The Little Theatre-On the Square, Sullivan SEASON
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE -
View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
S.C. Education Department Is 'Very Concerned' About Mayewood
LOCAL: Best Of contest expands to Clarendon for 1st year A8 CLARENDON SUN Firefighters awarded at annual banquet A7 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, FEBRUARY 15, 2019 75 CENTS S.C. education Punching up the confidence meter department is ‘very concerned’ about Mayewood Official letter sent to district, board chairman after reopening decision BY BRUCE MILLS [email protected] ESTIMATED COSTS TO REOPEN MAYEWOOD The state education depart- First-year costs in 2019-20: ment’s leader wrote a letter to $1 million to $1.2 million Sumter School District’s leaders Reoccurring annual costs: $360,000 expressing concerns about the to $471,000 school board’s vote Monday night to re- Source: Sumter School District administration open Mayewood Mid- dle School given the district’s recent fi- education department, told The nancial and other Sumter Item on Thursday. difficulties. After the official fiscal 2016 SPEARMAN South Carolina Su- audit report revealed the district perintendent of Edu- overspent its budget by $6.2 mil- cation Molly Spearman brought lion that year, draining its gener- up a handful of topics that are ei- al fund balance to $106,449, the ther ongoing or in the recovery state department put the district process, mainly regarding costs on a “fiscal watch” in 2017. associated with reopening and That same year, the state Legis- maintaining Mayewood and pos- lature passed a law requiring all sibly F.J DeLaine Elementary school districts to have at least School next school year. one month’s operating expendi- KAYLA ROBINS / THE SUMTER ITEM “We’re very much aware of the tures in their fund balance — Jerome Robinson owns Team Robinson MMA in Sumter, which moved into the former Jack’s issues going on in Sumter, and roughly $12 million for Sumter’s Shoes downtown in 2018. -
Ernie Kovacs Papers, 1940-1962
http://oac.cdlib.org/findaid/ark:/13030/ft729006px No online items Ernie Kovacs papers, 1940-1962 Finding aid prepared by K. Lopaty and Peggy Alexander; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1998 The Regents of the University of California. All rights reserved. Ernie Kovacs papers, 1940-1962 1105 1 Title: Ernie Kovacs papers Collection number: 1105 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 35.5 linear ft.(71 boxes and 33 oversize boxes) Date: 1940-1962 Abstract: Ernie Kovacs (1919-1962) was one of the leading innovators of comedy in television. He also published a novel and acted in movies. The collection consists of Profuselies cartoons, scripts, recordings of Kovacs' television shows, manuscripts of his novel, Zoomar, as well as personal papers, contracts, financial papers, and scrapbooks. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kovacs, Ernie, 1919-1962 Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Papers cannot be copied except with the permission of Edie Adams. -
New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950'S
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's Peter McCormack Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the United States History Commons, and the Visual Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation McCormack, Peter, "New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's" (2017). Senior Projects Spring 2017. 148. https://digitalcommons.bard.edu/senproj_s2017/148 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950’s Senior Project Submitted to The Division of Social Studies of Bard College by Peter McCormack Annandale-on-Hudson, New York May 2017 ii From New York to Hollywood iii Acknowledgements I would like to thank my parents first and foremost. I don’t think I’ve ever taken the time to bore them with the intimate details of this project. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Download the Playbill
The 2018/2019 Season is generously sponsored by This production is generously sponsored in part by Carol Beauchamp, Kathy Gaona, Ronni Lacroute Diane Lewis, Linda Morrisson, Pat Reser & Bill Westphal & Jan Simmons OCT 4,5,6,7,11,12,13,14,18,19,20,21,25,26,27,28,29,30,31 DIRECTOR’S NOTES By Scott Palmer IRA LEVIN is no stranger to murder, his attention successfully to Broadway. upper crust New England convention; mayhem, terror, demons, the He adapted a now-forgotten book by Mac Ralph Lauren woolen sweaters, classical supernatural, or good old-fashioned blood Hyman – No Time For Sergeants – and the architecture, an attractive and supportive and gore. In fact, Levin’s career was 1955 play ran for over 700 performances wife, influential neighbors, with just a largely based on scaring the pants off on Broadway, launching the career of the hint of celebrity here and there; a fading people, and his iconic play, Deathtrap, is lead actor, Andy Griffith. Levin stayed with career and the recognition that younger, perhaps his greatest achievement. theatre for the next 10 years, although more energetic talents may soon eclipse less successfully. His work may not have you. In so many ways, these characters According to the UK’s Independent been hugely impactful for the theatre, are pretty commonplace. newspaper, Ira Levin was “the king of but it was for a number of Broadway the high-concept thriller.” Although he stars. Interlock (1958) starring Maximilian But underneath all of that convention produced more plays than he did novels Schell ran for four performances. -
Winter 2019 Fresnel
The Fresnel The newsletter of The Black Swamp Players, Inc. Bowling Green, OH Winter 2019 From the President... Dear Theater Lovers, Welcome to 2019 and the continuation of our 51st season! Clue: The Musical, our collaboration with FUMC and their dinner theater team, was a smashing success. It was such fun to see so many shows so well attended and to see such talented new faces in the cast. Thanks to Melissa Shaffer, Deb Shaffer, and Karen Long who jointly headed our production team. It warmed the heart of this grizzled Black Swamp veteran to see so many faces in our audience all at the same time. I’m guessing you felt the same way. I feel certain that The Music Man will exceed even Clue’s lofty attendance numbers. Speaking for the board, we know that we have a better product than our attendance rates would suggest. The attendance has been a concern for a number of years. We feel the best solution is finding a permanent home for our theater. We continue to look for and pursue ways for that to happen. In the meantime, I thought it worth appealing to you, our membership, and anyone else who happens to read this issue of The Fresnel for help. As I see it, the future of BSP depends on growing our audience. There are lots of ways to do that. Better marketing, more familiar shows, more musicals, larger casts are all approaches we are aware of and are to varying degrees working towards. Another way is for the people who already come to see Black Swamp productions (Yes, that would be you. -
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST to Arrange Onsite Research Viewing Access at UCLA, Please Contact the Archive Research and Study Center [email protected]
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST To arrange onsite research viewing access at UCLA, please contact the Archive Research and Study Center [email protected] . PREFIX LOCATION EPISODE TITLE_SERIES SCREEN ACTORS GUILD DVD 1460 ALFRE WOODARD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1669 ANDY DICK FOUNDATION: CONVERSATIONS ANDY GARCIA MODERATED BY SCREEN ACTORS GUILD DVD 8699 TODD AMORDE FOUNDATION: CONVERSATIONS ANDY RICHTER MODERATED BY SCREEN ACTORS GUILD DVD 7020 SARAH KUHN FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1484 ANGLE LANSBURY FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1409 ANN DORAN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 2010 ANTHONY HOPKINS FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1483 ANTHONY LAPAGLIA FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1434 BARBARA BAIN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1413 BARRY GORDON FOUNDATION: LEGACY BEN AFFLECK MODERATED BY SCREEN ACTORS GUILD DVD 6348 PETE HAMMOND FOUNDATION: CONVERSATIONS BEN COOPER MODERATED BY SCREEN ACTORS GUILD DVD 8697 DAVIDSON LLOYD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1486 BEN KINGSLEY FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1500 BENICIO DEL TORO FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1674 BETTY GARRETT FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1416 BEVERLY GARLAND FOUNDATION: CONVERSATIONS BILL AND SUSAN SEAFORTH SCREEN ACTORS GUILD DVD 1843 HAYES FOUNDATION: CONVERSATIONS BILL PAXTON MODERATED BY SCREEN ACTORS GUILD DVD 7019 JENELLE RILEY FOUNDATION: CONVERSATIONS SCREEN ACTORS -
Finding Aid for the Gary L. Hill Broadway Theatre Guild Stage Door Collection Collection 349
Finding aid for the Gary L. Hill Broadway Theatre Guild Stage Door collection Collection 349 This finding aid was produced using ArchivesSpace on July 20, 2021. Describing Archives: A Content Standard Grand Rapids History and Special Collections 111 Library Street NE Grand Rapids, Michigan 49503 [email protected] URL: https://www.grpl.org/research/history/ Finding aid for the Gary L. Hill Broadway Theatre Guild Stage Door collection Collection 349 Table of Contents Summary Information ......................................................................................................................................... 4 Biographical / Historical ...................................................................................................................................... 4 Scope and Contents .............................................................................................................................................. 6 Administrative Information ............................................................................................................................... 6 Controlled Access Headings ............................................................................................................................... 7 Collection Inventory ............................................................................................................................................. 7 Series I. Historical & Biographical information. ...................................................................................... -
·RENT·A-R.ARI
PR ~ ~ 1980 St. Edwards University presents MEREDITH WILLSON'S THE MUSIC MAN Book, Music and Lyrics by Meredith Willson Story by Meredith Willson and Franklin Lacey Direction Susan Loughran Musical Direction Bro. Gerald Moiler Cho reography Renata Sanford Scenic and Light Design Peter O'Rourke Member of Ford Rent A Car System ·RENT·A-r.ARICars For The STARS Provided By A-J LEASING COMP ANY 56th Street at Airport Boulevard Phone 452-0286 ~n Affiliate of Leif Johnson Ford,, - RENT·A·TIOO(I WE'RE ON YOURSIDE. Bankof SouthAuslin We're on your side. South . South Cong ress at Olto rf. Phone 44 7-4411. Member FDIC. THE CAST On The Train Conductor . .. ... .. .... ........ ......... .. ......... Mike O'Neill The Salesman . ...... .... ..................... ....... Eric Abbott Richard Lemen Michael McCoy Eric Shepherd Charlie Cowell ... .... ... .. .. ... ...... .. ....... Steve Carpentier Harold Hill .. ... ...... ....... ... ... .. .. .... ... Fred Zimmerman In River City Mrs. Paroo . ............ .. ..... .... ..... ... Cynthia Peterek Miss Marian Paroo .... .. ... ... .. .. ............. Virginia Johnson Winthrop Paroo . .................. ... ..... .. .. Timmy Corkery Mayor Shinn ....... ... .. .. ... ........ ....... Michael Stuart Mrs. Eulalie Mackecknie Shinn ..... .. .... .... ..... .. Deborah Gaughan Zanetta . ....... .... ..... .. .. ...... ........ ...... Tammy Stones Gracie ......... .. .. ... __ ... .. .............. Debbie Czarnowski Mrs. Oliver Hix .... .. ......................... .. ... Lorne Loganhill Mrs. Alma Hix ............ -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.