The Arup Journal Issue 2 2013

Total Page:16

File Type:pdf, Size:1020Kb

The Arup Journal Issue 2 2013 The Arup Journal Issue 2 2013 The Arup Journal About Arup Arup is a global organisation of designers, Arup’s core values drive a strong culture Printed by Pureprint Group using engineers, planners, and business of sharing and collaboration. their ® environmental print consultants, founded in 1946 by Sir Ove technology. The printing inks are made from vegetable based oils and Arup (1895-1988). It has a constantly All this results in: no harmful industrial alcohol is used evolving skills base, and works with local • a dynamic working environment that in the printing process with 98% of and international clients around the world. any dry waste associated with this inspires creativity and innovation production diverted from landfill. Pureprint Group is a CarbonNeutral® • a commitment to the environment and the Arup is owned by Trusts established for the company and is certificated to benefit of its staff and for charitable communities where we work that defines Environmental Management purposes, with no external shareholders. our approach to work, to clients and System ISO 14001 and registered This ownership structure, together with the collaborators, and to our own members to EMAS, the Eco Management and Audit Scheme. core values set down by Sir Ove Arup, • robust professional and personal networks are fundamental to the way the firm is that are reinforced by positive policies on organised and operates. The Arup Journal equality, fairness, staff mobility, and Vol48 No2 (2/2013) knowledge sharing Editor: David J Brown Independence enables Arup to: Designer: Nigel Whale • the ability to grow organically by attracting • shape its own direction and take a long- Editorial: Tel: +1 617 349 9291 and retaining the best and brightest email: [email protected] term view, unhampered by short-term individuals from around the world – and pressures from external shareholders Published by Global Marketing from a broad range of cultures – who share and Communications, • distribute its profits through reinvestment those core values and beliefs in social Arup, 13 Fitzroy Street, in learning, research and development, to usefulness, sustainable development, and London W1T 4BQ, UK. Tel: +44 (0)20 7636 1531 staff through a global profit-sharing excellence in the quality of our work. Fax: +44 (0)20 7580 3924 scheme, and by donation to charitable All articles ©Arup 2013 organisations. With this combination of global reach and a collaborative approach that is values-driven, Arup is uniquely positioned to fulfil its aim The full study of Arup’s design contribution to the Montréal bypass to shape a better world. Autoroute 30 (A30) extension, as previewed in The Arup Journal, 1/2013, pp62-63, will now appear in edition 1/2014. Issue 2 2013 We shape a better world | www.arup.com 77738_Cover.indd 1 09/11/2013 08:28 4 Revitalising Amsterdam’s museums: an introduction Joop Paul 6 Refurbishing the Rijksmuseum Karsten Jurkait Siegrid Siderius 26 Enhancing the Stedelijk Museum Marcel de Boer Mariëlle Rutten Siegrid Siderius Frank Van Berge Henegouwen 38 The Bill & Melinda Gates Foundation Campus Peter Alspach Hans-Erik Blomgren Cormac Deavy Steve McConnell Anne Marie Moellenberndt Jay Oleson Sara Paul Betsy Price Simon Reynolds Jesse Vernon 60 The Al Bahar towers: multidisciplinary design for Middle East high-rise Andy Armstrong Giorgio Buffoni David Eames Roy James Leonora Lang John Lyle Konrad Xuereb 74 The Fulton Center: design of the cable net Zak Kostura Erin Morrow Ben Urick 84s Cloudless”: “Lloyd’ reglazing Lloyd’s of London — a first for recycling Mark Bowers Philip King 90 Developing bio-responsive façades: BIQ House — the first pilot project Jan Wurm Front cover: Detail of BIQ House at IBA, Hamburg — the world’s first bio-responsive façade. This page: Rear façade of the refurbished Rijksmuseum in Amsterdam. 11. Pressurised air bubbles rise upwards through the medium, keeping the inner surfaces of the panels clean. 12. The bio-responsive façade stands approximately 320mm proud of the building walls. 13. Detail of the BIQ House façade. 2 The Arup Journal 2/2013 13. The Arup Journal 2/2013 95 77738_Cover.indd 2 09/11/2013 08:28 The Arup Journal 2/2013 3 77738_Text.indd 3 09/11/2013 08:32 Revitalising Amsterdam’s museums: an introduction N 0 250m AMSTERDAM Museumplein 1. Rijksmuseum Van Gogh Museum Stedelijk Museum Concertgebouw 2. 1. The Museumplein in Amsterdam. 2–3. Aerial image of Museumplein showing relative positions of the Rijksmuseum and Stedelijk Museum. 3. 4 The Arup Journal 2/2013 77738_Text.indd 4 09/11/2013 08:32 Author Nowadays the main cultural institutions sited The original building underwent various Joop Paul on the Museumplein are the Rijksmuseum, phases of modernisation, and from 1945 to the Stedelijk Museum, the Van Gogh 1954 its total usable space was extended by Museum (1973) and the Concertgebouw the insertion of intermediate storeys (Concert Hall, 1881) (Figs 2–3). (entresols). In 1954 the Sandberg wing (named after the then director) was added The Rijksmuseum alongside, but this has subsequently made Designed by the long-lived and prolific way for the new extension (nicknamed the Dutch architect Pierre Cuypers (1827-1921), “Bathtub”), the design for which was Introduction the Rijksmuseum was opened in 1885 as the presented in 2004 by Benthem Crouwel In the 23 years since 1990, The Netherlands home of the country’s national museum. Architects. Their plan also included an has invested some €1.5bn in over 40 The collection initially comprised collections extensive renovation of the Weissman museums. Around half of this budget has from the Dutch regents and objects from building, in which various 20th century been spent in the city of Amsterdam, with state institutions, but was soon extended modifications like the entresols were about €500M of that for two museums of to include paintings and illustrations of the removed and the building restored to the international importance. These are the City of Amsterdam. Due the ever-growing original state. As with the Rijksmuseum, Rijksmuseum, celebrated for its Golden Age collection and changing visions for its there have been more visitors than expected. art collection, and the Stedelijk Museum, overall concept and direction, the In the first six months after reopening the which houses the city’s leading collection of Rijksmuseum was renovated several times Stedelijk was visited by 500 000 people, contemporary art. The Rijksmuseum was over the years. Between 1904 and 1916, whereas 800 000 per year were expected. closed in 2003 and the Stedelijk in 2004 for new galleries to the south-west of the main renovations and significant extensions, and building were added — today known as Transforming the square both have now been reopened by Queen the Philips Wing — and later used to With these transformations of the Beatrix: the Stedelijk in autumn 2012 and accommodate and exhibit the collection of Rijksmuseum, the Stedelijk Museum and the Rijksmuseum following in spring 2013. 19th century paintings and drawings donated soon the neighbouring Van Gogh Museum, by Mr & Mrs Drucker Fraser. Between 1950 the Museumplein has gained another These extensive restorations — together and 1960 the original patios were changed dimension, as the main entrances of all the with the 2007–2011 renovation of the into galleries, creating even more space. buildings now point towards the square. Scheepvaartmuseum (the National It is the city’s focus for all kinds of cultural Maritime Museum, focusing on Dutch The latest renovation, based on the designs and social events — for example the annual nautical history), the opening in 2009 of of Cruz y Ortiz, has reinstated the building’s Queen’s Day, sometimes described as the the Hermitage Amsterdam (a branch of original layout. The built-in galleries in the “world’s biggest street party” (to become the St Petersburg Hermitage, focusing atria have been demolished, so that the atria King’s Day in 2014 following the abdication unsurprisingly on Russian art) and the 2012 now offer copious daylighting and a sense of of Queen Beatrix and the accession of King opening, also by Queen Beatrix, of the new space. Paintings, craftsmanship and history Willem-Alexander), and the Uitmarkt, the EYE Film Institute Netherlands — have are no longer separated, but show in one annual opening of Amsterdam’s cultural enabled Amsterdam to regain its status as an chronological circuit an integrated account season at the end of August. international cultural destination alongside of Dutch art and history. A new pavilion has its other well-known attractions to both been added, also designed by Cruz y Ortiz, Catalyst for Arup in Amsterdam inhabitants and tourists. to display the Asian collection. Both projects have not only helped to transform the city, but have also been a The area The museum has been modernised in many further catalyst for the growth of the young Amsterdam’s Museumplein (Museum ways, but at the same time Cuypers’ original Arup office in Amsterdam, following Square) is situated immediately south-west architectural details have been brought back, earlier key projects like the Amsterdam of the outermost canal forming the perimeter illustrating the Rijksmuseum’s new adage: Public Library and the Nescio Bridge. to the city’s historic centre, the unique “Continue with Cuypers”. The Rijksmuseum These important museums have led to a concentric semi-circular rings of streets and is now a fitting attraction for 21st century growing reputation and portfolio for the canals built on reclaimed land in the 17th visitors, the numbers of whom have far firm in the world of Dutch arts and culture, century (Fig 1). exceeded expectations. The museum to which Arup is proud to contribute. welcomed 500 000 visitors in the first two Until the second half of the 19th century months after reopening, compared with the only a handful of peasants’ houses were 2M per year expected.
Recommended publications
  • Coordinated Determination of National Register Eligibility—World Trade Center Site New York City, New York, February 6, 2004
    COORDINATED DETERMINATION OF NATIONAL REGISTER ELIGIBILITY—WORLD TRADE CENTER SITE NEW YORK CITY, NEW YORK, FEBRUARY 6, 2004 I. INTRODUCTION This document has been prepared pursuant to Section 106 of the National Historic Preservation Act in association with proposed reconstruction and redevelopment in the area of the approximately 16-acre World Trade Center superblock (WTC Site), bounded generally by Vesey Street on the north, Liberty Street on the south, Route 9A/West Street on the west and Liberty Street on the east. The Federal Transit Administration (FTA), Federal Highway Administration (FHWA), and Lower Manhattan Development Corporation (LMDC), as a recipient of funds from U.S. Department of Housing and Urban Development (HUD), are coordinating the Section 106 processes for several proposed undertakings on or adjacent to the WTC Site: Permanent World Trade Center PATH Terminal (FTA with the Port Authority of New York and New Jersey [Port Authority]), World Trade Center Memorial and Redevelopment Plan (LMDC with HUD funding), and Route 9A Reconstruction (FHWA with New York State Department of Transportation [NYSDOT]). Section 106 requires federal agencies to identify historic properties (e.g. buildings, structures, sites, objects and districts listed in or eligible for inclusion in the National Register of Historic Places) that may be affected by a proposed undertaking. This document focuses on the WTC Site, the approximately 16- acre super block bounded by Liberty, Church, and Vesey Streets and Route 9A/West Street. Each of these undertakings is subject to environmental review under the National Environmental Policy Act (NEPA) and to review under Section 106. Environmental impact statements are being prepared for each of these independent undertakings.
    [Show full text]
  • The World Trade Center, Then the World's Tallest Building, Was Built in Lower Manhattan in the Early 1970'S (Figure K – Su
    Bedrock Control of a Boulder-Filled Valley Under the World Trade Center Site Cheryl J. Moss, Mueser Rutledge Consulting Engineers, 14 Penn Plaza, New York, NY 10122 ([email protected]), and, Charles Merguerian, Geology Department, 114 Hofstra University, Hempstead, NY 11549 ([email protected]; [email protected]) INTRODUCTION Then the world’s tallest buildings, the former World Trade Center Twin Towers were built in lower Manhattan in the early 1970’s. A new construction technology at the time, a slurry wall socketed into the bedrock was built to enable the Twin Towers construction. A geotechnical investigation undertaken for the project suggested that the site geology would be fairly typical for New York City. During construction of the slurry wall, however, an unexpected feature was discovered. In the southeast corner of the site the wall cut through a ledge of schistose bedrock and entered a curved, roughly E-W-trending valley filled with well- rounded glacial boulders and cobbles (Figure 1). The slurry wall had to be excavated deeper in two places to get through the boulders and socket back into solid bedrock. The trend of the valley is unusual because other known glacial valleys across Manhattan trend NW-SE including a nearby valley we reported on earlier (Moss and Merguerian 2006). When it was time to plan reconstruction of the new World Trade Center development, it was clear that extra attention would have to be focused on the southeast quadrant. The unusual geologic conditions present could pose significant difficulties for new design and construction. A more extensive boring program was undertaken by Mueser Rutledge Consulting Engineers, geotechnical engineers for the WTC Memorial and Towers 1, 2, 3 and 4.
    [Show full text]
  • The Politics of Planning the World's Most Visible Urban Redevelopment Project
    The Politics of Planning the World's Most Visible Urban Redevelopment Project Lynne B. Sagalyn THREE YEARS after the terrorist attack of September 11,2001, plans for four key elements in rebuilding the World Trade Center (WC) site had been adopted: restoring the historic streetscape, creating a new public transportation gate- way, building an iconic skyscraper, and fashioning the 9/11 memorial. Despite this progress, however, what ultimately emerges from this heavily argued deci- sionmakmg process will depend on numerous design decisions, financial calls, and technical executions of conceptual plans-or indeed, the rebuilding plan may be redefined without regard to plans adopted through 2004. These imple- mentation decisions will determine whether new cultural attractions revitalize lower Manhattan and whether costly new transportation investments link it more directly with Long Island's commuters. These decisions will determine whether planned open spaces come about, and market forces will determine how many office towers rise on the site. In other words, a vision has been stated, but it will take at least a decade to weave its fabric. It has been a formidable challenge for a city known for its intense and frac- tious development politics to get this far. This chapter reviews the emotionally charged planning for the redevelopment of the WTC site between September 2001 and the end of 2004. Though we do not yet know how these plans will be reahzed, we can nonetheless examine how the initial plans emerged-or were extracted-from competing ambitions, contentious turf battles, intense architectural fights, and seemingly unresolvable design conflicts. World's Most Visible Urban Redevelopment Project 25 24 Contentious City ( rebuilding the site.
    [Show full text]
  • World Trade Center “Bathtub” Describes the Recovery Efforts
    The engineer who oversaw the construction of the World Trade Center “bathtub” describes the recovery efforts. World Trade Center “Bathtub”: From Genesis to Armageddon George J. Tamaro My first experience with “slurry wall” construction1 was in Italy in 1964 when I was on a work/study assignment for the New York Port Authority. The Chief Engineer of the Port Authority at the time asked that I inspect and report to him on the use of the new technology. In 1967 the Port Authority assigned me to oversee the original construction of the World Trade Center (WTC) slurry walls. From that assignment I moved on to a nine-year career George J. Tamaro is a member of as a contractor constructing slurry walls and a 21-year career as a consulting the NAE and senior partner, Mueser engineer designing slurry walls around the globe. Back in 1964, I had no idea Rutledge Consulting Engineers. that my brief assignment in Rome would have a significant effect on my career and interests. This report describes the initial work on the WTC “bathtub” in the late 1960s and the recent work during the recovery. Genesis The WTC complex consisted of seven buildings on a 16-acre site in low- er Manhattan. The deep basement (bathtub) portion of the site covers a four- city block (980 foot) by two-city block (520 foot) area some 200 feet from the east shore of the Hudson River (Figure 1). The deep basement occupies only about 70 percent of the 16-acre WTC site and is just west of the place 1 Commonly referred to as diaphragm wall construction in Europe.
    [Show full text]
  • 1 World Trade Center Llc, Et Al
    1 WORLD TRADE CENTER LLC, ET AL. - DETERMINATION - 12/03/09 In the Matter of 1 WORLD TRADE CENTER LLC, ET AL. TAT(H)07-34 (CR), ET AL. - DETERMINATION NEW YORK CITY TAX APPEALS TRIBUNAL ADMINISTRATIVE LAW JUDGE DIVISION COMMERCIAL RENT TAX – THE LESSEES' PAYMENTS TO THE PORT AUTHORITY AFTER SEPTEMBER 11, 2001 DID NOT CONSTITUTE BASE RENT PAID FOR TAXABLE PREMISES BECAUSE THE LESSEES NO LONGER HAD THE RIGHT TO OCCUPY SPECIFIC SPACE AFTER THE GOVERNMENT TAKEOVER OF THE WORLD TRADE CENTER SITE ON SEPTEMBER 11, 2001. THUS, THE COMMERCIAL RENT TAX DOES NOT APPLY TO THOSE PAYMENTS. DECEMBER 3, 2009 NEW YORK CITY TAX APPEALS TRIBUNAL ADMINISTRATIVE LAW JUDGE DIVISION : In the Matter of the Petition : DETERMINATION : of : : TAT(H)07-34(CR), et al. 1 World Trade Center LLC, et al. : : Schwartz, A.L.J.: Petitioners, 1 World Trade Center LLC, 2 World Trade Center LLC, 4 World Trade Center LLC and 5 World Trade Center LLC (now known as 3 World Trade Center LLC) (“Petitioners” or the “Silverstein Lessees”) filed Petitions for Hearing with the New York City (“City”) Tax Appeals Tribunal (“Tribunal”) seeking redeterminations of deficiencies of City Commercial Rent Tax (“CRT”) under Chapter 7 of Title 11 of the City Administrative Code (“Code”) for the five tax years beginning June 1, 2001 and ending May 31, 2006 (“Tax Years”). A hearing was held and various documents were admitted into evidence. Petitioners were represented by Elliot Pisem, Esq. and Joseph Lipari, Esq. of Roberts & Holland LLP. The Commissioner of Finance (“Respondent” or “Commissioner”) was represented by Frances J.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI DATE: May 15, 2003 I, James Gilbert Jenkins , hereby submit this as part of the requirements for the degree of: Master of Architecture in: The Department of Architecture of the College of DAAP It is entitled: New World Trade Approved by: Michael McInturf Arati Kanekar NEW WORLD TRADE A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE In the Department of Architecture Of the College of Design, Art, Architecture, and Planing 2003 by James G. Jenkins B.S., University of Cincinnati, 2001 Committee Chair : Michael Mcinturf Abstract In these Modern Times, “facts” and “proofs” seem necessary for achieving any credibility in a field where there is a client. To arrive at a “truth,” many architects quickly turn to a dictionary for the final “truth” of a word, such as “privacy” or to a road map to find the “truth” in site conditions, or to a census count for the “truth” of people migration. It is, of coarse, part of the Modern Crisis that many feel the need to go with the way of technology, for fear that Architecture might otherwise fall by the wayside because of its perceived irrelevancy or frivolousness. Following this action, with time, could very well reduce Architecture to a form of methodology and inevitably end with the replacement or removal of the profession from its importance- as creators of a “Truth.” The following thesis is a serious reclamation. The body of work moves to take back for Architecture its power, and specifically it holds up and praises the most important thing we have, but in modern times have been giving away: Life.
    [Show full text]
  • Chapter 5. Historic Resources 5.1 Introduction
    CHAPTER 5. HISTORIC RESOURCES 5.1 INTRODUCTION 5.1.1 CONTEXT Lower Manhattan is home to many of New York City’s most important historic resources and some of its finest architecture. It is the oldest and one of the most culturally rich sections of the city. Thus numerous buildings, street fixtures and other structures have been identified as historically significant. Officially recognized resources include National Historic Landmarks, other individual properties and historic districts listed on the State and National Registers of Historic Places, properties eligible for such listing, New York City Landmarks and Historic Districts, and properties pending such designation. National Historic Landmarks (NHL) are nationally significant historic places designated by the Secretary of the Interior because they possess exceptional value or quality in illustrating or interpreting the heritage of the United States. All NHLs are included on the National Register, which is the nation’s official list of historic properties worthy of preservation. Historic resources include both standing structures and archaeological resources. Historically, Lower Manhattan’s skyline was developed with the most technologically advanced buildings of the time. As skyscraper technology allowed taller buildings to be built, many pioneering buildings were erected in Lower Manhattan, several of which were intended to be— and were—the tallest building in the world, such as the Woolworth Building. These modern skyscrapers were often constructed alongside older low buildings. By the mid 20th-century, the Lower Manhattan skyline was a mix of historic and modern, low and hi-rise structures, demonstrating the evolution of building technology, as well as New York City’s changing and growing streetscapes.
    [Show full text]
  • From Missionary Resort to Memorial Farm: Commemoration and Capitalism at the Birthplace of Joseph Smith, 1905–1925
    Keith A. Erekson: Joseph Smith Memorial Farm 1905–1925 69 From Missionary Resort to Memorial Farm: Commemoration and Capitalism at the Birthplace of Joseph Smith, 1905–1925 Keith A. Erekson For The Church of Jesus Christ of Latter-day Saints, the twentieth century was a century of commemoration. Opening with statues of Brigham Young and Joseph Smith in Salt Lake City and closing with temples in Palmyra and Nauvoo, these ten decades witnessed a flurry of activity at historic sites, from monuments and celebrations to pageants and re-enactments. During the first half of the century, LDS historic sites developed individually and displayed a wide variety of functions. A suc- cessful exhibit at the 1964 New York World’s Fair prompted Church leaders to integrate proselytizing efforts into the sites, and during the 1960s and 1970s, the tourist-drawing work of the (non-institutional but member-owned) Nauvoo Restoration Inc. demonstrated the practicality and appeal of authentic site reconstruction. The past quarter century has been marked by both proselytizing and authenticity: Church President Spencer W. Kimball addressed a general conference audience via satellite from a newly constructed Peter Whitmer Farm home in 1980, global cel- ebrations commemorated the 1997 sesquicentennial of the pioneer entry in the Salt Lake Valley, and the Church’s internet site presently adver- tises dozens of historic sites.1 The current ubiquity of historic sites belies the fact that the LDS Church has not always maintained them. When the Church purchased the birthplace of Joseph Smith a century ago, it owned only two other historic sites, and when President Joseph F.
    [Show full text]
  • The World Trade Center •Œbathtubâ•Š, a Case History
    Missouri University of Science and Technology Scholars' Mine International Conference on Case Histories in (2004) - Fifth International Conference on Case Geotechnical Engineering Histories in Geotechnical Engineering 13 Apr 2004 - 17 Apr 2004 The World Trade Center “Bathtub”, a Case History George J. Tamaro Mueser Rutledge Consulting Engineers, New York, New York Follow this and additional works at: https://scholarsmine.mst.edu/icchge Part of the Geotechnical Engineering Commons Recommended Citation Tamaro, George J., "The World Trade Center “Bathtub”, a Case History" (2004). International Conference on Case Histories in Geotechnical Engineering. 6. https://scholarsmine.mst.edu/icchge/5icchge/session00f/6 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article - Conference proceedings is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in International Conference on Case Histories in Geotechnical Engineering by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. The World Trade Center “Bathtub”, a Case History George J. Tamaro Senior partner, Mueser Rutledge Consulting Engineers New York, New York-USA-10122 ABSTRACT In 1967 the Port Authority of New York and New Jersey (PANYNJ) undertook the construction of the World Trade Center (WTC) diaphragm (slurry) walls, installation of the lateral support system and the excavation of the site, commonly referred to as the “Bathtub”. The work took two years to complete. In 2001 the City of New York undertook the re-excavation of the site after the terrorist attacks.
    [Show full text]
  • Project Purpose and Need
    Chapter 1: Project Purpose and Need A. INTRODUCTION The New York State Department of Transportation (NYSDOT), in cooperation with the Federal Highway Administration (FHWA), proposes to reconstruct a portion of Route 9A between Chambers and West Thames Streets in Lower Manhattan. This area is being considered for reconstruction as a result of the terrorist attacks of September 11, 2001, that destroyed the World Trade Center (WTC) and severely damaged or destroyed additional nearby structures and transportation infrastructure including portions of Route 9A. The proposed project, which is being reviewed under the National Environmental Policy Act (NEPA) as a supplement to the 1994 Route 9A Reconstruction Project Final Environmental Impact Statement (FEIS), is one of several federally funded Lower Manhattan recovery projects proposed in response to the devastation of September 11, 2001. As a transportation cornerstone in this recovery effort, the project is intended to provide a safe and efficient transportation facility that meets the goals and objectives established for Route 9A, prior to and since September 11, 2001. B. PROJECT IDENTIFICATION / LOCATION Located near the Hudson River between Battery Place and 59th Street in Manhattan (see Figure 1-1), Route 9A (also known as West Street) is a six- to eight-lane principal urban arterial with a continuous bikeway and walkway. Route 9A, which is part of the National Highway System, is a multi-modal facility used by cars, trucks, buses, bicycles, and pedestrians. As discussed above, the proposed project would affect only a portion of Route 9A. This section lies at the southern end of New York State Route 9A, which begins at Battery Place and extends northward for approximately 47.5 miles, until it merges with U.S.
    [Show full text]
  • The Bulletin MTA NEW YORK CITY TRANSIT OPENS Published by the Electric Railroaders’ WTC CORTLANDT STATION on the 1 Association, Inc
    ERA BULLETIN — OCTOBER, 2018 The Bulletin Electric Railroaders’ Association, Incorporated Vol. 61, No. 10 October, 2018 The Bulletin MTA NEW YORK CITY TRANSIT OPENS Published by the Electric Railroaders’ WTC CORTLANDT STATION ON THE 1 Association, Inc. P. O. Box 3323 by Subutay Musluoglu Grand Central Station New York, NY 10163 (Photographs by the author) For general inquiries, At 12 noon on Saturday, September 8, MTA Street, it is also “elevated” as it spans clear or Bulletin submissions, contact us at New York City Transit opened WTC Cortlandt over the concourse and steps that descend bulletin@erausa. org Station at the World Trade Center (WTC), the from the floor of the WTC Transportation Hub or on our website at long-awaited replacement for the original “Oculus” down to the Port Authority Trans- erausa. org/contact Cortlandt Street station destroyed in the ter- Hudson (PATH) mezzanine. This makes for a Editorial Staff: rorist attacks of September 11, 2001. It truly unique visual experience — to look up marked a significant milestone for New York and walk below the underside of a NYC sub- Jeffrey Erlitz Editor-in-Chief City Transit (NYCT), as 1 service was finally way station contained entirely within another restored to the WTC, and for New York City structure. This feature also relates directly to Ronald Yee as a whole, as it represents the final piece of the station’s platform level, where the central Tri-State News and Commuter Rail Editor new/replacement transportation infrastruc- part of the station is entirely column-free, ture at the WTC complex.
    [Show full text]
  • The Camera Lens: a Window Into the [World]; Film Study and Film Making: Resource Suggestions for the English Class. INSTITUTION San Diego City Schools, Calif
    DOCUMENT RESUME ED 102 559 CS 201 044 AUTHOR Mihalka, Gwendolyn C.; Dolton, Gerre R. TITLE The Camera Lens: A Window into the [World]; Film Study and Film Making: Resource Suggestions for the English Class. INSTITUTION San Diego City Schools, Calif. PUB DATE 71 NOTE 188p.; Some material removed due to copyright restrictions EDRS PRICE MF-$0.76HC-$9.51 PLUS POSTAGE DESCRIPTORS *Course Descriptions; Curricula* Guides; *English Curriculum; *Film Production; Films; *Film Study; *Interdisciplinary Approach; Secondary Education IDENTIFIERS *Filmographies ABSTRACT This guide for film study and film making in the secondary English class arranges materials in a sequential order and divides tiles into four major sections. The section on background information includes: Table of Contents, Design for Use of the Guide, Rationale for the Use of Film Study in the English Class, Objectives for a Film Study and Film Making Course, and Instructions for Implementing a Film Study Course, The section on film making discusses such topics as the characteristics of film and student film caking, the teacher's role in film making, equipment needed for the course, basic elements of composition,composition principles, planning a film, and using the still camera to teach composition. The third section, on file study, focuses on such topics as film as a teaching aid for language and literature study, film study as an entity unto itself, the language of file making, the teaching of film as genie, the animated film, thedocumentary film, and films to consider for a documentary unit. The final section contains a bibliography, a filmography, a list of file distributors, a glossary of file language, and other resource materials.
    [Show full text]