Terms of Address in Palestinian Arabic
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1 Comrade China on the Big Screen
COMRADE CHINA ON THE BIG SCREEN: CHINESE CULTURE, HOMOSEXUAL IDENTITY, AND HOMOSEXUAL FILMS IN MAINLAND CHINA By XINGYI TANG A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATION UNIVERSITY OF FLORIDA 2011 1 © 2011 Xingyi Tang 2 To my beloved parents and friends 3 ACKNOWLEDGMENTS First of all, I would like to thank some of my friends, for their life experiences have inspired me on studying this particular issue of homosexuality. The time I have spent with them was a special memory in my life. Secondly, I would like to express my gratitude to my chair, Dr. Churchill Roberts, who has been such a patient and supportive advisor all through the process of my thesis writing. Without his encouragement and understanding on my choice of topic, his insightful advices and modifications on the structure and arrangement, I would not have completed the thesis. Also, I want to thank my committee members, Dr. Lisa Duke, Dr. Michael Leslie, and Dr. Lu Zheng. Dr. Duke has given me helpful instructions on qualitative methods, and intrigued my interests in qualitative research. Dr. Leslie, as my first advisor, has led me into the field of intercultural communication, and gave me suggestions when I came across difficulties in cultural area. Dr. Lu Zheng is a great help for my defense preparation, and without her support and cooperation I may not be able to finish my defense on time. Last but not least, I dedicate my sincere gratitude and love to my parents. -
April 20, 1961 Memorandum of Conversation, Comrade Abdyl Kellezi with Comrade Zhou Enlai
Digital Archive digitalarchive.wilsoncenter.org International History Declassified April 20, 1961 Memorandum of Conversation, Comrade Abdyl Kellezi with Comrade Zhou Enlai Citation: “Memorandum of Conversation, Comrade Abdyl Kellezi with Comrade Zhou Enlai,” April 20, 1961, History and Public Policy Program Digital Archive, Central State Archive, Tirana, AQPPSH-MPKK-V. 1961, L. 13, D. 6. Obtained by Ana Lalaj and translated by Enkel Daljani. http://digitalarchive.wilsoncenter.org/document/111817 Summary: Zhou Enlai expressed China's opinions on the result of the meeting of the Political Consultative Committee of the Warsaw Pact, China's support of the principles of Marxism-Leninism in several Soviet-Albanian conflicts. They also discussed issues of economic and military assistance. Original Language: Albanian Contents: English Translation At the meeting there were also present: From our side, comrade Mihal Prifti, from the Chinese side the comrades Deng Xiaoping, Luo Ruiqing, Vice Premier of the State Council and Chief of Staff, and Wu Xiuquan, Deputy Director of the CCP CC International Department. In the lunch that was given after the talks there was also comrade Tan Zhenlin, member of the Political Bureau of the CCP CC and dealing with agriculture issues, as well as Comrade Li Xiannian. Comrade Zhou Enlai: We took a look at the minutes of the meeting between [Chairman of the Ministerial Council and Member of the Political Bureau of the ALP CC] Comrade Mehmet Shehu and comrade Luo Shigao that they had after the meeting of the Political Consultative Committee of the Warsaw Pact that was held in Moscow. In addition, we have also seen the minutes of your meeting with comrade Li Xiannian. -
A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA
DOCUMENT RESUME ED 439 463 CS 510 274 AUTHOR Mackey-Kallis, Susan; Kirk-Elfenbein, Sharon TITLE A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA. PUB DATE 1997-00-00 NOTE 17p. AVAILABLE FROM For full text: http://www.natcom.org/ctronline2/96-97mas.htm. PUB TYPE Opinion Papers (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Family Relationship; *Family (Sociological Unit); *Films; Higher Education; Mass Media Effects; Mass Media Role; Programming (Broadcast); *Television IDENTIFIERS *Family Communication ABSTRACT Teaching family communication is unique. However, unlike courses in small group and interpersonal communication, which illustrates communication processes in experiential settings, family communication courses cannot create "families" in the classroom. As such, film and television depictions of the family become all the more important in their ability to illustrate key concepts of family communication theory while providing common experiences for classroom discussion. Accordingly, this paper has two purposes:(1) to inform and affirm the ways in which films and television programming can be used to illustrate significant family concepts, relationships, and issues in family communication courses; and (2) to demonstrate how the examination of media families helps students to learn more about culture's representation of this most important social institution. After exploring the impact of mass media portrayals of families, the paper discusses ways in which such films as "Ordinary People," "Terms of Endearment," "On Golden Pond," and "Frances" can be used to teach various family communication concepts and topics. The use of films' and television shows' depictions of the family in a course stimulates students to take a closer look at their own families and themselves, and to understand how mass mediated images of the family shape their own expectations of family life. -
'Socialism in One Country': Komsomol'tsy
Youthful Internationalism in the Age of ‘Socialism in One Country’: Komsomol’tsy, Pioneers and ‘World Revolution’ in the Interwar Period Matthias Neumann On the 1st of March 1927, two Komsomol members from the Chuvash Republic, located in the centre of European Russia, wrote an emotional letter to Comrade Stalin. Reflecting on the revolutionary upheavals in China, they attacked the inaction of the Komsomol and the party and expressed their sincere determination to self-mobilise and join the proletarian forces in China. ‘We do not need empty slogans such as “The Komsomol is prepared”’, ‘We must not live like this’ they wrote and boasted ‘we guarantee that we are able to mobilise thousands of Komsomol members who have the desire to go to China and fight in the army of the Guomindang.’ This was after all, they forcefully stressed, the purpose for which ‘our party and our Komsomol exist.’1 These youngsters were not alone in their views. As the coverage on the situation in China intensified in the Komsomol press in March, numerous similar individual and collective letters were received by party and Komsomol leaders.2 The young authors, all male as far as they were named, expressed their genuine enthusiasm for the revolution in China. The letters revealed not only a youthful romanticism for the revolutionary fight abroad and the idea of spreading the revolution, but often an underlying sense of disillusionment with the inertia of the revolutionary project at home. A few months earlier, in 1926 during the campaign against the so-called eseninshchina3, a fellow Komsomol member took a quite different view on the prospect of spreading the revolution around the world. -
Esperanto, Civility, and the Politics of Fellowship: A
ESPERANTO, CIVILITY, AND THE POLITICS OF FELLOWSHIP: A COSMOPOLITAN MOVEMENT FROM THE EASTERN EUROPEAN PERIPHERY A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Ana Velitchkova Omar Lizardo, Director Graduate Program in Peace Studies and Sociology Notre Dame, Indiana July 2014 © Copyright by ANA MILENOVA VELITCHKOVA 2014 All rights reserved ESPERANTO, CIVILITY, AND THE POLITICS OF FELLOWSHIP: A COSMOPOLITAN MOVEMENT FROM THE EASTERN EUROPEAN PERIPHERY Abstract by Ana Velitchkova This dissertation examines global, regional, state-, group-, and person-level processes involved in the growth of the movement formed around the constructed international language Esperanto. The Esperanto movement emerged in the global arena in the late nineteenth century as a response to inequalities in the nation-state field. In the course of several decades, the movement established a new global field based on the logic of equal communication through Esperanto and on the accumulation of cultural capital. While the field gained autonomy from the nation-state field, it has not been recognized as its equal. Persons endowed with cultural capital but lacking political and economic capital have been particularly drawn to Esperanto. Ironically, while attempting to overcome established unfair distinctions based on differential accumulation of political and economic capital, the Esperanto movement creates and maintains new distinctions and inequalities based on cultural capital accumulation. Ana Velitchkova At the regional level, the Esperanto movement became prominent in state- socialist Eastern Europe in the second half of the twentieth century. The movement found unexpected allies among independent states in the Eastern European periphery. -
Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
The Return of the 1950S Nuclear Family in Films of the 1980S
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr. -
Families-On-Facebook.Pdf
Families on Facebook Moira Burke, Lada A. Adamic, and Karyn Marciniak {mburke, ladamic, karyn}@fb.com Facebook Menlo Park, CA 94025 Abstract and when), mutual friends, and how communication varies This descriptive study of millions of US Facebook users with the age of the child and geographic distance. We find documents "friending" and communication patterns, explor- that nearly 40% of Facebook users have either a parent or ing parent-child relationships across a variety of life stages child on the site, and that communication frequency does and gender combinations. Using statistical techniques on not decrease with geographic distance, unlike previous re- 400,000 posts and comments, we identify differences in how parents talk to their children (giving advice, affection, search on family communication. and reminders to call) compared to their other friends, and Using a wealth of anonymized, aggregated intra-family how they address their adult sons and daughters (talking communication data, we also paint a detailed picture of about grandchildren and health concerns, and linguistically what parents and their children talk about on Facebook. treating them like peers) compared to their teenage children. Consistent with offline research, we see mothers doling out Parents and children have 20-30 mutual friends on the site, 19% of whom are relatives. Unlike previous findings on affection and reminding their kids to call, and fathers talk- family communication, interaction frequency on Facebook ing about specific shared interests, such as sports and poli- does not decrease with geographic distance. tics. Grandchildren and food are common topics. We also identify a linguistic shift when parents talk to their grown- up children compared to how they talk to teens, treating Introduction their 40 year-old children much like they do their other Facebook’s widespread adoption by users of all ages cou- adult friends. -
Film Streams Programming Calendar Westerns
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2009 v3.1 Urban Cowboy 1980 Copyright: Paramount Pictures/Photofest Westerns July 3 – August 27, 2009 Rio Bravo 1959 The Naked Spur 1953 Red River 1948 Pat Garrett & High Noon 1952 Billy the Kid 1973 Shane 1953 McCabe and Mrs. Miller 1971 The Man Who Shot Liberty Valance 1962 Unforgiven 1992 The Magnificent Seven 1960 The Assassination of Jesse James by the Coward The Good, the Bad Robert Ford 2007 and the Ugly 1966 Johnny Guitar 1954 There’s no movie genre more patently “American” True Westerns —the visually breathtaking work of genre auteurs like Howard than the Western, and perhaps none more Hawks, John Ford, Sam Peckinpah, and Sergio Leone—are more like Greek generally misunderstood. Squeaky-clean heroes mythology set to an open range, where the difference between “good” and versus categorical evil-doers? Not so much. “bad” is often slim and sometimes none. If we’re missing one of your favorites here, rest assured this is a first installment of an ongoing salute to this most epic of all genres: the Western. See reverse side for full calendar of films and dates. Debra Winger August 28 – October 1, 2009 A Dangerous Woman 1993 Cannery Row 1982 The Sheltering Sky 1990 Shadowlands 1993 Terms of Endearment 1983 Big Bad Love 2001 Urban Cowboy 1980 Mike’s Murder 1984 Copyright: Paramount Pictures/Photofest From her stunning breakthrough in 1980’s URBAN nominations to her credit. We are incredibly honored to have her as our COWBOY to her critically acclaimed performance special guest for Feature 2009 (more details on the reverse side), and for in 2008’s RACHEL GETTING MARRIED, Debra her help in curating this special repertory series featuring eight of her own Winger is widely regarded as one of the finest films—including TERMS OF ENDEARMENT, the Oscar-winning picture actresses in contemporary cinema, with more that first brought her to Nebraska a quarter century ago. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
GALE Program: Arabic to English Translation Guidelines
GALE Program: Arabic to English Translation Guidelines Version 2.7 September 7, 2010 Linguistic Data Consortium http://www.ldc.upenn.edu/Projects/GALE NOTE: If for any reason translators are uncomfortable working with any particular document included in their assignment, please contact LDC at [email protected] to request a replacement. 1 Introduction .............................................................................................................. 3 2 Translation Teams ................................................................................................... 3 3 File Formats ............................................................................................................. 4 3.1 Source file......................................................................................................... 4 3.2 Completed translation file ................................................................................. 5 3.3 File Naming Conventions.................................................................................. 5 4 Delivery of Completed Translations ......................................................................... 6 4.1 Email Correspondence about Translation......................................................... 6 5 Specific Rules for Translation .................................................................................. 6 5.1 General Principles............................................................................................. 6 5.2 Proper Names.................................................................................................. -
1 What Follows Is a List of Films That Are
Telephone: 416.769.3320 Email: [email protected] Web: www.proactroslab.com What follows is a list of films that are essential for professional actors to have seen THIS IS A LIST FOR ACTORS ONLY 2001: A Space Odyssey (1968) The Bridge on the River Kwai (1957) A Clockwork Orange (1971) Bringing up Baby (1938) A Beautiful Mind (2001) Boyz N the Hood (1991) A Star is Born (1954) Broadcast News (1987) A Streetcar Named Desire (1951) Bus Stop (1956) The Accused (1988) Butch Cassidy and the Sundance Kid (1969) Ace in the Hole (1951) The Caine Mutiny (1954) Adam's Rib (1950) Carrie (1976) Adaptation (2002) Casablanca (1943) African Queen (1951) Cat on a Hot Tin Roof (1958) All About Eve (1950) Chinatown (1974) All Quiet on the Western Front (1929) Citizen Kane (1941) Almost Famous (2000) City Lights (1930) Alfie (1966) Close Encounters of the Third Kind (1977) American Beauty (1999) The Conversation (1974) American Graffiti (1973) Dances with Wolves (1990) Amadeus (1984) Days of Heaven (1978) Annie Hall (1977) Das Boot (1982) All Quiet on the Western Front (1929) Dead Man Walking (1995) Apocalypse Now (1979) Death of a Salesman (1951) The Asphalt Jungle (1950) Deer Hunter (1978) Atlantic City (1981) Diner (1982) Bad Day at Bad Rock (1955) Dinner at Eight (1933) Barton Fink (1991) Dirty Harry (1971) Basic Instinct (1992) Do the Right Thing (1989) Ben-Hur (1959) Doctor Zhivago (1965) Being John Malcovich (1999) Dog Day Afternoon (1975) The Big Carnival/Ace in the Hole (1951) Double Indemnity (1944) The Big Chill (1983) Dr.