Effecting Dynamic Cultural Exchange Through the Performing Arts
Wesleyan University Effecting Dynamic Cultural Exchange Through the Performing Arts: Three Case Studies of U.S. Exchanges with Asia Festival of Indonesia In Performance (1990-1992) Dance, the Spirit of Cambodia (2001) Season of Cambodia (2013) By Jessica L. Wasilewski A Thesis submitted to the Institute for Curatorial Practice in Performance at Wesleyan University in partial fulfillment of the requirements for the Degree of Master of Arts in Performance Curation Middletown, Connecticut April 2017 Copyright © 2017 Jessica L. Wasilewski Acknowledgements My deepest gratitude to Rachel Cooper and Sam Miller, without whom this work would not have been possible. Thank you to ICPP professors Katherine Brewer Ball, Eric Charry, Mari Dumett, Elijah Huge, Judy Hussie-Taylor, Noémie Solomon, Nicole Stanton, Steven Taylor and staff Anya Backlund, Sarah Curran, Michelle Grove, Madalena K. Henning, Gretchen LaMotte, Rosemary Lennox, Paola Maseda, Ariana Molokwu, Hannah Oravec, Laura Paul, and David Shimomura. Appreciation to Lisa Booth, Kai T. Brennert, John Burt, Chankethya Chey, Proeung Chhieng, Arn Chorn-Pond, Ellen Dennis, Fred Frumberg, Rithisal Kang, Elena Park, Phloeun Prim, Rina Roeun, Glenn Rosenberg, Frances Rudgard, Heng Samnang, McKay Savage, Seng Song, Charley Todd, Deirdre Valente, Sokhorn Yon, and everyone at Cambodian Living Arts. Special thanks to Rebecca Robertson, Michael Lonergan, Peter Gee, and all my colleagues at Park Avenue Armory, as well as Michael Blanco, Susan Creitz, Karen Dearborn, Peter Rosenbaum, Carrie Urbanic, Jedediah Wheeler, and Avery Willis Hoffman. To Pamela Tatge, I will be forever grateful to you. Thanks to my friends and classmates, especially Alicia, Amy, Andi, Anjali, Chris, Christy, Cori, Courtney, Dan, Jaamil, Katrina, Mandy, Megan, Michèle, Paige, and Randy.
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