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Róża Różańska
Kwartalnik Młodych Muzykologów UJ No. 32 (4/2017), pp. 59–78 DOI 10.4467/23537094KMMUJ.17.010.7839 www.ejournals.eu/kmmuj Róża Różańska JAGIELLONIAN UNIVERSITY IN KRAKÓW Leone Leoni as a Forgotten Composer of the Early Baroque Era Abstract The article is a pioneer attempt in Polish literature to develop a syn- thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. The first part of the text presents the state of research concerning the life and work of the artist; then, the second part con- tains his biography. The last part discusses Leoni’s works. Finally, the rank of his output is regarded. Keywords Leone Leoni, small-scale concerto, madrigal, early Baroque The following article is a pioneer attempt in Polish literature to develop a synthetic resume of life and art of Leone Leoni (ca. 1560–1627), an Italian composer. Today forgotten, he was a highly valued artist in his epoch. He is regarded as one of the pioneers of dramma per musica and, 59 Kwartalnik Młodych Muzykologów UJ, No. 32 (1/2017) through the centuries, his church music was used by music theorists as models of music rhetoric and concertato style in the compositions for small ensemble. The paper has been planned as an introduction to the cycle of arti- cles dedicated to Leone Leoni, and because of that it is general in the character. -
![List 3-2016 Accademia Della Crusca – Aldine Device 1) [BARDI, Giovanni (1534-1612)]](https://docslib.b-cdn.net/cover/5354/list-3-2016-accademia-della-crusca-aldine-device-1-bardi-giovanni-1534-1612-465354.webp)
List 3-2016 Accademia Della Crusca – Aldine Device 1) [BARDI, Giovanni (1534-1612)]
LIST 3-2016 ACCADEMIA DELLA CRUSCA – ALDINE DEVICE 1) [BARDI, Giovanni (1534-1612)]. Ristretto delle grandeze di Roma al tempo della Repub. e de gl’Imperadori. Tratto con breve e distinto modo dal Lipsio e altri autori antichi. Dell’Incruscato Academico della Crusca. Trattato utile e dilettevole a tutti li studiosi delle cose antiche de’ Romani. Posto in luce per Gio. Agnolo Ruffinelli. Roma, Bartolomeo Bonfadino [for Giovanni Angelo Ruffinelli], 1600. 8vo (155x98 mm); later cardboards; (16), 124, (2) pp. Lacking the last blank leaf. On the front pastedown and flyleaf engraved bookplates of Francesco Ricciardi de Vernaccia, Baron Landau, and G. Lizzani. On the title-page stamp of the Galletti Library, manuscript ownership’s in- scription (“Fran.co Casti”) at the bottom and manuscript initials “CR” on top. Ruffinelli’s device on the title-page. Some foxing and browning, but a good copy. FIRST AND ONLY EDITION of this guide of ancient Rome, mainly based on Iustus Lispius. The book was edited by Giovanni Angelo Ruffinelli and by him dedicated to Agostino Pallavicino. Ruff- inelli, who commissioned his editions to the main Roman typographers of the time, used as device the Aldine anchor and dolphin without the motto (cf. Il libro italiano del Cinquec- ento: produzione e commercio. Catalogo della mostra Biblioteca Nazionale Centrale, Roma 20 ottobre - 16 dicembre 1989, Rome, 1989, p. 119). Giovanni Maria Bardi, Count of Vernio, here dis- guised under the name of ‘Incruscato’, as he was called in the Accademia della Crusca, was born into a noble and rich family. He undertook the military career, participating to the war of Siena (1553-54), the defense of Malta against the Turks (1565) and the expedition against the Turks in Hun- gary (1594). -
RETROSPETTIVE Anno 24 - N° 47 Dicembre 2012 - Aut
RETROSPETTIVE Anno 24 - n° 47 dicembre 2012 - Aut. Tribunale di Trento n° 572 del 6.2.1988 Trento di Tribunale Aut. Anno 24 - n° 47 dicembre 2012 Autorizzazione n. NE/8296/2012 1 RETROSPETTIVE SOMMARIO Editoriale Pag. 3 I luoghi madruzziani “ 5 La Valle dei Laghi nell’epoca di Gian Gaudenzio, Cristoforo e Ludovico Madruzzo (1539-1600) “ 14 Intervista al reduce Luigi Beatrici classe 1919 “ 25 Duecento anni di storia della custodia forestale “ 30 Inaugurazione dell’I.R. casino di bersaglio “Arciduchessa Gisella” “ 38 Piazza Roma “ 42 Piazza Roma un tempo “ 47 Attilio Zanolli, Garibaldino “ 49 “RetrospettIve” indirizzo e-mail: [email protected] Periodico semestrale - Anno 24 - n° 47 - dicembre 2012 - Aut. Tribunale di Trento n° 572 del 6.2.1988 Editore: Associazione Culturale della Valle di Cavedine “Retrospettive” - Cavedine (Tn) - Piazza Don Negri, 5 Distribuzione gratuita ai soci. La quota associativa è di Euro 10,00 e può essere versata sul c/c postale n° 14960389 oppure sul c/c bancario IBAN:IT 89 L 08132 34620 000311053388 presso Cassa Rurale della Valle dei Laghi intestati ad “Associazione Culturale Retrospettive” - 38073 Cavedine (Trento) - Piazza Don Negri, 5 Indicare nella causale del versamento bancario l’indirizzo per la spedizione. Numeri arretrati Euro 7,00. Direttore responsabile: Mariano Bosetti Comitato di redazione: Attilio Comai, Silvia Comai, Luigi Cattoni, Tiziana Chemotti, Teodora Chemotti, Paola Luchetta, Mariano Bosetti, Lorena Bolognani, Verena Depaoli, Ettore Parisi, Silvano Maccabelli, Rosetta Margoni. Disegni: Maria Teodora Chemotti. Stampa: Litografia Amorth Trento - tel 0461.960240 - fax 0461.961801 Realizzato in collaborazione con i Gruppi Culturali “La Ròda” di Padergnone e “N.C. -
074-Sant'onofrio Al Gianicolo.Pages
(074/05) Sant'Onofrio al Gianicolo Sant'Onofrio al Gianicolo is a 15th century monastic and titular church in Trastevere, on the Janiculum. The dedication is to St Onuphrius, a 4th century Egyptian hermit or Desert Father. He was popular in the Middle Ages, and an iconographic representation of him as a naked man with a long beard preserving his modesty can still be found in churches in Europe. History The monastery is not an ancient foundation. What was here before the 15th century was a holm-oak wood on the northern end of the Janiculum ridge, in which Blessed Nicholas of Forca Palena (1349-1449) founded a small hermitage in 1419. He had been born in a mountain hamlet called Forca near Chieti, and worked as a diocesan priest of Sulmona at Palena before migrating to Rome around the year 1404. There he joined an informal group of penitents who had gathered around one Rinaldo di Piedimonte at the church of San Salvatore in Thermis (now demolished). Nicholas took over as priest in charge of the church and leader of the group, and thus began a new religious congregation which became known as Heremitae Sancti Hieronimi. (The patron was St Jerome.) He founded a community in Naples in 1417, Santa Maria delle Grazie a Caponapoli, and then this hermitage in Rome with the help of Gabriele Cardinal Condulmer, who became Pope Eugene IV in (074/05) 1431. He had made friends with Blessed Peter Gambacorta, a hermit at Montebello near Urbino who (according to the legend) converted a band of robbers and so founded the Fratres Pauperes Sancti Hieronimi in 1380. -
Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral
UNIVERSITY OF CALIFORNIA RIVERSIDE International Projects with a Local Emphasis: Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Daniel A. Powazek June 2020 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Randolph Head Dr. Jeanette Kohl Copyright by Daniel A. Powazek 2020 The Thesis of Daniel A. Powazek is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE THESIS International Projects with a Local Emphasis: The Collecting and Representation of Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral by Daniel A. Powazek Master of Arts, Graduate Program in Art History University of California, Riverside, June 2020 Dr. Kristoffer Neville, Chairperson When the Albertine Dukes of Saxony gained the Electoral privilege in the second half of the sixteenth century, they ascended to a higher echelon of European princes. Elector August (r. 1553-1586) marked this new status by commissioning a monumental tomb in Freiberg Cathedral in Saxony for his deceased brother, Moritz, who had first won the Electoral privilege for the Albertine line of rulers. The tomb’s magnificence and scale, completed in 1563, immediately set it into relation to the grandest funerary memorials of Europe, the tombs of popes and monarchs, and thus establishing the new Saxon Electors as worthy peers in rank and status to the most powerful rulers of the period. By the end of his reign, Elector August sought to enshrine the succeeding rulers of his line in an even grander project, a dynastic chapel built into Freiberg Cathedral directly in front of the tomb of Moritz. -
I Segni Dell'uomo
CAI SEZIONE DI VARALLO COMMISSIONE SCIENTIFICA ‘PIETRO CALDERINI’ I SEGNI DELL’UOMO ISCRIZIONI SU ROCCE, MANUFATTI E AFFRESCHI DELL’ARCO ALPINO, UNA FONTE STORICA TRASCURATA 6-7 OTTOBRE 2018 VARALLO E RIMA (VALSESIA) ATTI DEL CONVEGNO E GUIDA ALL’ESCURSIONE a cura di Riccardo Cerri e Roberto Fantoni con contributi di Marco Avanzini, Nicoletta Barazzuol, Marta Bazzanella, Battista Beccaria, Antonio Biganzoli, Daniel Borettaz, Sergio Camerlenghi, Guido Canetta, Riccardo Cerri, Piergiorgio Cesco Frare, Raul Dal Tio, Roberto Fantoni, Anna Gattiglia, Guido Gentile, Vittorio Grassi, Vincenzo Nanni, Gianni Pizzigoni, Carlo Raiteri, Claudine Remacle, Maria Cristina Ronc, Maurizio Rossi e Riccardo Valente 2019 In copertina: la data sulla pietra di una casera all’alpe Campo di Alagna (1562) © CAI Sezione di Varallo, Commissione scientifica ‘Pietro Calderini’ – 2019 È consentita la riproduzione e la diffusione dei testi purché non abbia scopi commerciali e siano correttamente citate le fonti. INDICE I segni dell’uomo. Iscrizioni su rocce, manufatti e affreschi dell’arco alpino, una fonte storica trascurata Riccardo Cerri e Roberto Fantoni p. 5 ISCRIZIONI SU ROCCE DELL’ARCO ALPINO Iscrizioni rupestri: una prospettiva geo-archeologica per una fonte immediata di storia ambientale Maurizio Rossi e Anna Gattiglia p. 9 Le pietre incise del Monte Cimolo (Bèe, VB) Guido Canetta p. 13 La memoria di pietra. Testi raccolti nella Terra tra i due laghi Vittorio Grassi p. 19 “Io sono passato di qua”. Graffiti e segni tra protostoria ed età contemporanea nel Massiccio del Pasubio (Trento) Marco Avanzini p. 25 Incisioni pastorali su roccia in Alpago (BL) Nicoletta Barazzuol e Piergiorgio Cesco Frare p. 33 I segni dell’uomo pastore sulle rocce del Monte Cornón in valle di Fiemme Marta Bazzanella p. -
In Hans Jakob Fuggers's Service
Chapter 3 In Hans Jakob Fuggers’s Service 3.1 Hans Jakob Fugger Strada’s first contacts with Hans Jakob Fugger, his chief patron for well over a decade, certainly took place before the middle of the 1540s. As suggested earlier, the possibility remains that Strada had already met this gifted scion of the most illustrious German banking dynasty, his exact contemporary, in Italy. Fugger [Fig. 3.1], born at Augsburg on 23 December 1516, was the eldest surviving son of Raymund Fugger and Catharina Thurzo von Bethlenfalva. He had already followed part of the studious curriculum which was de rigueur in his family even before arriving in Bologna: this included travel and study at foreign, rather than German universities.1 Hans Jakob, accompanied on his trip by his preceptor Christoph Hager, first studied in Bourges, where he heard the courses of Andrea Alciati, and then fol- lowed Alciati to Bologna [Fig. 1.12]. Doubtless partly because of the exceptional standing of his family—the gold of Hans Jakob’s great-uncle, Jakob ‘der Reiche’, had obtained the Empire for Charles v—but certainly also because of his per- sonal talents, Fugger met and befriended a host of people of particular political, ecclesiastical or cultural eminence—such as Viglius van Aytta van Zwichem, whom he met in Bourges and again in Bologna—or later would ascend to high civil or ecclesiastical rank. His friends included both Germans, such as the companion of his travels and studies, Georg Sigmund Seld, afterwards Reichs- vizekanzler, his compatriot Otto Truchsess von Waldburg, afterwards Cardinal and Prince-Bishop of Augsburg [Fig. -
Lord, in the Piazza Are Works by Donatello and the Great Michelangelo, Both of Them Men That in the 17
16. Benvenuto Cellini, Head of Medusa (sketch model for a statue of Perseus). Bronze, 13.8 cm high. Florence, c.1545–50. V&A: A.14–1964 lord, in the Piazza are works by Donatello and the great Michelangelo, both of them men that in the 17. After Donatello, Virgin and Child (frame probably painted by glory of their works have beaten the ancients; as for me I have the courage to execute this work to Paolo di Stefano). the size of five cubits, and in so doing make it ever so much better than the model.’115 Painted stucco in a wooden frame, 36.5 20.2 cm. Florence, c.1435–40. Yet for all that, it was only in the sixteenth century that the intellectual and individual qualities of V&A: A.45–1926 an artist came to be of significant concern to the patron, purchaser or owner. Prior to that, it seems that an artist’s mastery of a particularly sought-after technique or their extraordinary skill were defining criteria. Thus, to emphasize the extent to which Cistercian patrons were prepared to honour God, it became something of a topos in twelfth- and thirteenth-century accounts of monastic patronage that artists had been brought ‘from foreign parts’ to work on Church building projects because the particular skills they possessed were unavailable locally.116 Aubert Audoin, cardinal and former bishop of Paris, sent for potters from Valencia to produce lustred tiles for his Avignon palace in the late 1350s, because at that date the technique of producing such a golden glaze was known only in the Islamic world.117 The function of an object also continued to outweigh considerations of the identity of its maker. -
I Codici in Scrittura Latina Di Alessandro Farnese (1520-1589) a Caprarola E Al Palazzo Della Cancelleria Nel 1589
This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Author(s): Merisalo, Outi Title: I codici in scrittura latina di Alessandro Farnese (1520-1589) a Caprarola e al Palazzo della Cancelleria nel 1589 Year: 2016 Version: Please cite the original version: Merisalo, O. (2016). I codici in scrittura latina di Alessandro Farnese (1520-1589) a Caprarola e al Palazzo della Cancelleria nel 1589. Progressus, III(1). http://www.rivistaprogressus.it/wp-content/uploads/outi-merisalo-codici-scrittura- latina-alessandro-farnese-1520-1589-caprarola-al-palazzo-della-cancelleria-nel- 1589.pdf All material supplied via JYX is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. I codici in scrittura latina di Alessandro Farnese (1520-1589) a Caprarola e al Palazzo della Cancelleria nel 1589 OUTI MERISALO Anno III, n. 1, luglio 2016 ISSN 2284-0869 ANNO III - N. 1 PROGRESSUS Abstract This article analyses the contents of the manuscripts in Latin script found at the Villa Farnese of Caprarola and the Palazzo della Cancelleria of Rome at the death of Cardinal Alessandro Farnese (1520-1589). They were inventoried by Claudio Tobalducci, librari - an to the Cardinal; the inventories were edited by Francois Fossier. -
Archivio Di Stato Di Trento. Archivio Del Principato Vescovile. Atti Trentini
Archivio di Stato di Trento. Archivio del Principato Vescovile. Atti Trentini. Schedatura a cura di Alessandro Cont, Rossella Ioppi Fondazione Bruno Kessler L’iniziativa è stata realizzata con il contributo di Premessa Coordinamento scientifico della dottoressa Katia Occhi, Istituto storico italo-germanico. La schedatura è stata eseguita nel corso del progetto di ricerca "Atti trentini. Una sezione dell’Archivio del Principato Vescovile di Trento (XVI-XVIII secolo)" promosso dall’Istituto storico italo-germanico della Fondazione Bruno Kessler, in collaborazione con l’Archivio di Stato di Trento e con la Soprintendenza per i Beni culturali. Ufficio Beni archivistici, librari e Archivio provinciale della Provincia Autonoma di Trento. Riversamento delle schede nel sistema "Archivi Storici del Trentino" a cura della dottoressa Rossella Ioppi. 2 Albero delle strutture Archivio di Stato di Trento. Archivio del Principato vescovile di Trento. Atti Trentini, 1325 - 1850 I Serie, 1325 - 1806 II Serie, 1519 - 1850 Appendice, 1401 - 1826 3 Albero dei soggetti produttori 4 fondo ASTn, APV, Atti Trentini, bb. 1-152 Archivio di Stato di Trento. Archivio del Principato vescovile di Trento. Atti Trentini, 1325 - sec. XIX prima metà (con documenti dal 1027 in copia) bb. 152 Bibliografia BEIMROHR W., Das Tiroler Landesarchiv und seine Bestände (Tiroler Geschichtsquellen, 47), Innsbruck 2002 BELLABARBA M., Giurisdizioni e comunità: Folgaria contro Lastebasse. Un caso di conflitto confinario fra Impero asburgico e repubblica di Venezia (XVII-XVIII secolo), in "Acta Histriae", 7, 1999, pp. 236-237 BONAZZA M., Il fisco in una statualità divisa: impero, principi e ceti in area trentino-tirolese nella prima età moderna, Bologna 2001 CAGOL F., GROFF S., STENICO M. -
Galilæana Viii
CORE Metadata, citation and similar papers at core.ac.uk Provided by Institutional Research Information System University of Turin BIBLIOTECA DI GALILÆANA VIII COPERNICUS BANNED The Entangled Matter of the anti-Copernican Decree of 1616 edited by Natacha Fabbri and Federica Favino LEO S. OLSCHKI EDITORE MMXVIII Tutti i diritti riservati Casa Editrice Leo S. Olschki Viuzzo del Pozzetto, 8 50126 Firenze www.olschki.it ISBN 978 88 222 6584 5 CONTENTS Introduction . Pag . VII Roberto Bondì, Dangerous Ideas: Telesio, Campanella and Galileo . » 1 Natacha Fabbri, Threats to the Christian Cosmos. The Reckless As- sault on the Heavens and the Debate over Hell . » 29 Franco Motta, Nature, Faith and the Judge of Faith. Some Consid- erations on the Historical-Political Context of Copernicus’ Con- demnation . » 57 Luigi Guerrini, The Archbishop and Astronomy. Alessandro Marzi- medici and the 1604 Supernova . » 101 Federica Favino, Alchemical Implication of 1616 Affaire. On the Par- ish Priest Attavanti, the Knight Ridolfi and the Cardinal Orsini . » 127 Giovanni Pizzorusso, Francesco Ingoli: Knowledge and Curial Ser- vice in 17th-century Rome . » 157 Édouard Mehl, Kepler’s second Copernican Campaign. The Search for an Annual Stellar Parallax after the Roman Decree (1616) . » 191 Rienk Vermij, Copernicanism and the Bible in the Dutch Republic around 1616: a non-debate . » 211 Steven Vanden Broecke, An Astrologer in the World-Systems Debate. Jean-Baptiste Morin on Astrology and Copernicanism (1631-1634) . » 223 Index of Names . » 243 — V — Franco Motta NATURE, FAITH AND THE JUDGE OF FAITH Some Considerations on the Historical-Political Context of Copernicus’ Condemnation 1. The denunciation of Galileo and the first examination of Coperni- canism by the Inquisition The dossier against Galileo that reached the desk of the Prefect of the Index, Cardinal Sfondrati, in February 1615 contains several interest- ing charges. -
Curzel Chiese Trentine.Pdf
© Copyright 2005 Cierre Edizioni via Ciro Ferrari, 5 37060 Sommacampagna, Verona tel. 045 8581572 fax 045 8589883 [email protected] www.cierrenet.it Emanuele Curzel Chiese trentine Ricerche storiche su territori, persone e istituzioni BIBLIOTECA DEI QUADERNI DI STORIA RELIGIOSA iv Indice 7 Presentazione di Gian Maria Varanini 11 Nota introduttiva 31 I. Immagini del territorio 33 1. Il pagamento della decima papale degli anni 1313-1319 in diocesi di Trento 89 2. L’organizzazione ecclesiastica della Valsugana nel medioevo 127 3. Per una storia dei santuari trentini 147 4. Confini e santuari “all’Adige e sui monti” 163 5. Luoghi di culto e mete di pellegrinaggio nel Trentino tardomedioevale 179 6. Le chiese dedicate a san Vigilio in diocesi di Trento 191 II. Studi sul clero 193 1. Scolastici e “scolares” nella cattedrale di Trento 215 2. Cappellani e altari nella cattedrale di Trento nel XIV secolo 253 3. L’altare dei Santi Sisinio, Martirio e Alessandro 289 4. Federico IV e il Capitolo di Trento 315 5. Il vescovo Giorgio Hack a Castel Roncolo (1463-1465) 335 6. Attraverso le Alpi. Mobilità ed etnia del clero nel tardo medioevo 4 361 III. Chiese grandi e piccole 363 1. Alla ricerca dell’archivio dei domenicani di San Lorenzo 373 2. Sant’Anna di Sopramonte: dati per una riscoperta 385 3. San Lorenzo in Banale: dal “pulchrum templum” alla parrocchia 413 4. San Paolo di Ceniga: fortuna e declino di un eremo 427 5. San Pietro in Bosco: documenti e tradizioni 447 Fonti e bibliografia 489 Indice dei nomi di luogo e di persona 5 Si ringrazia la Federazione Trentina delle Cooperative per il contribu- to che ha permesso la pubblicazione del volume.