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Michigan's Historic Preservation Plan
Michigan’s state historic Preservation Plan 2014–2019 Michigan’s state historic Preservation Plan 2014–2019 Governor Rick Snyder Kevin Elsenheimer, Executive Director, Michigan State Housing Development Authority Brian D. Conway, State Historic Preservation Officer Written by Amy L. Arnold, Preservation Planner, Michigan State Historic Preservation Office with assistance from Alan Levy and Kristine Kidorf Goaltrac, Inc. For more information on Michigan’s historic preservation programs visit michigan.gov/SHPo. The National Park Service (NPS), U. S. Department of the Interior, requires each State Historic Preservation Office to develop and publish a statewide historic preservation plan every five years. (Historic Preservation Fund Grants Manual, Chapter 6, Section G) As required by NPS, Michigan’s Five-Year Historic Preservation Plan was developed with public input. The contents do not necessarily reflect the opinions of the Michigan State Housing Development Authority. The activity that is the subject of this project has been financed in part with Federal funds from the National Park Service, U.S. Department of the Interior, through the Michigan State Housing Development Authority. However, the contents and opinions herein do not necessarily reflect the views or policies of the Department of the Interior or the Michigan State Housing Development Authority, nor does the mention of trade names or commercial products herein constitute endorsement or recommendation by the Department of the Interior or the Michigan State Housing Development Authority. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Acts of 1964, Section 504 of the Rehabilita- tion Act of 1973 and the Age Discrimination Act of 1975, as amended, the U.S. -
Challenges and Achievements
The Pennsylvania State University The Graduate School College of Arts and Architecture NISEI ARCHITECTS: CHALLENGES AND ACHIEVEMENTS A Thesis in Architecture by Katrin Freude © 2017 Katrin Freude Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture May 2017 The Thesis of Katrin Freude was reviewed and approved* by the following: Alexandra Staub Associate Professor of Architecture Thesis Advisor Denise Costanzo Associate Professor of Architecture Thesis Co-Advisor Katsuhiko Muramoto Associate Professor of Architecture Craig Zabel Associate Professor of Art History Head of the Department of Art History Ute Poerschke Associate Professor of Architecture Director of Graduate Studies *Signatures are on file in the Graduate School ii Abstract Japanese-Americans and their culture have been perceived very ambivalently in the United States in the middle of the twentieth century; while they mostly faced discrimination for their ethnicity by the white majority in the United States, there has also been a consistent group of admirers of the Japanese art and architecture. Nisei (Japanese-Americans of the second generation) architects inherited the racial stigma of the Japanese minority but increasingly benefited from the new aesthetic light that was cast, in both pre- and post-war years, on Japanese art and architecture. This thesis aims to clarify how Nisei architects dealt with this ambivalence and how it was mirrored in their professional lives and their built designs. How did architects, operating in the United States, perceive Japanese architecture? How did these perceptions affect their designs? I aim to clarify these influences through case studies that will include such general issues as (1) Japanese-Americans’ general cultural evolution, (2) architects operating in the United States and their relation to Japanese architecture, and (3) biographies of three Nisei architects: George Nakashima, Minoru Yamasaki, and George Matsumoto. -
To Read Sample Pages
“ Any detailed account of the architectural history of the World Trade Center must rely on the work of Anthony W. Robins.” — Angus Gillespie, author of Twin Towers: Th e Life of New York City’s World Trade Center THE WORLD TRADE CENTER CLASSICS OF AMERICAN ARCHITECTURE ANTHONY W. ROBINS Originally published in 1987 while the Twin Towers still stood — brash and controversial, a new symbol of the city and the country — this book off ered the fi rst serious con- sideration of the planning and design of the World Trade Center. It benefi ted from interviews with fi gures still on the scene, and archival documents still available for study. Many of those interviewed, and many of the documents, are gone. But even if they remained available today, it would be impossible now to write this book from the same perspective. Too much has happened here. In this, the tenth anniversary year of the disaster, a new World Trade Center is rising on the site. We can fi nally begin to imagine life returning, with thousands of people streaming into the new build- ings to work or conduct business, and thousands more, from all over the world, coming to visit the new memorial. It is only natural, then, that we will fi nd ourselves thinking about what life was like in the original Center. Th is new edition of the book — expanded to include copies of some of the documents upon which the text was based — is off ered as a memory of the World Trade Center as it once was. -
The Arup Journal Issue 2 2013
The Arup Journal Issue 2 2013 The Arup Journal About Arup Arup is a global organisation of designers, Arup’s core values drive a strong culture Printed by Pureprint Group using engineers, planners, and business of sharing and collaboration. their ® environmental print consultants, founded in 1946 by Sir Ove technology. The printing inks are made from vegetable based oils and Arup (1895-1988). It has a constantly All this results in: no harmful industrial alcohol is used evolving skills base, and works with local • a dynamic working environment that in the printing process with 98% of and international clients around the world. any dry waste associated with this inspires creativity and innovation production diverted from landfill. Pureprint Group is a CarbonNeutral® • a commitment to the environment and the Arup is owned by Trusts established for the company and is certificated to benefit of its staff and for charitable communities where we work that defines Environmental Management purposes, with no external shareholders. our approach to work, to clients and System ISO 14001 and registered This ownership structure, together with the collaborators, and to our own members to EMAS, the Eco Management and Audit Scheme. core values set down by Sir Ove Arup, • robust professional and personal networks are fundamental to the way the firm is that are reinforced by positive policies on organised and operates. The Arup Journal equality, fairness, staff mobility, and Vol48 No2 (2/2013) knowledge sharing Editor: David J Brown Independence enables -
Coordinated Determination of National Register Eligibility—World Trade Center Site New York City, New York, February 6, 2004
COORDINATED DETERMINATION OF NATIONAL REGISTER ELIGIBILITY—WORLD TRADE CENTER SITE NEW YORK CITY, NEW YORK, FEBRUARY 6, 2004 I. INTRODUCTION This document has been prepared pursuant to Section 106 of the National Historic Preservation Act in association with proposed reconstruction and redevelopment in the area of the approximately 16-acre World Trade Center superblock (WTC Site), bounded generally by Vesey Street on the north, Liberty Street on the south, Route 9A/West Street on the west and Liberty Street on the east. The Federal Transit Administration (FTA), Federal Highway Administration (FHWA), and Lower Manhattan Development Corporation (LMDC), as a recipient of funds from U.S. Department of Housing and Urban Development (HUD), are coordinating the Section 106 processes for several proposed undertakings on or adjacent to the WTC Site: Permanent World Trade Center PATH Terminal (FTA with the Port Authority of New York and New Jersey [Port Authority]), World Trade Center Memorial and Redevelopment Plan (LMDC with HUD funding), and Route 9A Reconstruction (FHWA with New York State Department of Transportation [NYSDOT]). Section 106 requires federal agencies to identify historic properties (e.g. buildings, structures, sites, objects and districts listed in or eligible for inclusion in the National Register of Historic Places) that may be affected by a proposed undertaking. This document focuses on the WTC Site, the approximately 16- acre super block bounded by Liberty, Church, and Vesey Streets and Route 9A/West Street. Each of these undertakings is subject to environmental review under the National Environmental Policy Act (NEPA) and to review under Section 106. Environmental impact statements are being prepared for each of these independent undertakings. -
Modelsurvivor
CG Spring 04Fn5.cc 2/24/04 11:59 AM Page 10 GRANT SPOTLIGHT MODEL SURVIVOR Restoring an Architect’s Miniature Masterwork Though a prominent part of New York’s skyline—and a symbol of the city itself—the THE RESTORATION Twin Towers were originally viewed with skepticism. To win over the skeptics, architect WAS LED BY A MODEL Minoru Yamasaki expressed his vision with an elaborately detailed model, today the only MAKER WITH surviving three-dimensional representation of the World Trade Center. CONSERVATION The events of September 11, 2001, have imbued the model with significance that its creators could EXPERTISE AND THE never have imagined. Now part of the American Architectural Foundation’s prints and drawings col- FORMER CHIEF OF lection, the model has undergone a complete restoration thanks to the congressionally funded Save YAMASAKI’S MODEL America’s Treasures grant program of the National Park Service. SHOP, WHOSE The model was donated to the foundation’s collection in 1992, but little is known about its travels KNOWLEDGE OF THE over the past 30 years. What was immediately evident was the urgent need to arrest its worsening con- FIRM’S TECHNIQUES dition. The model is seven feet tall and eight by ten feet at its base; its size, weight, and difficult assem- bly (three hours minimum) did not work in its favor. FOR MODEL-BUILDING “An intriguing and complex period piece in very fragile condition,” is how the foundation described AT THE TIME WAS it. Delicate by nature, architectural models are easily damaged. Often kept in less-than-ideal condi- INVALUABLE. -
The World Trade Center, Then the World's Tallest Building, Was Built in Lower Manhattan in the Early 1970'S (Figure K – Su
Bedrock Control of a Boulder-Filled Valley Under the World Trade Center Site Cheryl J. Moss, Mueser Rutledge Consulting Engineers, 14 Penn Plaza, New York, NY 10122 ([email protected]), and, Charles Merguerian, Geology Department, 114 Hofstra University, Hempstead, NY 11549 ([email protected]; [email protected]) INTRODUCTION Then the world’s tallest buildings, the former World Trade Center Twin Towers were built in lower Manhattan in the early 1970’s. A new construction technology at the time, a slurry wall socketed into the bedrock was built to enable the Twin Towers construction. A geotechnical investigation undertaken for the project suggested that the site geology would be fairly typical for New York City. During construction of the slurry wall, however, an unexpected feature was discovered. In the southeast corner of the site the wall cut through a ledge of schistose bedrock and entered a curved, roughly E-W-trending valley filled with well- rounded glacial boulders and cobbles (Figure 1). The slurry wall had to be excavated deeper in two places to get through the boulders and socket back into solid bedrock. The trend of the valley is unusual because other known glacial valleys across Manhattan trend NW-SE including a nearby valley we reported on earlier (Moss and Merguerian 2006). When it was time to plan reconstruction of the new World Trade Center development, it was clear that extra attention would have to be focused on the southeast quadrant. The unusual geologic conditions present could pose significant difficulties for new design and construction. A more extensive boring program was undertaken by Mueser Rutledge Consulting Engineers, geotechnical engineers for the WTC Memorial and Towers 1, 2, 3 and 4. -
The Politics of Planning the World's Most Visible Urban Redevelopment Project
The Politics of Planning the World's Most Visible Urban Redevelopment Project Lynne B. Sagalyn THREE YEARS after the terrorist attack of September 11,2001, plans for four key elements in rebuilding the World Trade Center (WC) site had been adopted: restoring the historic streetscape, creating a new public transportation gate- way, building an iconic skyscraper, and fashioning the 9/11 memorial. Despite this progress, however, what ultimately emerges from this heavily argued deci- sionmakmg process will depend on numerous design decisions, financial calls, and technical executions of conceptual plans-or indeed, the rebuilding plan may be redefined without regard to plans adopted through 2004. These imple- mentation decisions will determine whether new cultural attractions revitalize lower Manhattan and whether costly new transportation investments link it more directly with Long Island's commuters. These decisions will determine whether planned open spaces come about, and market forces will determine how many office towers rise on the site. In other words, a vision has been stated, but it will take at least a decade to weave its fabric. It has been a formidable challenge for a city known for its intense and frac- tious development politics to get this far. This chapter reviews the emotionally charged planning for the redevelopment of the WTC site between September 2001 and the end of 2004. Though we do not yet know how these plans will be reahzed, we can nonetheless examine how the initial plans emerged-or were extracted-from competing ambitions, contentious turf battles, intense architectural fights, and seemingly unresolvable design conflicts. World's Most Visible Urban Redevelopment Project 25 24 Contentious City ( rebuilding the site. -
World Trade Center “Bathtub” Describes the Recovery Efforts
The engineer who oversaw the construction of the World Trade Center “bathtub” describes the recovery efforts. World Trade Center “Bathtub”: From Genesis to Armageddon George J. Tamaro My first experience with “slurry wall” construction1 was in Italy in 1964 when I was on a work/study assignment for the New York Port Authority. The Chief Engineer of the Port Authority at the time asked that I inspect and report to him on the use of the new technology. In 1967 the Port Authority assigned me to oversee the original construction of the World Trade Center (WTC) slurry walls. From that assignment I moved on to a nine-year career George J. Tamaro is a member of as a contractor constructing slurry walls and a 21-year career as a consulting the NAE and senior partner, Mueser engineer designing slurry walls around the globe. Back in 1964, I had no idea Rutledge Consulting Engineers. that my brief assignment in Rome would have a significant effect on my career and interests. This report describes the initial work on the WTC “bathtub” in the late 1960s and the recent work during the recovery. Genesis The WTC complex consisted of seven buildings on a 16-acre site in low- er Manhattan. The deep basement (bathtub) portion of the site covers a four- city block (980 foot) by two-city block (520 foot) area some 200 feet from the east shore of the Hudson River (Figure 1). The deep basement occupies only about 70 percent of the 16-acre WTC site and is just west of the place 1 Commonly referred to as diaphragm wall construction in Europe. -
Blue Cross Likes That Mutual Feeling
20150309-NEWS--0001-NAT-CCI-CD_-- 3/6/2015 5:50 PM Page 1 ® www.crainsdetroit.com Vol. 31, No. 10 MARCH 9 – 15, 2015 $2 a copy; $59 a year ©Entire contents copyright 2015 by Crain Communications Inc. All rights reserved One year into life LOOKING BACK Minoru Page 3 as a nonprofit Yamasaki was hired mutual, to design Brookfield Office Honigman hires Carl Levin expect more to design Brookfield Office change, Blue Cross Park, a high-end complex to advise on government CEO Loepp in Farmington Hills says. At Roush Industries, theme park biz ups, downs are OK likes that 2 Cobo events allow young innovators to see the D CRAIN’S MICHIGAN BUSINESS COURTESY OF BLUE CROSS BLUE SHIELD OF MICHIGAN mutual feeling Hotel demand raises supply – that’s good, maybe, Page 15 has garnered more than Insurer uses its 100,000 subscribers and ar- guably forced competitors to lower prices. new nonprofit “We have the opportu- nity to grow nationally as we are now a nonprofit mutual status to mutual,” Loepp said. “We are in a spot where we are COURTESY OF ETKIN LLC looking” at possible in- Brookfield Office Park (above) was one of the final chart growth works of Minoru Yamasaki but one of many local Loepp vestments in health com- buildings he designed, including Temple Beth El. BY JAY GREENE panies or joint ventures CRAIN’S DETROIT BUSINESS with other Blues plans, he said. For example, Loepp said, the Accident Fund Dan Loepp says there have been many Insurance Co. of America, a Blue Cross for- changes at Blue Cross Blue Shield of Michigan profit subsidiary that sells workers’ com- The new Crainsdetroit.com: during its first full year as a nonprofit mutu- pensation insurance, “now has the ability to Yamasaki’s al health insurance company. -
Symbolism and the City: from Towers of Power to 'Ground Zero'
Prairie Perspectives: Geographical Essays (Vol: 15) Symbolism and the city: From towers of power to ‘Ground Zero’ Robert Patrick University of Saskatchewan, Saskatoon, SK Canada Amy MacDonald University of Alberta, Edmonton, AB Canada Abstract This paper explores the symbolism of New York City’s World Trade Center (WTC) before and after the devastating attack of September 11, 2001. The many metaphors captured in the built space of the WTC site are interrogated from ‘Ground Zero’ to the symbolic significance of the new ‘Freedom Tower’ now nearing completion (2014). In fulfilling the intended symbolism of American economic power, the WTC towers became pop-culture symbols of New York City, and the Unit- ed States. The WTC towers stood as twin icons of western economic dominance along with ‘Wall Street’ and ‘Dow Jones’ reflecting the American ethos of freedom and opportunity. However, the WTC also imbued negative, albeit unintended, symbolism such as the coldness of modernist architecture, social class disparities across urban America, and global domina- tion. Plans for redeveloping the WTC site predominantly highlight the intended positive symbolic connotations of the for- mer Twin Towers, including freedom and opportunity. This article points to the symbolic significance of urban built form and the potential negative consequences that are associated with iconic structures, including the new Freedom Tower. Keywords: symbolism, iconic architecture, New York City, World Trade Center Introduction tions leading to positive and negative actions of individuals and On September 11, 2001 a terrorist attack of horrific propor- groups. Indeed, there is a long fascination among geographers tions destroyed the New York World Trade Center and surround- and planners to the symbolic functions of ‘architectural gigan- ing structures. -
Papers Delivered in the Thematic Sessions of the 71St Annual International Conference of the Society of Architectural Historians
Papers Delivered in the Thematic Sessions of the 71st Annual International Conference of the Society of Architectural Historians Saint Paul, Minnesota, 18–22 April 2018 All Ado About Bomarzo Architecture of Diplomacy and Defense Anatole Tchikine, Dumbarton Oaks, USA, Session Chair Cynthia G. Falk, State University of New York at Oneonta, USA, and Lisa P. Davidson, HABS—National Park Service, USA, “Landscape Architecture without Architects: Bomarzo and the Vernac- Session Co-Chairs ular,” Katherine Coty, University of Washington, USA “Cannibals, Grottoes and Vicino Orsini’s Sacro Bosco,” Luke Mor- “Building and Abandoning U.S. Naval Station Tutuila,” Kelema gan, Monash University, Australia Moses, Occidental College, USA “Botanicals and Symbolism in the Landscape of Bomarzo,” John “Border Stakes: Architecture as Diplomatic Tool in Contested Inter- Garton, Clark University, USA war Italo-Yugoslav Territories,” Matthew Worsnick, Institute of “‘Impressions so alien’: The Postwar Afterlife of the Sacro Fine Arts (NYU), USA Bosco,” Thalia Allington-Wood, University College “Architectural Mechanism of the Frontier Villages at the Korean London, UK Border,” Alex Young Il Seo, University of Cambridge, UK “Niki de Saint Phalle’s Tarot Garden and the Legacies of Bomarzo,” “The Architecture of Peace in the Middle East,” Neta Feniger, John Beardsley, Dumbarton Oaks, USA Te c h n i o n —Israel Institute of Technology The Architecture of Commercial Networks, 1500–1900 Life to Architecture: Uncovering Women’s Narratives Katie Jakobiec, University of Oxford,