Rolf Alexander Wilhelm

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Rolf Alexander Wilhelm Rolf Alexander Wilhelm (23 June 1927 Munich - 17 January 2013) was a German composer, film composer, arranger and conductor, sometimes referred to as the German John Williams. At the age of seven, Wilhelm began piano lessons. He then attended school in Berlin and Vienna. From 1942 he studied piano and composition with Joseph Marxat the Vienna Academy of Music. His studies were interrupted by service in World War II. Thereafter he graduated from the Hochschule für Musik in Munich where he studied with Henry Squire (conducting), Joseph Haas (composition) and Hans Rosbaud (Master Class). In 1946, Wilhelm produced a radio play, The Canterville Ghost. This work was impressive enough to secure the 19-year-old composer his first commission, and he soon became a busy freelance employee of the radio station. Even for the relatively new medium television, he composed music for different characters stories from Reiner Zimnik, such as for The Angler Jonas (1954) or The Crane (1956). Wilhelm's first major film music was for the 1954 first film of the 08/15 trilogy, the most successful films of the postwar era include. Through the 1990s, he composed music for 62 feature films, including classics like And Forever Sing the Woods (1959), It may not Always be Caviar (1961), The Black-White-Red- Poster Bed (1962), Scotland Yard Hunts Dr. Mabuse (1963), Lausbubengeschichten (1964), The Flying Classroom (1973), The Serpent's Egg (1977), Ödipussi (1988) and Pappa ante Portas (1991). Among his most complex film work is the music for major German production Die Nibelungen (1966/67). Wilhelm also composed the music for far more than 250 radio plays, more than 350 television and 300 commercials. In addition, he created numerous stage musicals , orchestral suites and literary songs. From: International Tuba Euphonium Association Honorary Life Members .

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Joseph-Haas-Info
Vielen Dank an Wolfgang Haas, der uns diese Biographie zukommen ließ. Joseph Haas Joseph Haas wurde am 19. März 1879 in Maihingen im schwäbischen Ries als 3. Kind des dortigen Lehrers geboren. Schon früh zeigte sich seine musikalische Begabung. Zunächst wurde er aber Lehrer. Nach erfolgreicher Prüfung versuchte er seine musikalischen Studien zu vervollkommnen. Entscheidend war dabei die Begegnung mit Max Reger, dem er bis Leipzig folgte. Schon bald zeigten sich die ersten Erfolge als Komponist, die ihm 1911 die Berufung als Lehrer für Komposition am Konservatorium in Stuttgart und 1921 die Berufung an die Akademie der Tonkunst in München brachten. Konsequent ging er in seinem Schaffen von der Kammermusik über Lieder und Chorwerke zu den großen Orchesterwerken, Oratorien und Opern. Von den bedeutenden Werken seien die beiden Opern "Tobias Wunderlich" und "Die Hochzeit des Jobs", die Oratorien "Die heilige Elisabeth", "Das Lebensbuch Gottes", "Das Jahr im Lied" und "Die Seligen", von den Liederzyklen "Gesänge an Gott" nach Gedichten von Jakob Kneip und "Unterwegs" nach Gedichten von Hermann Hesse, von den Messen die "Speyerer Domfestmesse" und die "Münchner Liebfrauenmesse" sowie von den Kammermusikwerken das Streichquartett A Dur op. 50, die Violinsonate h Moll op. 21 und die Klaviersonate a Moll op. 46 genannt. Im Jahre 1921 gründete Joseph Haas mit Paul Hindemith und Heinrich Burkard die "Donaueschinger internationalen Kammermusikfeste für Neue Musik" und bewies damit seine Aufgeschlossenheit für alles Neue, obwohl er selbst stets tonal komponierte. Schon bald war er einer der gesuchtesten Kompositionslehrer in Deutschland. Aus seiner Meisterklasse gingen so unterschiedliche Künstler hervor wie Karl Amadeus Hartmann, Karl Höller, Philipp Mohler, Cesar Bresgen oder die Dirigenten Eugen Jochum und Wolfgang Sawallisch.
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DMA Abstract Page
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