Television Broadcasting I
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PUBLIC VERSION AT&T Good Faith Complaint.Pdf
PUBLIC VERSION %HIRUH WKH )('(5$/ &20081,&$7,216 &200,66,21 :DVKLQJWRQ '& ',5(&79 //& $1' $7 7 6(59,&(6 ,1& &RPSODLQDQWV Y 0% 'RFNHW 1R )LOH 1RBBBBBBBBB '((5),(/' 0(',$ ,1& '((5),(/' 0(',$ 3257 $57+85 /,&(16(( //& (;3(',7(' '((5),(/' 0(',$ &,1&,11$7, /,&(16(( //& 75($70(17 '((5),(/' 0(',$ 02%,/( /,&(16(( //& 5(48(67(' '((5),(/' 0(',$ 52&+(67(5 /,&(16(( //& '((5),(/' 0(',$ 6$1 $1721,2 /,&(16(( //& *2&20 0(',$ 2) ,//,12,6 //& +2:$5' 67,5. +2/',1*6 //& +6+ )/,17 :(<, /,&(16(( //& +6+ 0<57/( %($&+ ::0% /,&(16(( //& 0(5&85< %52$'&$67,1* &203$1< ,1& 036 0(',$ 2) 7(11(66(( /,&(16(( //& 036 0(',$ 2) *$,1(69,//( /,&(16(( //& 036 0(',$ 2) 7$//$+$66(( /,&(16(( //& 036 0(',$ 2) 6&5$1721 /,&(16(( //& 1$6+9,//( /,&(16( +2/',1*6 //& .075 7(/(9,6,21 //& 6(&21' *(1(5$7,21 2) ,2:$ /7' $1' :$,77 %52$'&$67,1* ,1& 'HIHQGDQWV 9(5,),(' &203/$,17 2) ',5(&79 //& $1' $7 7 6(59,&(6 ,1& )25 7+( 67$7,21 *52836¶ )$,/85( 72 1(*27,$7( ,1 *22' )$,7+ PUBLIC VERSION 6HDQ $ /HY &DWK\ &DUSLQR .HYLQ - 0LOOHU &KULVWRSKHU 0 +HLPDQQ 0DWWKHZ 0 'XII\ *DU\ / 3KLOOLSV .(//2** +$16(1 72'' 'DYLG / /DZVRQ ),*(/ )5('(5,&. 3//& $7 7 6(59,&(6 ,1& 0 6WUHHW 1: 6XLWH WK 6WUHHW 1: 6XLWH :DVKLQJWRQ '& :DVKLQJWRQ '& Counsel for DIRECTV, LLC and AT&T Services, Inc. -XQH PUBLIC VERSION 6800$5< ,Q IODJUDQW YLRODWLRQ RI WKH &RPPLVVLRQ¶V UXOHV QLQH VWDWLRQ JURXSV WKH ³6WDWLRQ *URXSV´ KDYH VLPSO\ UHIXVHG WR QHJRWLDWH UHWUDQVPLVVLRQ FRQVHQW ZLWK ',5(&79 DQG $7 7 6HUYLFHV FROOHFWLYHO\ ³$7 7´ IRU PRQWKV RQ HQG ,QGHHG WKH 6WDWLRQ *URXSV HDFK RI ZKLFK DSSHDUV WR EH PDQDJHG DQG FRQWUROOHG -
Tv Uk Freesat
Tv uk freesat loading Skip to content Freesat Logo TV Guide Menu. What is Freesat · Channels · Get Freesat · THE APP · WHAT'S ON · Help. Login / Register. My Freesat ID. With over channels - and 13 in high definition - it's not hard to find unbelievably good TV. With Freesat's smart TV Recorders you can watch BBC iPlayer, ITV Hub*, All 4, Demand 5 and YouTube on your TV. Tune into our stellar line-up of digital radio channels and get up to date Get Freesat · What's on · Sport. If you're getting a new TV, choose one with Freesat built in and you can connect directly to your satellite dish with no need for a separate box. You can now even. With a Freesat Smart TV Recorder you can enjoy the UK's favourite Catch Up services: BBC iPlayer, ITV Hub*, All 4 & Demand 5, plus videos on YouTube. Freesat TV Listings. What's on TV now and next. Full grid view can be viewed at Freesat is a free-to-air digital satellite television joint venture between the BBC and ITV plc, . 4oD launched on Freesat's Freetime receivers on 27 June , making Freesat the first UK TV platform to host the HTML5 version of 4oD. Demand Owner: BBC and ITV plc. Freesat, the satellite TV service from the BBC and ITV, offers hundreds of TV and radio channels to watch Lifestyle: Food Network UK, Showcase TV, FilmOn. FREESAT CHANNEL LIST - TV. The UK IPTV receiver now works on both wired internet and WiFi which , BET Black Entertainment TV, Entertainment. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Television Safe Areas Redefined
March 15, 2010 Television Safe Areas Redefined For various reasons, televisions using cathode ray tube (CRT) displays deflect the electron beam beyond the edges of the faceplate front of the tube, resulting in areas at the edges of the transmitted picture not being visible to the viewer. This characteristic, known as overscan, requires critical action and titles to be constrained to “safe areas” of the picture. The Society of Motion Picture and Television Engineers (SMPTE) many years ago issued recommendations for what these safe areas should be. With the increased use of flat-panel LCD, plasma and other fixed pixel matrix display televisions the previously defined safe areas are no longer appropriate and a new SMPTE standard, Specifications for Safe Action and Safe Title Areas for Television was published last year, together with a recommended practice Safe Areas for Protection of Alternate Aspect Ratios. These were followed last week by an Engineering Guideline Safe Areas for Television EG 2046-3, which explains the background and use of the new standards. The following extracts from these documents are reproduced with permission from SMPTE. “It is the purpose of this Engineering Guideline to explain the use of these documents and the relationships among them. A brief history of TV safe areas and their evolution is also given. From the early days of film and television, it has been recognized that not all of the information contained in the original image frame will necessarily be presented to the viewer. In television, the principal limitation has been the use of overscan in the viewer‘s receiver. -
Federal Communications Commission Record FCC 92-209
7 FCC Red No. 13 Federal Communications Commission Record FCC 92-209 Conclusion 42 Before the Federal Communications Commission Administrative Matters 43 Washington, D.C. 20554 Ordering Clause 54 MM Docket No. 91-221 Appendix A -- List of Commenters In the Matter of I. INTRODUCTION 1. This Notice of Proposed Rulemaking (NPRM) proposes Review of the Commission's alternative means of lessening the regulatory burden on Regulations Governing Television television broadcasters as they seek to adapt to the Broadcasting multichannel video marketplace. As documented last year in the FCC Office of Plans and Policy's (OPP) wide ranging report on broadcast television and the rapidly NOTICE OF PROPOSED RULEMAKING evolving market for video programming, 1 that market has undergone enormous changes over the period between Adopted: May 14, 1992; Released: June 12, 1992 1975 and 1990. In particular, the report found that the policies of the FCC and the entire federal government Comment Date: August 24, 1992 (e.g., the 1984 Cable Act) spawned new competition to Reply Comment Date: September 23, 1992 broadcast services that have resulted in a plethora of new services and choices for video consumers. The report fur ther suggested that these competitive forces were affecting By the Commission: Commissioner Duggan issuing a the ability of over-the-air television to contribute to a separate statement. diverse and competitive video programming marketplace. 2. The OPP report prompted us to release a Notice of 2 TABLE OF CONTENTS Inquiry (N0/) and to seek comment on whether existing television ownership rules and related policies should be revised in order to allow television licensees greater flexi Paragraph bility to respond to enhanced competition in the distribu tion of video programming. -
Broadcasting Sector Report
Broadcasting Sector Report 1. This is a report for the House of Commons Committee on Exiting the European Union following the motion passed at the Opposition Day debate on 1 November, which called on the Government to provide the Committee with impact assessments arising from the sectoral analysis it has conducted with regards to the list of 58 sectors referred to in the answer of 26 June 2017 to Question 239. 2. As the Government has already made clear, it is not the case that 58 sectoral impact assessments exist. The Government’s sectoral analysis is a wide mix of qualitative and quantitative analysis contained in a range of documents developed at different times since the referendum. This report brings together information about the sector in a way that is accessible and informative. Some reports aggregate some sectors in order to either avoid repetition of information or because of the strong interlinkages between some of these sectors. 3. This report covers: a description of the sector, the current EU regulatory regime, existing frameworks for how trade is facilitated between countries in this sector, and sector views. It does not contain commercially-, market- or negotiation-sensitive information. Description of sector Scope 4. The broadcasting sector covers the production of audiovisual or audio (radio) content and its distribution, which is subject to the framework of regulation overseen by Ofcom (or, for TV stations based elsewhere in the European Economic Area (EEA), by another EEA regulator). 5. This report primarily covers linear (or live) visual broadcasting services (digital TV, live streaming, webcasting, near video-on-demand) and non-linear services (video on demand services such as the BBC iPlayer, All4, etc, or subscription video on demand services such as Netflix). -
The Technology of Television
TheThe TechnologyTechnology ofof TelevisionTelevision Highlights, Timeline, and Where to Find More Information Summer 2003 THE FCC: SEVENTY-SIX TV TIMELINE YEARS OF WATCHING TV Paul Nipkow shows 1884 how to send From the Federal Radio images over wires. Commission’s issuance of the first television Campbell Swinton and 1907 license in 1928 to Boris Rosing suggest today’s transition using cathode ray tubes to digital tv, the to transmit images. Federal Vladimir Zworkin 1923 patents his iconscope - the camera tube many call the cornerstone of Communications modern tv—based on Swinton’s idea. Commission has been an integral player in the Charles Jenkins in the 1925 technology of television. U.S. and John Baird in England demonstrate the mechanical trans- One of the fundamental mission of pictures over wire circuits. technology standards that the FCC issued in Bell Telephone and the 1927 May 1941, which still Commerce Department stands today, is the conduct the 1st long NTSC standard for distance demonstration programming to be 525 of tv between New York and Washington, DC. lines per frame, 30 frames per second. Philo Farnsworth files 1927 a patent for the 1st complete electronic When this standard was and hue of red, green, and television system. first affirmed it was called Today the FCC continues to blue on the color chart. The Federal Radio 1928 “high-definition television” play a key role in defining the technology standards that must Commission issues the because it replaced 1st tv license (W3XK) be met as the United States programming being broadcast to Charles Jenkins. at 343 lines or less. -
NAB's Guide to Careers in Television
NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department………………………………………. -
Public Service Broadcasting in Transition: a Documentary Reader
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes.