Architects We Knew Discussion Series on Detroit Architecture at Historical Center WWW ORG
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Michigan's Historic Preservation Plan
Michigan’s state historic Preservation Plan 2014–2019 Michigan’s state historic Preservation Plan 2014–2019 Governor Rick Snyder Kevin Elsenheimer, Executive Director, Michigan State Housing Development Authority Brian D. Conway, State Historic Preservation Officer Written by Amy L. Arnold, Preservation Planner, Michigan State Historic Preservation Office with assistance from Alan Levy and Kristine Kidorf Goaltrac, Inc. For more information on Michigan’s historic preservation programs visit michigan.gov/SHPo. The National Park Service (NPS), U. S. Department of the Interior, requires each State Historic Preservation Office to develop and publish a statewide historic preservation plan every five years. (Historic Preservation Fund Grants Manual, Chapter 6, Section G) As required by NPS, Michigan’s Five-Year Historic Preservation Plan was developed with public input. The contents do not necessarily reflect the opinions of the Michigan State Housing Development Authority. The activity that is the subject of this project has been financed in part with Federal funds from the National Park Service, U.S. Department of the Interior, through the Michigan State Housing Development Authority. However, the contents and opinions herein do not necessarily reflect the views or policies of the Department of the Interior or the Michigan State Housing Development Authority, nor does the mention of trade names or commercial products herein constitute endorsement or recommendation by the Department of the Interior or the Michigan State Housing Development Authority. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Acts of 1964, Section 504 of the Rehabilita- tion Act of 1973 and the Age Discrimination Act of 1975, as amended, the U.S. -
Challenges and Achievements
The Pennsylvania State University The Graduate School College of Arts and Architecture NISEI ARCHITECTS: CHALLENGES AND ACHIEVEMENTS A Thesis in Architecture by Katrin Freude © 2017 Katrin Freude Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture May 2017 The Thesis of Katrin Freude was reviewed and approved* by the following: Alexandra Staub Associate Professor of Architecture Thesis Advisor Denise Costanzo Associate Professor of Architecture Thesis Co-Advisor Katsuhiko Muramoto Associate Professor of Architecture Craig Zabel Associate Professor of Art History Head of the Department of Art History Ute Poerschke Associate Professor of Architecture Director of Graduate Studies *Signatures are on file in the Graduate School ii Abstract Japanese-Americans and their culture have been perceived very ambivalently in the United States in the middle of the twentieth century; while they mostly faced discrimination for their ethnicity by the white majority in the United States, there has also been a consistent group of admirers of the Japanese art and architecture. Nisei (Japanese-Americans of the second generation) architects inherited the racial stigma of the Japanese minority but increasingly benefited from the new aesthetic light that was cast, in both pre- and post-war years, on Japanese art and architecture. This thesis aims to clarify how Nisei architects dealt with this ambivalence and how it was mirrored in their professional lives and their built designs. How did architects, operating in the United States, perceive Japanese architecture? How did these perceptions affect their designs? I aim to clarify these influences through case studies that will include such general issues as (1) Japanese-Americans’ general cultural evolution, (2) architects operating in the United States and their relation to Japanese architecture, and (3) biographies of three Nisei architects: George Nakashima, Minoru Yamasaki, and George Matsumoto. -
Radio Stations in Michigan Radio Stations 301 W
1044 RADIO STATIONS IN MICHIGAN Station Frequency Address Phone Licensee/Group Owner President/Manager CHAPTE ADA WJNZ 1680 kHz 3777 44th St. S.E., Kentwood (49512) (616) 656-0586 Goodrich Radio Marketing, Inc. Mike St. Cyr, gen. mgr. & v.p. sales RX• ADRIAN WABJ(AM) 1490 kHz 121 W. Maumee St. (49221) (517) 265-1500 Licensee: Friends Communication Bob Elliot, chmn. & pres. GENERAL INFORMATION / STATISTICS of Michigan, Inc. Group owner: Friends Communications WQTE(FM) 95.3 MHz 121 W. Maumee St. (49221) (517) 265-9500 Co-owned with WABJ(AM) WLEN(FM) 103.9 MHz Box 687, 242 W. Maumee St. (49221) (517) 263-1039 Lenawee Broadcasting Co. Julie M. Koehn, pres. & gen. mgr. WVAC(FM)* 107.9 MHz Adrian College, 110 S. Madison St. (49221) (517) 265-5161, Adrian College Board of Trustees Steven Shehan, gen. mgr. ext. 4540; (517) 264-3141 ALBION WUFN(FM)* 96.7 MHz 13799 Donovan Rd. (49224) (517) 531-4478 Family Life Broadcasting System Randy Carlson, pres. WWKN(FM) 104.9 MHz 390 Golden Ave., Battle Creek (49015); (616) 963-5555 Licensee: Capstar TX L.P. Jack McDevitt, gen. mgr. 111 W. Michigan, Marshall (49068) ALLEGAN WZUU(FM) 92.3 MHz Box 80, 706 E. Allegan St., Otsego (49078) (616) 673-3131; Forum Communications, Inc. Robert Brink, pres. & gen. mgr. (616) 343-3200 ALLENDALE WGVU(FM)* 88.5 MHz Grand Valley State University, (616) 771-6666; Board of Control of Michael Walenta, gen. mgr. 301 W. Fulton, (800) 442-2771 Grand Valley State University Grand Rapids (49504-6492) ALMA WFYC(AM) 1280 kHz Box 669, 5310 N. -
Architecture, Design and Engineering
COLLECTIONS OVERVIEWS ARCHITECTURE, DESIGN AND ENGINEERING I. SCOPE The subjects of architecture, design, and engineering occur across all formats and can be found throughout the General Collections and in various Special Format and Area Studies divisions in the Library, including Geography and Map, Manuscript, Rare Books & Special Collections, the American Folklife Center, Recorded Sound, Performing Arts (stage and set design), and Motion Picture & Television. However, the primary custodian of special format materials in these subject areas at the Library of Congress is the Prints and Photographs (P&P) Division. P&P collections in these subject areas further intersect with nearly every Library of Congress collecting area, including American History, European, African, Middle Eastern, Portuguese, Hispanic and Hispanic American Studies, Decorative Arts, Fine Arts, Science and Technology, Business, and Local History and Genealogy. This overview focuses on the subjects of architecture, design, and engineering in the Prints and Photographs Division, and includes both documentary materials and those produced as the original creative works of practicioners in these fields, as well as photography and printmaking. Included are measured drawings and field notes and drawings; original, theoretical, design, working, and construction drawings; job files, correspondence, photographs and documents; record, documentary, journalistic, commercial and master photographic prints, negatives, and transparencies; posters, fine and historical prints, master drawings, cartoon and caricature, illustration, and graphic design; and written historical and descriptive data. P&P’s substantial holdings of Photography and Graphic Arts are covered in separate Collection Overviews. II. SIZE Over 2,000,000 items, including multiple formats (based upon the P&P Stewardship Report) III. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
To Read Sample Pages
“ Any detailed account of the architectural history of the World Trade Center must rely on the work of Anthony W. Robins.” — Angus Gillespie, author of Twin Towers: Th e Life of New York City’s World Trade Center THE WORLD TRADE CENTER CLASSICS OF AMERICAN ARCHITECTURE ANTHONY W. ROBINS Originally published in 1987 while the Twin Towers still stood — brash and controversial, a new symbol of the city and the country — this book off ered the fi rst serious con- sideration of the planning and design of the World Trade Center. It benefi ted from interviews with fi gures still on the scene, and archival documents still available for study. Many of those interviewed, and many of the documents, are gone. But even if they remained available today, it would be impossible now to write this book from the same perspective. Too much has happened here. In this, the tenth anniversary year of the disaster, a new World Trade Center is rising on the site. We can fi nally begin to imagine life returning, with thousands of people streaming into the new build- ings to work or conduct business, and thousands more, from all over the world, coming to visit the new memorial. It is only natural, then, that we will fi nd ourselves thinking about what life was like in the original Center. Th is new edition of the book — expanded to include copies of some of the documents upon which the text was based — is off ered as a memory of the World Trade Center as it once was. -
Blueprintsvolume XXVII, No
blueprintsVolume XXVII, No. 1–2 NATIONAL BUILDING MUSEUM In Between: The Other Pieces of the Green Puzzle in this issue: HEALTHY Communities, GREEN Communities Word s ,Word s ,Word s Winter & Spring 2008/2009 The Lay of the Landscape Annual Report 2008 in this issue... 2 8 13 18 19 21 23 In Between: The Other Pieces of the Green Puzzle The exhibition Green Community calls attention to important aspects of sustainable design and planning that are sometimes overshadowed by eye-catching works of architecture. The environmental implications of transportation systems, public services, recreational spaces, and other elements of infrastructure must be carefully considered in order to create responsible and livable communities. This issue of Blueprints focuses on the broad environmental imperative from the standpoints of public health, urban and town planning, and landscape architecture. Contents Healthy Communities, ! 2 Green Communities M Cardboard Reinvented Physician Howard Frumkin, of the Centers for Disease Cardboard: one person’s trash is another Control and Prevention, brings his diverse expertise as B an internist, an environmental and occupational health N person’s decorative sculpture, pen and pencil expert, and an epidemiologist to bear on the public health holder, vase, bowl, photo and business card holder, above: Beaverton Round, in suburban Portland, Oregon, was built as part of the metropolitan area’s Transit-Oriented Development Program. implications of community design and planning. p Photo courtesy of the American Planning Association and Portland Metro. stress toy, or whatever you can imagine. Bring out your o Creating Sustainable Landscapes creativity with these durable, versatile, eco-friendly LIQUID h CARDBOARD vases that can be transformed into a myriad from the executive director 8 In an interview, landscape architect Len Hopper discusses s his profession’s inherent commitment to sustainability and of shapes for a variety of uses in your home. -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Saarinen Family Papers Ca. 1880-1989 5 Linear Ft
ARCHIVES Saarinen Family Papers ca. 1880-1989 5 linear ft. Acquisition Number: 1990-08 Acquisition: Gift of Robert S. and Ronald S. Swanson, 1989-1990. In 1988, Matthew Ginal donated copies of materials on Kleinhans to the Archives and these were incorporated into this collection. Access: Access to the collection is unrestricted Copyright: Copyright to this collection is held by the Cranbrook Educational Community, except for some of the Kleinhans materials (see specific folders). Preferred Citation: Saarinen Family Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: In Photograph Special File and Scrapbooks (Series VI) Audio/Video: 16 mm films are in Series VI, Box 10 Index: The correspondence series is indexed (see end of finding aid) Processing: Betsy Wagner; James Luzenski, 1991; Ryan Wieber, 1998 PROVENANCE Between December 1989 and September 1990, Ronald Saarinen Swanson and Robert Saarinen Swanson donated five lots of Saarinen and Swanson family papers to the Cranbrook Archives. The brothers’ gift included a core grouping of archival materials relating to Eliel, Loja, and Eero Saarinen that had been held by Loja Saarinen until her death and later by Pipsan Saarinen Swanson. This grouping of material constitutes the majority of the Saarinen Family papers. Materials relating to Pipsan Saarinen Swanson and her husband, J. Robert S. Swanson, were organized into the Swanson Family papers (1990-1). Other non-aligned Archives holdings pertaining to the Saarinens and Swansons were subsequently added to both collections. The inventories of the Swansons’ gift have been kept and can be consulted. Not all of the Saarinen Family papers were donated to Cranbrook. After Eliel’s death, Loja Saarinen donated a cache of his honorary degrees and awards, drawings, and photographs to the Museum of Finnish Architecture in Helsinki. -
The Concept of the Architectural Corporation
1914 MICHAEL KUBO The Concept of the Architectural Corporation Despite the increasing presence of large, team-based offices within US architectural practice over the last century, a history of how architects and critics have understood these offices has yet to be written. The nature of group practice has changed from the big businesses and large organiza- tions that accompanied the merger movement at the turn of the twentieth century to the factory producers of the industrial expansion in the 1910s and 1920s, the bureaucratic firms of the postwar boom, and the multina- tional conglomerates of the neoliberal present. Only after World War II did the term “corporate” come to constitute a topos of architectural discourse, one that refers at once to a specific mode of production, the mentality of its producers, and the perceived qualities of the work produced. Through- out these changes in the scope of architectural organization, architects and historians have speculated on the implications of the large-scale office for the status of architecture as a business, a profession, and a field of cultural production. A convenient place to enter this history of critical reception is in midstream, in the years immediately after the World War II, when numerous authors looked to the largest firms of the early twentieth century to comprehend the implications of team-based practices for postwar architectural production. Among the earliest attempts was Henry-Russell Hitchcock’s 1947 article, “The Architecture of Bureaucracy and the Architecture of Genius,” in which he predicted that the major categories of 1983 postwar architecture would be distinguished not by style, but by economy of production.1 Hitchcock noted that the prewar terms of debate, centered Q on avant-garde themes of advance or regression, had given way to a Henry-Russell Hitchcock, “The Architecture of “clarification of the architectural picture” in which “it came about that there Bureaucracy and the was at last only one contemporary way of building,” namely modernism. -
Modelsurvivor
CG Spring 04Fn5.cc 2/24/04 11:59 AM Page 10 GRANT SPOTLIGHT MODEL SURVIVOR Restoring an Architect’s Miniature Masterwork Though a prominent part of New York’s skyline—and a symbol of the city itself—the THE RESTORATION Twin Towers were originally viewed with skepticism. To win over the skeptics, architect WAS LED BY A MODEL Minoru Yamasaki expressed his vision with an elaborately detailed model, today the only MAKER WITH surviving three-dimensional representation of the World Trade Center. CONSERVATION The events of September 11, 2001, have imbued the model with significance that its creators could EXPERTISE AND THE never have imagined. Now part of the American Architectural Foundation’s prints and drawings col- FORMER CHIEF OF lection, the model has undergone a complete restoration thanks to the congressionally funded Save YAMASAKI’S MODEL America’s Treasures grant program of the National Park Service. SHOP, WHOSE The model was donated to the foundation’s collection in 1992, but little is known about its travels KNOWLEDGE OF THE over the past 30 years. What was immediately evident was the urgent need to arrest its worsening con- FIRM’S TECHNIQUES dition. The model is seven feet tall and eight by ten feet at its base; its size, weight, and difficult assem- bly (three hours minimum) did not work in its favor. FOR MODEL-BUILDING “An intriguing and complex period piece in very fragile condition,” is how the foundation described AT THE TIME WAS it. Delicate by nature, architectural models are easily damaged. Often kept in less-than-ideal condi- INVALUABLE. -
Stations Coverage Map Broadcasters
820 N. Capitol Ave., Lansing, MI 48906 PH: (517) 484-7444 | FAX: (517) 484-5810 Public Education Partnership (PEP) Program Station Lists/Coverage Maps Commercial TV I DMA Call Letters Channel DMA Call Letters Channel Alpena WBKB-DT2 11.2 GR-Kzoo-Battle Creek WOOD-TV 7 Alpena WBKB-DT3 11.3 GR-Kzoo-Battle Creek WOTV-TV 20 Alpena WBKB-TV 11 GR-Kzoo-Battle Creek WXSP-DT2 15.2 Detroit WKBD-TV 14 GR-Kzoo-Battle Creek WXSP-TV 15 Detroit WWJ-TV 44 GR-Kzoo-Battle Creek WXMI-TV 19 Detroit WMYD-TV 21 Lansing WLNS-TV 36 Detroit WXYZ-DT2 41.2 Lansing WLAJ-DT2 25.2 Detroit WXYZ-TV 41 Lansing WLAJ-TV 25 Flint-Saginaw-Bay City WJRT-DT2 12.2 Marquette WLUC-DT2 35.2 Flint-Saginaw-Bay City WJRT-DT3 12.3 Marquette WLUC-TV 35 Flint-Saginaw-Bay City WJRT-TV 12 Marquette WBUP-TV 10 Flint-Saginaw-Bay City WBSF-DT2 46.2 Marquette WBKP-TV 5 Flint-Saginaw-Bay City WEYI-TV 30 Traverse City-Cadillac WFQX-TV 32 GR-Kzoo-Battle Creek WOBC-CA 14 Traverse City-Cadillac WFUP-DT2 45.2 GR-Kzoo-Battle Creek WOGC-CA 25 Traverse City-Cadillac WFUP-TV 45 GR-Kzoo-Battle Creek WOHO-CA 33 Traverse City-Cadillac WWTV-DT2 9.2 GR-Kzoo-Battle Creek WOKZ-CA 50 Traverse City-Cadillac WWTV-TV 9 GR-Kzoo-Battle Creek WOLP-CA 41 Traverse City-Cadillac WWUP-DT2 10.2 GR-Kzoo-Battle Creek WOMS-CA 29 Traverse City-Cadillac WWUP-TV 10 GR-Kzoo-Battle Creek WOOD-DT2 7.2 Traverse City-Cadillac WMNN-LD 14 Commercial TV II DMA Call Letters Channel DMA Call Letters Channel Detroit WJBK-TV 7 Lansing WSYM-TV 38 Detroit WDIV-TV 45 Lansing WILX-TV 10 Detroit WADL-TV 39 Marquette WJMN-TV 48 Flint-Saginaw-Bay