The Technology of Television
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PCI 3-In-1 TV Tuner Card Model 176149 Transform Your Desktop Computer Into a Digital Multimedia Center
PCI 3-in-1 TV Tuner Card Model 176149 Transform your desktop computer into a digital multimedia center. Receive digital television and radio broadcasts almost anywhere! DVB-T (Digital Video Broadcasting — Terrestrial) delivers practical digital television broadcasting to consumers worldwide. Many countries have already implemented DVB-T or have decided to use it for future digital terrestrial television deployment. The MANHATTAN® PCI 3-in-1 TV Tuner Card brings free-to-air digital terrestrial and analog television and FM radio to desktop computers. Advanced Features and Controls Enhance Viewing Options Digital Personal Video Recording captures and directly saves television programs to the hard drive for replay or transfer to CD and other portable media devices. Electronic Program Guide (EPG) allows the viewer to browse program summaries, conduct channel and program searches, schedule reminders and other functions. Using the time-shifting capability, viewers can replay favorite scenes, skip annoying advertising and apply pause/rewind/ fast forward control to live video and recorded programs. Easy to Install and Ready to Use Simple connection and Plug and Play capability allow the MANHATTAN PCI 3-in-1 TV Tuner Card to easily install in seconds on a Windows-compatible desktop computer. Lifetime Warranty Strict manufacturing standards ensure the highest quality in all MANHATTAN products. All items carry a full Lifetime Warranty — the strongest quality commitment anyone can make. Model 176149 Features Specifications • Receive free-to-air DVB-T, -
Privalomo Skaitmeninės Televizijos Retransliavimo Elektroninių Ryšių Tinklais Teisinis Reguliavimas
MYKOLO ROMERIO UNIVERSITETAS SOCIALINĖS INFORMATIKOS FAKULTETAS ELEKTRONINIO VERSLO KATEDRA DONATAS VITKUS Naujųjų technologijų teisė, NTTmns0-01 PRIVALOMO SKAITMENINĖS TELEVIZIJOS RETRANSLIAVIMO ELEKTRONINIŲ RYŠIŲ TINKLAIS TEISINIS REGULIAVIMAS Magistro baigiamasis darbas Darbo vadovas – Doc. dr. Darius Štitilis Vilnius, 2011 TURINYS ĮVADAS .............................................................................................................................................. 3 1 PRIVALOMO TELEVIZIJOS RETRANSLIAVIMO INSTITUTAS IR JO SVARBA ... 9 1.1 Televizijos techniniai aspektai ir rūšys ........................................................................ 9 1.2 Retransliavimo sąvokos identifikavimas .................................................................... 13 1.3 Privalomas paketas ir jo reikšmė ................................................................................ 15 2 PRIVALOMO SKAITMENINĖS TELEVIZIJOS RETRANSLIAVIMO TEISINIS REGULIAVIMAS ES ŠALYSE ..................................................................................................... 19 2.1 Bendrasis „must carry“ reguliavimas ES ................................................................... 19 2.2 Austrija ....................................................................................................................... 21 2.3 Vokietija ..................................................................................................................... 22 2.4 Jungtinė Karalystė ..................................................................................................... -
NTE15039 Integrated Circuit VHS/VCR Chroma Signal Proessor for NTSC/PAL/SECAM Systems
NTE15039 Integrated Circuit VHS/VCR Chroma Signal Proessor for NTSC/PAL/SECAM Systems Description: The NTE15039 is a multifunctional IC in a 24–Lead DIP type package that contains VHS VCT chroma signal processing circuitry. Since the package is small and a minimum number of external compo- nents are required, the NTE15039 occupies much less space on the PC board thus facilitating VCR design. The chroma section is made adjustment–free (except REC chroma level) thus streamlining the manufacture of VCRs Features: D Designed for NTSC/PAL/MESECAM Systems D Adjustment–Free Chroma Section (Except REC Chroma Level) D Few External Components Required D LPF Usable for REC/PB D Multifunctional: 2fSC Generator for CCD Drive Function to Select APC Loop Input Signal Passed/Not Passed Through Comb Filter 3rd Lock Protector of VXO Absolute Maximum Ratings: (TA = +25°C unless otherwise specified) Maximum Supply Voltage, VCCmax. 7V Allowable Power Dissipation (TA ≤ +65°C), PDmax. 850mW Operating Temperature Range, Topg . –10° to +65°C Storage Temperature Range, Tstg . –40° to +125°C Recommended Operating Conditions: (TA = +25°C unless otherwise specified) Recommended Supply Voltage, VCC . 5V Operating Voltage Range, VCCop. 4.8 to 5.5V Electrical Characteristics: (TA = +25°C, VCC = 5V unless otherwise specified) Parameter Symbol Test Conditions Min Typ Max Unit REC Current Dissipation ICC(R) 49 62 75 mA REC Output Level VO(R) 75 110 145 mVP–P REC ACC Characteristics ∆VO(R) Input ± 6dB –0.5 ±0.1 +0.5 dB Electrical Characteristics (Cont’d): (TA = +25°C, VCC -
The Transition to Digital Television*
DIGITAL TELEVISION 1 The Transition to Digital Television* Jérôme Addaa and Marco Ottavianib University College London; London Business School This paper studies the role of economic policy for the transition from analogue to digital television, with particular attention to the switch off of the analogue terrestrial signal. The analogue signal cannot be credibly switched off until almost all viewers have migrated to digital, due to universality of access to television. But before switch off, only part of the population can be reached with the digital signal. In addition, those who are reached need to spend more to upgrade their reception equipment than after switch off, because the capacity to increase the power of the digital signal will be made available only then. After reviewing the competitive structure and the role of government intervention in television markets, we present the early experience of a number of industrialised countries in the transition to digital television. We then formulate a micro-econometric model of digital television adoption by individual viewers. The model is calibrated to UK data and simulated to predict the impact of government policies on the take up of digital television. Policy makers can affect the speed of take up of digital television by: (i) controlling the quality of the signals and the content of public service broadcasters; (ii) intervening in the market for digital equipment with subsidies; and (iii) publicising the conditions and date of switch off of the analogue signal. We find that if the analogue terrestrial signal is switched off conditionally on aggregate adoption, strategic delays possibly arise and expectations affect the success of the switch off policy. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Tube of Plenty : Evolution of American Television Pdf, Epub, Ebook
TUBE OF PLENTY : EVOLUTION OF AMERICAN TELEVISION PDF, EPUB, EBOOK Erik Barnouw | 560 pages | 01 Dec 1982 | Oxford University Press Inc | 9780195030921 | English | New York, United States Tube of Plenty : Evolution of American Television PDF Book Cite this article Pick a style below, and copy the text for your bibliography. He also includes an appendix entitled "questions for a new millennium," which will challenge readers not only to examine the shape of television today, but also to envision its future. Add another edition? Buy ebook from VitalSource. Barnouw, Erik. Day relates how Big Bird and his friends were created to spice up Sesame Street when test runs showed a flagging interest in the program's "live-action" segments. Download for print-disabled. Prices of color sets were significantly higher than black-and-white sets, while the color screens were much smaller. July 31, Okay, but when did it get this nickname? Although television sets first became available to the American people in the late s, sales did not really begin to take off until after World War II ended in Due in part to Sarnoff's objections, in the FCC once again decided to postpone the adoption of a color television standard. According to this link dictionary. Once videotape technology became available, however, television programs could be recorded almost anywhere. He also helped to organize, and headed, the Writers Guild of America. Oxford University Press Amazon. Advertising rates in the U. The television was not invented by a single person, but by a number of scientists' advancements contributing to the ultimate all-electronic version of the invention. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
Television Safe Areas Redefined
March 15, 2010 Television Safe Areas Redefined For various reasons, televisions using cathode ray tube (CRT) displays deflect the electron beam beyond the edges of the faceplate front of the tube, resulting in areas at the edges of the transmitted picture not being visible to the viewer. This characteristic, known as overscan, requires critical action and titles to be constrained to “safe areas” of the picture. The Society of Motion Picture and Television Engineers (SMPTE) many years ago issued recommendations for what these safe areas should be. With the increased use of flat-panel LCD, plasma and other fixed pixel matrix display televisions the previously defined safe areas are no longer appropriate and a new SMPTE standard, Specifications for Safe Action and Safe Title Areas for Television was published last year, together with a recommended practice Safe Areas for Protection of Alternate Aspect Ratios. These were followed last week by an Engineering Guideline Safe Areas for Television EG 2046-3, which explains the background and use of the new standards. The following extracts from these documents are reproduced with permission from SMPTE. “It is the purpose of this Engineering Guideline to explain the use of these documents and the relationships among them. A brief history of TV safe areas and their evolution is also given. From the early days of film and television, it has been recognized that not all of the information contained in the original image frame will necessarily be presented to the viewer. In television, the principal limitation has been the use of overscan in the viewer‘s receiver. -
Hauppauge Introduces New Multi-Standard Tv Receiver
HAUPPAUGE INTRODUCES NEW MULTISTANDARD TV RECEIVER FOR WINDOWS AND LINUX WinTV‐HVR‐1975 supports seven different TV formats for over‐the‐air and digital cable TV in North America and Europe Hauppauge, New York February 26, 2014 – Hauppauge Computer Works Inc. has announced the WinTV-HVR-1975, a USB based TV receiver for Windows and Linux systems with multi-format TV support for both North American and Europe. The WinTV-HVR-1975 has built-in support for North America NTSC and European PAL TV, plus ATSC HD and clear QAM digital cable TV support in North America and DVB-T, DVB-T2 and DVB-C support in Europe. The WinTV-HVR-1975 is part of the WinTV-HVR-19XX family of high performance TV receivers. All models in the family have hardware video encoders which convert NTSC and PAL TV programs into MPEG-2, thereby reducing the CPU requirements of the host systems. “Our professional TV receiver customers have been looking for a universal TV tuner for Europe and North America, and the WinTV-HVR-1975 supports the most popular TV formats used in both regions. For example, the DVB-C TV format is used in many European countries for digital cable TV, and DVB-T2, the new high definition over-the-air broadcast format which started in the UK, is now spreading throughout Europe including Russia. Coupled with the support of NTSC, PAL, ATSC and DVB-T, the WinTV-HVR-1975 delivers a TV receiver which is as close to universal as possible” said Ken Plotkin, President of Hauppauge. -
Improved Television Systems: NTSC and Beyond
• Improved Television Systems: NTSC and Beyond By William F. Schreiber After a discussion ofthe limits to received image quality in NTSC and a excellent results. Demonstrations review of various proposals for improvement, it is concluded that the have been made showing good motion current system is capable ofsignificant increase in spatial and temporal rendition with very few frames per resolution. and that most of these improvements can be made in a second,2 elimination of interline flick er by up-conversion, 3 and improved compatible manner. Newly designed systems,for the sake ofmaximum separation of luminance and chromi utilization of channel capacity. should use many of the techniques nance by means of comb tilters. ~ proposedfor improving NTSC. such as high-rate cameras and displays, No doubt the most important ele but should use the component. rather than composite, technique for ment in creating interest in this sub color multiplexing. A preference is expressed for noncompatible new ject was the demonstration of the Jap systems, both for increased design flexibility and on the basis oflikely anese high-definition television consumer behaL'ior. Some sample systems are described that achieve system in 1981, a development that very high quality in the present 6-MHz channels, full "HDTV" at the took more than ten years.5 Orches CCIR rate of 216 Mbits/sec, or "better-than-35mm" at about 500 trated by NHK, with contributions Mbits/sec. Possibilities for even higher efficiency using motion compen from many Japanese companies, im sation are described. ages have been produced that are comparable to 35mm theater quality. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit.