BEA Program 2013

Total Page:16

File Type:pdf, Size:1020Kb

BEA Program 2013 elon.edu/communications BEA2016 Convention Program – BEA2016 Convention C School of Communications ONTENT • One of 18 private universities in the nation ARRIVING FALL 2016 accredited by ACEJMC IS One of the nation’s finest communications schools K • More than 1,200 students and 60 full-time deserves one of the nation’s finest facilities. ING faculty members Elon University broke ground in summer 2015 on two new buildings that will merge with two • Undergraduate majors in Journalism, existing buildings to create a Communications Strategic Communications, Cinema Commons in the heart of campus. & Television Arts, Communication Design and Media Analytics A grand atrium will connect the current facility with a new building that will feature a • A master’s program in Interactive Media 250-seat movie theatre. Student media will be converged, and one of the current studios Pioneered the Elon in LA program • will become transparent to an outdoor plaza. CONTENT IS KING: STORYTELLING ACROSS PLATFORMS Convention Program Chairʼs Welcome A very warm welcome to BEA 2016 from your 2016 Program Chair! Whether you’re a first timer or a seasoned BEA veteran, I know you’ll find much of interest in the numerous panels, programs and sessions we’ve crafted for you over the next few days. Our spotlight theme “Content is King: Storytelling Across Platforms” is extremely relevant in a world where we get and convey information across many different platforms…but sometimes can forget that we are still at heart, storytellers. Bringing the focus back to content allows us to explore the many different ways stories can be told across genres and platforms as well as in the classroom. To that end, we’ve recruited a myriad of great storytellers…all of whom are crafting stories across different platforms in unique ways. Our keynote speaker is one such person. Bruce Rosenblum is CEO of the Academy of Television Arts where he is constantly focused on finding and telling compelling stories in new ways all while adjusting to a constantly changing media system. Rowan University brings you a conversation with Frank Spotnitz, the creative force behind Amazon’s recent miniseries ‘The Man in the High Castle” and countless classic episodes of FOX’s “The X-Files.” The Television Academy Foundation takes you into the world of ‘reality TV’ with the man widely credited for creating today’s modern reality genre, Jonathan Murray. And learn more about women leading media today in one of our many special sessions throughout the convention. There’s plenty on the academic side as well, including our 2016 Research Symposium that tackles the issues of Risk and Health Communication in an Evolving Media Environment. Check out our ‘non-poster’ poster sessions, where you can learn about many interesting research topics—on a big screen. You won’t want to miss the always entertaining “pitch session” where you might hear the next great idea for a hit program, then visit “BEA Ignite” to learn new tips and tricks for engaged classroom teaching. You can even learn how to fly a drone (legally) in a Tuesday session this year! And don’t forget, we have more than 100 panelists presenting cutting edge academic research on themes that stretch across all 17 of our research divisions (and you could even be a part of helping us create an 18th). You’ll also want to make sure you view some of our award winning entries in this year’s Festival of Media Arts. With a record number of entries (more than 1500) you’re sure to be amazed at the creativity of faculty and students from universities around the globe. And students, don’t forget to get going on your job hunt with the annual BEA/NAB Career Fair Wednesday! Putting this convention together was an honor and a privilege and I have to thank the three people that make all this possible every year, our rock star BEA team of Heather Birks, JD Boyle and Traci Bailey. I could not have done this without their tireless support and encouragement. Thanks also to 2017 Program Chair Christine Taylor for leading the charge for our non-poster poster sessions and Festival of Media Arts Chair Lowell Briggs for guiding a cast of hundreds through a very complicated process. As a former television news producer and reporter, associate professor and proud BEA member of ten years and counting, I can tell you that tackling a convention of this size and reputation has been one of the most challenging yet rewarding things I have done in my career. I thank everyone who submitted panels and sessions, offered ideas and suggestions when in desperate need of them, and in general helped create what you are about to experience over the next four days. My final piece of advice for having a great BEA convention: explore everything, attend as many things as you can, make connections and contacts and most importantly, be amazed and enthralled by the kinds of storytelling that is happening all around you. Enjoy! Sara Magee, BEA 2016 Program Chair, Associate Professor of Communication, Loyola University Maryland 1 BEA2016 Highlights S S S U U U N N N D D D A A A Y Y Y S M M U O O N N N D D D A A A Y Y Y M M T O O U N N E D D S A A D Y Y A Y Special Podium Sessions M W O T N E D U D A Y E N _ S E T U D S E S A D D A Y A Y Y W W E E D D N N E E S S D D A A Y Y CONTENT IS KING: STORYTELLING ACROSS PLATFORMS Table of Contents BEA Exhibitors ....................................................................7 BEA Leadership .................................................................13 Highlights ...........................................................................15 Saturday Schedule .....................................................18 1771 N Street, NW Sunday Schedule .......................................................20 Washington, DC 20036-2891 Monday Schedule ......................................................59 Tuesday Schedule ......................................................88 Wednesday Schedule ...............................................113 email: [email protected] Index of Names ...............................................................123 Icon Key Teaching Techniques/Tips & Educational Programs Research/Theory T D R Industry Issues & Updates I Demonstration/Workshop “Educating for Tomorrowʼs Media since 1955” www.beaweb.org 3 Entry Window 11/15 - 12/15 www.BEAfestival.org Heather & Traci -- Congratulations and thank you for 10 YEARS of service to BEA! BEA Board of Directors & Membership CONTENT IS KING: STORYTELLING ACROSS PLATFORMS BEA2016 LEADERSHIP BEA Headquarters Broadcast Education Association Executive Director 1771 N Street, NW Heather Birks Washington, DC 20036-2891 Director, Sales and Marketing Office: 202-602-0587 J-D Boyle Fax: 202-609-9940 Manager, Business Operations E-mail: [email protected] Traci Bailey Website: www.beaweb.org 2015-2016 Board of Directors President John Allen Hendricks, Stephen F. Austin State University Vice President for Academic Relations Augie Grant, University of South Carolina Vice President for Industry Relations Christine H. Merritt, Ohio Association of Broadcasters Secretary-Treasurer Michael Bruce, University of Alabama Immediate Past President Barry Umansky, Ball State University District Representatives District 1 Representative (Connecticut, Delaware, Maine, Massachusetts, New Hampshire New Jersey, New York, Rhode Island & Vermont) Gregory Bray, SUNY - New Paltz District 2 Representative (Alabama, Florida, Georgia, Mississippi, North Carolina, South Carolina & Tennessee) Vic Costello, Elon University District 3 Representative (Kentucky, Maryland, Michigan, Ohio, Pennsylvania, Virginia, Washington, DC & West Virginia) Stacey O. Irwin, Millersville University of Pennsylvania District 4 Representative (Illinois, Indiana, Iowa, Minnesota, Nebraska, North Dakota, South Dakota & Wisconsin) Joseph R. Blaney, Illinois State University District 5 Representative (Arkansas, Kansas, Louisiana, Missouri, New Mexico, Oklahoma & Texas) Tony DeMars, Texas A&M University - Commerce Campus District 6 Representative (Alaska, Arizona, California, Colorado, Hawaii, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington and Wyoming) Gregory N. Luft, Colorado State University District 7 Representative (All two-year schools in the USA) James Crandall, Aims Community College District 8 Representative (International Programs) Deborah Wilson David, University of Lincoln Interest Division Representative (BEA Interest Divisions) Micheal McAlexander, California State University - Fullerton Electronic Media Professional Representatives Ric Harris, NBC Universal Dennis Lyle, Illinois Broadcasters Association Bruce K. Rosenblum, Media Research & Insights, Warner Bros. Ex-Officio Members Festival Committee Chair: Lowell A. Briggs, York College of Pennsylvania Publications Committee Chair: Susan Brinson, Auburn University Research Committee Chair: Louise Benjamin, Kansas State University Scholarship Committee Chair: Pete Orlik, Central Michigan University 13 BEA2016 BEA2016 FESTIVAL OF MEDIA ARTS, Leadership The BEA Best of Festival King Foundation Awards Sponsored by The Charles and Lucille King Family Foundation Festival Chair: Lowell A. Briggs, York College of Pennsylvania Festival Creative Director: Glenn Hubbard, East Carolina University Festival Producer: Iveta Imre, Western Carolina University Ex-Officio: Heather Birks, BEA Executive Director 2016 Competition Chairs: Audio Competition (Radio and Audio Media Division) Faculty Competition Chair: Andy Curran, University of Cincinnati - Clermont College Student Competition Chair:
Recommended publications
  • Andrea Abbate Annie Abbott Rose Abdoo Louisa
    CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE
    [Show full text]
  • Tom Fleischman CAS
    Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking
    [Show full text]
  • Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
    PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product.
    [Show full text]
  • The Operational Aesthetic in the Performance of Professional Wrestling William P
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days.
    [Show full text]
  • Eminem Song Composer: New Zealand Ad Is 'Blatant Rip-Off'
    lifestyle WEDNESDAY, MAY 3, 2017 MUSIC & MOVIES Eminem song composer: New Zealand ad is 'blatant rip-off' he composer of the opening guitar riff for in the courtroom. He said he wrote the song responded. The lawyer asked if it was weaker Eminem's "Lose Yourself" says the sound- with Eminem and Luis Resto over 18 months. because it was different. "It doesn't feel like Ttrack of a New Zealand political ad is a "I picked up a guitar and started playing that 'Lose Yourself""? the lawyer asked. "It doesn't "blatant rip-off." Jeff Bass told the High Court in opening guitar chord," he said. "At that time, I feel like me playing 'Lose Yourself,'" Bass said. Wellington yesterday that the song titled didn't know if it was a song or not." He said The lawyer asked Bass if he'd agree that the Led "Eminem Esque" that was used by the ruling Eminem, aka Marshall Mathers III, put together Zeppelin song "Kashmir" has a similar chord National Party during its 2014 election cam- a drum track but then they got stuck. "It took pattern. paign sounds like "Lose Yourself Lite." But, he him a number of months to author the perfect "No. None whatsoever," Bass responded. added, "It doesn't taste so good, though." lyrics that were just right for the beat," Bass Judge Helen Cull asked Bass if the guitar strum Eminem's music publishers Eight Mile Style sued said. He said they finished as Eminem complet- he'd performed in the courtroom was common.
    [Show full text]
  • 5 Ferndale Studios at Epicenter of Detroit's Music Recording Industry
    5 Ferndale studios at epicenter of Detroit’s music recording indu... http://www.freep.com/article/20140119/ENT04/301190085/fern... CLASSIFIEDS: CARS JOBS HOMES APARTMENTS CLASSIFIEDS SHOPPING E-CIRCULARS DAILY DEALS ADVERTISE SUBSCRIBE News Sports Michigan Business Entertainment Life Better Michigan Obits Help MORE: MitchAlbom.com e-Edition Health care reform Detroit bankruptcy High School Sports Find what you are looking for ... SEARCH 5 Ferndale studios at epicenter of Detroit's music recording industry 2,507 people recommend this. Sign Up to see what your friends 10:10 AM, January 19, 2014 | 10 Comments Recommend recommend. Recommend 2.5k 4 A A Recommend Most Popular Most Commented More Headlines 1 Ex-Chrysler engineer cleared in sex case sues defense attorney after 7 years in prison 2 New Yorker article quotes L. Brooks Patterson with choice words about Detroit 3 Detroit Lions headquarters will be quieter with Jim Caldwell in charge 4 Freep 5: Great restaurants for Polish food 5 Dave Birkett: 5 Senior Bowl players who could interest the Detroit Lions Most Viewed Vintage King Audio technician Jeff Spatafora looks over a refurbished Neve 8078 audio mixer at its warehouse in Ferndale. Vintage King specializes in providing vintage equipment to studios across the country. / Jarrad Henderson/Detroit Free Press By Brian McCollum Nestled along a half-mile stretch in Ferndale, among the rugged Detroit Free industrial shops and gray warehouses, is the bustling epicenter of Press Pop Music Writer Detroitʼs music recording scene. FILED UNDER Most of the thousands who drive every day through this area by 9 Where in the world is Jessica Biel? | DailyDish Entertainment Mile and Hilton probably donʼt even realize itʼs there: a Jan.
    [Show full text]
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • The Representation of the LGTBQ Community in MTV's the Real World
    Columbia College Chicago Digital Commons @ Columbia College Chicago Cultural Studies Capstone Papers Thesis & Capstone Collection 4-29-2019 “This is the True Story:” The Representation of the LGTBQ Community in MTV’s The Real World Morgan Rae Ohman Follow this and additional works at: https://digitalcommons.colum.edu/cultural_studies Part of the American Popular Culture Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Television Commons This work is licensed under a Creative Commons Attribution-No Derivative Works 4.0 License. “This is the True Story:” The Representation of the LGTBQ Community in MTV’s The Real World Morgan Rae Ohman Abstract In this project, Morgan Ohman seeks to explore the MTV reality show The Real World by analyzing several cast members of the show who identify as part of the LGBTQ community. MTV’s The Real World, a reality TV show that first aired in 1992, captures the lives of seven young people between the ages of 18-24 that are selected to live in a house together for several months. The show’s dramatic the opening title sequence, “what happens when people stop being polite and start getting real?” raises fundamental questions about the relationship of reality TV and the politics of representation, as well as about the relationship between the subjects represented in reality TV and its viewers and consumers. Ohman combines a critical narrative analysis with critical theories of representation and identity politics. In particular, she draws on queer theory and the work of cultural studies scholar Stuart Hall to examine The Real World show, highlighting how representation in the media has become a vital tool for viewers to help validate their subjectivity and subject- positions within the LGBTQ community.
    [Show full text]
  • Elon Journal of Undergraduate Research in Communications
    ELON JOURNAL OF UNDERGRADUATE RESEARCH IN COMMUNICATIONS Fall 2016 VOLUME 7, NO. 2 Joining the World of Journals Welcome to the nation’s first and only undergraduate research journal in communications. The website of the Council on Undergraduate Research lists more than 200 undergraduate research journals nationwide (http://www.cur.org/resources/students/undergraduate_journals/). Some of these journals focus on a discipline (e.g., Journal of Undergraduate Research in Physics), some are university-based and multidisciplinary (e.g., MIT Undergraduate Research Journal), and others are university-based and disciplinary (e.g., Harvard Political Review). The Elon Journal focuses on undergraduate research in journalism, media and communications. The School of Communications at Elon University is the creator and publisher of the online journal. The first issue was published in spring 2010 under the editorship of Dr. Byung Lee, associate professor in the School of Communications. The three purposes of the journal are: • To publish the best undergraduate research in Elon’s School of Communications each term, • To serve as a repository for quality work to benefit future students seeking models for how to do undergraduate research well, and • To advance the university’s priority to emphasize undergraduate student research. The Elon Journal is published twice a year, with spring and fall issues. Articles in the journal may be downloaded, reproduced and redistributed without permission for non- commercial purposes as long as the author and source are properly cited. Student authors retain copyright ownership of their works. Celebrating Student Research This journal reflects what we enjoy seeing in our students -- intellectual maturing.
    [Show full text]
  • The Midwest 9/11 Truth Conference, 2013 Event Videos Now on Youtube
    This version of Total HTML Converter is unregistered. NewsFollowup Franklin Scandal Omaha Sitemap Obama Comment Search Pictorial index home Midwest 9/11 Truth Go to Midwest 9/11 Truth Conference The Midwest 9/11 Truth Conference 2014 page Architects & Engineers Conference, 2013 for 9/11 Truth Mini / Micro Nukes 9/11 Truth links Event videos now on YouTube, World911Truth Cheney, Planning and Decision Aid System speakers: Sonnenfeld Video of 9/11 Ground Zero Victims and Rescuers Wayne Madsen , Investigative Journalist, and 9/11 Whistleblowers AE911Truth James Fetzer, Ph.D., Founder of Scholars for 9/11 Truth Ed Asner Contact: Steve Francis Compare competing Kevin Barrett, co-founder Muslim Jewish Christian Alliance for 9/11 Truth [email protected] theories The Midwest 9/11 Truth Conference 2014 is now in the planning stages. Top 9/11 Documentaries US/British/Saudi/Zionists Research Speakers: The Midwest 9/11 Wayne Madsen Truth Conference Jim Fetzer Wayne Madsen is a Washington, DC-based investigative James H. Fetzer, a former Marine Corps officer, is This version of Total HTML Converter is unregistered. journalist, author and columnist. He has written for The Village Distinguished McKnight Professor Emeritus on the Duluth Voice, The Progressive, Counterpunch, Online Journal, campus of the University of Minnesota. A magna cum CorpWatch, Multinational Monitor, News Insider, In These laude in philosophy graduate of Princeton University in Times, and The American Conservative. His columns have 1962, he was commissioned as a 2nd Lieutenant and appeared in The Miami Herald, Houston Chronicle, became an artillery officer who served in the Far East. Philadelphia Inquirer, Columbus Dispatch, Sacramento Bee, After a tour supervising recruit training in San Diego, he and Atlanta Journal-Constitution, among others.
    [Show full text]
  • Nickelodeon Greenlights the Crystal Maze, All-New Version of UK Hit Game Show
    Nickelodeon Greenlights The Crystal Maze, All-New Version of UK Hit Game Show June 3, 2019 Click HERE to download art. BURBANK, Calif.--(BUSINESS WIRE)--Jun. 3, 2019-- Nickelodeon is bringing the legendary UK hit game show The Crystal Maze to the U.S. in an all-new version, co-produced by Bunim/Murray Productions (The Real World, The Challenge, Born This Way) and RDF Television (Secret Life of 4 Year Olds, Wife Swap, Shipwrecked), all under the Banijay Group. A longtime staple of British pop culture and family entertainment, The Crystal Maze--considered the forerunner to the current escape room craze--is a competitive challenge featuring a family team who must utilize physical and mental skills to successfully navigate an elaborate labyrinth of four giant and immersive themed zones. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190603005662/en/ Casting is underway on the new series (10 one-hour episodes) which begins production on the original set in Bristol, England, this summer. The show’s host, who guides the family through each challenge and adventure, and the series premiere, will be announced at a later date. “As Nickelodeon embraces co-viewing opportunities for every member of the family, The Crystal Maze brings a new type of action game and storytelling to audiences with its escape room-style gameplay and emphasis on collaboration and teamwork to win,” said Rob Bagshaw, Executive Vice President, Nickelodeon Unscripted Content. “The Crystal Maze has long served as a staple of the UK entertainment landscape and we could not be happier to be reinventing the show for a younger demo (Photo: Business Wire) alongside our sister companies, RDF and Stephen David Entertainment.
    [Show full text]