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A Transcription and Translation of Ms 469 (F.101R – 129R) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen
A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen by Paul Hanbridge PRÉCIS A Scurrilous Letter to Pope Paul III. A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen. This study introduces a transcription and English translation of a ‘Letter’ in VS 469. The document is titled: Epistola invectiva Bernhardj Occhinj in qua vita et res gestae Pauli tertij Pont. Max. describuntur . The study notes other versions of the letter located in Florence. It shows that one of these copied the VS469, and that the VS469 is the earliest of the four Mss and was made from an Italian exemplar. An apocryphal document, the ‘Letter’ has been studied briefly by Ochino scholars Karl Benrath and Bendetto Nicolini, though without reference to this particular Ms. The introduction considers alternative contemporary attributions to other authors, including a more proximate determination of the first publication date of the Letter. Mario da Mercato Saraceno, the first official Capuchin ‘chronicler,’ reported a letter Paul III received from Bernardino Ochino in September 1542. Cesare Cantù and the Capuchin historian Melchiorre da Pobladura (Raffaele Turrado Riesco) after him, and quite possibly the first generations of Capuchins, identified the1542 letter with the one in transcribed in these Mss. The author shows this identification to be untenable. The transcription of VS469 is followed by an annotated English translation. Variations between the Mss are footnoted in the translation. © Paul Hanbridge, 2010 A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. -
Fire, Smoke and Vapour. Jan Brueghel's 'Poetic Hells
FIRE, SMOKE AND VAPOUR. JAN BRUEGHEL’S ‘POETIC HELLS’: ‘GHESPOOCK’ IN EARLY MODERN EUROPEAN ART Christine Göttler Karel van Mander, in the ‘Life of Jeronimus Bos’ in his Schilder-Boeck of 1604, speaks of the ‘wondrous or strange fancies’ (wonderlijcke oft seldsaem versieringhen), which this artist ‘had in his head and expressed with his brush’ – the ‘phantoms and monsters of hell ( ghespoock en ghe- drochten der Hellen) which are usually not so much kindly as ghastly to look upon’.1 Taking one of Bosch’s depictions of the Descent of Christ into the Limbo of the Fathers as an example, van Mander further notes that ‘it’s a wonder what can be seen there of odd spooks (oubolligh ghespoock); also, how subtle and natural (aerdigh en natuerlijck) he was with ames, \ res, smoke and vapours’.2 In the Schilder-Boeck, van Mander frequently uses the word ‘aerdigh’ to describe the aesthetically pleasing quality of small works or small details;3 here, ‘aerdigh’ refers to the natural and lively depiction of res. As it has been observed, van Mander’s list of Bosch’s painterly expres- sions echoes Erasmus’s often-cited eulogy on Dürer in the Dialogus de recta Latini Graecique sermonis pronuntiatione (Dialogue About the Correct Pro- nunciation of Latin and Greek), published in Basel in 1528. According to 1 Mander K. van, The Lives of the Illustrious Netherlandish and German Painters, from the \ rst edition of the Schilder-boeck (1603–1604), ed. H. Miedema, 6 vols. (Davaco: 1994–99) I 124f. (f. 216v): ‘Wie sal verhalen al de wonderlijcke oft seldsaem versieringhen/die Ieronimus Bos in’t hooft heeft ghehadt/en met den Pinceel uytghedruckt/van ghe- spoock en ghedrochten der Hellen/dickwils niet alsoo vriendlijck als grouwlijck aen te sien.’ Here and in the following, my translation is largely based on the one given in Miedema’s edition of The Lives; I use, however, a more literal translation of van Mander’s expressions. -
ARTH206-The Autobiography of Benvenuto
The Autobiograhy of Benvenuto Cellini Benvenuto Cellini, Translated by John Addington Symonds (2010) TABLE OF CONTENTS Introductory Sonnet 2 Introductory Note 3 Part I 5 Part II 331 Source URL: http://ebooks.adelaide.edu.au/c/cellini/benvenuto/autobiography/complete.html Saylor URL: http://www.saylor.org/courses/arth206/ Attributed to: [University of Adelaide] Saylor.org Page 1 of 571 INTRODUCTORY SONNET THIS tale of my sore-troubled life I write, To thank the God of nature, who conveyed My soul to me, and with such care hath stayed That divers noble deeds I’ve brought to light. ’Twas He subdued my cruel fortune’s spite: Life glory virtue measureless hath made Such grace worth beauty be through me displayed That few can rival, none surpass me quite. Only it grieves me when I understand What precious time in vanity I’ve spent- The wind it beareth man’s frail thoughts away. Yet, since remorse avails not, I’m content, As erst I came, WELCOME to go one day, Here in the Flower of this fair Tuscan land. Source URL: http://ebooks.adelaide.edu.au/c/cellini/benvenuto/autobiography/complete.html Saylor URL: http://www.saylor.org/courses/arth206/ Attributed to: [University of Adelaide] Saylor.org Page 2 of 571 INTRODUCTORY NOTE AMONG the vast number of men who have thought fit to write down the history of their own lives, three or four have achieved masterpieces which stand out preeminently: Saint Augustine in his “Confessions,” Samuel Pepys in his “Diary,” Rousseau in his “Confessions.” It is among these extraordinary documents, and unsurpassed by any of them, that the autobiography of Benvenuto Cellini takes its place. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Warriors and musicians: notes from the Colonna family archive Author(s) Marshall, Melanie L. Publication date 2011-05 Original citation Marshall, Melanie L. ; (2011) 'Warriors and Musicians: Notes from the Colonna Family Archive'. Early Music, 39 (2):195-201. Type of publication Article (peer-reviewed) Link to publisher's http://em.oxfordjournals.org/cgi/reprint/car026? version ijkey=Zc3kCNwRFq8rWpm&keytype=ref http://dx.doi.org/10.1093/em/car026 Access to the full text of the published version may require a subscription. Rights © The Author 2011. Published by Oxford University Press. All rights reserved. This is a pre‐copy‐editing, author‐produced PDF of an article accepted for publication in Early Music following peer review. The definitive publisher‐authenticated version (Melanie L. Marshall, ‘Warriors and Musicians: Notes from the Colonna Family Archive’, Early Music 2011; doi: 10.1093/em/car026) is available online at http://em.oxfordjournals.org/cgi/reprint/car026? ijkey=Zc3kCNwRFq8rWpm&keytype=ref. Embargo information Access to the full text of this article is restricted by request of the publisher. Full Text will be available from 1 May 2013. Item downloaded http://hdl.handle.net/10468/771 from Downloaded on 2021-10-04T03:35:03Z Warriors and Musicians: Notes from the Colonna Family Archive* Dr Melanie L. Marshall (University College Cork) This is a pre‐copy‐editing, author‐produced PDF of an article accepted for puBlication in Early Music following peer review. The definitive puBlisher‐authenticated version (Melanie L. -
I Vescovi Di Brescia
I VESCOVI DI BRESCIA RICERCA BIBLIOGRAFICA A CmDI CHZARA MONTLM E OIhNEWLO VALETII ATENE0 DI BRESCIA ACCADEMIA DI SCIENZE LETTERE ED ARTI MCMLXXXVII Il volume è pubblicato con il concorso della Cassa di Risparmio delle Provincie Lornbarde, che ha inteso così ricordare il Presidente dell'Ateneo di Brescia, Senatore Albino Donati, già suo Consigliere di Amministra- zione. I VESCOVI DI BRESCIA RICERCA BIBLIOGRAFICA A CURA DI CHIARA MONTINI E ORNELLO VALEITi ATENE0 DI BRESCIA ACCADEMIA DI SCIENZE, LETTERE ED ARTI McMLxxxvII SUPPLEMENTO AI COMMENTAR1 DELL'ATENEO DI BRESCIA PER L'ANNO 1987 Direttore responsabile: Ugo Vaglia Autorizzazione del Tribunale di Brescia N. 64 in data 21 gennaio 1953 - Tipo-Lito Fratelli GeroZdi - Brescia - 1987 Premessa L'ecclesiologia del Concilio Vaticano I1 ha determinato senza dub- bio un ricco e intenso progresso delle scienze storico-religiose in am- bito europeo e, particolarmente, italiano. Gli orizzonti della storiografia religiosa si sono ampiamente dila- tati e, al contempo, hanno sensibilmente affinato il metodo euristi- co, alimentando nuovi e rilevanti campi di indagine. Particolarmente significativa l'attenzione storiografica accordata da- gli studiosi italiani, sulla scorta di illustri e rigorosi precorrimenti d'oltralpe, alla dimensione locale, territorialmente definita e circo- scritta, della vita religiosa ed ecclesiale nella sua articolazione e complessità. La diocesi quindi e il suo pastore, costituircono sem- pre piu il soggetto storico della ricerca e dell'indagine archivistica e documentaria in genere. Archivi e biblioteche civiche e di stato, archivi parrocchiali e vescovili, di ordini e congregazioni religiose, di sodalizi pii e di confraternite, capitolari e diocesani, di seminarì e di istituzioni laicali cattoliche, rappresentano i luoghi pih idonei per una esplorazione archivistica e una consultazione bibliografica pertinente e proficua. -
Galilæana Viii
CORE Metadata, citation and similar papers at core.ac.uk Provided by Institutional Research Information System University of Turin BIBLIOTECA DI GALILÆANA VIII COPERNICUS BANNED The Entangled Matter of the anti-Copernican Decree of 1616 edited by Natacha Fabbri and Federica Favino LEO S. OLSCHKI EDITORE MMXVIII Tutti i diritti riservati Casa Editrice Leo S. Olschki Viuzzo del Pozzetto, 8 50126 Firenze www.olschki.it ISBN 978 88 222 6584 5 CONTENTS Introduction . Pag . VII Roberto Bondì, Dangerous Ideas: Telesio, Campanella and Galileo . » 1 Natacha Fabbri, Threats to the Christian Cosmos. The Reckless As- sault on the Heavens and the Debate over Hell . » 29 Franco Motta, Nature, Faith and the Judge of Faith. Some Consid- erations on the Historical-Political Context of Copernicus’ Con- demnation . » 57 Luigi Guerrini, The Archbishop and Astronomy. Alessandro Marzi- medici and the 1604 Supernova . » 101 Federica Favino, Alchemical Implication of 1616 Affaire. On the Par- ish Priest Attavanti, the Knight Ridolfi and the Cardinal Orsini . » 127 Giovanni Pizzorusso, Francesco Ingoli: Knowledge and Curial Ser- vice in 17th-century Rome . » 157 Édouard Mehl, Kepler’s second Copernican Campaign. The Search for an Annual Stellar Parallax after the Roman Decree (1616) . » 191 Rienk Vermij, Copernicanism and the Bible in the Dutch Republic around 1616: a non-debate . » 211 Steven Vanden Broecke, An Astrologer in the World-Systems Debate. Jean-Baptiste Morin on Astrology and Copernicanism (1631-1634) . » 223 Index of Names . » 243 — V — Franco Motta NATURE, FAITH AND THE JUDGE OF FAITH Some Considerations on the Historical-Political Context of Copernicus’ Condemnation 1. The denunciation of Galileo and the first examination of Coperni- canism by the Inquisition The dossier against Galileo that reached the desk of the Prefect of the Index, Cardinal Sfondrati, in February 1615 contains several interest- ing charges. -
M-001 Macrobius, Aurelius Theodosius in Somnium Scipionis
M r M-001 Macrobius, AureliusTheodosius h4 Macrobius, AureliusTheodosius: Saturnalia. In somnium Scipionis expositio, et al. refs. Macr. r Brescia: Boninus de Boninis, de Ragusia, 6 June 1483. Folio. [a2 ] Cicero, Marcus Tullius: Somnium Scipionis: De republica 10 8 6 8 6 8 6 8 6 8 6 8 [extract]. collation: a b c d e^g h i k l^n o q^u x y & m a A^C . Leaf a2 signed a, a3 signed aii, etc. refs. Cic. Rep. 6. 9^29; Macrobius, Commentarii in somnium v Scipionis, ed. James Willis (Leipzig, 1963),155^63. Woodcut diagrams, and, on f8 , a map of the world, for which see v Campbell. [a4 ] Macrobius, Aurelius Theodosius: In somnium Scipionis expositio. HC *10427; Go¡ M-9; BMC VII 968; Pr 6953; BSB-Ink M-2; refs. Macrobius, Commentarii in somnium Scipionis, ed. Willis, Campbell, Maps, 879(i); CIBN M-7; Sander 4072; Sheppard 1^154. 5750. Micro¢che: Unit 3: Image of the World: Geography and r Cosmography. [f5 ] Macrobius, AureliusTheodosius: Saturnalia. refs. Macr. COPY Venice: Nicolaus Jenson, 1472. Folio. Wanting the blank leaf a1. collation: [a b10 c^m8 n10 o^v8]. Leaf a10 bound after b8. Binding: Eighteenth/nineteenth-century gold-tooled diced rus- HCR 10426; Go¡ M-8; BMC V 172; Pr 4085; BSB-Ink M-1; CIBN sia; gilt-edged leaves, marbled pastedowns; the gold stamp of the M-6; Hillard 1268; Lowry, Jenson, 242, no. 27; Rhodes 1135; Bodleian Library on both covers. Size: 312 ¿ 222 ¿ 37 mm. Sizeof Sheppard 3258. leaf: 300 ¿ 203 mm. -
Printers and Power in Early Sixteenth-Century Rome
chapter 8 The Rise of the Stampatore Camerale: Printers and Power in Early Sixteenth-Century Rome Paolo Sachet More than any other early modern power, the sixteenth-century Catholic Church is generally identified with a strict, if not reactionary policy towards printing. As part of its struggle against the Reformation, the papacy developed a vast and centralised system of ecclesiastical censorship. While it failed to be as universal as originally envisaged, it had serious ramifications on the culture of Catholic countries, beginning with Italy. An ever-growing number of studies is devoted to this subject, benefiting from the opening of the archive of the Roman Inquisition in 1998 and from the ground-breaking critical edition of the Indexes of Forbidden Books.1 By contrast, almost all of the Church’s attempts to harness printing as a means of communication in support of its own cause have been largely overlooked. This observation is especially true for the very heart of Catholicism, the city of Rome. In the capital of the Papal States, how- ever, cardinals and popes did employ local publishers to print an array of scholarly books to challenge Protestantism mostly in the patristic and histo- riographical fields. As I have illustrated elsewhere, these innovative attempts took place long before the establishment of the Typographia Vaticana in 1587.2 1 To cite only the most relevant contributions, see Gigliola Fragnito, La Bibbia al rogo: la cen sura ecclesiastica e i volgarizzamenti della Scrittura (1471–1605) (Bologna: Il Mulino, 1997), as well as her Proibito capire: la Chiesa e il volgare nella prima età moderna (Bologna: Il Mulino, 2005); Vittorio Frajese, Nascita dell’Indice: la censura ecclesiastica dal Rinascimento alla Controriforma (Brescia: Morcelliana, 2006); Peter Godman, The Saint as Censor: Robert Bellarmine between Inquisition and Index (Leiden/Boston: Brill, 2000); Ugo Rozzo, La lette ratura italiana negli Indici del Cinquecento (Udine: Forum, 2005). -
Gian Matteo Giberti, Papal Politician' and Catholic Reformer
24 Jan. Downloaded from Gian Matteo Giberti, Papal Politician' and Catholic Reformer. http://ehr.oxfordjournals.org/ PART I. IAN MATTEO GIBEETI, bishop of Verona, scholar and G stylist, patron of men of letters, ambassador, confidential adviser of a pope during a critical period in the history of the papacy and of Italy, bishop and reformer, is one of those men who were famous in their own generation but who have been forgotten by posterity. The veil of oblivion has fallen so closely round him that the historical reader knows him only through a few brief at University of California, San Diego on June 13, 2015 references in Tiraboschi, Eanke, and Gregorovius. Yet it may be not without interest to try to lift that veil and see the man as he appeared to his contemporaries. The father of Gian Matteo Giberti belonged to an ancient and wealthy Genoese family,1 and had probably led a stirring and adventurous life, for he was first captain of the Genoese galleys and afterwards entered the service of Julius II and Leo X. Of the bishop's mother we know nothing but the fact that Franco Giberti met her during a visit to Palermo, and that Gian Matteo was born there out of wedlock in 1495.1 We do not even know of what race she came, and the population of Palermo, in common with the rest of Sicily, was very mixed and included many GreekB. We imagine that she was a woman with a strong bent for religion, since the boy lived with her till his twelfth year, and even as a boy was noted for a rare earnestness. -
Life and Writings of Juán De Valdés, Otherwise Valdesso, Spanish
fS" '"%IIMiiiK'i«a?..;?L.l!"3" "e VaWes 3 1924 029 olln 228 370 DATE DUE DECQjpg Cornell University Library ^^,^4^€^^/ The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029228370 LIFE AND WEITINGS OP JUAN DE VALDES. LONDON PHIKTED BY SPOTTISWOODE AND CO. NEW-STREET SQUARE LIFE AND WEITINGS OF JUAN DE YALDES, SPAl^ISH EEFOEMER IN THE SIXTEENTH CENTURY, BY BENJAMIN B?^'^FFEN. WITH ^ 'translation from tfte Italian OF HIS BY JOHN T. BETTS. TAUJESIO HISPANTTS SCarPTORE SUPEKBIAT ORBIS. Daniel Rogers. NON 'MoBTruBA.~&iulia Oomaga's Motto, p. 112. ^ LONDON: BEENAED QUAEITCH, 15 PICCADILLY. 1865. ix [_T/te Hghf of Tramlation and npprodiiHiov reserved^ *®6cse JWeUitatfons \xitxt UEStpeB to txtxtt tn tje goul t^E lobe ana fear of C&oii; anti tSeg ougfit to 6e realr, not in tfic Surrg of iustness, ftut in rettwmtnt; in fragments, get smtessiklB ; tje reaUer laging tjbem at once astfte loSen fie is foearg.' ANSELM. /]^36f;f .^^^^- "'^ I T!.3 "^^ Pre:i:lonc White Library PREFACE The book entitled The Hundred and Ten Considera- tions OF SiSNiOK John Valdesso, printed at Oxford in 1638, 4to., has become scarce. It is shut up in libraries, and should a stray copy come abroad, it is rarely to be obtained by him who seeks for it. This is not so much because the work is sought for by many, and largely known; for the principles it teaches are almost as much in advance of the present times as they were in the days of the 'sainted George Herbert' and Nicholas Ferrar, who first published it in English. -
1. Humanism and Honour in the Making of Alessandro Farnese 35
6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B. -
Gian Matteo Giberti, Downloaded from Papal Politician and Catholic Reformer
266 Gian Matteo Giberti, Downloaded from Papal Politician and Catholic Reformer. PAST II. S datary and confidential adviser of the pope Giberti had not http://ehr.oxfordjournals.org/ A enjoyed full opportunities for carrying out his aims, but as bishop of Verona his work possessed the element of permanence. To the historian of the religious movements of the time Giberti is deeply interesting, but to the end somewhat of a problem. On the one side he touches the new opinions of the age, the revived Auguatinian theology, the new fervour of love and devotion ; on the other he belongs to the party which triumphs in the council of Trent, the. party which combines sweeping reform in ecclesiastical at Brunel University on July 20, 2015 discipline with the most resolute attitude of opposition to heresy and all that seemed likely to endanger the unity of the catholic church. Giberti is mentioned by Caracciolo in his Vita Pavli IV. as one of the earliest members of the Oratory of Divine Lwe. This society first met during the pontificate of Leo X in the church of SS. Silvestro and Dorothea in the Traatevere, near the site of the ancient inn dedicated by Calixtus I to the service of the ' true God,' and the place where, according to tradition, St. Peter suffered martyr- dom. Amid the indifference and semi-paganism of the Roman curia and people a few earnest men, mourning over the loss of all religion, and seeing the handle thus given to the opponents of the church, burned to make their own religion fervent and deep, that they might stimulate others to follow their example.