT WEST by Ian Muldoon* __________________________________________________________ grew up in Manly, NSW in the 1940s and early 1950s. When we spoke of "way out West” in those days it usually meant, Parramatta or, heaven forbid, Penrith. I It should be no surprise that the Sea Eagles is the most hated side in the NRL. Musically the phrase “Way out west”, could mean Marty Robbins or Aaron Copland’s Billy the Kid, or even the Jay Livingstone song Buttons and Bows from the movie Paleface. But to jazz lovers, it’s Sonny Rollins and that iconic album on Contemporary, and the cover with Sonny sporting a ten gallon hat with a tenor under his left arm and no pistol in the right hand holster. The artist in the desert. And not just any desert, it’s the American desert where the white man like Roy Rogers and John Wayne have stood tall in the American dream, the dream of “go West young man” which has meant so much to America and it’s sense of itself, overcoming adversity, fighting blizzards and floods, ending up in triumph and rich in California. Unless of course, you were a man or woman of colour. Sonny Rollins and the cover with Sonny sporting a ten gallon hat with a tenor under his left arm and no pistol in the right hand holster... PHOTO CREDIT WILLIAM CLAXTON _________________________________________________________ *Ian Muldoon has been a jazz enthusiast since, as a child, he heard his aunt play Fats Waller and Duke Ellington on the household piano. At around ten years of age he was given a windup record player and a modest supply of steel needles, on which he played his record collection, consisting of two 78s, one featuring Dizzy Gillespie and the other Fats Waller. -
The Branagh Film
SYDNEY STUDIES IN ENGLISH DEPARTMENT OF ENGLISH UNIVERSITY OF SYDNEY Volume 36, 2010 PENNY GAY: ‗A Romantic Musical Comedy‘ for the Fin-de-Siecle: Branagh‘s Love’s Labour’s Lost 1 BEN JUERS: Slapstick and Self-Reflexivity in George Herriman‘s Krazy Kat 22 JULIAN MURPHET: Realism in The Wire 52 LUKE HARLEY: An Apollonian Scream: Nathaniel Mackey‘s Rewriting of the Coltrane Poem in ‗Ohnedaruth‘s Day Begun‘ 77 REBECCA JOHINKE: Uncanny Carnage in Peter Weir‘s The Cars That Ate Paris 108 77 PETER KIRKPATRICK: Life and Love and ‗Lasca‘ 127 MARK BYRON: Digital Scholarly Editions of Modernist Texts: Navigating the Text in Samuel Beckett‘s Watt Manuscripts 150 DAVID KELLY: Narrative and Narration in John Ford‘s The Searchers 170 Editor: David Kelly Sydney Studies in English is published annually, concentrating on criticism and scholarship in English literature, drama and cinema. It aims to provide a forum for critical, scholarly and applied theoretical analysis of text, and seeks to balance the complexities of the discipline with the need to remain accessible to the wide audience of teachers and students of English both inside and outside the university. Submissions of articles should be made online at http://escholarship.library.usyd.edu.au/journals/index.php/SSE/about/sub missions#onlineSubmissions Each article will be read by at least two referees. Sydney Studies in English is published in association with the Department of English, University of Sydney, NSW 2006, Australia. Visit the Department‘s homepage at: http://sydney.edu.au/arts/english/ ISSN: 0156-5419 (print) ISSN: 1835-8071 (online) Sydney Studies in English 36 Special Edition: The Texts of Contemporary English Studies This volume of Sydney Studies in English is concerned with the changing nature of the text for the study of English. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Guide to Film Movements
This was originally published by Empire ( here is their Best of 2020 list) but no longer available. A Guide to Film Movements . FRENCH IMPRESSIONISM (1918-1930) Key filmmakers: Abel Gance, Louis Delluc, Germaine Dulac, Marcel L'Herbier, Jean Epstein What is it? The French Impressionist filmmakers took their name from their painterly compatriots and applied it to a 1920s boom in silent film that jolted cinema in thrilling new directions. The devastation of World War I parlayed into films that delved into the darker corners of the human psyche and had a good rummage about while they were there. New techniques in non-linear editing, point-of-view storytelling and camera work abounded. Abel Gance’s Napoleon introduced the widescreen camera and even stuck a camera operator on rollerskates to get a shot, while Marcel L'Herbier experimented with stark new lighting styles. Directors like Gance, Germaine Dulac and Jean Epstein found valuable support from Pathé Fréres and Leon Gaumont, France’s main production houses, in a reaction to the stifling influx of American films. As Empire writer and cineguru David Parkinson points out in 100 Ideas That Changed Film, the group’s figurehead, Louis Delluc, was instrumental in the still-new art form being embraced as something apart, artistically and geographically. “French cinema must be cinema,” he stressed. “French cinema must be French.” And being French, it wasn’t afraid to get a little sexy if the circumstances demanded. Germaine Dulac’s The Seashell And The Clergyman, an early step towards surrealism, gets into the head of a lascivious priest gingering after a general’s wife in a way usually frowned on in religious circles.