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Hamptons Doc Fest 2020 Congratulations on 13 Years of Championing Documentary Films!
Art: Nofa Aji Zatmiko ALL DOCS ALL DAY DOCS ALL ALL OPENING NIGHT FILM: MLK/FBI Hamptons Doc Fest DECEMBER 4–13, 2020 www.hamptonsdocfest.com is a year we will long Wiseman and his newest film, City Hall. 2020 rememberWELCOME or want LETTER to He stands as one of the documentary forget. Deprived of a movie theater’s giants that every aspiring filmmaker magic we struggled to take the virtual learns from, that Wiseman way of plunge. Ultimately, we decided on yes observing life unfold. Our Award films we can to bring you our 13th festival capture the essence of Art & Music, in these overwhelming times. We Human Rights, and the Environment. programmed 35 great documentary Our Opening night film reveals a hidden films to watch in the warmth and chapter in Martin Luther King’s world. comfort of your home over 10 days. No New this year, you’ll hear and see UP worries about weather, parking, ticket CLOSE video clips presented by the lines, where to catch a snack between Directors of each film. My thanks to an films. You can schedule your own day extraordinary team, and to our Artistic the way you like it. Consider it not Director, Karen Arikian. Lastly, you will only a festival experience but a virtual find all the information and help you’ll festival experiment. need to watch films on your television, When Covid hit, Hamptons Doc Fest tablet or computer. So click on and went into overdrive. We were forced step into the big virtual world wherever to cancel our Docs Equinox Spring you are. -
FALL 2018 New
tv lineup FALL 2018 new CURRENT AFFAIRS LATIN AMERICA: A GIANT IN TURMOIL BY MARCO ENRIQUEZ & RODRIGO VÁZQUEZ Political defeat in Argentina, Ecuador turning right, demonstrations in Venezuela, discredit on the Brazilian politics, new era in Cuba… Following a wave of success these last years, the left-wing political forces are undergoing critical defeats. With an unprecedented access to the current political leaders in Latin America (Dilma Roussef, Nicolás Maduro, Pepe Mujica, Evo Morales, Rafael Correa), the film gives us an insight view on the new challenges the continent is facing. CINÉTÉVÉ / 52' / 2018 HISTORY 80TH ANNIVERSARY OF WORLD WAR II IN 2019 THE NAZI-SOVIET PACT: THE FIASCO OF THE EUROPEAN DIPLOMACY BY CÉDRIC TOURBE The pact concluded in August 1939 between Hitler and Stalin is still nowadays a symbol of the duplicity and cynicism of the Soviet dictator. However, the true story of this pact, starting point of World War II, is way more ambiguous than it seems. It is, first of all, the story of an astonishing collective failure in which Britons and French share a lot of responsibility. Following the events that led to its signature, this is an account of this fiasco through the eyes of the ones that tried their best to avoid the worst. AGAT FILMS & CIE / 104' & 2 x 52' / 2018 ARTS & CULTURE VENICE 2018 FRIEDKIN UNCUT BY FRANCESCO ZIPPEL Friedkin Uncut offers an introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist & Sorcerer. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and stories that have influenced his life and artistic career. -
Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
Acta Universitatis Upsaliensis Uppsala Studies in Media and Communication 16 Curating Precarity Swedish Queer Film Festivals as Micro-Activism SIDDHARTH CHADHA Dissertation presented at Uppsala University to be publicly examined in Lecture Hall 2, Ekonomikum, Kyrkogårdsgatan 10, Uppsala, Thursday, 15 April 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Marijke de Valck (Department of Media and Culture, Utrecht University). Abstract Chadha, S. 2021. Curating Precarity. Swedish Queer Film Festivals as Micro-Activism. Uppsala Studies in Media and Communication 16. 189 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-1145-6. This research is based on ethnographic fieldwork conducted at Malmö Queer Film Festival and Cinema Queer Film Festival in Stockholm, between 2017-2019. It explores the relevance of queer film festivals in the lives of LGBTQIA+ persons living in Sweden, and reveals that these festivals are not simply cultural events where films about gender and sexuality are screened, but places through which the political lives of LGBTQIA+ persons become intelligible. The queer film festivals perform highly contextualized and diverse sets of practices to shape the LGBTQIA+ discourse in their particular settings. This thesis focuses on salient features of this engagement: how the queer film festivals define and articulate “queer”, their engagement with space to curate “queerness”, the role of failure and contingency in shaping the queer film festivals as sites of democratic contestations, the performance of inclusivity in the queer film festival organization, and the significance of these events in the lives of the people who work or volunteer at these festivals. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use. -
Nena Nena Mp3, Flac, Wma
Nena Nena mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Nena Country: Greece Released: 1984 Style: New Wave, Soft Rock, Pop Rock, Synth-pop MP3 version RAR size: 1947 mb FLAC version RAR size: 1391 mb WMA version RAR size: 1990 mb Rating: 4.9 Votes: 233 Other Formats: AU XM MP1 ASF AA AUD MP2 Tracklist Hide Credits Kino A1 2:40 Lyrics By, Music By – Rolf Brendel Indianer A2 3:14 Lyrics By, Music By – Carlo Karges Vollmond A3 3:02 Lyrics By, Music By – Carlo Karges Nur Geträumt A4 3:40 Lyrics By – Nena Kerner, Rolf BrendelMusic By – J. U. Fahrenkrog-Petersen* Tanz Auf Dem Vulkan A5 3:16 Lyrics By – Carlo Karges, Nena KernerMusic By – Jürgen Dehmel 99 Luftballons A6 3:50 Lyrics By – Carlo KargesMusic By – J. U. Fahrenkrog-Petersen* Zaubertrick B1 4:14 Lyrics By – J. U. Fahrenkrog-Petersen*, Rolf BrendelMusic By – J. U. Fahrenkrog-Petersen* Einmal Ist Keinmal B2 2:44 Lyrics By, Music By – Manfred Praeker Leuchtturm B3 3:14 Lyrics By – Nena KernerMusic By – J. U. Fahrenkrog-Petersen*, Nena Kerner Ich Bleib' Im Bett B4 2:41 Lyrics By, Music By – Carlo Karges Noch Einmal B5 3:55 Lyrics By, Music By – Carlo Karges Satelliten-Stadt B6 4:28 Lyrics By – Carlo KargesMusic By – Jürgen Dehmel Companies, etc. Manufactured For – Diski CBS AEBE Phonographic Copyright (p) – CBS Schallplatten GmbH Copyright (c) – CBS Schallplatten GmbH Pressed By – Columbia, Athens – 10796 Published By – Edition Hate Published By – April Musikverlag GmbH Recorded At – Spliff Studio Mixed At – Audio Studios, Berlin Credits Bass – Jürgen Dehmel -
Jackson Heights Historic District
New York City Landmarks Preservation Commission Jackson Heights Historic District tlm (Cuurt lirksmi ^eu;l|ts, Jfrh ^*rk October 19, 1993 New York City Landmarks Preservation Commission JACKSON HEIGHTS HISTORIC DISTRICT Prepared by the Research Department, Marjorie Pearson, Director Editors: Elisa Urbanelli, Research Department Editor Anthony W. Robins, Director of Special Projects Research/Writing: Luella Adams James T. Dillon Joseph Brooks, Ph.D. Patricia Garbe Donald Presa Anthony W. Robins Graphics: Richard Brotherton Report Layout: Marion Cleaver The Landmarks Preservation Commission Laurie Beckelman, Chair Sarah Bradford Landau, Vice-Chair William E. Davis Rev. Thomas F. Pike Ulrich Franzen Stephen Raphael Jack S. Freeman Vicki Match Suna Hui Mei Grove Charles Sachs Commissioners I In memory of Luella Adams whose survey and research work proved invaluable to the creation of the Jackson Heights Historic District ( IE as 3n' I! ers. B O o 55 § §• o vo 3 - 'I O \g J U 3 u> 3 gM3T o L 57-57. J 7-59 79™ ST 97-55 M-27 I I Jjjgfr 34-Ig 80™ ST J>-(5 z 9 o 3D 1 »»-ifr ACKNOWLEDGMENTS The study of a potential historic district in the Jackson Heights area required the participation of many people over the course of several years. In 1987 Gene A. Norman, then Chairman, directed the Commission's Survey Department to undertake a survey of Queens Community Board 3 which includes Jackson Heights, Elmhurst, and Corona. This work was undertaken largely by Survey staff member Luella Adams and resulted in a report presented to the Commission, containing recommendations for potential historic districts and individual landmarks within the area of the Community Board. -
Ab 26.11. Im Kino
Kostenlos 59. JAHRGANG | 11.2020 DIE PROGRAMMZEITUNG DER ESSENER FILMKUNSTTHEATER UND DER LICHTBURG Programm- „GELUNGENE SITUATIONSKOMIK, EXZELLENTE DIALOGE“ kino.de SEBASTIAN DAR VIRGINIA THORSTEN MICHAEL BLOMBERG SALIM KULL MERTEN WITTENBORN EINE WAHRE GESCHICHTE. LEIDER. EIN FILM VON JOHANNES NABER /CURVEBALL.FILM AB 26.11. IM KINO WWW.CURVEBALL-DERFILM.DE filmspiegel-essen.deCB_AZ_Essen_185x200_01_01.indd 1 www.lichtburg-essen.de23.10.20 11:56 Rüttenscheider Str. 2 Steeler Str. 208-212 Julienstr. 73 Teichstr. 2 Synagogenplatz 3 Kettwiger Str. 36 45128 Essen 45138 Essen 45130 Essen 45127 Essen 45468 Mülheim a. d. Ruhr 45127 Essen Tel. 0201/439 366 33 Tel. 0201/27 55 55 Tel. 0201/77 84 94 Tel. 0201/27 55 55 Tel. 0208 / 740 383 83 Tel. 0201/23 10 23 Inhalt 59. JAHRGANG | 11.2020 FILMSTARTS AB 29. OKTOBER Inhalt Schwesterlein S. 6 Aktuelle Filmstarts S. 4 - 14 Und morgen die ganze Welt S. 6 Dokumentarfilme S. 14 -16 FILMSTARTS AB 5. NOVEMBER Sonderprogramm S. 16 - 20 Bis an die Grenze S. 14 KinderKino S. 21 Doch das Böse gibt es nicht S. 7 Lichtburg & Sabu S. 22 Matthias & Maxime S. 9 Die Essener Filmkunsttheater S. 23 Résistance – Widerstand S. 5 Yes, God, Yes – Böse Mädchen beichten nicht S. 4 Unser Programmservice FILMSTARTS AB 12. NOVEMBER Driveways S. 8 Das aktuelle Wochenprogramm er- Elise und das vergessene Weihnachtsfest S. 5 fahren Sie unter unseren telefoni- Kaiserschmarrndrama S. 4 schen Programmansagen: Rosas Hochzeit S. 8 Essener Filmkunsttheater FILMSTARTS AB 19. NOVEMBER Tel. 0201 / 77 84 77 Die Adern der Welt S. 9 Lichtburg & Sabu Der Prinz – El Principe S. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
B Erlin a Th En S
Berlin Design-conscious young Athenian FIT FOR BUSINESS entrepreneurs are reigniting their Working Title city, while Berlin is bringing its past Designer Antonia Goy and architect to life with a retrospective of 1970s Björn Kubeja – partners in business and life – founded Working Title art and a vintage-clothing shop. in 2018 on the principle that sustainability had to become the Writers Daphne Karnezis, Carlo Silberschmidt and guiding principle in their work. Sandra Winkler They set out to create plastic-free collections: no plastic zips, no glue EXHIBITION and no polyester. Everything is biodegradable, much is made-to- order and very little is wasted. And Claudia that’s not all. “If the client does not wear a piece any more, they can Skoda bring it back to us,” says Goy. Athens Goy and Kubeja are committed In late-1970s West Berlin, the to scaling the business by having spectacular avant garde fashion customers assess the true worth of shows by knitwear designer DAILY BREAD DELI BELLY made-to-measure clothing. The duo also believes that they’re well prepared Claudia Skoda became cool underground meeting places, with Wild Souls to weather the fashion industry’s an audience including Iggy Pop, Gudrun Gut and David Bowie. KORA battle to become environmentally For her unique knits, Skoda used new techniques as well as The shopfront of Wild Souls deli is as eye-catching as the jars of friendly. “It all starts with customers’ Lurex and elastane yarns or even raffia, straws and cassette tape. Journalist Maria Alafouzou nut butter, honey and jam that line its shelves. -
Cinema Vérité & Direct Cinema 1960-1970
Cinema Vérité & Direct Cinema 1960-1970 Historical context Cinéma verité: French film movement of the 1960s that showed people in everyday situations with authentic dialogue and naturalness of action. Rather than following the usual technique of shooting sound and pictures together, the filmmaker first tapes actual conversations, interviews and opinions. After selecting the best material, he films the visual material to fit the sound, often using a hand-held camera. The film is then put together in the cutting room. Encyclopedia Britannica Direct Cinema: The invention of relatively inexpensive, portable, but thoroughly professional 16 mm equipment – and the synchronous sound recorder – facilitated the development of a similar movement in the US at just about the same time. Sometimes called cinema verite, sometimes simply ‘direct cinema’, its goal was essentially the capturing of the reality of a person, a moment, or an event without any rearrangement for the camera. Leading American practitioners were Ricky Leacock (Primary, 1960), Frederick Wiseman (Titicut Follies, 1967), Donn Pennebaker (Monterey Pop, 1968) and the Maysles brothers (Salesman, 1969) Encyclopedia Britannica Technological changes Until 1960s synchronous recording of sight & sound on location – difficult to impossible Standard documentary sound-film method - shooting silent - subsequent addition of sound – words, music, sound effects - voice-over commentary (almost) obligatory adds information & interpretation e.g. Grierson, Lorentz This style characterizes documentaries