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Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5. -
Fionn: Defence of Ráth Bládhma
Fionn: Defence of Ráth Bládhma Also by Brian O‟Sullivan The Beara Trilogy: Beara: Dark Legends Beara: The Cry of the Banshee (forthcoming) The Fionn mac Cumhal Series: Defence of Ráth Bládhma Short Story Collections The Irish Muse and Other Stories Fionn: Defence of Ráth Bládhma The Fionn mac Cumhal Series - Book One BRIAN O’SULLIVAN IrishImbas Books Copyright © 2013 by Brian O’Sullivan All rights reserved. No part of this book may be used or reproduced electronically or in print without written permission, except in the case of brief quotation embedded in the review. This is a work of fiction. Names, characters and incidents are products of the author‟s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, organizations or persons, living of dead, is entirely coincidental. ISBN: 978-0-9922545-7-5 ACKNOWLEDGEMENTS Special thanks to Marie Elder and Susan Hutchinson-Daniel and to Marija Vilotijevic (cover image designer) Credit and thanks also to Chiaki and Nasrin (Chirinstock) for permission to use their image for the cover design. Many ancient Fenian Cycle texts were essential for the completion of this work. These included Macgnímartha Finn (The Boyhood Deeds of Fionn), Acallam na Senórach (The Colloquy of the Ancients), Tóraigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmuid and Gráinne) Aided Finn meic Chumail (The Death of Finn Mac Cumaill) and many more. Foreword: This book and its characters are based on oral and written narratives from the Fenian Cycle and in particular from the Macgnímartha Finn (The Boyhood Deeds of Fionn). -
Transactions of the Ossianic Society
m:U;^- ^^ms-jt CÍAmM'i4L I. t.5 f^^ : TRANSACTIONS THE OSSIANIC SOCIETY, FOR THE YEAR 1853. VOL. I. BATTLE OF GABHRA. DUBLIN PRINTED UNDER THE DIRECTION OF THE COUNCIL, FOR THE USK OF THE M KM BKRS. 1854. : BATTLE OF GABHRA: GARRISTOWN IN THE COUNTY OF DUBLIN, FOUGHT A.D. 283. FOE THE FIRST TIME EDITED, FROM AN ORIGINAL IRISH MANUSCRIPT, WITH INTRODDCTION, LITERAl. TRANSLATION, AND NOTES, BY NICHOLAS O'KEARNEY. DUBLIN PRINTED FOR THE OSSIANIC SOCIETY, By JOHN O'DALY, 9, ANGLESEY-STREET. 1853. PUBLICATIONS OF THIS SOCIETY ARE NOT SOLD ; TO MEMBERS. — ; REPORT. On the l"th day of March, 1853, a few individuals, interested in the pre- servation and j)ublication_ofjrish Manuscripts, met at No. 9, Anglesey-street, for the express purpose of forming a Society whose object should be the pub- lication of Fenian poems, tales, and romances, illustrative of the Fenian period of Irish histqrxj_in the Irish language and character, with literal transla- subsequent tionsand notes explanatory of the text, whenpracticable : and at a meeting, held on the 9th of May following, the Society was formed, and named the OssiANic Society, the Council to consist entirely of Irish Scholars ; when the following gentlemen were duly elected as the first Council of the Society, and the undermentioned Fenian Tracts were determined on as its first publi- cations : COUNCIL. Rev. John Clarke, R.C.C., Louth ; Euseby D. Cleaver, Esq., A.B., Del- gany; Professor Connellan, Cork; Rev. James Goodman, A.B., Skibbereen : William Hackett, Esq., ilidleton ; Rev. Patrick Lamb, P.P., Newtownhamil- ton: Professor Mac^eeny, Thurles ; Mr. -
A MAD GOD's DREAM by Donald Smith
1 A MAD GOD’S DREAM By Donald Smith Late afternoon in Edinburgh, the streets ablaze with July sunshine. It was impossible to go straight from a chill rehearsal studio to the shades of Haymarket Station, so Ciaran turned upwards round the Castle Rock. From Johnston Terrace he climbed the precipitous stairs to Castlehill and was rewarded by a panorama of the city undulating towards the Pentland Hills. What had Hugh MacDiarmid called this town - ‘a mad god’s dream’. If so the god had been drunk on nectar, on sun-drenched pleasures, on golden IPA. There was something lofty in Ciaran’s perspective. I’d better descend, he thought, before I’m tumbled. He started down the Royal Mile, sweat runnelling over his brow. This route reminded him of the day, less than a year before when he, Peter, and Madge Drummond, had met at the Scottish Storytelling Centre. Nothing had felt the same since; urged on by Madge, Peter - the Royal Lyceum Theatre’s Director - had upgraded Ciaran’s project to a full company production. Later came the mind-blowing news that it was intended for the Edinburgh International Festival - mainstage! Was that only ten months ago? For the young writer it was a revolution comparable in its effect to Joyce’s Portrait of the Artist as a Young Man or MacDiarmid’s Drunk Man Looks at a Thistle’. Which said something about Ireland and Scotland, though exactly what eluded Ciaran at that euphoric moment. This young artist had a full-scale production before he even had a fully written script. -
The World of Irish Imbas So, Er
Was Fionn mac Cumhaill a real person? Where are the key Irish sites of access to the Otherworld? Where was the Salmon of Knowledge located? Did Saint Patrick really convert the Irish? How true is the legend of the Children of Lir? Welcome to the world of Irish Imbas These are the kind of questions we encounter and contemplate on an everyday basis. It’s something of a rare and abstract approach but it’s one we really can’t imagine doing any other way. We produce stories based on ancient concepts and genuine elements of Irish mythology and folklore. We also make this information accessible in a way that’s exciting and entertaining but which also respects its cultural origins. In that regard, we’re more “Gaelic fiction” than “Celtic Fantasy”, more ‘Irish’ than ‘Oirish.’ So, er … Why? We have three main motivations for doing what we do. First, we love telling stories. It’s what we enjoy most and what we think we do best. Secondly, from a personal perspective, we‘re completely and utterly passionate about Irish/Gaelic culture and language – both ancient and contemporary (we could quite happily spend the rest of our lives browsing through arcane, dust-covered books on Irish/Gaelic culture and improving our Gaeilge!) Thirdly, there’s an appalling amount of misinformation about Irish and Gaelic culture out there. We’re hoping to rectify that through our products and the work we do. What does ‘Imbas’ mean? Imbas’ is a very old Celtic word meaning ‘knowledge’. Unlike the modern Irish equivalent (eolas), the word ‘imbas’ has always had the connotation of ‘restricted knowledge’. -
Cultural Significance for Irish Composers
Estudios Irlandeses, Special Issue 12.2, 2017, pp. 47-61 __________________________________________________________________________________________ AEDEI The Ulster Cycle: Cultural Significance for Irish Composers Angela Goff Waterford Institute of Technology Copyright (c) 2017 by Angela Goff. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. For more than three hundred years, Irish composers have engaged with tales from early Irish saga-literature which comprises four main series: Mythological, Ulster and Fenian cycles as well as the Cycle of Kings. This literary corpus dates from 600–1200 CE and is amongst the oldest in Europe. The fragmented history of the literature reveals a continuity of tradition in that the ancient sagas evolved from the oral Irish tradition, were gradually recorded in Irish, and kept alive in modern times through translation into the English language. The timelessness and social impact of these sagas, centuries after they were documented, resonate with Irish composers through the identification of local features and/or universal themes of redemption, triumph or tragedy depicted in the literature. The focus here is on sagas from the Ulster Cycle as they have been most celebrated by Irish composers; the majority of which have been composed since Thomas Kinsella’s successful translation of the Táin Bó Cuailnge in 1969. How the composers chose to embrace the Irish past lies in each composer’s execution of the peculiar local and universal themes exhibited in the sagas. The aim of this article is to initiate an interdisciplinary discussion of the cultural significance of this literary corpus for Irish composers by exploring an area of Irish musicological discourse that has not been hitherto documented. -
103900189.23.Pdf
r^^-CTvw. >c Z T7) 2^ ,sC^^ i %^ ..,^K.JU H^ l^ofW. I f^ f\« ./. i. 3/ Owners of Gra«llc MSS, MSS.V-XXXI. Deposited in the Librazy hy the su(»3«saors of the Agent for Major MoLatiohlan, of Kilbrlde. MSo, T'- The prapazrty of the Hl^land A XUVX, Agricultxiral Society of Scotland •nd deposited by the Society in the Libraxy. ]CSS.XXX\ni- The property of the Highland LII. Society of London, and deposited ly the Society in the Library, MSS.LIII- The proper^ of the liij^land A LW. Agricultural Society of Scotland. MBS.LXVI- The property of the Hij^and A LXXI. Agricultujr&l Society of Scotland. WIG others are the prop rty of the Faculty, For Dencriptions and naaes of aimers of the MSS. ••e Poeras of Ossian^. 1807, vol. III.pp. 566-75, 'ii ■n o on \ i ^ S^'^^^M.. AJv^lt- n^^iu..^..jf^ GAELIC MSS. IN ADVOCATE C I LIBRARY No. of Page of i^o. of Page of MS. ' atalogue 1 MS. Catalogue 7ki, 106, 180, XVII. 50. 186, 188, 130 XVIII. 51. II. 6, 108, 187. XIX. 136, 200, 204 III. 17. x:^. IV. 23. XXI. 53. V. 79,, 103^^., x:.3, 20o . yjcii. ^•^ VI. ;-4, 110, 181. XXIII. 55. VII. 84, 112, 177, :o^.iv. ^4 J.79, 181, 187] XXV. r p. 85 VIII. li:., 195. XXVI. 5:, 87 IX. 26, 113. vXVII. 57. 26. i XXVIII. - _ y 138 XI. 3].. XXIX. 88. XII. 35. XKX. 115. ..III. 41. XXXI. 30. XiV . 4 J . -
Copyrighted Material
39_570404 bindex.qxp 11/3/05 12:10 AM Page 391 Index Antarctica, 289 •A • anti-clericalism, 156 anti-papalism, 156 Abbey Theatre, 305–306 Aoife (wife of Strongbow), 90, 97 Abominable Snowman (mythic creature), 374 Aonach Tailteann festival, 83, 330–331 accuracy, historical, 1, 2 apparition, 262, 382 Act of Supremacy (1534), 152 Apprentice Boys parade, 345, 381 Act of Union (1800), 225–230, 250–252 archaeology Adams, Gerry (Sinn Fein leader), 350, 355 burial mounds, 25 advanced nationalist. See also nationalism hunting-gathering people, 22 Easter rebellion, 318–320 Roman Empire, 37 First World War, 318 time before Irish kings, 38 funding sources, 315 Archbishop of Canterbury, 93 types, 314–315 architecture, 215, 228–229 Agricola (Roman leader), 36 Armagh church agriculture Boru’s attack on Ulster, 73–74 eighteenth century innovations, 214, 219 early king–Church connection, 59 Great Famine problems, 257–264 growth, 85 importance of land ownership, 16 Armagh county, 185, 187 nineteenth century problems, 235–237, 239 Army Comrades Association, 337 nineteenth century reforms, 273 art, 302–303, 307–310 plantation system, 183–188 Arthurian legend, 42 Stone Age developments, 23–24 artificial island, 32 Aillen (fairy), 40–41 Asquith (Liberal leader), 292–293 Ainchenn, Eochaid (Leinster King), 39 Aston, Arthur (royalist leader), 203 alcohol. See also specific types Australia, 254, 270–271 Irish Rebellion of 1641, 197 James I’s rule, 182 America •B • exiled reformers, 254, 256 famine memorial, 261 Barrington, George (pickpocket), 388 Gaelic Athletic -
The Beauties of Irish Literature
OojpgktN0. COPYRIGHT DEPOSIT. % VL ♦ HARPER and BARD TREE OF KNOWLEDGE UNIFORM WITH THIS VOLUME Percy Holmes Boynton THE CHALLENGE OF MODERN CRITICISM Tom Peete Cross HARPER AND BARD Robert Morss Lovett PREFACE TO FICTION Adolf Carl Noe FERNS, FOSSILS AND FUEL Louise Marie Spaeth MARRIAGE AND FAMILY LIFE AMONG STRANGE PEOPLES James Westfall Thompson THE LIVING PAST TOM PEETE CROSS i« PROFESSOR OF ENGLISH AND COMPARATIVE LITERATURE THE UNIVERSITY OF CHICAGO HARPER AND BARD THE BEAUTIES OF IRISH LITERATURE / THOMAS S. ROCKWELL COMPANY PUBLISHERS 1931 CHICAGO X x.a e°P/ COPYRIGHT, 1931, BY THOMAS S. ROCKWELL COMPANY / CHICAGO Printed in United States of America MAY 22 1931* ^ ©CIA 38360 z) CONTENTS ONE The Kinsmen of Ith 9 TWO The Story-Tellers 19 THREE The Mythological Cycle 29 FOUR The Cu Chullin Cycle 60 FIVE The Ossianic Cycle 101 ONE THE KINSMEN OF ITH “For good is the land which ye inhabit; plenteous her harvest, her honey, her fishing, her wheat, and her other yieldings; moderate are her heat and her cold; within her borders are all things that ye need ” THIS gracious speech about Ireland was made by a chieftain from Spain named Ith. He had seen Ireland from a tall tower built on the northern coast of Spain, and had journeyed there to look the land over. The inhabitants of Ireland at that time were called the Tuatha De Danann. They received Ith kindly, but when he said how beautiful he thought their country was, they killed him, for they were afraid that he would go back to Spain and persuade his friends to invade Ireland. -
Irish Myths and Legends
IRISH MYTHS AND LEGENDS By Mike McPhee [Text of an address to the Sydney Unitarian Church on 27 September 2020.] The mythology of pre-Christian Ireland was preserved in an oral tradition. known as Béaloideas. With the arrival of Christianity, the first manuscripts were written in the monasteries, preserving many of these tales. Though the Christian influence is also seen in these manuscripts, this literature represents the most extensive and best preserved of all the branches of Celtic mythology. Although many of the manuscripts have not sur- vived and much more material was probably never committed to writing, there is enough remaining to enable the identification of distinct, if overlapping, cycles: 1. The Mythological Cycle – prehistorical 2. The Ulster Cycle – c. 1st Century CE 3. The Fenian Cycle – c. 3rd Century CE 4. The Historical Cycle – 5th Century CE onward There are also a number of extant mythological texts that do not fit into any of the cycles, and many recorded folk tales that continued as the oral tradition ran parallel to the manuscript tradition which, while not strictly mythological, feature personages from one or more of these four cycles. The Lebor Gabála Érenn (literally ‘The Book of the Takings of Ireland’), known in English as The Book of Invasions, is a collection of poems and prose narratives in the Irish language intended to be a history of Ireland and the Irish from the creation of the world to the Middle Ages. There are a number of versions, the earliest of which was compiled by an anonymous writer in the 11th Century. -
Celtic Mythology in the Arthurian Legend Master’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Lucie Duzbabová Celtic Mythology in the Arthurian Legend Master’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor prof. Mgr. Milada Franková, CSc., M.A. for her patience and kind help, as well as for her helpful suggestions and valuable advice. Table of Contents 1. Introduction ................................................................................................................. 1 2. Celtic Mythology ......................................................................................................... 4 2.1 The World of the Celts ......................................................................................... 4 2.1.1 The Origin of the Celtic people .................................................................... 5 2.1.2 Celtic Society ................................................................................................. 7 2.2 The Role of Religion and Mythology in the Life of the Celts ............................ 9 3. Irish Mythology ......................................................................................................... 15 3.1 The Mythological Cycle .....................................................................................