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Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
A Short History of Georgian Architecture
A SHORT HISTORY OF GEORGIAN ARCHITECTURE Georgia is situated on the isthmus between the Black Sea and the Caspian Sea. In the north it is bounded by the Main Caucasian Range, forming the frontier with Russia, Azerbaijan to the east and in the south by Armenia and Turkey. Geographically Georgia is the meeting place of the European and Asian continents and is located at the crossroads of western and eastern cultures. In classical sources eastern Georgia is called Iberia or Caucasian Iberia, while western Georgia was known to Greeks and Romans as Colchis. Georgia has an elongated form from east to west. Approximately in the centre in the Great Caucasian range extends downwards to the south Surami range, bisecting the country into western and eastern parts. Although this range is not high, it produces different climates on its western and eastern sides. In the western part the climate is milder and on the sea coast sub-tropical with frequent rains, while the eastern part is typically dry. Figure 1 Map of Georgia Georgian vernacular architecture The different climates in western and eastern Georgia, together with distinct local building materials and various cultural differences creates a diverse range of vernacular architectural styles. In western Georgia, because the climate is mild and the region has abundance of timber, vernacular architecture is characterised by timber buildings. Surrounding the timber houses are lawns and decorative trees, which rarely found in the rest of the country. The population and hamlets scattered in the landscape. In eastern Georgia, vernacular architecture is typified by Darbazi, a type of masonry building partially cut into ground and roofed by timber or stone (rarely) constructions known as Darbazi, from which the type derives its name. -
Old Market Character Appraisal Is Available Deadline of 21 February 2008
Conservation Area 16 Old Market Character Appraisal July 2008 www.bristol.gov.uk/conservation SA Hostel WINSFORD STREET FROME BRIDGE 1 PH 32 8 THRISS 26 to 30 E ET 24 2 LLST Old Market Convervation Area 1 2 20 R WADE STREET STRE 1 7 EET 3 Works N HA L AN Mm STREET 14 EST 8 Car Park LTTLE 6 7 RIVER STREET 2.0m 17 City Business Park 3 6 PH 15 to 11 Boundary of Conservation Area 20 PH 10 PH St Nicholas Church St Nicholas PH E STREET Church l Sub Sta Unive GP 1to32 Ho St Nicholas Lawford's G te TLE ANN usersal House 6 1 LIT Library 1to o15 DS GATE Lawford 11 t E Gate WADE STREE A WFOR T 1to18 D Wessex House 13 46 The Old Vica ge 59 4m ta 5 Car Park T 5 50 PH El T 16 City Business Park ub S 16 STREET S 18 19 PH RIVER INGTON ROAD 17 15 1 ELL NSTREET 1to22 W to 3 1 loucester 11 G House GREAT GEORGE STREE Somerset rence House GREAT AN 1to22 Ca TEMPLE WAY H Po ts o use TRINITY ROAD o44 (Community Centre) Friends Meeting TRINITY WALK House EY TCB 1t ERSL Telephone Exchange 1to17 41 ANE El Sub S Holy Trinity TCB to 48 Church Bristol City Mission Tyndall House 1to44 Po ice Station BRICK STREET Police Station 1to CLARENCE ROAD 1 17 22 20 9 Warehouse PH Jude St Coach and Horse 1to40 (PH) 8 E h Ves The 8 2 CLOS 1 sHo 85 1to2 HAYES 8 2 Warehouse 1 St Matthias try 23 25 81 ST MATTHIAS PARK 2 cel 6 1to 12 LANE E Subta 28 Th 90 41 S 40 (PH) 5 Cha 19 39 BRAGG'S 88 he Nave 75 86 3 21 T ER LANE TCB 84 7 T The LB 82 House 8 1 ES Old 1 The Tow r 0 78 Tannery30 UC St Matthias 51a 2 Guild 65 Heritage 16 Park GLO 1 7 12 29 5 7 0 t 3 o 31 62 5 6 495 2 4 10 18 33 -
On Top of the World, 1830 to 1914 Transcript
On Top of the World, 1830 to 1914 Transcript Date: Wednesday, 7 March 2012 - 6:00PM Location: Museum of London 7 March 2012 On Top of the World 1830 - 1914 Professor Simon Thurley Tonight we turn to the nineteenth century. What a vast subject, what a broad canvass, how to make sense of an age when so much was built and so much architectural diversity created. Well, somehow I will have to, and that’s why, of course, I’m standing here. However Gresham College have made my job quite a lot easier as, since my last lecture, I have been invited to continue my visiting professorship for another year. So this allows me a bit of headroom. Despite its advertised title I have decided to make tonight’s lecture, which deals with the period 1830 to 1914, part one of two. In October I will deliver 1830 to 1914 part II which will deal with Victorian cities and their infrastructure. Tonight I’m going to address the issue of architectural style in Victorian England. The complexity of explaining and understanding English architecture after 1760 derives essentially from three things. These are not in any order or causal juxtaposition: the first is, changing demands - new types of building for new types of activity: railway stations, post offices, law courts, factories, warehouses, pumping stations for example. The second is rapidly developing technology in materials and techniques: iron, steel, glass, terracotta etc. The third is historicism, the fact that there were many styles to choose from, everything from Egyptian and Hindu to Ottoman and Elizabethan. -
Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
The Furnishing of the Neues Schlob Pappenheim
The Furnishing of the Neues SchloB Pappenheim By Julie Grafin von und zu Egloffstein [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme October 2001 © Julie Grafin v. u. zu Egloffstein ProQuest Number: 13818852 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818852 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 l a s g o w \ £5 OG Abstract The Neues SchloB in Pappenheim commissioned by Carl Theodor Pappenheim is probably one of the finest examples of neo-classical interior design in Germany retaining a large amount of original furniture. Through his commissions he did not only build a house and furnish it, but also erected a monument of the history of his family. By comparing parts of the furnishing of the Neues SchloB with contemporary objects which are partly in the house it is evident that the majority of these are influenced by the Empire style. Although this era is known under the name Biedermeier, its source of style and decoration is clearly Empire. -
1 Dataset Illustration
1 Dataset Illustration The images are crawled from Wikimedia. Here we summary the names, index- ing pages and typical images for the 66-class architectural style dataset. Table 1: Summarization of the architectural style dataset. Url stands for the indexing page on Wikimedia. Name Typical images Achaemenid architecture American Foursquare architecture American craftsman style Ancient Egyptian architecture Art Deco architecture Art Nouveau architecture Baroque architecture Bauhaus architecture 1 Name Typical images Beaux-Arts architecture Byzantine architecture Chicago school architecture Colonial architecture Deconstructivism Edwardian architecture Georgian architecture Gothic architecture Greek Revival architecture International style Novelty 2 architecture Name Typical images Palladian architecture Postmodern architecture Queen Anne architecture Romanesque architecture Russian Revival architecture Tudor Revival architecture 2 Task Description 1. 10-class dataset. The ten datasets used in the classification tasks are American craftsman style, Baroque architecture, Chicago school architecture, Colonial architecture, Georgian architecture, Gothic architecture, Greek Revival architecture, Queen Anne architecture, Romanesque architecture and Russian Revival architecture. These styles have lower intra-class vari- ance and the images are mainly captured in frontal view. 2. 25-class dataset. Except for the ten datasets listed above, the other fifteen styles are Achaemenid architecture, American Foursquare architecture, Ancient Egyptian architecture, -
Course Description
American Studies 308, Section 1 American Studies Program, Penn State Harrisburg Fall Semester 2015 Days/Times: MWF 10:10-11 am Location: TBD Instructor: Caitlin Black Primary Email: [email protected] Primary Phone: (717) 948-6020 Office Location and Hours: TBD Course Description This course examines the styles, structures, and concepts of American architecture from Native American roots to modern “green” buildings. Through readings, images, and film, students will learn to identify major architectural styles and will become familiar with important buildings, communities, and movements in American architectural history and material culture. Students will consider the social and political connection of architecture to American experience and ideas. When possible, this course focuses on local examples to illuminate national trends over time. Course Objectives 1. Students will be able to identify key buildings, movements, and figures in American architecture. 2. Students will be able to interpret primary sources (such as maps, photographs, and drawings) used to understand American architecture. 3. Students will learn to understand and use architecture as form of evidence when analyzing themes and events. 4. Students will develop the tools to analyze aspects of American architecture in their social and political contexts and interpret changes over time. Required Texts The following texts are available at the Campus Bookstore. Mark Gelernter, A History of American Architecture (Hanover, NH: University Press of New England, 1999). ISBN: 978-1584651369. Erik Larson, The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America (New York: Crown Publishers, 2003). ISBN: 978-0375725609. (Ebook also available) Daisy M. Myers, Sticks’n Stones: The Myers Family in Levittown (New York: New York Heritage Trust, 2005). -
Disappearing Walls: Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon a Dissertation Submitted in Partia
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
Chateau-Sur-Mer Other Name/Site
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Chateau-sur-Mer Other Name/Site Number: 2. LOCATION Street & Number: 424 Bellevue Avenue Not for publication: City/Town: Newport Vicinity: State: RI County: Newport Code: 005 Zip Code: 02840 3. CLASSIFICATION Ownership of Property Category of Property Private: JL Building(s): X Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 4 3 buildings _ sites 3 structures _ objects 7 6 Total Number of Contributing Resources Previously Listed in the National Register:_1 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
City of Wauwatosa, Wisconsin
City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society. -
ARCHITECTURE, POWER, and POVERTY Emergence of the Union
ARCHITECTURE, POWER, AND POVERTY Emergence of the Union Workhouse Apparatus in the Early Nineteenth-Century England A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Gökhan Kodalak January 2015 2015, Gökhan Kodalak ABSTRACT This essay is about the interaction of architecture, power, and poverty. It is about the formative process of the union workhouse apparatus in the early nineteenth-century England, which is defined as a tripartite combination of institutional, architectural, and everyday mechanisms consisting of: legislators, official Poor Law discourse, and administrative networks; architects, workhouse buildings, and their reception in professional journals and popular media; and paupers, their everyday interactions, and ways of self-expression such as workhouse ward graffiti. A cross-scalar research is utilized throughout the essay to explore how the union workhouse apparatus came to be, how it disseminated in such a dramatic speed throughout the entire nation, how it shaped the treatment of pauperism as an experiment for the modern body-politic through the peculiar machinery of architecture, and how it functioned in local instances following the case study of Andover union workhouse. BIOGRAPHICAL SKETCH Gökhan Kodalak is a PhD candidate in the program of History of Architecture and Urbanism at Cornell University. He received his bachelor’s degree in architectural design in 2007, and his master’s degree in architectural theory and history in 2011, both from Yıldız Technical University, Istanbul. He is a co-founding partner of ABOUTBLANK, an inter-disciplinary architecture office located in Istanbul, and has designed a number of award-winning architectural and urban design projects in national and international platforms.