Ofcom Review of Public Service Television Broadcasting of C Om R Ev Ie W of Public Ser V Ic E T Elev Ision Br Oadc Asting
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PUBLIC VERSION AT&T Good Faith Complaint.Pdf
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Tv Uk Freesat
Tv uk freesat loading Skip to content Freesat Logo TV Guide Menu. What is Freesat · Channels · Get Freesat · THE APP · WHAT'S ON · Help. Login / Register. My Freesat ID. With over channels - and 13 in high definition - it's not hard to find unbelievably good TV. With Freesat's smart TV Recorders you can watch BBC iPlayer, ITV Hub*, All 4, Demand 5 and YouTube on your TV. Tune into our stellar line-up of digital radio channels and get up to date Get Freesat · What's on · Sport. If you're getting a new TV, choose one with Freesat built in and you can connect directly to your satellite dish with no need for a separate box. You can now even. With a Freesat Smart TV Recorder you can enjoy the UK's favourite Catch Up services: BBC iPlayer, ITV Hub*, All 4 & Demand 5, plus videos on YouTube. Freesat TV Listings. What's on TV now and next. Full grid view can be viewed at Freesat is a free-to-air digital satellite television joint venture between the BBC and ITV plc, . 4oD launched on Freesat's Freetime receivers on 27 June , making Freesat the first UK TV platform to host the HTML5 version of 4oD. Demand Owner: BBC and ITV plc. Freesat, the satellite TV service from the BBC and ITV, offers hundreds of TV and radio channels to watch Lifestyle: Food Network UK, Showcase TV, FilmOn. FREESAT CHANNEL LIST - TV. The UK IPTV receiver now works on both wired internet and WiFi which , BET Black Entertainment TV, Entertainment. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Summary BBC Trained Journalist Accomplished Copywriter PR
Summary ▪ BBC trained journalist ▪ Accomplished copywriter ▪ PR consultant for over 10 years ▪ Highly organised, proactive, diligent, creative and accountable professional ▪ Sociable and motivational leader, mentor and team member ▪ Adaptable and flexible, able to work with a variety of sectors and clients ▪ French speaker, some Italian I trained as a Broadcast Journalist with the BBC and worked on BBC Breakfast News, Breakfast with Frost and Watchdog. This experience gave me a good eye for a news story, the ability to research and interview and to write clear, concise copy. I have experience of writing a variety of literature, for both corporate and consumer projects and for a wide range of different audiences. I am used to seeing a copywriting project through from initial stages of research and interview, to writing and editing, liaising with designers to choose and place graphics or animation, and with printers to bring the project in under budget and to a high quality. I work quickly and accurately, and can turn my hand to anything from a manifesto on eco-paper manufacturing to a company annual report, copy for a new website or a product brochure for the beauty industry. Employment History (2007-present) Edelman, Copywriter Brand research and positioning strategy for Dove global projects – focus on messaging for women Blue Rubicon, Copywriter Investigation for and writing of strategy document for personal injury lawyer client Lawson Dodd, Copywriter Researching and writing half-yearly investment report for Barclays Private Equity Grayling PR, Copywriter Project manager and copywriter for new global, rebranded Grayling PR website following company merger with Trimedia and MmD. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Federal Communications Commission Record FCC 92-209
7 FCC Red No. 13 Federal Communications Commission Record FCC 92-209 Conclusion 42 Before the Federal Communications Commission Administrative Matters 43 Washington, D.C. 20554 Ordering Clause 54 MM Docket No. 91-221 Appendix A -- List of Commenters In the Matter of I. INTRODUCTION 1. This Notice of Proposed Rulemaking (NPRM) proposes Review of the Commission's alternative means of lessening the regulatory burden on Regulations Governing Television television broadcasters as they seek to adapt to the Broadcasting multichannel video marketplace. As documented last year in the FCC Office of Plans and Policy's (OPP) wide ranging report on broadcast television and the rapidly NOTICE OF PROPOSED RULEMAKING evolving market for video programming, 1 that market has undergone enormous changes over the period between Adopted: May 14, 1992; Released: June 12, 1992 1975 and 1990. In particular, the report found that the policies of the FCC and the entire federal government Comment Date: August 24, 1992 (e.g., the 1984 Cable Act) spawned new competition to Reply Comment Date: September 23, 1992 broadcast services that have resulted in a plethora of new services and choices for video consumers. The report fur ther suggested that these competitive forces were affecting By the Commission: Commissioner Duggan issuing a the ability of over-the-air television to contribute to a separate statement. diverse and competitive video programming marketplace. 2. The OPP report prompted us to release a Notice of 2 TABLE OF CONTENTS Inquiry (N0/) and to seek comment on whether existing television ownership rules and related policies should be revised in order to allow television licensees greater flexi Paragraph bility to respond to enhanced competition in the distribu tion of video programming. -
Broadcasting Sector Report
Broadcasting Sector Report 1. This is a report for the House of Commons Committee on Exiting the European Union following the motion passed at the Opposition Day debate on 1 November, which called on the Government to provide the Committee with impact assessments arising from the sectoral analysis it has conducted with regards to the list of 58 sectors referred to in the answer of 26 June 2017 to Question 239. 2. As the Government has already made clear, it is not the case that 58 sectoral impact assessments exist. The Government’s sectoral analysis is a wide mix of qualitative and quantitative analysis contained in a range of documents developed at different times since the referendum. This report brings together information about the sector in a way that is accessible and informative. Some reports aggregate some sectors in order to either avoid repetition of information or because of the strong interlinkages between some of these sectors. 3. This report covers: a description of the sector, the current EU regulatory regime, existing frameworks for how trade is facilitated between countries in this sector, and sector views. It does not contain commercially-, market- or negotiation-sensitive information. Description of sector Scope 4. The broadcasting sector covers the production of audiovisual or audio (radio) content and its distribution, which is subject to the framework of regulation overseen by Ofcom (or, for TV stations based elsewhere in the European Economic Area (EEA), by another EEA regulator). 5. This report primarily covers linear (or live) visual broadcasting services (digital TV, live streaming, webcasting, near video-on-demand) and non-linear services (video on demand services such as the BBC iPlayer, All4, etc, or subscription video on demand services such as Netflix). -
History GCSE Twitter Resource Pack Below Is a Collection of Curriculum
History GCSE Twitter Resource Pack Below is a collection of curriculum specific broadcast material, sorted by exam board and then study theme. The document will be updated as new content is added and old content is removed. OCR – History B Thematic Study - The Peoples Health c1250 to present; Crime and Punishment c1250 to present; Migrants to Britain c.1250 to present. The Peoples Health c1250 to present - http://www.bbc.co.uk/programmes/p035cygx - History of Pharmacology – charting the use of potions, herbs and drugs to relieve suffering through the ages. - http://www.bbc.co.uk/programmes/p035cygy - A History of Healing – A report on healers around the world - http://www.bbc.co.uk/programmes/b08q317p - In Our Time – Louis Pasteur – history of germ theory. - http://www.bbc.co.uk/programmes/b0644gn8 - History of the National Health Service told through one hospital, the QEII. - http://www.bbc.co.uk/programmes/b007753d - In Our Time – Microbiology – discusses Robert Koch and Louis Pasteur. - http://www.bbc.co.uk/programmes/b0077501 - The Making of Modern Medicine – Culturing the Germ Theory. https://www.bbc.co.uk/programmes/b00k9b7r/episodes/player - Whole section. - http://www.bbc.co.uk/programmes/p035cy0r - Modern Medicine - a look at how doctors in the East and West have been swapping ideas for centuries. - http://www.bbc.co.uk/programmes/b00775zv - In Our Time – History of anaesthetics – laughing gas in the 1790s to the discovery of ‘blessed chloroform’. - http://www.bbc.co.uk/programmes/b07dnnkm - In Our Time – Discovery of Penicillin - http://www.bbc.co.uk/programmes/p00wgby7 - The Birth of the welfare state - http://www.bbc.co.uk/programmes/p00w65my - Clip - Health and Housing in the 19th Century Crime and Punishment c1250 to present - https://www.bbc.co.uk/education/topics/z6xmn39/resources/1 - BBC Bitesize - Crime and Punishment through time Class Clips - http://www.bbc.co.uk/programmes/b02x9rfj/clips - BBC - London’s oldest prison – the first prison for female convicts. -
Public Service Broadcasting in Transition: a Documentary Reader
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes. -
91 Remnants of Empire? British Media Reporting on Zimbabwe Wendy
Remnants of Empire? British media reporting on Zimbabwe Wendy Willems Media and Film Studies Programme School of Oriental and African Studies University of London Keywords: Zimbabwe; British media; foreign news; media coverage; discourse, representation; post-colonial studies Abstract This article explores the various ways in which the British media, and the broadsheets The Guardian and The Daily Telegraph in particular, have framed and represented events in Zimbabwe since 2000. It argues that representations of the situation in Zimbabwe have been largely struggles over meanings and definitions of the ‘crisis’ in the country. The extensive media coverage of Zimbabwe in the British media generated a significant amount of debate and this article demonstrates how the Zimbabwean government drew upon international media representations in order to define the situation in Zimbabwe as a struggle against imperialism. Introduction Mudimbe (1988) examines how in earlier days navigators, traders, travellers, philosophers and anthropologists played an important role in shaping the modern meaning of Africa and of being African. Whereas Mudimbe stresses the crucial role of anthropology in representing Africa and Africans in the nineteenth century, Askew (2002, 1) argues that in the current age it is essentially the media who is doing the job formerly belonging to anthropologists. News accounts shape in decisive ways people’s perceptions of the world. Since early 2000, Zimbabwe has occupied an important place in both broadcast and print media in Britain. Foreign representations of Zimbabwe and British media coverage in particular, have been sharply criticised by the Zimbabwean government. Public debates, both at home and abroad, on the situation in Zimbabwe often were about representations of the crisis. -
Adam Henson Win!
2 June 2019 Heaven scent Alan Titchmarsh – coming up roses Look good, feel great Easy ways to get fit for summer Prairie Adam Henson “Being on Countryfile is like being a pop star” Win! Win! Win! taleEmbrace the £1,000 with our country girl look prize crossword this season 7 night holidays from just No tipping † required At last! Some good news on the horizon. POCRUISES.COM | 03453 566 699 Local call charges apply. †Early Saver price of £499 per person is based on two adults sharing the lowest grade of Inside cabin available on Aurora cruise R922. Prices are subject to availability and may go up or down. Bookings are made at the relevant cabin grade and a cabin number is allocated by P&O Cruises prior Customers rate P&O Cruises to departure. Dining preferences are not guaranteed. Shuttle buses in ports are an additional cost. Early Saver prices apply to new bookings only. These terms and conditions vary, where relevant, the applicable booking conditions which are otherwise unchanged. For up-to-date prices and full Powered by P&O Cruises terms and conditions which you must read before booking please visit www.pocruises.com. P&O Cruises is trading name of Carnival plc, a company registered in England and Wales with company number 04039524. Feefo rating 4.1 out of 5 based on 61,184 reviews as of April 2019. Contents 2 June 2019 Fashion 4 Get this! 8 Focus Chic but comfy holiday essentials for the perfect 44 city break 10 Fields of dream Get the prairie girl look with 42 gingham and frills 32 In the closet Harlots star Bronwyn James reveals her style secrets Lifestyle 31 Wizard of Oz Soak up the sandy beaches, sights and shipwrecks on Australia’s Sunshine Coast 40 Victoria’s best Victoria Gray has bright ideas for a totally tropical look .CO.UK).