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PUBLIC VERSION AT&T Good Faith Complaint.Pdf
PUBLIC VERSION %HIRUH WKH )('(5$/ &20081,&$7,216 &200,66,21 :DVKLQJWRQ '& ',5(&79 //& $1' $7 7 6(59,&(6 ,1& &RPSODLQDQWV Y 0% 'RFNHW 1R )LOH 1RBBBBBBBBB '((5),(/' 0(',$ ,1& '((5),(/' 0(',$ 3257 $57+85 /,&(16(( //& (;3(',7(' '((5),(/' 0(',$ &,1&,11$7, /,&(16(( //& 75($70(17 '((5),(/' 0(',$ 02%,/( /,&(16(( //& 5(48(67(' '((5),(/' 0(',$ 52&+(67(5 /,&(16(( //& '((5),(/' 0(',$ 6$1 $1721,2 /,&(16(( //& *2&20 0(',$ 2) ,//,12,6 //& +2:$5' 67,5. +2/',1*6 //& +6+ )/,17 :(<, /,&(16(( //& +6+ 0<57/( %($&+ ::0% /,&(16(( //& 0(5&85< %52$'&$67,1* &203$1< ,1& 036 0(',$ 2) 7(11(66(( /,&(16(( //& 036 0(',$ 2) *$,1(69,//( /,&(16(( //& 036 0(',$ 2) 7$//$+$66(( /,&(16(( //& 036 0(',$ 2) 6&5$1721 /,&(16(( //& 1$6+9,//( /,&(16( +2/',1*6 //& .075 7(/(9,6,21 //& 6(&21' *(1(5$7,21 2) ,2:$ /7' $1' :$,77 %52$'&$67,1* ,1& 'HIHQGDQWV 9(5,),(' &203/$,17 2) ',5(&79 //& $1' $7 7 6(59,&(6 ,1& )25 7+( 67$7,21 *52836¶ )$,/85( 72 1(*27,$7( ,1 *22' )$,7+ PUBLIC VERSION 6HDQ $ /HY &DWK\ &DUSLQR .HYLQ - 0LOOHU &KULVWRSKHU 0 +HLPDQQ 0DWWKHZ 0 'XII\ *DU\ / 3KLOOLSV .(//2** +$16(1 72'' 'DYLG / /DZVRQ ),*(/ )5('(5,&. 3//& $7 7 6(59,&(6 ,1& 0 6WUHHW 1: 6XLWH WK 6WUHHW 1: 6XLWH :DVKLQJWRQ '& :DVKLQJWRQ '& Counsel for DIRECTV, LLC and AT&T Services, Inc. -XQH PUBLIC VERSION 6800$5< ,Q IODJUDQW YLRODWLRQ RI WKH &RPPLVVLRQ¶V UXOHV QLQH VWDWLRQ JURXSV WKH ³6WDWLRQ *URXSV´ KDYH VLPSO\ UHIXVHG WR QHJRWLDWH UHWUDQVPLVVLRQ FRQVHQW ZLWK ',5(&79 DQG $7 7 6HUYLFHV FROOHFWLYHO\ ³$7 7´ IRU PRQWKV RQ HQG ,QGHHG WKH 6WDWLRQ *URXSV HDFK RI ZKLFK DSSHDUV WR EH PDQDJHG DQG FRQWUROOHG -
Tv Uk Freesat
Tv uk freesat loading Skip to content Freesat Logo TV Guide Menu. What is Freesat · Channels · Get Freesat · THE APP · WHAT'S ON · Help. Login / Register. My Freesat ID. With over channels - and 13 in high definition - it's not hard to find unbelievably good TV. With Freesat's smart TV Recorders you can watch BBC iPlayer, ITV Hub*, All 4, Demand 5 and YouTube on your TV. Tune into our stellar line-up of digital radio channels and get up to date Get Freesat · What's on · Sport. If you're getting a new TV, choose one with Freesat built in and you can connect directly to your satellite dish with no need for a separate box. You can now even. With a Freesat Smart TV Recorder you can enjoy the UK's favourite Catch Up services: BBC iPlayer, ITV Hub*, All 4 & Demand 5, plus videos on YouTube. Freesat TV Listings. What's on TV now and next. Full grid view can be viewed at Freesat is a free-to-air digital satellite television joint venture between the BBC and ITV plc, . 4oD launched on Freesat's Freetime receivers on 27 June , making Freesat the first UK TV platform to host the HTML5 version of 4oD. Demand Owner: BBC and ITV plc. Freesat, the satellite TV service from the BBC and ITV, offers hundreds of TV and radio channels to watch Lifestyle: Food Network UK, Showcase TV, FilmOn. FREESAT CHANNEL LIST - TV. The UK IPTV receiver now works on both wired internet and WiFi which , BET Black Entertainment TV, Entertainment. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
Federal Communications Commission Record FCC 92-209
7 FCC Red No. 13 Federal Communications Commission Record FCC 92-209 Conclusion 42 Before the Federal Communications Commission Administrative Matters 43 Washington, D.C. 20554 Ordering Clause 54 MM Docket No. 91-221 Appendix A -- List of Commenters In the Matter of I. INTRODUCTION 1. This Notice of Proposed Rulemaking (NPRM) proposes Review of the Commission's alternative means of lessening the regulatory burden on Regulations Governing Television television broadcasters as they seek to adapt to the Broadcasting multichannel video marketplace. As documented last year in the FCC Office of Plans and Policy's (OPP) wide ranging report on broadcast television and the rapidly NOTICE OF PROPOSED RULEMAKING evolving market for video programming, 1 that market has undergone enormous changes over the period between Adopted: May 14, 1992; Released: June 12, 1992 1975 and 1990. In particular, the report found that the policies of the FCC and the entire federal government Comment Date: August 24, 1992 (e.g., the 1984 Cable Act) spawned new competition to Reply Comment Date: September 23, 1992 broadcast services that have resulted in a plethora of new services and choices for video consumers. The report fur ther suggested that these competitive forces were affecting By the Commission: Commissioner Duggan issuing a the ability of over-the-air television to contribute to a separate statement. diverse and competitive video programming marketplace. 2. The OPP report prompted us to release a Notice of 2 TABLE OF CONTENTS Inquiry (N0/) and to seek comment on whether existing television ownership rules and related policies should be revised in order to allow television licensees greater flexi Paragraph bility to respond to enhanced competition in the distribu tion of video programming. -
Broadcasting Sector Report
Broadcasting Sector Report 1. This is a report for the House of Commons Committee on Exiting the European Union following the motion passed at the Opposition Day debate on 1 November, which called on the Government to provide the Committee with impact assessments arising from the sectoral analysis it has conducted with regards to the list of 58 sectors referred to in the answer of 26 June 2017 to Question 239. 2. As the Government has already made clear, it is not the case that 58 sectoral impact assessments exist. The Government’s sectoral analysis is a wide mix of qualitative and quantitative analysis contained in a range of documents developed at different times since the referendum. This report brings together information about the sector in a way that is accessible and informative. Some reports aggregate some sectors in order to either avoid repetition of information or because of the strong interlinkages between some of these sectors. 3. This report covers: a description of the sector, the current EU regulatory regime, existing frameworks for how trade is facilitated between countries in this sector, and sector views. It does not contain commercially-, market- or negotiation-sensitive information. Description of sector Scope 4. The broadcasting sector covers the production of audiovisual or audio (radio) content and its distribution, which is subject to the framework of regulation overseen by Ofcom (or, for TV stations based elsewhere in the European Economic Area (EEA), by another EEA regulator). 5. This report primarily covers linear (or live) visual broadcasting services (digital TV, live streaming, webcasting, near video-on-demand) and non-linear services (video on demand services such as the BBC iPlayer, All4, etc, or subscription video on demand services such as Netflix). -
Public Service Broadcasting in Transition: a Documentary Reader
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes. -
Television Broadcasting I
Television Broadcasting I EXAM INFORMATION DESCRIPTION Exam Number This course is designed to provide students with the basic knowledge and skills related to the television broadcasting 590 industry. This course includes instruction and hands-on Items assignments in the following areas: camera operation, audio systems, lighting systems, pre-production, studio operations, 44 control room operations, visual effects and graphics, and Points copyright laws. 56 EXAM BLUEPRINT Prerequisites NONE STANDARD PERCENTAGE OF EXAM Recommended Course 1. News Gathering 9% 2. Pre-Production 4% Length 3. Camera Operation 21% ONE SEMESTER 4. Audio Systems 9% 5. Lighting Systems 13% National Career Cluster 6. Post-Production 14% ARTS, A/V TECHNOLOGY, & 7. Broadcast Production Equipment 16% 8. Control Room and Studio Personnel 11% COMMUNICATIONS 9. Copyright Laws, Ethics, and Legal Issues 4% SCIENCE, TECHNOLOGY, 10. Professional Skills for the Workplace 0% ENGINEERING, & MATHEMATICS Performance Standards INCLUDED (OPTIONAL) Certificate Available YES www.youscience.com Television Broadcasting I 590.2021 STANDARD 1 Students will be able to demonstrate knowledge of news gathering. Objective 1 Understand the difference between hard and soft news. Objective 2 Understand and demonstrate effective interview techniques, including: 1. Street interview 2. Sit-down interview Standard 1 Performance Evaluation included below (Optional) STANDARD 2 Students will be able to understand and demonstrate knowledge of pre-production. Objective 1 Use effective communication skills when planning a production, including: 1. Purpose 2. Audience Objective 2 Understand and demonstrate principles of effective storyboarding. Objective 3 Understand pre-production meetings. Objective 4 Understand and use a rundown for broadcast productions. 1. Blocks / timeline 2. Shot list (camera number, position, shot type) 3. -
British Sky Broadcasting Group Plc Annual Report 2007
British Sky Broadcasting Group plc Annual Report 2007 British Sky Broadcasting Group plc Grant Way, Isleworth, Middlesex TW7 5QD, England Telephone 0870 240 3000 British Sky Broadcasting Group plc plc Group Broadcasting Sky British Overseas +44 20 7705 3000 Facsimile 0870 240 3060 www.sky.com Registered in England No.2247735 The cover of this report is printed on Era Silk which contains 50% recycled and de-inked pulp from post-consumer waste. The remaining 50% is made up of Forest Stewardship Council (FSC) Annual Report 2007 virgin fibre and pulp. The text of this report is printed on Revive 50:50 uncoated, a 50% recycled paper manufactured with 25% de-inked post consumer waste, 25% unprinted pre-consumer waste and 50% virgin fi bre. All pulps used Elemental Chlorine Free (ECF) and the manufacturing mill is accredited with the ISO 14001 standard for environmental management. The mill, merchant and printer are FSC accredited. Project: Final No: 000000 3B2 VERSION: 7 www.bowne.com Job/Filename: u52717_01.3d gcornell Time: 09:25:41 Date: 09/08/07 BL: 0 Trim: x Page: 1of49 -1397612683 0 Path: {Work_In_Progress} U5xxxx BOWNE/U527xxx/U52717 BskyB/ Black plate (1,1) Table of contents ............................................................................................................................................................................................................................................................................................................ Chairman’s statement 2 ....................................... -
Broadcasting Committee
Broadcasting Committee Alun Davies Chair Mid and West Wales Peter Black Paul Davies South Wales West Preseli Pembrokeshire Nerys Evans Mid and West Wales Contents Section Page Number Chair’s Foreword 1 Executive Summary 2 1 Introduction 3 2 Legislative Framework 4 3 Background 9 4 Key Issues 48 5 Recommendations 69 Annex 1 Schedule of Witnesses 74 Annex 2 Schedule of Committee Papers 77 Annex 3 Respondents to the Call for Written Evidence 78 Annex 4 Glossary 79 Chair’s Foreword The Committee was established in March 2008 and asked to report before the end of the summer term. I am very pleased with what we have achieved in the short time allowed. We have received evidence from all the key players in public service broadcasting in Wales and the United Kingdom. We have engaged in lively debate with senior executives from the world of television and radio. We have also held very constructive discussions with members of the Welsh Affairs Committee and the Scottish Broadcasting Commission. Broadcasting has a place in the Welsh political psyche that goes far beyond its relative importance. The place of the Welsh language and the role of the broadcast media in fostering and defining a sense of national identity in a country that lacks a national press and whose geography mitigates against easy communications leads to a political salience that is wholly different from any other part of the United Kingdom. Over the past five years, there has been a revolution in the way that we access broadcast media. The growth of digital television and the deeper penetration of broadband internet, together with developing mobile phone technology, has increased viewing and listening opportunities dramatically; not only in the range of content available but also in the choices of where, when and how we want to watch or listen. -
The Public Interest and Public Broadcasting: Looking at Communications As a Whole
Washington University Law Review Volume 1967 Issue 4 Communications & the Future—Part I January 1967 The Public Interest and Public Broadcasting: Looking at Communications As a Whole Nicholas Johnson Federal Communications Commission Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Communications Law Commons Recommended Citation Nicholas Johnson, The Public Interest and Public Broadcasting: Looking at Communications As a Whole, 1967 WASH. U. L. Q. 480 (1967). Available at: https://openscholarship.wustl.edu/law_lawreview/vol1967/iss4/2 This Symposium is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE PUBLIC INTEREST AND PUBLIC BROADCASTING: LOOKING AT COMMUNICATIONS AS A WHOLE NICHOLAS JOHNSON* Early Monday morning, August 14, 1967, President Johnson signed and sent to Congress a document headed simply, "Message on Communica- tions Policy."' None of us should mistake its significance, for it gives to these deliberations at Airlie House a focus and a promise of historical rele- vance which no gathering of scholars and officials concerned with communi- cations has ever enjoyed. Plainly, the path-breaking importance of the President's communications message was not lost on others. The 88th, 89th, and 90th Congresses have received and responded to Presidential messages in greater number and of more substantial social impact than those serving any other President, with the possible exception of the seven Congresses that served during the terms of President Roosevelt. -
DVB - the History of Television
DVB - The History of Television A History of Television by Jean-Jacques Peters (EBU) Contents Preface The foundations The first broadcasts Highlights Colour television On the primaries Colour television Digital television Technological developments transmission Television film Video recording Television cameras scanning Towards other screens Electronic special effects Digital images Preface Did you know there are more television sets in the world than there are telephones? Even the television professionals find it hard to believe. However the statistics prove it to be true; according to official figures from the International Telecommunication Union there were 565 million telephones in 1983, and 600 million television sets. Other figures are just as impressive: in Belgium, from 1967 to 1982, the average time spent watching television by children from 10 to 13 years, increased from 82 to 146 minutes per day. Stupefying in every sense of the word. Our senses are assailed every day by the attraction of the visual message. Its all-pervasiveness and instantaneity are finely tuned to our way of thinking, whether we be hard-pressed or lazy. We expect from it effortless pleasure and hot news. A Chinese proverb tells us a picture is worth ten thousand words. But the stupefaction takes its toll and we thirst for more. Images pour over us in a never-ending torrent. Television has already modified our social behaviour. It fosters, for example, our taste for things visual the impact of the picture and its colours. It encourages in us a yearning for the big spectacle the razzmatazz and the forthright declaration. The effect can be seen in the way we react one to another and in the world of advertising.