The History of Television
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Information and Communication Technologies: 11. Television World in History
Information and communication technologies: 11. Television world in history. Analog and digital. Metodický koncept k efektivní podpoře klíčových odborných kompetencí s využitím cizího jazyka ATCZ62 - CLIL jako výuková strategie na vysoké škole History of television in Czechoslovakia Pioneers: ● František Pilát - later post-war technical director of Barrandov Film Studio, himself built a television receiver ● Pilát was the first in Czechoslovakia to receive experimental Baird's "thirty-line" broadcast, spread in the early 1930s (1929- 1935) from Great Britain to the mid-wave of 261.5 meters. ●The most active pre-war pioneer of the television is dr. Jaroslav Šafránek, associate professor of experimental physics at Charles University in Prague ●In 1935 Šafránek built his own functioning television equipment, with which he later traveled to the Republic and presented him in public. History of television in Czechoslovakia The Ministry of Post and Telegraph refused to authorize Šafránek to broadcast television in the air. Šafranek´s equipment could only work in the laboratory and lecture halls. While Šafránek, radio amateurs and their interest organization, Czechoslovak Radio Broadcasting Corporation requested permission for experimental broadcasting of a mechanical low-line (30 line) television mainly serving radio amateurs, the Ministry of Post and Telegraph, which since 1934 closely watched developments abroad, wanted to provide frequencies for television broadcasting to some more developed Projects. He was guided by the principle - to wait, to study foreign facts and then to decide. In 1939, television research on the territory of former Czechoslovakia ended. (Threats to the Republic, Munich, and the Nazi occupation). At that time, Shafranek was working on a more advanced 240-line image decomposition device. -
The Science of Television. Television and Its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach
Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach To cite this version: Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach. Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine. Gesnerus, Schwabe Verlag Basel, 2019, 76 (2), pp.153-171. 10.24894/Gesn-en.2019.76008. hal-02885722 HAL Id: hal-02885722 https://hal.archives-ouvertes.fr/hal-02885722 Submitted on 30 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gesnerus 76/2 (2019) 153–171, DOI: 10.24894/Gesn-en.2019.76008 Introduction. The Science of Television: Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach* From the live transmission of daunting surgical operations and accounts of scandals about medicines in the 1950s and 1960s to participatory aerobic workouts and militant AIDS documentaries in the 1980s the interrelation- ship of the history of bodies and health on television and the history of tele- vision can be witnessed. A telling example of this is the US born aerobics movement as it was brought to TV in Europe, with shows such as Gym Tonic (from 1982) in France, Enorm in Form (from 1983) in Germany or the Green Goddess on BBC Breakfast Time (from 1983) in Great Britain. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
Unit 2 Setting
History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match. -
World Converter Model WC-01 User and Technical Manual
World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray -
Reading Between the Lines
volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Television Safe Areas Redefined
March 15, 2010 Television Safe Areas Redefined For various reasons, televisions using cathode ray tube (CRT) displays deflect the electron beam beyond the edges of the faceplate front of the tube, resulting in areas at the edges of the transmitted picture not being visible to the viewer. This characteristic, known as overscan, requires critical action and titles to be constrained to “safe areas” of the picture. The Society of Motion Picture and Television Engineers (SMPTE) many years ago issued recommendations for what these safe areas should be. With the increased use of flat-panel LCD, plasma and other fixed pixel matrix display televisions the previously defined safe areas are no longer appropriate and a new SMPTE standard, Specifications for Safe Action and Safe Title Areas for Television was published last year, together with a recommended practice Safe Areas for Protection of Alternate Aspect Ratios. These were followed last week by an Engineering Guideline Safe Areas for Television EG 2046-3, which explains the background and use of the new standards. The following extracts from these documents are reproduced with permission from SMPTE. “It is the purpose of this Engineering Guideline to explain the use of these documents and the relationships among them. A brief history of TV safe areas and their evolution is also given. From the early days of film and television, it has been recognized that not all of the information contained in the original image frame will necessarily be presented to the viewer. In television, the principal limitation has been the use of overscan in the viewer‘s receiver. -
The Technology of Television
TheThe TechnologyTechnology ofof TelevisionTelevision Highlights, Timeline, and Where to Find More Information Summer 2003 THE FCC: SEVENTY-SIX TV TIMELINE YEARS OF WATCHING TV Paul Nipkow shows 1884 how to send From the Federal Radio images over wires. Commission’s issuance of the first television Campbell Swinton and 1907 license in 1928 to Boris Rosing suggest today’s transition using cathode ray tubes to digital tv, the to transmit images. Federal Vladimir Zworkin 1923 patents his iconscope - the camera tube many call the cornerstone of Communications modern tv—based on Swinton’s idea. Commission has been an integral player in the Charles Jenkins in the 1925 technology of television. U.S. and John Baird in England demonstrate the mechanical trans- One of the fundamental mission of pictures over wire circuits. technology standards that the FCC issued in Bell Telephone and the 1927 May 1941, which still Commerce Department stands today, is the conduct the 1st long NTSC standard for distance demonstration programming to be 525 of tv between New York and Washington, DC. lines per frame, 30 frames per second. Philo Farnsworth files 1927 a patent for the 1st complete electronic When this standard was and hue of red, green, and television system. first affirmed it was called Today the FCC continues to blue on the color chart. The Federal Radio 1928 “high-definition television” play a key role in defining the technology standards that must Commission issues the because it replaced 1st tv license (W3XK) be met as the United States programming being broadcast to Charles Jenkins. at 343 lines or less. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
NAB's Guide to Careers in Television
NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department………………………………………. -
Panel Discussion the TV Audio Mixer West Coast AES Picture Galler
THE SOUND ENGINEERING MAGAZINE JULY 1969 75c Television Sound: Panel Discussion The TV Audio Mixer West Coast AES Picture Gallery www.americanradiohistory.cominrmnriii works, aad works aod works aod works Take a look through control and audition rooms of the stations in your community and count the number of Rek-O-Kut turntables that keep going and going and going. Minimum maintenance, practically no repair. Faith- ful, reliable sound. Year after year after year. Ask those station engineers how long they've had Rek-O-Kut in- stalled. You'll find some of those turntables have been around a long time. Rek-O-Kut turntables are built to take it. They are sim- ple in design and operation, strong in construction. If you have a Rek-O-Kut now, we'd hardly be able to sell you a replacement. But we'd like to sell you another! soecilications; SPEEDS: 331/3, 45, 78 rpm. NOISE LEVEL: -59db below 5 cm/sec average recorded level. MOTOR: custom-built computer type heavy- duty hysteresis synchronous motor. 45 RPM HUB: instantaneously re- movable by hand. PILOT LIGHT: neon light acts as an "on/off indicator. FINISH: grey and aluminum. DECK DIMENSIONS: 14 x 15%". Minimum Dimensions: (for cabinet installation) 17%" w. x 16" d. x 3" above deck x 6Vi" below. PRICE: B-12 GH Turntable $124.95. S-320 Tonearm $44.95. Optional BH Base for audition room $18.95 . KDSS KOSS ELECTRONICS INC. 2227 N. 31st Street • Milwaukee, Wis. 53208 Export: Koss Electronics S.r.l. Via Bellini 7, 20054/Nova Milanese, Italia Export Cable: Stereofone Circle 60 on Reader Service Card www.americanradiohistory.com ""I Coming • John Borwick, noted British writer' has contributed the first of what will be a series of European newsletter-type articles.