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Res novae-en-7.qxp 08/03/2019 10:03 Page 2 RES NOVAE ROMAN PERSPECTIVE - English Edition International monthly newsletter of analysis and prospective ❚ N° 7 ❚ March 2019 ❚ Année I ❚ 3 € Published in French, English and Italian INDEX Page 1 The tribulations of moral theology Rocco Buttiglione ❚ card. Carlo Caffarra ❚ card. Édouard Gagnon ❚ Père Ramon García de Haro ❚ worrying sign of the crumbling of convictions and even of the Jean-Paul II ❚ professeur Jérôme theological skills of Roman personnel in terms of « moral of life » Lejeune ❚ Mgr Fernando Ocáriz ❚ was seen recently in the surprising response of 10 December last Paul VI ❚ Pie XI ❚ Pie XII ❚ card. Jo- from the Congregation for the Doctrine of the Faith in regards to seph Ratzinger ❚ card. Angelo A a case of hysterectomy (see document and commentary below). Scola ❚ Communione e Libera- Humanæ vitæ had constituted in 1968 a sort of miracle in the mist of an ec- zione ❚ Donum vitæ ❚ Humanæ ❚ clesiastical situation where doctrinal liberalism seemed to breached all le- vitæ Veritatis splendor vees. Paul VI settled the debate – sadly after four years of reflexions – Page 2 against the opinion of the majority of the members of the commission he Card. Lorenzo Baldisseri ❚ had instituted to work on the issue, in favour of continuity, rejecting as Benoit XVI ❚ Jorge Bergoglio ❚ contrary to natural law all action that would have for a goal or mean to ren- Rocco Buttiglione ❚ card. Kevin der procreation impossible. ❚ ❚ Farrell Mgr Bruno Forte Père L’ÉDITORIAL ❚ But it is mostly the very firm teaching of John Paul II which has allowed the Rosaire Gagnebet Germain Gri- development of a sort of Humanæ vitæ world. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Jenkins, Clare Helen Elizabeth Title: Jansenism as literature : a study into the influence of Augustinian theology on seventeenth-century French literature General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Jansenism as Literature: A Study into the Influence of Augustinian Theology on Seventeenth-Century French Literature Clare Helen Elizabeth Jenkins A Dissertation submitted to the University of Bristol in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts. -
Galileo in Rome Galileo in Rome
Galileo in Rome Galileo in Rome The Rise and Fall of a Troublesome Genius William R. Shea and Mariano Artigas Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2003 by Oxford University Press, Inc. First published by Oxford University Press, Inc., 2003 198 Madison Avenue, New York, New York 10016 www.oup.com Issued as an Oxford University Press paperback, 2004 ISBN 0-19-517758-4 (pbk) Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. The Library of Congress has catalogued the cloth edition as follows: Artigas, Mariano. Galileo in Rome : the rise and fall of a troublesome genius / Mariano Artigas and William R. Shea. p. cm. Includes bibliographical references and index. ISBN 0-19-516598-5 1. Galilei, Galileo, 1564-1642—Journeys—Italy—Rome. 2. Religion and science—History—16th century. 3. Astronomers—Italy—Biography. I. Shea, William R. II. Title. QB36.G2 A69 2003 520'.92—dc21 2003004247 Book design by planettheo.com 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper CONTENTS ACKNO W L E D G E M E N T S vii I N TRO D U C TIO N ix CHA P TER O N E Job Hunting and the Path -
Acollection of Correspondence
© 2012 Capuchin Friars of Australia. All Rights Reserved. A COLLECTION OF CORRESPONDENCE Some Letters … and other things, from Sixteenth Century Italy in their original languages Bernardo, ben potea bastarvi averne Co’l dolce dir, ch’a voi natura infonde, Qui dove ‘l re de’ fiume ha più chiare onde, Acceso i cori a le sante opre eterne; Ché se pur sono in voi pure l’interne Voglie, e la vita al destin corrisponde, Non uom di frale carne e d’ossa immonde, Ma sète un voi de le schiere sperne. Or le finte apparenze, e ‘l ballo, e ‘l suono, Chiesti dal tempo e da l’antica usanza, A che così da voi vietate sono? Non fôra santità,capdox fôra arroganza Tôrre il libero arbitrio, il maggior dono Che Dio ne diè ne la primera stanza.1 Compiled by Paul Hanbridge Fourth edition, formerly “A Sixteenth Century Carteggio” Rome, 2007, 2008, Dec 2009 1 “Bernardo, it should be enough for you / With that sweet speech infused in you by Nature, / To light our hearts to high eternal works, / Here where the King of Rivers flows most clearly. / Since your own inner wishes are sincere, / And your own life reflects a pure intent, / You’re ra- ther an inhabitant of heaven. /As to these masquerades, dances, and music, /Sanctioned by time and by ancient custom - /Why do you now forbid them in your sermons? /Holiness it is not, but arrogance to take away free will, the highest gift/ Which God bestowed on us from the begin- ning.” Tullia d’Aragona (c. -
Downloads/Wp988j82g]
[https://commons.warburg.sas.ac.uk/downloads/wp988j82g] Miglietti, Sara. The censor as reader : censorial responses to Bodin’s methodus in counter-Reformation Italy (1587-1607) / Sara Miglietti. 2016 Article To cite this version: Miglietti, S. (2016). The censor as reader : censorial responses to Bodin’s methodus in counter- Reformation Italy (1587-1607) / Sara Miglietti. History of European Ideas , 42(5), 707–721. https://doi.org/ https://doi.org/10.1080/01916599.2016.1153289 Available at: https://commons.warburg.sas.ac.uk/concern/journal_articles/d217qp48j DOI: https://doi.org/10.1080/01916599.2016.1153289 Date submitted: 2019-07-22 Copyright is retained by the author. Terms and conditions for use of this material are defined in the User Deposit Agreement. The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) SARA MIGLIETTI Department of German and Romance Languages and Literatures, Johns Hopkins University Gilman Hall 481 3400 N Charles Street Baltimore, MD 21218 (USA) Phone: +1-202-848-6032 Email: [email protected] 1 The Censor as Reader: Censorial Responses to Bodin’s Methodus in Counter- Reformation Italy (1587-1607) * SARA MIGLIETTI Department of German and Romance Languages and Literatures Johns Hopkins University, Baltimore, MD Summary This essay investigates censorial responses to Jean Bodin’s Methodus (1566) in Counter-Reformation Italy, using evidence from Italian libraries and archives to shed new light on the process that led to the inclusion of the work in the Roman Expurgatory Index of 1607. By examining the diverse, and sometimes conflicting, opinions that Catholic censors expressed on Bodin’s text and the ‘errors’ it contained, the essay shows that even a relatively cohesive ‘reading community’ such as that of Counter-Reformation censors could nurture fundamental disagreement in evaluating the content and dangerousness of a book, as well as in devising appropriate countermeasures. -
The Papacy and the Birth of the Polish-Russian Hatred Autor Tekstu: Mariusz Agnosiewicz
The papacy and the birth of the Polish-Russian hatred Autor tekstu: Mariusz Agnosiewicz Tłumaczenie: Katarzyna Goliszek Niniejsze tłumaczenie fragmentu mojej publikacji, która jest częścią II tomu Kryminalnych dziejów papiestwa (http://www.racjonalista.pl/ks.php/k,2231), ukazało się wraz z komentarzem Czesława Białczyńskiego (http://pl.wikipedia.org/wiki/Czesław_Białczyński), pt. Reconciliation Poland — Russia, back in the years of 1610-1612 and the Counter-Reformation (http://bialczynski.wordpress.com/slowianie-tradycje-kultura- dzieje/zblizenie-polska-rosja/p apiestwo-i-narodziny-nienawisci -polsko-rosyjskiej-czyli-jeszcz e-o-latach-1610-1612-i-o-kontrr eformacji/reconciliation-poland -russia-back-in-the-years-of-16 10-1612-and-the-counter-reforma tion-eng/). MA For Anti memory of Piotr Skarga Pope Paul V (1605-1621), began his pontificate by pushing Poland for anti-Russian dymitriads, one of the most stupid and most tragic episodes of our history, and ended it when his circulatory system sustained a joyous overload during the procession in honor of the massacre of Czechs in the Thirty Years' War. The participation of the Papacy and the Jesuits in the tragic Polish anti-Russian rows is usually passed over in silence. For Russia's resurgent power it was a historically traumatic event that put a strain on the entire subsequent Polish-Russian relationships, and should never be ignored while remembrance of the partitions of Poland. When in 2005 Russia replaced their old national holiday commemorating the outbreak of the October Revolution with the Day of National Unity commemorating the liberation of Moscow from the Poles in Russia in 1612, the Vatican expressed concern that it could be of the anti-Catholic nature. -
List 3-2016 Accademia Della Crusca – Aldine Device 1) [BARDI, Giovanni (1534-1612)]
LIST 3-2016 ACCADEMIA DELLA CRUSCA – ALDINE DEVICE 1) [BARDI, Giovanni (1534-1612)]. Ristretto delle grandeze di Roma al tempo della Repub. e de gl’Imperadori. Tratto con breve e distinto modo dal Lipsio e altri autori antichi. Dell’Incruscato Academico della Crusca. Trattato utile e dilettevole a tutti li studiosi delle cose antiche de’ Romani. Posto in luce per Gio. Agnolo Ruffinelli. Roma, Bartolomeo Bonfadino [for Giovanni Angelo Ruffinelli], 1600. 8vo (155x98 mm); later cardboards; (16), 124, (2) pp. Lacking the last blank leaf. On the front pastedown and flyleaf engraved bookplates of Francesco Ricciardi de Vernaccia, Baron Landau, and G. Lizzani. On the title-page stamp of the Galletti Library, manuscript ownership’s in- scription (“Fran.co Casti”) at the bottom and manuscript initials “CR” on top. Ruffinelli’s device on the title-page. Some foxing and browning, but a good copy. FIRST AND ONLY EDITION of this guide of ancient Rome, mainly based on Iustus Lispius. The book was edited by Giovanni Angelo Ruffinelli and by him dedicated to Agostino Pallavicino. Ruff- inelli, who commissioned his editions to the main Roman typographers of the time, used as device the Aldine anchor and dolphin without the motto (cf. Il libro italiano del Cinquec- ento: produzione e commercio. Catalogo della mostra Biblioteca Nazionale Centrale, Roma 20 ottobre - 16 dicembre 1989, Rome, 1989, p. 119). Giovanni Maria Bardi, Count of Vernio, here dis- guised under the name of ‘Incruscato’, as he was called in the Accademia della Crusca, was born into a noble and rich family. He undertook the military career, participating to the war of Siena (1553-54), the defense of Malta against the Turks (1565) and the expedition against the Turks in Hun- gary (1594). -
Jesuit Theology, Politics, and Identity: the Generalate of Acquaviva and the Years of Formation Franco Motta
chapter seventeen Jesuit Theology, Politics, and Identity: The Generalate of Acquaviva and the Years of Formation Franco Motta The Jesuit Archetype: A Long History What is a Jesuit? A priest; a member of a religious order, or rather of a regular congregation; a priest called to mission. Often, a teacher. Today, the list of defini- tions would more or less stop here. There is nothing specifically “Jesuit” about this description, as it could apply to the members of many other Catholic religious orders. It is one of the many consequences of secularization: in the collective perception, the differences that make up the complexity of the church are lost; the identities of the religious orders fade, and with them, the meaning of schools that at one time were recog- nizable in speech, modes of being, and their presence in the world. Before the mid-twentieth century, things were different. If we step back eighty years, we encounter signs and meanings that are connected to a far more distant past. In January 1932, the Spanish republic disbanded the Society of Jesus within its territories and forfeited its benefits on the grounds that the Jesuits were loyal to a foreign sovereign: the pope. At that time, a Jesuit’s identity was much clearer: an enemy of the state, an agent in service of a great power, an agitator, equipped with great influence over women, aristocrats, and elites; and, above all, a sworn enemy to civil and scientific progress.1 This was more or less the conceptual catalog that was then in use. Naturally, the prime minister of the -
A Transcription and Translation of Ms 469 (F.101R – 129R) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen
A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen by Paul Hanbridge PRÉCIS A Scurrilous Letter to Pope Paul III. A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen. This study introduces a transcription and English translation of a ‘Letter’ in VS 469. The document is titled: Epistola invectiva Bernhardj Occhinj in qua vita et res gestae Pauli tertij Pont. Max. describuntur . The study notes other versions of the letter located in Florence. It shows that one of these copied the VS469, and that the VS469 is the earliest of the four Mss and was made from an Italian exemplar. An apocryphal document, the ‘Letter’ has been studied briefly by Ochino scholars Karl Benrath and Bendetto Nicolini, though without reference to this particular Ms. The introduction considers alternative contemporary attributions to other authors, including a more proximate determination of the first publication date of the Letter. Mario da Mercato Saraceno, the first official Capuchin ‘chronicler,’ reported a letter Paul III received from Bernardino Ochino in September 1542. Cesare Cantù and the Capuchin historian Melchiorre da Pobladura (Raffaele Turrado Riesco) after him, and quite possibly the first generations of Capuchins, identified the1542 letter with the one in transcribed in these Mss. The author shows this identification to be untenable. The transcription of VS469 is followed by an annotated English translation. Variations between the Mss are footnoted in the translation. © Paul Hanbridge, 2010 A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. -
Fire, Smoke and Vapour. Jan Brueghel's 'Poetic Hells
FIRE, SMOKE AND VAPOUR. JAN BRUEGHEL’S ‘POETIC HELLS’: ‘GHESPOOCK’ IN EARLY MODERN EUROPEAN ART Christine Göttler Karel van Mander, in the ‘Life of Jeronimus Bos’ in his Schilder-Boeck of 1604, speaks of the ‘wondrous or strange fancies’ (wonderlijcke oft seldsaem versieringhen), which this artist ‘had in his head and expressed with his brush’ – the ‘phantoms and monsters of hell ( ghespoock en ghe- drochten der Hellen) which are usually not so much kindly as ghastly to look upon’.1 Taking one of Bosch’s depictions of the Descent of Christ into the Limbo of the Fathers as an example, van Mander further notes that ‘it’s a wonder what can be seen there of odd spooks (oubolligh ghespoock); also, how subtle and natural (aerdigh en natuerlijck) he was with ames, \ res, smoke and vapours’.2 In the Schilder-Boeck, van Mander frequently uses the word ‘aerdigh’ to describe the aesthetically pleasing quality of small works or small details;3 here, ‘aerdigh’ refers to the natural and lively depiction of res. As it has been observed, van Mander’s list of Bosch’s painterly expres- sions echoes Erasmus’s often-cited eulogy on Dürer in the Dialogus de recta Latini Graecique sermonis pronuntiatione (Dialogue About the Correct Pro- nunciation of Latin and Greek), published in Basel in 1528. According to 1 Mander K. van, The Lives of the Illustrious Netherlandish and German Painters, from the \ rst edition of the Schilder-boeck (1603–1604), ed. H. Miedema, 6 vols. (Davaco: 1994–99) I 124f. (f. 216v): ‘Wie sal verhalen al de wonderlijcke oft seldsaem versieringhen/die Ieronimus Bos in’t hooft heeft ghehadt/en met den Pinceel uytghedruckt/van ghe- spoock en ghedrochten der Hellen/dickwils niet alsoo vriendlijck als grouwlijck aen te sien.’ Here and in the following, my translation is largely based on the one given in Miedema’s edition of The Lives; I use, however, a more literal translation of van Mander’s expressions. -
RETROSPETTIVE Anno 24 - N° 47 Dicembre 2012 - Aut
RETROSPETTIVE Anno 24 - n° 47 dicembre 2012 - Aut. Tribunale di Trento n° 572 del 6.2.1988 Trento di Tribunale Aut. Anno 24 - n° 47 dicembre 2012 Autorizzazione n. NE/8296/2012 1 RETROSPETTIVE SOMMARIO Editoriale Pag. 3 I luoghi madruzziani “ 5 La Valle dei Laghi nell’epoca di Gian Gaudenzio, Cristoforo e Ludovico Madruzzo (1539-1600) “ 14 Intervista al reduce Luigi Beatrici classe 1919 “ 25 Duecento anni di storia della custodia forestale “ 30 Inaugurazione dell’I.R. casino di bersaglio “Arciduchessa Gisella” “ 38 Piazza Roma “ 42 Piazza Roma un tempo “ 47 Attilio Zanolli, Garibaldino “ 49 “RetrospettIve” indirizzo e-mail: [email protected] Periodico semestrale - Anno 24 - n° 47 - dicembre 2012 - Aut. Tribunale di Trento n° 572 del 6.2.1988 Editore: Associazione Culturale della Valle di Cavedine “Retrospettive” - Cavedine (Tn) - Piazza Don Negri, 5 Distribuzione gratuita ai soci. La quota associativa è di Euro 10,00 e può essere versata sul c/c postale n° 14960389 oppure sul c/c bancario IBAN:IT 89 L 08132 34620 000311053388 presso Cassa Rurale della Valle dei Laghi intestati ad “Associazione Culturale Retrospettive” - 38073 Cavedine (Trento) - Piazza Don Negri, 5 Indicare nella causale del versamento bancario l’indirizzo per la spedizione. Numeri arretrati Euro 7,00. Direttore responsabile: Mariano Bosetti Comitato di redazione: Attilio Comai, Silvia Comai, Luigi Cattoni, Tiziana Chemotti, Teodora Chemotti, Paola Luchetta, Mariano Bosetti, Lorena Bolognani, Verena Depaoli, Ettore Parisi, Silvano Maccabelli, Rosetta Margoni. Disegni: Maria Teodora Chemotti. Stampa: Litografia Amorth Trento - tel 0461.960240 - fax 0461.961801 Realizzato in collaborazione con i Gruppi Culturali “La Ròda” di Padergnone e “N.C. -
Journal of Religion & Society
Journal of Religion & Society Volume 1 (1999) ISSN 1522-5658 Galileo and the Inquisition1 William E. Carroll, Cornell College (Mt. Vernon, Iowa) Abstract The story of Galileo's encounter with the Inquisition in the early 17th Century continues to be an important part of the story of modernity. Galileo is frequently seen as breaking with the scientific heritage of Aristotle to found a new science of nature and, in the process, he also had to do battle with an entrenched biblical literalism in the Catholic Church. According to the generally accepted view, Galileo's break with both Aristotle and the Inquisition is a founding feature of modern culture. This essay challenges such a view and argues that Galileo's science, at least in its principles, is Aristotelian in inspiration, and that Galileo and the theologians of the Inquisition shared first principles concerning both the complementarity of faith and reason as well as the authority of the Church to be the authentic interpreter of the truths of scripture. In fact, the controversy between Galileo and the Inquisition would be unintelligible were it not the case that all parties shared common first principles. Introduction [1] On the occasion of the publication, in March 1987, of the Catholic Church's condemnation of in vitro fertilization, surrogate motherhood, and fetal experimentation, there appeared a cartoon in a Roman newspaper, in which two bishops are standing next to a telescope. In the distant night sky, in addition to Saturn and the Moon, there are dozens of test-tubes. One bishop turns to the other, who is in front of the telescope, and asks: "This time what should we do? Should we look or not?" The historical reference to Galileo was clear.