DOCSLIB.ORG

At 35, Composer Joseph Williams Has Already Made a Significant Mark On

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
At 35, Composer Joseph Williams Has Already Made a Significant Mark On JOSEPH STANLEY WILLIAMS AWARDS / NOMINATIONS EMMY AWARD NOMINATION “Miracles” Outstanding Main Title Theme Music (2003) SONGS FOR FILM (source & featured) A.I. Artificial Intelligence Steven Spielberg, dir. WB *3 cues (source and featured) STAR WARS: EPISODE 1 George Lucas, dir. The Phantom Menace * 1 cue (featured) “Café Sequence” 20th Century Fox STAR WARS: EPISODE 2 George Lucas, dir. Attack Of The Clones *1 cue (featured) “Café Sequence” 20th Century Fox RETURN OF THE JEDI Richard Marquand, dir. 20th Century Fox *2 Songs (featured) “Lapti nek” & “Ewok Celebration” THE FURY Brian DePalma, dir. 20th Century Fox *2 Songs (source) THE GOONIES Richard Donner, dir. Amblin *1 Song (featured) “Save the Night” SPACE CAMP *1 Song (featured) “American Girl” Universal ACCIDENTAL TOURIST Lawrence Kasden, dir. *1 Song (source) TELEVISION WINDFALL (series) Fred Keller, Stan Salfas, Nancy Oliver, prods. Regency Television Fred Keller, Tawnia Cannell McKiernan, Steven Robman, dirs. CATEGORY 7 Robert Sertner, Frank von Zerneck, exec. prods. Von Zerneck Sertner Films Dick Lowry, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JOSEPH STANLEY WILLIAMS MIRACLES (1 hr series) David Greenwalt, prod. ABC Matt Reeves, dir. *Main Title ROSWELL (1 hr. series – underscore) Kevin Brown, Jonathan Frakes, Jason Katims, WB/UPN Lisa Olin, prods. FELICITY (1 hr series) Mychelle Deschamps, Andrew Newman, WB Anthony Santa Croce, Lawrence Trillling, Gerrit van der Meer, prods. L.A. DOCTORS (1 hr series) Elizabeth Cantillon, prod. CBS EARLY EDITION (series) Kyle Chandler, John Romano, prods. CBS SLEEPWALKERS (series) David Goyer, Stephen Kronish, exec. prods. NBC Lee Bonner, David Nutter, Kristoffer Tabori, dirs. THE STREET (1/2 season – underscore) Darren Star, Jeff Rake, prods. Fox Michael Dinner, dir. FIRST YEARS (1 hr. series – underscore) Jill Gordon, Ken Topolsky, prods. NBC *Co-Composer with W.G. Snuffy Walden CHICAGO HOPE (1 hr series) Dennis Coopert, Rob Corn, James Hart, CBS John Heath, prods. *Co-Composer with Jeff Rona PROVIDENCE (underscore, six episodes) Joseph Dougherty, exec. prod. NBC Monica Wyatt, John Masius, prods. *Co-Composer with Bennet Salvay NORM (series) Al Lowenstein, Norm Macdonald, prods. ABC *Co-Composer with W.G. Snuffy Walden PROFILER (series) Charles Holland, Tom Luse, John Forrest Niss, NBC Anthony Santa Croce, prods. *Co-Composer with Jeff Rona SOLDIER OF FORTUNE INC. (series) Terry Spazek, prod. UPN * Co-Composer with Lee Curreri The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 JOSEPH STANLEY WILLIAMS LOIS & CLARK: The New Adventures of Chris Long, Philip Sgriccia, prods. Superman (series) *For composer Jay Gruska (score & source) ABC THE SENTINEL *For Composer Steve Porcaro (score) UPN THE BURNING ZONE (series) *For Composer Martin Davich (score) UPN FILM SCORES EMBRACE OF THE VAMPIRE Alan Mruvka, Marilyn Vance, prods. New Line Ann Goursaud, dir. LAST GASP Stanley Isaacs, prod. Kushner Locke / Warner Vision Films Scott McGinnis, dir POISON IVY 2: LILY Paul Hertzberg, Catalaine Knell, prods. New Line Ann Goursaud, dir. THE LEGEND OF GATORFACE Alan Mruvka, Marilyn Vance, prods. Showtime Vic Saren, dir. PHAT BEACH Cleavland O’Neil, prod. Live Entertainment Doug Ellin, dir. CHAMPIONS Peter Bunch, dir. HBO JOHNNY MYSTO Mark Headly, prod. Kurchner-Locke Jeff Burr, dir. BELOW UTOPIA Catalyn Knell, prod. New Line BUTTER J.P. Pentinato, prod. HBO / Live Entertainment Peter Bunche, dir. SNITCH Bob Alschuler, prod. Independent Keith Markinson, dir. THE BIG BANG THEORY (feature) Ash, prod. Independent Ash, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 JOSEPH STANLEY WILLIAMS THE WAITER (short) Robin Fellows, prod. Independent Doug Ellin, dir. SHOOT THE MOON David Schwimmer, Robert Riddle, prods. Independent Tom Hodges, dir TIME AND AGAIN (short) Ron Link, Dan Gerrity, prods. Independent Ron Link, dir. 6 DAYS & 7 NIGHTS Ivan Reitman, Wallis Nicita, Touchstone Pictures Roger Birnbaum, prods. Ivan Reitman, dir. *4 underscore cues for Randy Edelman FROM DUSK TILL DAWN 2 Dan Gross, prod. Miramax Scott Spiegel, dir. SUPREME SANCTION Lisa Hanson, prod. HBO John Terlesky, dir. JUDGMENT DAY Lisa Hanson, prod. HBO John Terlesky, dir. CHAIN OF COMMAND Paul Hertsberg, prod. HBO John Terlesky, dir. GUARDIAN Lisa Hanson, prod. HBO John Terlesky, dir. MOMENTUM Lisa Hanson, prod. HBO John Terlesky, dir. WRITTEN IN BLOOD Lisa Hanson, prod. HBO John Terlesky, dir. ANOTHER LIFE Carrol Trusel, prod. Independent Tracy D’Arcy, dir. OTHER STUFF Lead singer for the rock group Toto from 1986 to 1990 Singing voice of adult Simba in Walt Disney’s The Lion King Son of composer conductor John Williams The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 .
Load more

Recommended publications
  • Andrea Abbate Annie Abbott Rose Abdoo Louisa
    CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE
    [Show full text]
  • Virginian Writers Fugitive Verse
    VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe.
    [Show full text]
  • World on Fire
    Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes.
    [Show full text]
  • Yesterdays Tomorrows Past Visions of the American Future 1St Edition Download Free
    YESTERDAYS TOMORROWS PAST VISIONS OF THE AMERICAN FUTURE 1ST EDITION DOWNLOAD FREE Joseph J Corn | 9780801853999 | | | | | Rare & Collectible Books Armed with knowledge of the future, he then tries to prevent tragedies described in "tomorrow's" Sun-Times from occurring, thus changing the story text and headlines in the newspaper to reflect the outcome of his actions. The choice is to act or not, a Hobson's choice. Shop AbeBooks' most popular Collections History sellersitems. Rubenfeld believed the idea was more suited to television than a feature film, noting that, "it was a really unique way to put a character in physical jeopardy each week. Marrisa is Gary's blind friend who helps Gary make all the right choices. Pages and cover are clean and intact. If you knew that you were going Yesterdays Tomorrows Past Visions of the American Future 1st edition die? Enterprise: The First Adventure. He receives information and is in a position to help, sometimes a little, sometimes a lot. A rule like this can encourage careful listening. Company Credits. Likewise, some will dispute one or more of the dates above. Fantasy The Book Exchange 12 items. Whet your appetite with an excerpt. Roll-on deodorant. The Best Horror Movies on Netflix. Sign In. Minor shelfwear. Architecture sellers 64, items. Gary Hobson 90 episodes, TV shows I've seen!!! Collision Course Star Trek: Academy. Books, magazines and web sites such as those listed in the resource section below are filled with them. Satisfaction Guaranteed! Our BookSleuth is specially designed for you. In particular, the feature film It Happened Tomorrow centered upon a newspaper reporter who received a newspaper a day in advance.
    [Show full text]
  • In This Issue
    wwwhe Miam, hurricane.miami.edui Hurricane/ Volume 74T, Number 5 University of Miami Tuesday September 17, 1996 Compliments outweigh complaints By CRISTINA ORTEGA Staff Writer It has been eight months since the George A. Smathers Wellness Center opened its doors and already it is evolving and changing. For one thing, the influence ofthe Wellness Center caused Campus Sports and Recreation, the center's administrative body, to change its name to the Department of Wellness and Recreation. The word "wellness" better describes the func­ tions sponsored by the center, said Patty Swift, the Wellness Center's assistant director of business and marketing. "But the name-change was just a technical change. Most of the concrete changes have been done in response to the complaints and suggestions of the people who use the facil­ ity," Swift said. "We are constantly trying to make the cen­ ter better." Patty Pujals, who works at the Wellness Center's front desk and pro shop, said she hears people compliment the facility all the time. "The alumni are always asking 'why didn't they have this when I was here?' Most people are very impressed when they first see the center," Pujals said. "People say it's like no other fitness facility they've ever seen." PUMPING UP: Dave Celfman, senior, obviously thinks the Wellness Center's worth it, as he lifts weights on Sunday night. SUN* WOODS/Photo Editor But, Pujals also hears plenty of complaints. "People don't like the music selection, they don't want to p«> VJn« entra. fees for aerobiCS Classes and tot \«sNe>.\ ser­ vice," Pujals said.
    [Show full text]
  • A Complete Television Shows List Europe & Asia North America
    A Complete Television Shows List Europe & Asia Alpha 0.7 - Der Feind in dir Liebe und Wahn Dangerous Liaisons Lüthi und Blanc Der Bestatter Polizeiruf 110 Die Snobs Stunthero Dr. Klein Stuttgart Homicide Eine für alle - Frauen können's besser Supermodel Geld oder Leben Tanzalarm! Lasko - The Fist of God Tatort North America 24 Banshee Burn Notice 90210 Barnaby Jones Californication $#*! My Dad Says Baywatch Carpoolers 10 Things I Hate About You Baywatch Nights Castle 12 Miles of Bad Road Beauty and the Beast Chaos 24: Redemption Beverly Hills, 90210 Charlie's Angels A to Z Big Time Rush Charmed Agents of S.H.I.E.L.D. Black Scorpion Chicago Hope Airwolf Body of Proof Chiefs Alias Bones Chop Shop Amen Boomtown Chuck American Horror Story Bosch Cleopatra 2525 Angel Brooklyn Bridge Cold Case Awake Brother's Keeper CollegeHumor Originals B.J. and the Bear Brothers & Sisters Cover Up Bad Judge Buffy the Vampire Slayer Crime Story Bad Teacher Bunheads Criminal Minds Crossing Jordan Hardball Last Resort Crumbs Hardcastle and McCormick Lauren CSI: Crime Scene Investigation Harry O LAX CSI: Miami Hart of Dixie Legends CSI: NY Hart to Hart Leo & Liz in Beverly Hills Curb Your Enthusiasm Hawaii Level 9 Dark Skies Hawaii Five-0 Leverage Day Break Hawaiian Heat Life Days of Our Lives Heroes Limestreet Designing Women Highway to Heaven Logan's Run Desperate Housewives Hit the Floor Longmire Dexter Hollywood Beat Lost Downtown House MacGruder and Loud Dynasty Houston Knights Magic City E-Ring How to Get Away with Murder Major Crimes Eagleheart Hunter
    [Show full text]
  • Vol.41 N.17 November 21St 2013
    California State University, San Bernardino CSUSB ScholarWorks Black Voice News Special Collections & University Archives 11-21-2013 Vol.41 n.17 November 21st 2013 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/blackvoice Recommended Citation CSUSB, "Vol.41 n.17 November 21st 2013" (2013). Black Voice News. 26. https://scholarworks.lib.csusb.edu/blackvoice/26 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Black Voice News by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. November 21, 2013 Volume 41 | Issue 17 Planes...Trains... Is Logistics Inland So Cal’s Future? Inland Southern California’s News Weekly theievoice.com | NOVEMBER theievoice.com21, 2013 | VOICE 1 VOICEPATRONS &PARTNERS Please join our growing list of concerned citizens who help us continue to provide a vital service ...keeping our community engaged, educated & informed. Join our growing list.... Ola Faye Stephens Arthur Levias Dr. Sterling Stuckey Webb Engineering Sandy Close Charlotte Hall Robin De-Ivy Allen TASIN (Tribal Alliance of Sovereign Indian Nations) Dr. Rod Parker Linda Jackson Hilda J Kennedy Acquanetta Warren Ronald Loveridge James Lee Pete Labahn Christine Ward Gailey Rose Mayes Zelma Willett Carole Nagengast Dolores Armstead Charles & Elaine Katie Greene Walter Allen Bibbs Don Griggs Jim King Dexter Minter As a VOICE Patron & Partner you can designate
    [Show full text]
  • The Renaissance Tragic Interior and Its Classical Substructure
    The Renaissance Tragic Interior and Its Classical Substructure A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature of the College of Arts and Sciences by Andrew Alexander MAT Miami University June 2005 MA (Hons) University of Glasgow June 1988 Committee Chair: J. Z. Kamholtz PhD Committee Members: J. Carlson PhD, M. Griffith MFA Abstract How similar is the Classical private interior which birthed the public archetype of the vir bonus to the idea of identity which we now label “modern’ and to which Shakespearean characters lay claim when they assert selfhood by name: “always I am Caesar”; “I am Antony yet”? Over the last 15 years or so, the emergent field of Classical scholarship which has followed the cultural materialist and New Historicist turn in English studies has led to a reconsideration of such questions. Taking advantage of these new lines of inquiry, this discussion examines the extent to which Early Modern identity, as revealed in the works of sixteenth and seventeenth-century tragedians, takes its psychological scaffolding from Classical models, originating with the archaic Greek heroes of Homer and modified by the rhetorical and theatrical tropes of writers and statesmen from the Roman Republic and Imperiate, such as Cicero, Seneca, and Quintilian. Each strand of the argument considers how Classical writers understood their own identities, both idealized and actual. Given that the influence of the Graeco-Roman psychological interior on its Renaissance successor is mediated by intervening centuries of Catholic ideology and Mediaeval appropriation, the avenues of reception for Classical thought in the Renaissance are considered as part of the argument.
    [Show full text]
  • Sanibel Jacaranda
    Mock evacuation Infinity Reeling 'n' rocking page 3A page 1B 1£!»*LCCC13486 1 q0 HR 1 123197 JANUARY 31, 1997 SAMBEL LIBRARY VOLUME 24 ! NUMBER 12 7 7C CLNLCP RD [SECTIONS, 44 PAGES anc S t M P E L F L 33957 REPORTER Plan calls for causeway to be replaced Planners OK single-span *skyf bridge to island By Mark S. Krzos News Editor As we know it, the Sanibel Causeway's days are numbered, at least according to the Sanibel Plan. Two weeks ago, the Sanibel Planning Commission adopted the Sanibel Plan, setting into motion plans to scrap the causeway's existing budges in favor of a fixed span bridge fiom the mainland to Sanibel. Planning Commissioners and city staff feel that doing away with the cur- rent bridges and islands is "the single most important improvement project which would improve hurricane evacu- ation safety." The Sanibel Plan, in two separate sections, states that the current bridges i are impractical for traffic flow and hur- ncane safety. Over the past five years traffic congestion on Sanibel roads has become a primary concern among Sanibel planning commissioners OK'd a plan to lar to the bridge to Fort Myers Beach — connecting islanders, businesses and tourists. replace the Sanibel Causeway, spoil islands and the island with the mainland. Commissioners say •please see page 2A vdrawbridge with a single-span "sky" bridge — simi- this option is best for traffic flow and evacuation. Juried art show winners Jacaranda fighting noise charges By Ron Hefner Sanibel's noise ordinance to acting On Jan.
    [Show full text]
  • PDF EPUB} Beating Level Nine by Sahara Kelly Beating Level Nine by Sahara Kelly
    Read Ebook {PDF EPUB} Beating Level Nine by Sahara Kelly Beating Level Nine by Sahara Kelly. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660a4f7d88132b71 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Level 9 (TV series) Level 9 is an American science-fiction television series created by Michael Connelly and John Sacret Young, that was broadcast on UPN from October 27, 2000 until January 26, 2001. Contents. Plot Cast Production Episodes Broadcast and syndication DVD release References External links. The series revolved around a secret agency within the government, staffed by government agents, tech-savvy geeks, and former criminal hackers, which is tasked with solving or preventing cyber crimes. Fabrizio Filippo as Roland Travis, a former criminal hacker given a choice between prison and joining Level 9. Kate Hodge as Annie Price, the Level 9 team leader and a former FBI agent. Michael Joseph Kelly as Wilbert "Tibbs" Thibodeaux Romany Malco as Jerry Hooten, formerly with the United States Postal Inspection Service.
    [Show full text]
  • Broadcasting
    October 18, 1999 iCahners.. Broadcasting www.broadcastingcable.com 'Lifetime bets on Black Carole Black, President and CEO, Lifetime Television Are you ready for NATPE? TV-radio auction nets $57 million New AT&T cable boss makes 59102 o-trt*irar.**w.ce+stt*+tit5-DIGIT 19 C0151 Ci4 AIJGOO REGB- v.JOHN C JOHNSON Flood of off -n KTVQ-TV 26:; WATERTON WAY shows on the rIl_L_INGE. MT 59102-7755 www.americanradiohistory.com ' VV /U M 25-54 +33'/0 70 ' M 25 -54 h49 FRIDAY young women dn't fit on the page. UNITED PARAMOUNT NETWORK www.americanradiohistory.com M 18.34 +17% +28 °l0 M 25-54 M 18-34 MONDAY TUESDAY WED - SEASON Source: Ni=1sen Television Index Pesplemeter average acien estimates, 9/21J9; to 10/13/98 vs. 9/20/9E to 19/12/99. Percent change based P.S. We're also up amo on rating a iiicated. Women and persons growth bawd SL total UPN prime tine ratings. Includes p elinnaries; subject tc gka_ifications furnished apoi request. and total persons, it just wo www.americanradiohistory.com Hey, who needs Viagra... www.americanradiohistory.com BroadcasligiCable October 18,1999 www.broadcastingcabie.cult, Volume 129 Number 43 Are you ready for NATPE? B &C has learned of a host of shows in the works for next fall as syndicators prepare for Janu- ary's convention. / 4 Chris -Craft looks to sell TV group CBS, Tribune and Fox are said to be interested. / 8 Auctions rake in $57 million WinStar and George Flinn are the biggest winners in the FCC's first broadcast license sale.
    [Show full text]
  • Wormwood and Hamlet's Petrarchism a Dissertation Submitted in Part
    UNIVERSITY OF CALIFORNIA Los Angeles Treason in My Breast: Wormwood and Hamlet’s Petrarchism A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Jason Ligon Morphew 2017 © Copyright by Jason Ligon Morphew 2017 ABSTRACT OF THE DISSERTATION Treason in My Breast: Wormwood and Hamlet’s Petrarchism by Jason Ligon Morphew Doctor of Philosophy in English University of California, Los Angeles, 2017 Professor Helen E. Deutsch, Co-Chair Professor Lowell Gallagher, Co-Chair T.S. Eliot viewed Hamlet as a dramatic failure, because “like the sonnets, it is full of some stuff that the writer could not drag to light.” C.S. Lewis, Harold Bloom, and Alexander Shurbanov agree that the play contains a lyric essence, but they do not trace that essence to its source. “Treason in My Breast” argues that Hamlet is a Petrarchan poem, a more fully realized expression of the Italian poet’s influence than Shakespeare’s Sonnets or Romeo and Juliet. Out of this argument emerges a poetic anthropology of the early modern Human: beginning in Petrarch’s poetry, reaching its apex in Hamlet, terminating in the poems of Jonathan Swift. After explicating in the Introduction the most explicitly Petrarchan document in Hamlet—the II.ii letter-poem from the Prince to Ophelia—Chapter One explores the ii letter-poem’s philologically vexed “etcetera” moment, represented in the Second Quarto of the play as an ampersand, a ligatory symbol invented by Cicero’s slave and secretary Tiro. Chapter Two connects the inscrutability of the god Janus to the goddess Diana, the latter of which is significant in Petrarch’s Canzoniere, the former of which makes explicit the “double move” of the Renaissance and of Hamlet—compelled toward oblivion while obsessed with the past.
    [Show full text]