Ernie Kovacs Papers, 1940-1962
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												Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE - 
												
												904 Doing It Great-Which Is What You Want-Takes All the Time I've
q05 904 KOVACSLAND NET!(/ORK ROULETTE "There's television," Roger Gimbel says. The problem was that experimental TV Roger Gimbel. no way to keep the Tonight show going with- 'Oh, did not draw the sort of ratings expected from a network show. lVith out using talk. Every time we tried to get him to do that he'd say, uncomfortable regard not only to Eugene but to all of Ernie's comedy, "the general I'm with that.' It was the wrong spot for him. He wasn't feeling was that we had avery, very good show, but it wasn't catching interested in other people. He was interested in how to create things." on with the audience," remembers Gimbel. "The reaction in the theater Ernie hosted his last Tonight broadcast on Tuesday, lanuary 22, 1957. the preceding Saturday he had made special was a bumpy thing for us, because we felt that if people weren't com- Bu a appearance on ing, it wasn't what the Tonigbt show was supposed to be. Heavier TV that would redirect the course of his career. comedy, more stand-up material, sketch material worked great. Ernie's sketches were entertaining and wildly imaginative, but they didn't al- ways get big laughs." In 1946 a Catskills comic named Jerry Lewis and an Italian-Ameri- In the meantime, Steve Allen was becoming wearied by the effort can baritone named Dean Martin had decided to form a team and try of mounting his full-scale Sunday-night show every week while contin- to climb together out of the small time. - 
												
												View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. - 
											
S.C. Education Department Is 'Very Concerned' About Mayewood
LOCAL: Best Of contest expands to Clarendon for 1st year A8 CLARENDON SUN Firefighters awarded at annual banquet A7 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, FEBRUARY 15, 2019 75 CENTS S.C. education Punching up the confidence meter department is ‘very concerned’ about Mayewood Official letter sent to district, board chairman after reopening decision BY BRUCE MILLS [email protected] ESTIMATED COSTS TO REOPEN MAYEWOOD The state education depart- First-year costs in 2019-20: ment’s leader wrote a letter to $1 million to $1.2 million Sumter School District’s leaders Reoccurring annual costs: $360,000 expressing concerns about the to $471,000 school board’s vote Monday night to re- Source: Sumter School District administration open Mayewood Mid- dle School given the district’s recent fi- education department, told The nancial and other Sumter Item on Thursday. difficulties. After the official fiscal 2016 SPEARMAN South Carolina Su- audit report revealed the district perintendent of Edu- overspent its budget by $6.2 mil- cation Molly Spearman brought lion that year, draining its gener- up a handful of topics that are ei- al fund balance to $106,449, the ther ongoing or in the recovery state department put the district process, mainly regarding costs on a “fiscal watch” in 2017. associated with reopening and That same year, the state Legis- maintaining Mayewood and pos- lature passed a law requiring all sibly F.J DeLaine Elementary school districts to have at least School next school year. one month’s operating expendi- KAYLA ROBINS / THE SUMTER ITEM “We’re very much aware of the tures in their fund balance — Jerome Robinson owns Team Robinson MMA in Sumter, which moved into the former Jack’s issues going on in Sumter, and roughly $12 million for Sumter’s Shoes downtown in 2018. - 
												
												JUDGE of BEAUTY Estate of the Honorable Paul H
STEPHEN GEPPI DIXIE CARTER SANDY KOUFAX MAGAZINE FOR THE INTELLIGENT COLLECTOR SPRing 2009 $9.95 JUDGE OF BEAUTY Estate of the Honorable Paul H. Buchanan Jr. includes works by landmark figures in the canon of American Art CONTENTS HIGHLIGHTS JUDGE OF BEAUTY Estate of the Honorable Paul H. 30 Buchanan Jr. includes works by landmark figures in the canon of American art SUPER COLLectoR A relentless passion for classic American 42 pop culture has turned Stephen Geppi into one of the world’s top collectors IT’S A Mad, Mad, Mad, Mad (MagaZINE) WORLD 50 Demand for original cover art reflects iconic status of humor magazine SIX THINgs I LeaRNed FRom WARREN Buffett 56 Using the legendary investor’s secrets of success in today’s rare-coins market IN EVERY ISSUE 4 Staff & Contributors 6 Auction Calendar 8 Looking Back … 1934 10 News 62 Receptions 63 Events Calendar 64 Experts 65 Consignment Deadlines On the cover: McGregor Paxton’s Rose and Blue from the Paul H. Buchanan Jr. Collection (page 30) Movie poster for the Mickey Mouse short The Mad Doctor, considered one of the rarest of all Disney posters, from the Stephen Geppi collection (page 42) HERITAGE MAGAZINE — SPRING 2009 1 CONTENTS TREAsures 12 MOVIE POSTER: One sheet for 1933’s Flying Down to Rio, which introduced Fred Astaire and Ginger Rogers to the world 14 COI N S: New Orleans issued 1854-O Double Eagle among rarest in Liberty series 16 FINE ART: Julian Onderdonk considered the father of Texas painting Batman #1 DC, 1940 CGC FN/VF 7.0, off-white to white pages Estimate: $50,000+ From the Chicorel Collection Vintage Comics & Comic Art Signature® Auction #7007 (page 35) Sandy Koufax Game-Worn Fielder’s Glove, 1966 Estimate: $60,000+ Sports Memorabilia Signature® Auction #714 (page 26) 2 HERITAGE MAGAZINE — SPRING 2009 CONTENTS AUCTION PrevieWS 18 ENTERTAINMENT: Ernie Kovacs and Edie Adams left their mark on the entertainment industry 23 CURRENCY: Legendary Deadwood sheriff Seth Bullock signed note as bank officer 24 MILITARIA: Franklin Pierce went from battlefields of war to the U.S. - 
												
												The Little Theatre-On the Square, Sullivan SEASON
The Little Theatre-On The Square, Sullivan "Central IllinoIs' Only Star Equity MusIc and Drama Theatre" Guy S. Little, Jr. presents 20 TH SEASON Established 1957 Guy S. Little, Jr, presents MICHAEL CALLAN in MEREDITH WILLSON'S "THE MUSIC MAN" Book, Music & Lyrics by: StDry by: MEREDITH MEREDITH WILLSON and WILLSON FRANKLIN LACEY with MELLISS KENWORTHY JOHN KELSO MARTHA LARRIMORE JOHN GALT Janet Peltz Phil Courington Steve Vujovic Robert Swan I Directed by ROBERT BAKER I Choreographed by HELEN BUTLEROFF Musical Direction by BRUCE KIRLE Production Designed by ROBERT D. SOULE Costumes Designed by DAVI D BESS Lighting Designed by Michael Ritoli Production Stage Manager Technical Director Assistant Musical Director Lee Geisel Michael Ritoli Robert Rodgers ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE Cast Conductor JOHN SCOTT Charlie Cowell ......................................•.. STEPHEN ARNOLD Harold Hill MICHAEL CALLAN Mayor Shinn ...................•.......................JOHN KELSO Ewart Dunlop ..........................••........•.... PHIL COURINGTON Oliver Hix ...........................•....•........... WAYNE BAAR Jacey Squires STEVE VUJOVIC Olin Britt .........................•......•..•.......•. ROBERT SWAN Marcellus Washburn JOHN GALT Tommy Djilas ....................•.•................•..JOHN SCOTT Marion Paroo MELLISS KENWORTHY Mrs. Paroo .........................................•.. JANET PELTZ Amaryllis ......•.•.................................... DORLISA MARTIN Winthrop Paroo ............•.........................•. - 
												
												David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. - 
												
												Danny Daniels: a Life of Dance and Choreography
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Danny Daniels: A life of dance and choreography Louis Eric Fossum Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Dance Commons Recommended Citation Fossum, Louis Eric, "Danny Daniels: A life of dance and choreography" (2003). Theses Digitization Project. 2357. https://scholarworks.lib.csusb.edu/etd-project/2357 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies: Theatre 'Arts and Communication Studies by Louis Eric Fossum June 2003 DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino by Louis Eric Fossum June 2003 Approved by: Processor Kathryn Ervin, Advisor Department of Thea/fer Arts Department of Theater Arts Dr. Robin Larsen Department of Communications Studies ABSTRACT The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny' s dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works. - 
												
												Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives. - 
												
												Tante Critiche E Ricorsi Alla Tassa-Salute Quando E Quanto
SABATO l'UnitàOGG I 18 OTTOBRE 1986 Il pagamento slitta a dicembre Congresso Anci: 77 governo Probabilmente l'ultimo termine sarà il 20 repliche polemiche ci ha Una lunga discussione a palazzo Chigi Ridurre ripensato L'ultima parola spetta all'Inps Accolta la richiesta del Pei i Comuni: tanti no Concessi due mesi di respiro alle Tante critiche e ricorsi alla tassa-salute proposte ROMA — È certo: il pagamen quidata la tredicesima. I termi tive di applicazione e difficoltà della mattinata, ha detto che si particolare di discutere sulla provvedimento non corretto». di Craxi to della «tassa della salute» slit ni già fissati al 20 e al 31 otto organizzative per effettuare i era deciso di non intervenire su base di quanto hanno detto gli Ricordiamo che sul contri ta a dicembre. Probabilmente il bre sono prorogati dunque di >agamenti. L'accoglimento del- termini di pagamento della tas ordini professionali». Il mini buto sanitario sono arrivati nei Dal nostro inviato termine ultimo verrà fissato al due mesi. a nostra richiesta giunge per sa sulla salute, aggiungendo: stro del Bilancio, Romita, la mesi scorsi migliaia di ricorsi f «Se slittamento ci sarà, sarà de sciando palazzo Chigi aveva in PADOVA — Una raffica di 20, secondo le indicazioni del «Prendiamo atto con soddi tanto opportuno. Questi due alla magistratura da parte dei no. L'Idea di ridurre il nume Consiglio dei ministri, ma l'ul sfazione — ha dichiarato Ugo mesi di proroga — conclude il ciso in via amministrativa e vece dichiarato che riteneva professionisti. Inoltre, il comi ro dei comuni Italiani, lan tima parola spetta all'Inps. - 
												
												Winter Garden Theater, First Floor Interior
Landmarks Preservation Commission January 5, 1988; Designation List 199 LP-1387 WINTER GARDEN THEATER, first floor interior consisting of the inner lobby, the auditorium, the stage; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings and attached decorative elements; 1634-1646 Broadway, Manhattan; initial structure built c. 1885 and rebuilt 1896; remodeled and partially rebuilt for theater use 1910-11, architect W. Albert Swasey; remodeled 1922-23, architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1022, Lot 26. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Winter Garden Theater, first floor interior consisting of the outer lobby, the inner lobby, the auditorium, the stage, the staircases leading from the first floor to the ba 1 cony floor and all connecting entrance areas; the ba 1 cony floor interior consisting of the balcony, the upper part of the auditorium and ceiling, the upper part of the stage house; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, doors, stair railings and attached decorative elements; and the proposed designation of the related Landmark Site (I tern No. 83). The hearing was continued to October 19, 198 2. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witne sses spoke or had statements read into the record in favor of designation. - 
												
												It Might As Well Be Swing the New Musical Bandstand Brings the Sound of 1940’S Swing Music to the Broadway Stage This Month
Volume 45 • Issue 4 April 2017 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Corey Cott and Laura Osnes star in Bandstand. Photo © Jeremy Daniel. It Might As Well Be Swing The new musical Bandstand brings the sound of 1940’s swing music to the Broadway stage this month. Jersey Jazz’s Sanford Josephson has a preview of the show (p. 26) which had its critically acclaimed first run at the Paper Mill Playhouse in Short Hills, NJ last fall. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez .......................... 2 Bulletin Board ...................... 2 NJJS Calendar ...................... 3 Jazz Trivia ......................... 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info ....... 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJS ............. 41 Crow’s Nest ...................... 42 he Oscars were almost a very good night for jazz, in had a jazz program for quite a few years, although is not New/Renewed Members ............ 44 Tthat the winner of the Best Picture award was a full major as such. Musicians from the program have temporarily announced as La La Land, a throwback to often appeared at the September Princeton JazzFeast storIes the era of Hollywood musicals whose characters included which is co-sponsored by NJJS. They have scheduled Bandstand Opens on Broadway .... cover a jazz pianist (played by Ryan Gosling) struggling to several jazz programs this spring at Princeton which are Big Band in the Sky ................. 8 survive by stringing together various less than satisfying free and open to the public. We wish Professor Don Braden at Luna Stage ..........