Jackson Heights Historic District
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Old Market Character Appraisal Is Available Deadline of 21 February 2008
Conservation Area 16 Old Market Character Appraisal July 2008 www.bristol.gov.uk/conservation SA Hostel WINSFORD STREET FROME BRIDGE 1 PH 32 8 THRISS 26 to 30 E ET 24 2 LLST Old Market Convervation Area 1 2 20 R WADE STREET STRE 1 7 EET 3 Works N HA L AN Mm STREET 14 EST 8 Car Park LTTLE 6 7 RIVER STREET 2.0m 17 City Business Park 3 6 PH 15 to 11 Boundary of Conservation Area 20 PH 10 PH St Nicholas Church St Nicholas PH E STREET Church l Sub Sta Unive GP 1to32 Ho St Nicholas Lawford's G te TLE ANN usersal House 6 1 LIT Library 1to o15 DS GATE Lawford 11 t E Gate WADE STREE A WFOR T 1to18 D Wessex House 13 46 The Old Vica ge 59 4m ta 5 Car Park T 5 50 PH El T 16 City Business Park ub S 16 STREET S 18 19 PH RIVER INGTON ROAD 17 15 1 ELL NSTREET 1to22 W to 3 1 loucester 11 G House GREAT GEORGE STREE Somerset rence House GREAT AN 1to22 Ca TEMPLE WAY H Po ts o use TRINITY ROAD o44 (Community Centre) Friends Meeting TRINITY WALK House EY TCB 1t ERSL Telephone Exchange 1to17 41 ANE El Sub S Holy Trinity TCB to 48 Church Bristol City Mission Tyndall House 1to44 Po ice Station BRICK STREET Police Station 1to CLARENCE ROAD 1 17 22 20 9 Warehouse PH Jude St Coach and Horse 1to40 (PH) 8 E h Ves The 8 2 CLOS 1 sHo 85 1to2 HAYES 8 2 Warehouse 1 St Matthias try 23 25 81 ST MATTHIAS PARK 2 cel 6 1to 12 LANE E Subta 28 Th 90 41 S 40 (PH) 5 Cha 19 39 BRAGG'S 88 he Nave 75 86 3 21 T ER LANE TCB 84 7 T The LB 82 House 8 1 ES Old 1 The Tow r 0 78 Tannery30 UC St Matthias 51a 2 Guild 65 Heritage 16 Park GLO 1 7 12 29 5 7 0 t 3 o 31 62 5 6 495 2 4 10 18 33 -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
1 Dataset Illustration
1 Dataset Illustration The images are crawled from Wikimedia. Here we summary the names, index- ing pages and typical images for the 66-class architectural style dataset. Table 1: Summarization of the architectural style dataset. Url stands for the indexing page on Wikimedia. Name Typical images Achaemenid architecture American Foursquare architecture American craftsman style Ancient Egyptian architecture Art Deco architecture Art Nouveau architecture Baroque architecture Bauhaus architecture 1 Name Typical images Beaux-Arts architecture Byzantine architecture Chicago school architecture Colonial architecture Deconstructivism Edwardian architecture Georgian architecture Gothic architecture Greek Revival architecture International style Novelty 2 architecture Name Typical images Palladian architecture Postmodern architecture Queen Anne architecture Romanesque architecture Russian Revival architecture Tudor Revival architecture 2 Task Description 1. 10-class dataset. The ten datasets used in the classification tasks are American craftsman style, Baroque architecture, Chicago school architecture, Colonial architecture, Georgian architecture, Gothic architecture, Greek Revival architecture, Queen Anne architecture, Romanesque architecture and Russian Revival architecture. These styles have lower intra-class vari- ance and the images are mainly captured in frontal view. 2. 25-class dataset. Except for the ten datasets listed above, the other fifteen styles are Achaemenid architecture, American Foursquare architecture, Ancient Egyptian architecture, -
RMM02688.Pdf
This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] Regional Plan Association. 70 Records, 1919-19H Guide V0l. 1 Division of Rare and Manuscript Collections Cornell University Ithaca, New York February 1995 Close study of guide far 1st 54 (1/3rd of total) revealed no mention of F. Horner, but, the fdlwin,: contain files for the exrly 1940's: Box 2, has pei-.corr. of the engineering staff. F. 24 , late 90's and '40's m Box 3 - numerous 1940's entries in re defense z2 u Box 14- FHA, 1941 r?t: ? Pox 38, clipping files, 1940-41 2Z %x 47, Bd. of Directors corresp., 1930-45 4 - U 2 Reminder of guide (Box2s 55-162) also checked: €2 Box 60. Annual Reports, numbered, but no yrs. given, Folders 1-4 d 3 66, Folder 15, "Major Accomplishments of R.P.A. l9u2-1946" 67, Nev Jersey files by county, 1930's-'50's 8 69, N.J. Planning, late '30's-early '50's $ 70, St. hrence Seaway, 1941 5 -1 -1 Port of New York Authority, 1933-56 zW 71. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Workers' Rights Are Human Rights
Workers’ RIGHTS ARE HUMAN RIGHTS SOUTH ASIAN IMMIGRANT WORKERS IN NEW YORK CITY A report by DRUM – Desis Rising Up & Moving and the Community Development Project of the Urban Justice Center July 2012 ACKNOWLEDGEMENTS We would like to thank the following individuals and organizations for their invaluable time and support to produce this report: Members of DRUM Workers’ Committee who envisioned and made this project possible- Shahana Khan, Afroza Begum, Shafiun Ara, Farhana Jashim, Jashim Uddin, Nusrat Habib, Mohtarima, Khondakar Parvin, Syeda Parvin Akter, Suraiya Begum, Badan Barua, Golam Sarwar Harun, Habib, Rimon De Roy, Jahanara Begum, Upadhyay, Maiya, Rouf, Mostafa, and Eufa. We thank our staff team for their unwavering work and dedication: Ayesha Mahmooda, Monami Maulik, Kazi Fouzia, Romy Chowdhury, Nusrat Khan, and Marjon Kashani. Thanks to Chris Chaput for design and Shafaq Islam for copy editing. Immense thanks to Lindsay Cattell, and Alexa Kasdan at the Community Development Project of the Urban Justice Center and our Workers’ Advisory Team: Chandra Bhatnagar (American Civil Liberties Union), Carrie Brunck and Kristi Barnes (ALIGN- Alliance for a Greater NY), Chitra Aiyar (Andolan), Sameer Ashar (formerly at CUNY School of Law). Special thanks to Colin Rajah and Catherine Tactaquin at the National Network for Immigrant and Refugee Rights (NNIRR). We appreciate our allies for their support and the work they do: Retail Action Project, Andolan, Restaurant Opportunities Center of NY, Vamos Unidos, RWDSU (Retail Wholesale and Department Store Union), and the NY State Department of Labor’s Wage Watch Program. Finally, we thank the following funders in making this report possible: New York Foundation, the Catholic Campaign for Human Development, and the Proteus Fund for the Security and Rights Collaborative. -
The Children of Willesden Lane
Teaching with Testimony Guide for 14-year-old Holocaust survivor Lisa Jura’s universal story of bravery and resilience transforms classrooms around the world in an interdisciplinary and multisensory learning experience from USC Shoah Foundation and Hold On To Your Music The Children of Foundation. Supported by the Koret Foundation, this suite of resources mixes music, story and Willesden Lane technology to reshape Holocaust education for primary and secondary school students. By Mona Golabek and Lee Cohen Created by USC Shoah Foundation as part of The Willesden Project 1 Attributions About the Authors Mona Golabek is a Grammy-nominated recording artist, an internationally celebrated concert pianist, and the star of the one-woman show The Pianist of Willesden Lane. She travels the world, sharing the inspirational story of her mother, Lisa Jura. Lee Cohen is a journalist, screenwriter, and poet. About the Book Fourteen-year-old Lisa Jura was a musical prodigy who hoped to become a concert pianist. But when Hitler’s armies advanced on pre-war Vienna, Lisa’s parents were forced to make a difficult decision. Able to secure passage for only one of their three daughters through the Kindertransport—a rescue effort that relocated Jewish children to Great Britain—they chose to send gifted Lisa to London for safety. Living in a home for refugee children on Willesden Lane, Lisa felt the weight of her parents’ choice and yearned to be reunited with her family. But despite her circumstances, Lisa created a new life for herself, and her music became a beacon of hope for all the children of Willesden Lane. -
Download Download
FALL 2002 29 Laughter and Ethnicity in John Leguizamo's One-Man Worlds Miriam M. Chirico John Leguizamo's life is the substance of his art. His unflinching and uncompromising look at his own life and the lives of those closest to him provides the basis for his one-man shows, Mambo Mouth, Spic-O-Rama, the Tony-nominated play Freak and Sexaholix...A Love Story. Leguizamo has stamped his stand-up comic style as a playwright and his energetic characterizations as an actor onto the Broadway stage and the Hollywood screen. As the first Latino performer ever to produce a one-man show on Broadway, he is a spokesperson for a minority culture that vies to be heard within a dominant Anglo-Saxon one, and his dramatic sketches are tinged with a political undercurrent that questions the status quo of race relations in America. Leguizamo never allows his content to become too cerebral or heavy, but instead manipulates the comic impulse to bring his characters to life, providing the audience a means of empathizing with these characters and understanding the social and political issues at stake. Nor are his characters stereotypical representations of race and gender, as sometimes occurs in comedy. Rather, as each character confides his or her story to the audience, the facade they have brazenly put forth begins to erode under their frank admissions of fears and doubts. His characters are earnest and quirky, and derive their appeal not only from the stories they tell but also from the vocal and physical skills Leguizamo brings to each character. -
Bravest Battle Jackson Hts Blaze Bars LGBT Date at Prom: Student Marshals Probe Cause of fi Ve-Alarm fi Re That Ripped Through Brunson Building
• JAMAICA TIMES • ASTORIA TIMES • FOREST HILLS LEDGER • LAURELTON TIMES LARGEST AUDITED • QUEENS VILLAGE TIMES COMMUNITY • RIDGEWOOD LEDGER NEWSPAPER IN QUEENS • HOWARD BEACH TIMES • RICHMOND HILL TIMES April 25–May 1, 2014 Your Neighborhood - Your News® FREE ALSO COVERING ELMHURST, JACKSON HEIGHTS, LONG ISLAND CITY, MASPETH, MIDDLE VILLAGE, REGO PARK, SUNNYSIDE Retired Ozone Pk offi cer Visit us online SJU Final charged in wife’s slay: DA TimesLedger.com Assignment Page 2 QGuideQG id PageP4 433 Maspeth school Bravest battle Jackson Hts blaze bars LGBT date at prom: Student Marshals probe cause of fi ve-alarm fi re that ripped through Brunson Building BY SARINA TRANGLE A young couple is determined not to let a Maspeth Lutheran school’s policy against admitting a transgender date to the prom keep them from partaking in the high school tradition. Anais Celini, 18, said her boyfriend Nathaniel Baez began planning a personal prom cel- ebration for her after Martin Lu- ther School administrators told her she could not bring him to the May 22 dance. The high school senior said the school indicated it considered Baez’s current transition “un- conventional” and something the church would not support. Celini said last year, when the school knew Baez as a woman named Angelica, it did not permit the couple to attend the prom because it said same-sex couples were not allowed at the event. Firefighters pour water on a five-alarm blaze in the Brunson Building on 37th Avenue in Jackson Heights. The Fire Department worked for hours to get the blaze un- “But since he was going der control, officials said. -
Grand Concourse Historic District Designation Report October 25, 2011
Grand Concourse Historic District Designation Report October 25, 2011 Cover Photograph: 1020 Grand Concourse (Executive Towers) (far left) through 900 Grand Concourse (Concourse Plaza Hotel) (far right) Christopher D. Brazee, October 2011 Grand Concourse Historic District Designation Report Essay researched and written by Jennifer L. Most Architects’ Appendix researched and written by Marianne S. Percival Building Profiles by Jennifer L. Most, Marianne S. Percival and Donald Presa Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Additional Photographs by Marianne S. Percival and Jennifer L. Most Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS GRAND CONCOURSE HISTORIC DISTRICT MAP…………………………………BEFORE PAGE 1 TESTIMONY AT THE PUBLIC HEARING .............................................................................................. 1 GRAND CONCOURSE HISTORIC DISTRICT BOUNDARIES .............................................................. 1 SUMMARY .................................................................................................................................................. 4 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE GRAND CONCOURSE HISTORIC -
Ecclesiology Today No.42
SEVEN CHURCH ARCHITECTS 1830 – 1930 Edited by Geoff Brandwood Ecclesiology Today . Issue 42 . June 2010 SEVEN CHURCH ARCHITECTS 1830 – 1930 SEVEN CHURCH ARCHITECTS 1830 – 1930 Edited by Geoff Brandwood Ecclesiology Today . Issue 42 . June 2010 © Copyright the authors 2010.All rights reserved. ISSN: 1460-4213 ISBN: 0 946823 24 3 Published 2010 by the Ecclesiological Society c/o The Society of Antiquaries of London Burlington House Piccadilly London WIV 0HS The Ecclesiological Society is a registered charity. Charity No. 210501. www.ecclsoc.org The views expressed in this publication are those of the authors, and do not necessarily represent those of the Ecclesiological Society or its officers. Front cover: E. B. Lamb’s church of St Mary, Bagby, North Yorkshire, 1862. Rear cover:The crossing at Ewan Christian’s first church, St John’s, Hildenborough, Kent, 1843–4. Both photographs by Geoff Brandwood. Ecclesiology Today C ontents Journal of the Ecclesiological Society Chairman’s letter 2 Introduction by Geoff Brandwood 3 An alternative to Ecclesiology:William Wallen (1807-53) by Christopher Webster 9 The churches of E. B. Lamb: an exercise in centralised planning by Anthony Edwards 29 ‘The callous Mr Christian’: the making and unmaking of a professional reputation by Martin Cherry 49 ‘Inventive and ingenious’: designs by William White by Gill Hunter 69 ‘An architect of many churches’: John Pollard Seddon by Tye R. Blackshaw 83 George Fellowes Prynne (1853-1927): a dedicated life by Ruth Sharville 103 The ecclesiastical work of Hugh Thackeray Turner by Robin Stannard 121 Reviews 147 Issue 42 The Ecclesiological Society and submissions to published June 2010 Ecclesiology Today 163 Chairman’s letter This edition of Ecclesiology Today is devoted to seven very different church architects, whose work covers the period from late Georgian times to the first decades of the twentieth century.We are grateful to our guest editor, Dr Geoff Brandwood, for his vision and hard work in pulling together such an interesting edition. -
Documentaries Feature Length
feature length documentaries LIBRARY latest acquisitions SONS OF HONOUR NO KINGS CPH:DOX by Sophia Luvarà by Emilia Mello In the most violent region of Italy - Calabria - the In a place where conventional structures of authority fall 'Ndrangheta mafia rules. One of the few who dares to away, a tomboy, a sea captain, a fiercely independent stand up against the mafia is the President of the juvenile pregnant mother, and two wayward fishermen must find court, Roberto Di Bella. He took a drastic step by starting their place in the space between the urban and a traditional a re-education programme titled "Free to Choose". The life threatened by impending forces. An ode to nature programme separates teenage boys from their mafia and human relations, No Kings explores the freedom of families to break a generational cycle of criminality. The one of the last Caiçara communities. What begins as a goal is straightforward: to show the teenager that there is simple ethnography becomes a deeply personal journey, another way of life. Sons of Honor is an epic coming-of-age contemplating the current direction of modern Brazil. drama that follows the crusade of Roberto Di Bella, a man living under protection 24/7. Through him and his team of the Juvenile Court, we will meet the sons of some of the most dangerous men in Italy. Encyclopedia Of Imaginary Places - Pulpa Film - Saboteur Witfilm - Doclab Media - Antevita Film The Netherlands - Italy / 52' & 90' / 2020 Brazil - Usa - Luxembourg / 52' & 85' / 2020 THESSALONIKI DOC FF SXSW NOW CPH:DOX THE MYSTERY OF by Jim Rakete THE PINK FLAMINGOS by Javier Polo Featuring: Greta Thunberg, Patti Smith, Wim Wenders, Dr.