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Information and Communication Technologies: 11. Television World in History
Information and communication technologies: 11. Television world in history. Analog and digital. Metodický koncept k efektivní podpoře klíčových odborných kompetencí s využitím cizího jazyka ATCZ62 - CLIL jako výuková strategie na vysoké škole History of television in Czechoslovakia Pioneers: ● František Pilát - later post-war technical director of Barrandov Film Studio, himself built a television receiver ● Pilát was the first in Czechoslovakia to receive experimental Baird's "thirty-line" broadcast, spread in the early 1930s (1929- 1935) from Great Britain to the mid-wave of 261.5 meters. ●The most active pre-war pioneer of the television is dr. Jaroslav Šafránek, associate professor of experimental physics at Charles University in Prague ●In 1935 Šafránek built his own functioning television equipment, with which he later traveled to the Republic and presented him in public. History of television in Czechoslovakia The Ministry of Post and Telegraph refused to authorize Šafránek to broadcast television in the air. Šafranek´s equipment could only work in the laboratory and lecture halls. While Šafránek, radio amateurs and their interest organization, Czechoslovak Radio Broadcasting Corporation requested permission for experimental broadcasting of a mechanical low-line (30 line) television mainly serving radio amateurs, the Ministry of Post and Telegraph, which since 1934 closely watched developments abroad, wanted to provide frequencies for television broadcasting to some more developed Projects. He was guided by the principle - to wait, to study foreign facts and then to decide. In 1939, television research on the territory of former Czechoslovakia ended. (Threats to the Republic, Munich, and the Nazi occupation). At that time, Shafranek was working on a more advanced 240-line image decomposition device. -
The Science of Television. Television and Its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach
Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach To cite this version: Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach. Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine. Gesnerus, Schwabe Verlag Basel, 2019, 76 (2), pp.153-171. 10.24894/Gesn-en.2019.76008. hal-02885722 HAL Id: hal-02885722 https://hal.archives-ouvertes.fr/hal-02885722 Submitted on 30 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gesnerus 76/2 (2019) 153–171, DOI: 10.24894/Gesn-en.2019.76008 Introduction. The Science of Television: Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach* From the live transmission of daunting surgical operations and accounts of scandals about medicines in the 1950s and 1960s to participatory aerobic workouts and militant AIDS documentaries in the 1980s the interrelation- ship of the history of bodies and health on television and the history of tele- vision can be witnessed. A telling example of this is the US born aerobics movement as it was brought to TV in Europe, with shows such as Gym Tonic (from 1982) in France, Enorm in Form (from 1983) in Germany or the Green Goddess on BBC Breakfast Time (from 1983) in Great Britain. -
World Converter Model WC-01 User and Technical Manual
World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray -
Reading Between the Lines
volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France. -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
Affluent Americans and the New Golden Age of Tv
IPSOS AFFLUENT INTELLIGENCE: AFFLUENT AMERICANS AND THE NEW GOLDEN AGE OF TV © 2019 Ipsos. All rights reserved. Contains Ipsos' Confidential and Proprietary information and may not be disclosed or reproduced without the prior written consent of Ipsos. STREAMING NOW – THE GOLDEN AGE OF AFFLUENT TV It’s no secret that the world of TV content and viewing has been undergoing considerable and on-going change for some time, causing a wholesale redefinition of how audiences experience watching it – not to mention the impact these new ways of watching has had on people’s lifestyles. This revolution can be attributed to What is an many factors – from the massive proliferation in content and channels, to the growth and availability of bandwidth capacity and Affluencer? speed, to the rapid rise of mobile devices which changed what “watching” meant, to the launch of streaming services which Affluent influencers— removed the wires and cables. Add to that the coming-of-age of Affluencers— drive most the digitally native Millennials and you have a world of TV that categories. Affluencers are looks nothing like it did five years ago, let alone 25. enthusiastic consumers of category-related information and have disproportionately high In this paper we’ll look at the various behaviors, preferences and purchase intent. They’re heavy attitudes driving the “new TV” category - and most importantly spenders who are the first to try for media and category service providers, we’ll look at the new offerings. And their affluent demographics and category segments posing the networks depend on them for greatest revenue opportunities. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
A Brief History of Television in India
Chapter-II A Brief History of Television in India 47 Chapter-II A Brief History of Television in India Television in India— a chronology of events Television came to India on September 15, 1959 with experimental transmission from Delhi. It was a modest beginning with a make shift studio, a low power transmitter and only 21 community television sets. All India Radio provided the engineering and programme professionals. A daily one-hour service with a news bulletin was started in 1965. In 1972 television services were extended to a second city—Mumbai. By 1975 television stations came up in Calcutta, Chennai, Srinagar, Amritsar and Lucknow. In 1975-76 the Satellite Instructional Television Experiment brought television programmes for people in 2400 villages in the most inaccessible of the least developed areas tlirough a satellite lent to India for one year. Doordarshan is a Public broadcast terrestrial television channel run by Prasar Bharati, a board formed by the Government of India. It is one of the largest broadcasting organizations in the world in terms of the infrastructure of studios and transmitters. Doordarshan had its beginning with the experimental telecast started in Delhi in September, 1959 with a small fransmitter and a makeshift studio. The regular daily transmission started in 1965 as a part of All India Radio. The television service was extended to a second city Mumbai in 1972. Till 1975, only seven cities were covered by Doordarshan and it remained 48 the only television channel in India. Television services were separated from Radio in 1976. Each office of All India Radio and Doordarshan were placed under the management of two separate Director Generals in New Delhi. -
Cpage Paper 5 Marae Sept 30
2002 - 5 FEDERAL COMMUNICATIONS COMMISSION Media Ownership Working Group Program Diversity and the Program Selection Process on Broadcast Network Television By Mara Einstein September 2002 Executive Summary: This paper examines the extent to which program diversity has changed over time on prime time, broadcast network television. This issue is assessed using several different measurement techniques and concludes that while program diversity on prime time broadcast network television has fluctuated over time, it is not significantly different today than it was in 1966. The paper also explores the factors used by broadcast networks in recent years in program selection. It finds that networks’ program selection incentives have changed in recent years as networks were permitted to take ownership interests in programming. 2 A HISTORICAL PERSPECTIVE ON PROGRAM DIVERSITY Mara Einstein Department of Media Studies Queens College City University of New York The views expressed in this paper are those of the author alone and do not necessarily reflect the views of the Federal Communications Commission, any Commissioners, or other staff. 3 Introduction This paper analyzes the correlation between the FCC’s imposition of financial interest and syndication rules and program diversity on prime time broadcast network television. To demonstrate this, diversity will be examined in terms of 1) content diversity (types of programming) and 2) marketplace diversity (suppliers of programming). This analysis suggests that the structural regulation represented by the FCC’s financial interest and syndication rules have not been an effective means of achieving content diversity. Study Methodology By evaluating the content of programming over the periods surrounding the introduction and elimination of the financial interest and syndication rules, we will measure the trend in program diversity during the time when the financial interest and syndication (“fin-syn”) rules were in effect. -
Television in India MODULE - 4 Television
Television in India MODULE - 4 Television 13 Notes TELEVISION IN INDIA Can you imagine a world without television? No serials, news channels or cricket matches. Will it not be a boring world? Today television has become an integral part of our lives. Your brother might get angry if disturbed while he is watching his favourite television programme. However, television is a recent invention. Very few homes had television sets some fifty years ago. Also, till the 1990s Doordarshan was the only channel available to a vast majority of Indians. This lesson will take you through the story of television. OBJECTIVES After studying this lesson, you will be able to do the following: z trace the evolution of television; z identify the milestones of television history in India; z analyze the impact of television in our daily lives; z explain the new trends in television. 13.1 EVOLUTION OF TELEVISION Isn’t it wonderful that a newsreader who is hundreds of kilometers away in a news studio can be seen and heard by just switching on your television set? However, television is a recent invention.Ask your grandfather whether he had watched television in his childhood. Most probably he would have had a radio set at home but not a television. Radio, print and cinema were already there before the arrival of television. The idea of television existed long before the actual invention of television. Several inventors were working on the creation of a technology which could transmit sound as well as visuals. Though many pioneers have contributed to make it possible, John Baird is generally regarded as the father of television.