Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
Not Just Words: Exposure to Homophobic Epithets Leads To
EJSP RESEARCH ARTICLE Not “just words”: Exposure to homophobic epithets leads to dehumanizing and physical distancing from gay men Fabio Fasoli*, Maria Paola Paladino†,AndreaCarnaghi‡, Jolanda Jetten§, Brock Bastian¶ & Paul G. Bain§,# * Centro de Investigação e Intervenção Social, Instituto Universitário de Lisboa, Lisbon, Portugal † Department of Psychology and Cognitive Science, University of Trento, Rovereto, Italy ‡ Department of Life Sciences, University of Trieste, Trieste, Italy § School of Psychology, University of Queensland, St. Lucia, Brisbane, Australia ¶ School of Psychology, University of New South Wales, Sydney, Australia # School of Psychology and Counselling, Queensland University of Technology, Brisbane, Australia Correspondence Abstract Fabio Fasoli, ISCTE-Instituto Universitário de Lisboa, Centro de Investigação e Intervenção We examined whether homophobic epithets (e.g., faggot) function as labels of Social, Lisbon, Portugal. deviance for homosexuals that contribute to their dehumanization and phys- E-mail: [email protected]; ical distance. Across two studies, participants were supraliminally (Study 1) [email protected] and subliminally (Study 2) exposed to a homophobic epithet, a category label, or a generic insult. Participants were then asked to associate human- Received: 9 June 2014 related and animal-related words to homosexuals and heterosexuals. Results Accepted: 1 August 2015 showed that after exposure to a homophobic epithet, compared with a cate- gory label or a generic insult, participants associated less human-related http://dx.doi.org/10.1002/ejsp.2148 words with homosexuals, indicating dehumanization. In Study 2, we also Keywords: derogatory labels, deviance, assessed the effect of a homophobic epithet on physical distance from a target dehumanization, homophobia, physical group member and found that homophobic epithets led to greater physical distance distancing of a gay man. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
REBELS on POINTE Featuring LES BALLETS TROCKADERO DE MONTE CARLO
REBELS ON POINTE Featuring LES BALLETS TROCKADERO DE MONTE CARLO A film by Bobbi Jo Hart An Icarus Films Release Produced by Adobe Productions International "Laugh out loud funny! Knocks the stuffy art off its pedestal and makes it an open, inclusive, and accessible experience. This spirited doc shows how much better art—and life—can be when everyone is invited to the party." —POV Magazine (718) 488-8900 www.IcarusFilms.com LOGLINE A riotous, irreverent all-male comic ballet troupe, Les Ballets Trockadero de Monte Carlo challenges gender and artistic norms in the conservative world of ballet. SYNOPSIS Exploring universal themes of identity, dreams and family, Rebels on Pointe celebrates the legendary dance troupe Les Ballets Trockadero de Monte Carlo. The notorious all- male drag ballet company, commonly known as “The Trocks,” was founded in 1974 in New York City on the heels of the Stonewall riots and has since developed a passionate cult following around the world. The film juxtaposes intimate behind-the-scenes access, rich archives and history, engaging character driven stories, and dance performances shot in North America, Europe and Japan. Rebels on Pointe is a creative blend of gender-bending artistic expression, diversity, passion and purpose which proves that a ballerina can be an act of revolution… in a tutu. Rebels on Pointe introduces dancers that director Bobbi Jo Hart filmed for four years: Bobby Carter from Charleston, South Carolina; Raffaele Morra from Fossano, Italy; Chase Johnsey from Lakeland, Florida; and Carlos Hopuy is from Havana, Cuba. With personal histories impacted by the AIDS crisis and eventual growth of the LGBT civil rights movement, the film’s main characters share powerful and inspiring anecdotes about growing up gay, their relationships with their families, and their challenges in becoming professional ballerinas. -
UPPER MARKET AREAS November 27Th
ANNUAL EVENTS International AIDS Candlelight Memorial About Castro / Upper Market 3rd Sunday in May Harvey Milk Day May 22nd Frameline Film Festival / S.F. LGBT International Film Festival June, www.frameline.org S.F. LGBT Pride/Pink Saturday Last weekend in June www.sfpride.org / www.thesisters.org Leather Week/Folsom Street Fair End of September www.folsomstreetevents.org Castro Street Fair 1st Sunday in October HISTORIC+LGBT SIGHTS www.castrostreetfair.org IN THE CASTRO/ Harvey Milk & George Moscone Memorial March & Candlelight Vigil UPPER MARKET AREAS November 27th Film Festivals throughout the year at the iconic Castro Theatre www.castrotheatre.com Castro/Upper Market CBD 584 Castro St. #336 San Francisco, CA 94114 P 415.500.1181 F 415.522.0395 [email protected] castrocbd.org @visitthecastro facebook.com/castrocbd Eureka Valley/Harvey Milk Memorial Branch Library and Mission Dolores (AKA Mission San Francisco de Asis, The Best of Castro / Upper Market José Sarria Court (1 José Sarria Court at 16th and 320 Dolores St. @ 16th St.) Built between 1785 and Market Streets) Renamed in honor of Milk in 1981, the library 1791, this church with 4-foot thick adobe walls is the oldest houses a special collection of GLBT books and materials, and building in San Francisco. The construction work was done by Harvey Milk Plaza/Giant Rainbow Flag (Castro & Harvey Milk’s Former Camera Shop (575 Castro St.) Gay often has gay-themed history and photo displays in its lobby. Native Americans who made the adobe bricks and roof tiles Market Sts) This two-level plaza has on the lower level, a activist Harvey Milk (1930-1978) had his store here and The plaza in front of the library is named José Sarria Court in by hand and painted the ceiling and arches with Indian small display of photos and a plaque noting Harvey Milk’s lived over it. -
From Sissy to Sickening: the Indexical Landscape of /S/ in Soma, San Francisco
From sissy to sickening: the indexical landscape of /s/ in SoMa, San Francisco Jeremy Calder University of Colorado, Boulder [email protected] ABSTRACT: This paper explores the relation between the linguistic and the visual in communicating social meaning and performing gender, focusing on fronted /s/ among a community of drag queens in SoMa, San Francisco. I argue that as orders of indexicality (Silverstein 2003) are established, linguistic features like fronted /s/ become linked with visual bodies. These body-language links can impose top-down restrictions on the uptake of gender performances. Non-normatively gendered individuals like the SoMa queens embody cross-modal figures of personhood (see Agha 2003; Agha 2004) like the fierce queen that forge higher indexical orders and widen the range of performative agency. KEY WORDS: Indexicality, performativity, queer linguistics, gender, drag queens 1 Introduction This paper explores the relation between the linguistic and the visual in communicating social meaning. Specifically, I analyze the roles language and the body play in gender performances (see Butler 1990) among a community of drag queens and queer performance artists in the SoMa neighborhood of San Francisco, California, and what these gender performances illuminate about the ideological connections between language, body, and gender performativity more generally. I focus on fronted /s/, i.e. the articulation of /s/ forward in the mouth, which results in a higher acoustic frequency and has been shown to be ideologically -
Elizabethirvinephdthesis.Pdf (8.438Mb)
CONTINUITY IN INTERMITTENT ORGANISATIONS: THE ORGANISING PRACTICES OF FESTIVAL AND COMMUNITY OF A UK FILM FESTIVAL Elizabeth Jean Irvine A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6901 This item is protected by original copyright Continuity in Intermittent Organisations: The Organising Practices of Festival and Community of a UK Film Festival Elizabeth Jean Irvine Thesis submitted for the degree of PhD at the University of St Andrews June 2014 ABSTRACT This thesis considers the relationship between practices, communities and continuity in intermittent organisational arrangements. Cultural festivals are argued to offer one such particularly rich and nuanced research context; within this study their potential to transcend intermittent enactment emerged as a significant avenue of enquiry. The engagement of organisation studies with theories of practice has produced a rich practice-based corpus, diverse in both theoretical concerns and empirical approaches to the study of practice. Nevertheless, continuity presents an, as yet, under- theorised aspect of this field. Thus, the central questions of this thesis concern: the practices that underpin the enactment of festivals; the themes emerging from these practices for further consideration; and relationships between festivals and the wider context within which they are enacted. These issues were explored empirically through a qualitative study of the enactment of a community-centred film festival. Following from the adoption of a ‘practice-lens approach’, this study yielded forty-eight practices, through which to explore five themes emerging from analysis: Safeguarding, Legitimising, Gatekeeping, Connecting and Negotiating Boundaries. -
Bers Yank Heavy Bor in Great Air Battle
■J ■ T U E S D A Y JAN U AR T 11« 1944 lUMSB T E H Manchester Evening Herald Average Daily Circulation The Weather For the Month o f December, 1943 l-'oreeaet ol U. S. Weather Bnreen city of the Americas and the focal The annual meeting of the Sec Manchester C. of C. Dinner point of the war effort of the Uni Range and Fuel J 8 ,5 0 4 Decreasin r riondinese and cold- ond Congregational Church,, Inc., Assumes Duties ted Nations. er tonight; fair and colder Tbnrs- Aboul Town will be held Thursday evening, fol He will also discuss the impor Member of the Audit day. lowing a parish supper at 6:30 un Date Book tance of local community organi O IL To Be Friday zations in the all-out war effort Bureau of ClreulatioBa der the direcUon of Mrs. Frank With Watkins TICKET PRINTING Tonight and the amazingly dramatic joba Manchester—~A City of Village Charm The Dorca* Society aewlng Williams. they actually have performed. METERS rroup of the ihnanuel Lutheran Annual meeting of Highland The Soroptimist club will have a Juiiiiary Meeting to Mr. Lawshe, manager of the (FOURTEEN PAGES) PRICE THREE CENTS thurch will leeume lU aeaeions at Park. Community Club. Commercial Organizatiqn depart Meter prints amoant of de (ClaasUled Advertialag on Pagtf IX) MANCHESTER, .CONN., WEDNESDAY, JANUARY 12, 1914 dinner meeting tomorrow evening O. J. West Takes Over VOL. LXttL, NO. 86 the Red CroM headquarters at Meeting executive board. Cen Hear Noted Speaker ment of the Chamber of Commerce livery on your slip for your Kmf r fliiareh this Thursday eve- at 6:30 at the Y. -
POSITION DESCRIPTION DIRECTOR of PROGRAMMING ABOUT FRAMELINE Frameline's Mission Is to Change the World Through the Power of Q
POSITION DESCRIPTION DIRECTOR OF PROGRAMMING ABOUT FRAMELINE Frameline’s mission is to change the world through the power of queer cinema. As a media arts non-profit, Frameline’s programs connect filmmakers and audiences in the Bay Area and around the world. Frameline’s integrated programs provide critical funding for emerging LGBTQ+ filmmakers, reach hundreds of thousands of people with a collection of more than 250 films distributed nationally, and create an international stage for the world’s best queer cinema through the San Francisco International LGBTQ+ Film Festival and additional screenings and cinematic events in person and online. THE POSITION Frameline’s Director of Programming is a charismatic and community-minded person who represents the organization within the Bay Area LGBTQ+ and Film communities. The Director of Programming uses Frameline’s world leading programs to grow audience diversity, participation and engagement. Reporting directly to and working closely with the Executive Director, the Director of Programming is responsible for artistic, curatorial, operational, and budgetary oversight for Frameline’s Festival and Filmmaker Support programs. Frameline’s aspiration is to provide the space for every LGBTQ+ person to see themselves on screen. The Director of Programming understands how to curate events that reflect the entire diversity of the LGBTQ+ community, and will excel at programming both for national online audiences as well as for traditional theatrical audiences. This is a full-time, exempt, position with benefits. Work schedules require expanded hours and flexibility during peak periods, especially in the months prior to and during the San Francisco International LGBTQ+ Film Festival, held each June. -
A Novel Christmas Your Holiday Binge-Reading Guide
A NOVEL CHRISTMAS YOUR HOLIDAY BINGE-READING GUIDE FALL 2019 SAMPLER FINDING CHRISTMAS by Karen Schaler From the writer of the Netflix sensation,A Christmas Prince, comes a heartwarming new Christmas story showing how sometimes the detour in your journey is the path to true love. This year, Emmie can’t wait to share her favorite Christmas traditions with her boyfriend, Grant. She thinks he’s “the one.” So when Grant’s hectic work schedule has him more “Bah Humbug” than “Ho, Ho, Ho,” Emmie creates a holiday-themed scavenger hunt to help him find his Christmas spirit. But Emmie’s plan back- fires when a mix-up has the wrong guy following her clues! When Sam arrives at Christmas Point and finds the stunned Emmie, he immediately feels she’s someone special, but she can’t see beyond the fact that the wrong guy has shown up. Inspired by the small, charming town, Sam decides to stay and convinces Emmie to join him in a little holiday fun while she waits for Grant. When Grant finally shows up, Emmie is disappointed to discover he’s not enjoying the activities she planned and can’t help wonder if he’s really the one for her. She also can’t get Sam out of her mind and all the great times they had together… THE MISTLETOE MATCHMAKER by Felicity Hayes-McCoy As Cassie Fitzgerald, fresh from Toronto, is about to discover, there’s more to the holidays on the west coast of Ireland than mistletoe and mince pies. Enchanted by the small town where her dad was born, Cassie makes friends and joins local librarian Hanna Casey’s writing group in Lissbeg Library. -
Clothing.Pdf
n r- 0 -I ::c -z " CONTENTS ELEMENTS OF ANCIENT COSTUME ...............................................................................................................315 MEN'S CLOTHING ......................................................................................................................................... 319 SWEATERS ...................................................................................................................................................... 326 GLOVES .........................................................................................................................................................327 HEADGEAR .....................................................................................................................................................328 WOMEN'S CLOTHING ...................................................................................................................................330 CHILDREN'S CLOTHING ............................................................................................................................... .349 SPORTSWEAR ................................................................................................................................................. 352 SHOES ...........................................................................................................................................................354 314 ELEMENTS OF ANCIENT COSTUME PEPLOS TOGA ··--- fibula -._ - fold sinus .. · purple border· - justaucorps . -