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CHARACTERS and COMEDIENNES

ACADEMY PLAYERS DIRECTORY #196

BOOK PAGE: 1

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ANDREA ABBATE
ANNIE ABBOTT
ROSE ABDOO
LOUISA
ABERNATHY

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DESIREE ACEVES
BETTYE
ACKERMAN
ROSSI ACREE
EDIE ADAMS

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CHARACTERS and COMEDIENNES

ACADEMY PLAYERS DIRECTORY #196

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JULIE ADAMS
LILLIAN ADAMS
SHEILA K. ADAMS
TACEY ADAMS

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SCBFEIODNy5rrNSicReLOsAilfnLIDhintVCnAT.GcTgCAgIaDhAMRP4SNeGoP(,WMvScOIETrNA82LUEmrFG,aicOEDoASOniA1LOEecDMlvSTumNpaTeI.WcM83nAiVRMCTctFHrlMnPehTOtC)eIRTaiE,1eNcHnIArTeTgGUDIASn96rR&Fisce1GREt9rHeaWdGEF,sdRi56SrAnON4DA5dG,aLleuEiABE518ABRnDOiArPgFSlMIDOrSl-tsEmRLabgSsikAe938WcsMtSItAEvDaseStNpioacg387IlaPTs.DSnMgAlUtercEne048hsVGaIgAocYniDeSRTnN012MageHAyvAtcItScEtFeai,cOSaeycsRUgecasctSTauneLettigrntano,eTetgtn,,Ve,

SHUKO AKUNE
EILEEN DIETZ
ALBANY
RUTANYA
ALDA
MARILYN
ALEX

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ACADEMY PLAYERS DIRECTORY #196

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KIM ALEXIS

  • JAMIE LEIGH
  • RAE

ALLEN
SHEILA MATHEWS

  • ALLEN
  • ALLEN

  • Jana(3Lu1k0eM)r449T4a061l7e-4n2t8A2g2ency
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  • Chateau(2/1Bi3ll)Kin929g636s5T-5a5l4e3nt2Agency

CAROL ALSTON
JANE ALTMAN
JUDY
ALTMAN
PEGGY AMATO

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ACADEMY PLAYERS DIRECTORY #196

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  • S(MCACFi3Dn5ArRIKi1cARtSgemJaOcUM0FfAOCSGnJeteleCO).NiSArcACnHNa,TohM2S7(CRtNFGULZn8BHND,CmER7EOASiILri0TYiaREAOcN45VASnmFiplAcNM5htlunS.-UcEaTieGcA-Ye.NOCa)96scTcSU.RBec76.rsheNDA.O38Re12rI.T0HiscnFAiTRS985N.realKnaAos0S2i5RA,DTt0HOATE720Rda,lJBtnUoN60H53R8OI,cDUEOBli0NgSlmIDsLTtE-corA0INAsS,kelR0GViSeDFpbo(siFcTsILeRg26nCEilrhsmHEScDiIEtlwAFoet17CR.mlsdTESeO,mTGAEnvVI2.YEnL,EGYSi,AMEtc,)TtsTCSdoyT,cNuVadTVC75Er.IOeGiNVtuk,2DtOTina-loV79Yt-r,nl,-f,

SHIRIN AMINI
JEANINE T. ANDERSON
MARIAN
ANDERSON
MARINA
ANDERSON

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PAMELA
ANDERSON
HELENA ANDOSSI
ANDREA
ANDRESAKIS
PHYLLIS
APPLEGATE

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ACADEMY PLAYERS DIRECTORY #196

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  • PSear(s23goe1nr02aC)MlAaH72Ma9md84n6aud491anle-tga52neg17me70me70ment t
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MARLENE ARAGON
JULIE
ARASKOG
BEVERLY ARCHER
KATHLEEN MARIE
ARCHER

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  • S(D3B10PN)a70r9t87n753e-r30s,0I6n0c.

VALERIE AREY
KARIN ARGOUD

  • LEE
  • CAROL

  • ARTHUR
  • ARNONE-BRIGGS

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ACADEMY PLAYERS DIRECTORY #196

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HELEN-JEAN
ARTHUR
REBECA ARTHUR
LISA
ARTURO
CARMEN ASHBY

  • Susa(n2S1m3)iFt8h956&29-A4s7s7o7ciates
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CAMILA ASHLAND
PAT AST
RUTH ASTOR
TONI ATTELL

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ACADEMY PLAYERS DIRECTORY #196

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DANIELLE AUBRY
D’ANNE AVNER
CANDICE AZZARA
ALICE BACKES

  • H. Da(v2id13MH)o469s61s654&-81A2s3s4ociates
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  • D(o2n1GM3)Lee28rs9l3s57e6a4r06g7-Ae67gs30e85n6cy

TINA BACON
CINDY BAER
RACHEL BAILIT
JEANNE BAIRD

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ACADEMY PLAYERS DIRECTORY #196

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BECKY ANN
BAKER
GILL BAKER
SARA
BALLANTINE
BRENDA BALLARD

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  • Per(s2o1nH3ae)lEr6Mb39556aK42na-a9rgp7e7m2ent
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  • ThePHAeorr(su38tois1net08saMo)lMf75M99aR7046ane263nap-6ag08rege73sem74em24enentantttives

KAYE
BALLARD
ROWENA BALOS
SUSAN BAMBARA
KAREN
BANKHEAD

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  • PerA(s8om1ne8arN)lic5M29a027an12nA-1a8rg9tie1smt7sent
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  • RENEE
  • ROSEMARY

BARGER
NATALIE BARISH
JACQUIE

  • BARNBROOK
  • BANKS

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KATHIE BARNES
LISA
BARNES
MAXINE BARNETT
DANA LYN BARON

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  • (31Ta0l)eIn5nt5n&3o-vML5a4i2t494ei0v9r65e0a55r2Ay(r2Ati1sg2tse)n3c1y5-

JOANNE BARON
MILLE BARON
MAJEL BARRETT
BARBARA BARRIE

  • IWRm5NopaClYflrttieoAP.rrNDcvN7(SliS3FesoSOBki1UaEwunapLiT0AtDTita.UitenhMYHC)oiTDlcnEgeoUn12rEi8Eg9,rnea,2R8n2kN,Ct6dBlRE56SWriASLOoDt-i2Ynsklt1slcb-iOloiscseS5lTsoTwhlerRT8.sVVcbnALA5iSltDaARa,kct,diceiTeiusnnVnlggtt,,,
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REBECCA BARRY
ROBERTA BASSIN
LAURA
BASTIANELLI
JEANNE BATES

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ACADEMY PLAYERS DIRECTORY #196

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LYNN
BATTAGLIA
TAYLOR BAUGH
PAIGE BAXTER
FRANCES
BAY

  • (31T0h)e2G7e4r-Ms6h16098A17611g88e2n(2c1y,2I)n9c.97-
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  • GrGPeeornl(sd38/o/1SnM08iaeH)algr691Me9s574lh6a92&8an-6ka54A/g13Lse10isemo0dcetinkaettes

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  • World on Fire

    World on Fire

    Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes.
  • Hardware Reference Manual Dxlink™ Twisted Pair Transmitters/Receiver

    Hardware Reference Manual Dxlink™ Twisted Pair Transmitters/Receiver

    HARDWARE REFERENCE MANUAL DXLINK™ TWISTED PAIR TRANSMITTERS/RECEIVER DX-TX, DX-TX-WP, DX-TX-DWP, DX-RX, AVB-TX-HDMI-DXLINK IMPORTANT SAFETY INSTRUCTIONS 1. READ these instructions. 2. KEEP these instructions. 3. HEED all warnings. 4. FOLLOW all instructions. 5. DO NOT use this apparatus near water. 6. CLEAN ONLY with dry cloth. 7. DO NOT block any ventilation openings. Install in accordance with the manufacturer's instructions. 8. DO NOT install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. DO NOT defeat the safety purpose of the polarized or grounding type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wider blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. PROTECT the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. ONLY USE attachments/accessories specified by the manufacturer. 12. USE ONLY with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. UNPLUG this apparatus during lightning storms or when unused for long periods of time. 14. REFER all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
  • Morrie Gelman Papers, Ca

    Morrie Gelman Papers, Ca

    http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.