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Rumberas and Ficheras Cinema: Two Alternative Sides of the Same Coin
ISSN electrónico: 2172-9077 DOI: https://doi.org/10.14201/fjc202020163180 EL CINE DE RUMBERAS Y FICHERAS: DOS CARAS ALTERNATIVAS DE UNA MISMA MONEDA Rumberas and Ficheras Cinema: Two Alternative Sides of the Same Coin Dra. Silvana FLORES Investigadora. Universidad de Buenos Aires, Argentina E-mail: [email protected] https://orcid.org/0000-0003-0991-029X Fecha de recepción del artículo: 10/01/2020 Fecha de aceptación definitiva: 18/02/2020 RESUMEN A través de este artículo, estableceremos un estudio comparado sobre las figuras de las rumberas y las ficheras, en el contexto de los correspondientes films en los que fueron protagonistas, para dar a entender las diferencias y continuidades que estos personajes han ofrecido al cine mexicano a lo largo de las décadas. Para ello también analizaremos cómo funcionan los rasgos genéricos de ambas vertientes en dos películas prototípicas de aquellas épocas, Víctimas del pecado (Emilio Fernández, 1951) y Bellas de noche (Las ficheras)(Miguel M. Delgado, 1975), realizadas bajo la égida de la familia de productores Calderón. De ese modo, evidenciaremos que más allá de las distancias existentes entre ambas clases de films existe un eje que atraviesa la historia del cine mexicano en pos de la descripción de los espacios escabrosos del arrabal y el cabaret, en donde la estigmati- zación aleccionadora va cediendo lugar progresivamente a una mirada más naturalizada y superficial sobre los tópicos en ellas desplegados. Palabras clave: rumberas; ficheras; México; cine; transnacionalidad. ABSTRACT In this article, we will establish a comparative study of the figures of the rumberas and ficheras in the context of the films starred by them, in order to observe the differences and continuities they offered to Mexican cinema through dec-ades. -
904 Doing It Great-Which Is What You Want-Takes All the Time I've
q05 904 KOVACSLAND NET!(/ORK ROULETTE "There's television," Roger Gimbel says. The problem was that experimental TV Roger Gimbel. no way to keep the Tonight show going with- 'Oh, did not draw the sort of ratings expected from a network show. lVith out using talk. Every time we tried to get him to do that he'd say, uncomfortable regard not only to Eugene but to all of Ernie's comedy, "the general I'm with that.' It was the wrong spot for him. He wasn't feeling was that we had avery, very good show, but it wasn't catching interested in other people. He was interested in how to create things." on with the audience," remembers Gimbel. "The reaction in the theater Ernie hosted his last Tonight broadcast on Tuesday, lanuary 22, 1957. the preceding Saturday he had made special was a bumpy thing for us, because we felt that if people weren't com- Bu a appearance on ing, it wasn't what the Tonigbt show was supposed to be. Heavier TV that would redirect the course of his career. comedy, more stand-up material, sketch material worked great. Ernie's sketches were entertaining and wildly imaginative, but they didn't al- ways get big laughs." In 1946 a Catskills comic named Jerry Lewis and an Italian-Ameri- In the meantime, Steve Allen was becoming wearied by the effort can baritone named Dean Martin had decided to form a team and try of mounting his full-scale Sunday-night show every week while contin- to climb together out of the small time. -
Botafogo De Futebol E Regatas
Conselho Deliberativo Aos vinte e sete dias do mês de março de 2018, centésimo vigésimo quarto (124º) aniversário da fundação do BOTAFOGO, no salão nobre do Palacete Colonial, situado na Av. Venceslau Brás nº 72, nesta cidade do Rio de Janeiro, RJ, reuniu-se, em Sessão Ordinária, o Conselho Deliberativo do BOTAFOGO DE FUTEBOL E REGATAS, em 1ª convocação a partir das 19:00 horas e, não havendo o “quorum” estatutário, em 2ª convocação, às 19:30 horas com a Mesa do Conselho assim constituída: Presidente do Conselho Deliberativo – Grande Benemérito Jorge Aurélio Ribeiro Domingues; 1º Vice-Presidente – Benemérito Edson Alves Junior; 2º Vice-Presidente – Grande Benemérito Luiz Octavio Faria Baptista Vieira; 1º Secretário – Eurico Flores Fleury da Rocha e 2º Secretário – Luiz Roberto Alves da Silva Filho. Compareceram à reunião 10 Grandes Beneméritos, 14 Beneméritos, 01 Emérito e 80 Sócios Proprietários. 1. INÍCIO DA SESSÃO 1.1 - O Presidente do Conselho Deliberativo, Grande Benemérito Jorge Aurélio Ribeiro Domingues, solicitou aos senhores Conselheiros que tomassem seus lugares de modo a dar início à reunião e para, de pé, cantarem o Hino do BOTAFOGO. 1.2 – Dando prosseguimento à reunião, o Presidente do Conselho Deliberativo solicitou ao 1º Secretário Eurico Flores Fleury da Rocha a leitura da Ordem do Dia: Rio de Janeiro, 16 de março de 2018. Prezado(a) Conselheiro(a) Pela presente, fica o caro(a) Conselheiro(a) convocado(a) para comparecer à Sessão Ordinária do Conselho Deliberativo, a realizar-se no próximo dia 27 de março de 2018, 3ª feira, às 19h., em 1ª convocação, e, não havendo “quórum” estatutário, em 2ª convocação, às 19:30h., no Palacete Colonial, à Av. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Laurent Cantet, by Martin O’Shaughnessy Author(s) Lee, Ally Editor(s) Hurley, Marian Publication date 2016 Original citation Lee, A. (2016) Laurent Cantet, by Martin O’Shaughnessy. Alphaville: Journal of Film and Screen Media, 11, pp. 127–131. doi: 10.33178/alpha.11.11 Type of publication Review Link to publisher's http://www.alphavillejournal.com/Issue11/ReviewLee.pdf version http://dx.doi.org/10.33178/alpha.11.11 Access to the full text of the published version may require a subscription. Rights © 2016, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6006 from Downloaded on 2021-10-01T23:10:34Z Laurent Cantet. Martin O’Shaughnessy. Manchester: Manchester University Press, 2015 (194 pages). ISBN: 9780719091506. A Review by Ally Lee, University of Warwick Martin O’Shaughnessy’s Laurent Cantet is the latest edition of—and the author’s second contribution to—the Manchester University Press French Film Directors series after the publication in 2000 of his study on the films of Jean Renoir. The series currently features an impressive forty volumes and this assessment of one of France’s most important active filmmakers is a welcome addition. Despite Cantet’s prominence, he has so far been the subject of relatively little scholarly investigation. Previously, only one monograph-length exploration of the director’s oeuvre, Yannick Lebtahi and Isabelle Rousel-Gillet’s stimulating and insightful Pour une méthode d’investigation du cinéma de Laurent Cantet, had been published. -
The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos. -
Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When -
Bank-, Register
BANK-, REGISTER VOLUME liXVIIL, NO. 4. RED BANK, N. J., THURSDAY, JULY 19,1945 -SECTION ONE—PAGES l-,T0U2. Robert J. Hayward Vincent J. Moyes CommitteesNamed Road Contract In Writes Of His Harvest Home Set Electe'd To Head Heads EatontowiW For Church Fair Eatontown Given Pacific Travels For' Missing Naval Gunner The annual Harvest Home supper Committees for the annual Sea and bazar of tfye Women's Society Rainbow Veterans Legion Post 325 Bright Methodist church fair, Jo To Fred -McDowell On New Destroyer of Christian Service of the Metho- Lost Life In Action be- held Friday, August 47, starting dist church will be held Thursday, at 6;30 p. m. on the church prop- August 23, at the church Fellowship Red Bank Resident Officers Elected At erty, were appointed at a meeting Maple Avenue To Be Petty Officer~Clemens hall. Final plans for the event will lust Thursday nightiof the Wom- be completed by the society execu- Letter To Sister Reveals Death Named Saturday At First Meeting Held an's Society- of Christian Service Improved With Tar Jacobsen "Ribbed" By tive Hoard at a meeting Monday, in the parsonage. August 6. - Ohio Convention Last Friday Night The committee members' and Asphalt, Pea Gravel Pals About Sea Bright Mrs. Roy Inscoe, general chair- Of Albert T. Buchhop In Pacific those in charge of the various man, has announced assisting chair- Robert J, Hayward of Pinckney Eatontown Post 325, American tables are Mrs'. Selma Swenson Fred McDowell of Neptune, with Interesting letters about his men. Mrs. Fred Boyd Is chairman Albert Theodore Buchhop, ion of road was elected national president Legion, elected .officers al'lts ffr and Mrs. -
Ernie Kovacs Papers, 1940-1962
http://oac.cdlib.org/findaid/ark:/13030/ft729006px No online items Ernie Kovacs papers, 1940-1962 Finding aid prepared by K. Lopaty and Peggy Alexander; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1998 The Regents of the University of California. All rights reserved. Ernie Kovacs papers, 1940-1962 1105 1 Title: Ernie Kovacs papers Collection number: 1105 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 35.5 linear ft.(71 boxes and 33 oversize boxes) Date: 1940-1962 Abstract: Ernie Kovacs (1919-1962) was one of the leading innovators of comedy in television. He also published a novel and acted in movies. The collection consists of Profuselies cartoons, scripts, recordings of Kovacs' television shows, manuscripts of his novel, Zoomar, as well as personal papers, contracts, financial papers, and scrapbooks. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kovacs, Ernie, 1919-1962 Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Papers cannot be copied except with the permission of Edie Adams. -
Elefante Blanco
MORENA FILMS, MATANZA CINE & PATAGONIK present In co-production with FULL HOUSE (ELEFANTE BLANCO) DIRECTED BY PABLO TRAPERO MORENA FILMS, MATANZA CINE & PATAGONIK present in co-production with FULL HOUSE (ELEFANTE BLANCO) DIRECTED BY PABLO TRAPERO STARRING RICCARDO DARRIN JÉRÉMIE RENIER MArtinA GUSMAN 2012 / SPAIN, ARGENTINA, FRANCE / SPANISH / 1H50 / COLOR DOWNLOAD PRESS KIT AND PHOTOS FROM WWW.WILDBUNCH.BIZ/FILMS/WHITE_ELEPHANT INTERNATIONAL SALES INTERNATIONAL PR PR CONTACT Carole BARATON - [email protected] CANNES OFFICE: Gary FARKAS - [email protected] All Suites Garden Studio, Vincent MARAVAL - [email protected] Park & Suites Prestige Cannes Croisette Gaël NOUAILLE - [email protected] 12, rue Latour Maubourg - 06400 Cannes Silvia SIMONUTTI - [email protected] (Between Miramar and Martinez Hotel) Phil SYMES - Cell: + 33 (0) 6 29 87 62 96 Ronaldo MOURAO - Cell: + 33 (0) 6 29 84 74 07 Email: [email protected] SYNOPSIS The “Villa Virgin”, a shantytown in the slums of Buenos Aires. Julian and Nicolas, two priests and long-standing friends, work tirelessly to help the local people. Julian uses his political connections to oversee the construction of a hospital. Nicolas joins him following the failure of a project he was leading in the jungle, after paramilitary forces assassinated members of the community. Deeply troubled, he finds a little comfort with Luciana, a young, attractive, atheist social worker. As Nicolas’ faith weakens, tension and violence between the slum’s drug-dealing cartels grow. And when work on the hospital is halted by ministerial decree, the fuse is lit... DIRECTOR - interview collective of priests known as the “Priests of the Third World”, who also suffered mysterious deaths and disappearances. -
Dossier De Presse
La Rabbia en association avec Le Pacte Présente « Ce film m’a laissé sans voix » - Martin Scorsese « Le film le plus terrifiant jamais réalisé sur l’Australie » - Nick Cave WAKE IN FRIGHT (Réveil dans la terreur) Un film de Ted KOTCHEFF (1971) Compétition festival de Cannes (logo) 1971 Logo festival Lumière 2014 Avec Donald Pleasence, Gary Bond, Chips Rafferty SORTIE NATIONALE LE 12 NOVEMBRE 2014 Australie – DCP – Couleur- 1.85- Mono-Durée : 1 h 48 www.wakeinfright-lefilm.com DISTRIBUTION LA RABBIA 19 rue de liège 75009 Paris www.larabbia.com En association avec LE PACTE RELATIONS PRESSE 5, rue Darcet Matilde Incerti 75017 Paris Assistée de Jérémie Charrier Tel : 0144695959 16 rue saint sabin 75011 Paris Fax : 0149695941 Tel : 01 48 05 20 80 www.le-pacte.com [email protected] L’enseignant savait que la frontière d’Etat, balisée par une clôture détruite, se trouvait non loin de là, quelque part dans cette lueur floue. Au-delà, en s’enfonçant dans la chaleur : le centre silencieux de l’Australie, le Cœur mort. » Kenneth Cook- Extrait de « 5 Matins de trop » L’Histoire : John Grant, un jeune instituteur, arrive dans la petite ville minière de Bundanyabba, au fin fond de l’Outback, dans laquelle il doit passer la nuit avant de s’envoler pour Sidney. Mais de bière en bière, de pub en pub, sa nuit va se prolonger jusqu’à l’entraîner dans un terrible voyage à travers une Australie sauvage et primitive… Wake in fright en quelques dates: Le roman de Kenneth Cook est publié en 1961. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Dal/Tiete90 LIMA HONDA
Peligra el Proceso de paz en Chiapas ; Regresa Camacho al DF COLS .1, 2, 3 y 4 YAMAHA :• al/tiete90 D LIMA HONDA XR8O R ALDAMA # 166 TEL. 2-34-44 MOTOCICLETAS, MOTOBOMBAS Y PLANTAS DE LUZ AV . DE LOS MAESTROS N° 308 TEL. 4 57 72 y 3 10 85 ........... .. .... ... ... .....r Fundador: Director General : Colima, Col., Domingo 27 de Febrero de 1994 Ntimero 13,176 Ano 41 Manuel Sanchez Sllva Hector Sanchez de la Madrid Bancos Cobrar~n Menos Comisi~n por Iarjetas Reeligen en la El Alto Cobro AfectO a Restauranteros Canaco Colima a Cardenas Munguia .. c -Senala el Dirigente Local de la Canira Luis Fernando Cardena s • Hubo acuerdo con la Asociacion Mexicans de Bancos • De 6% podra Munguia fue reelecto corno bajar hasta 2 .25, segtin la facturacion anual, explica Pacheco Azcona • presidente de la Camara Na - Es resultado de diez meses de negotiation entre la industria restauranter a tional de Comercio, Servicios y Turismo de Colima, en l a y los banqueros • El Centro Bancario de Colima dijo que la reduccio n sesion que efectuaron aye r podria alcanzar hasta el 40 por ciento • Sera solo con tres bancos, dij o los consejeros del organis - Pacheco ; Hernandez Espinoza senala que sera en todas las tarjeta s mo. El nuevo periodoat frent e bancarias de la Camara sera de un ano. Alfredo GUILES CABRERA y Elizabeth CASTILLO MENDEZ La reelection de Car- denas Munguia, quien habia Despues de una serie de presiones efectuadas dependiendo alto de la facturacien anual que sido electo por primera vez a t por la restauranterfa national y despues de tenga el monto promedio del pagare .