Ming Qing Yanjiu 21 (2017) 58–92 brill.com/mqyj Representations of History in the Poetry of Zheng Jing Writing about Identity in the Southern Ming Olivia Milburn Seoul National University
[email protected] Abstract Zheng Jing 鄭經 (1642–1681), the first classically trained Chinese-language poet to write about Taiwan’s landscape, also addressed a number of other themes. This paper will consider his small group of historical poems dealing with the achievements of the founders of earlier imperial dynasties; his poems about contemporary events, in particular the ongoing conflict between the Qing government and the remnants of the Southern Ming dynasty (which he supported) on Taiwan; his poems about his experi- ences as a military commander; and his poems criticizing the Manchu imperial house for their alien customs and culture. These works aren’t read here as straightforwardly autobiographical; instead we’ll interpret them as works of literature, ones carefully constructed to send specific political messages to a contemporary readership. Keywords Zheng Jing – Southern Ming – Ming-Qing transition – poetry – identity – history Introduction In the second half of the seventeenth century, Zheng Jing 鄭經 (1642–1681) became the first classically trained Chinese language poet to write about the landscape of the island of Taiwan. His writings record scenes from the Jinmen and Penghu islands and from Taiwan itself, and he provides the earliest po- etic accounts of the customs and culture of Taiwan’s inhabitants. For this he is justifiably famous within the history of Taiwanese literature. Studies of Zheng © koninklijke brill nv, leiden, 2018 | doi 10.1163/24684791-12340014Downloaded from Brill.com10/02/2021 11:11:42AM via free access Representations of History in the Poetry of Zheng Jing 59 Jing’s poetry have approached his work from a number of angles.