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Breaking Away- Journey to Platinum Final Report (2011)
BREAKING AWAY: JOURNEY TO PLATINUM BLOOMINGTON PLATINUM BICYCLE TASK FORCE BLOOMINGTON, INDIANA FINAL REPORT: NOVEMBER 30, 2011 Page Intentionally Blank TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................... iii LITTLE 500: PROLOGUE........................................................................iv The Platinum Biking Task Force .......................................................................... v The Platinum Process.........................................................................................vi Report Organization..........................................................................................vii Bloomington’s Legacy ...................................................................................... viii QUALIFICATIONS: WHY PLATINUM? .................................................... 1−1 Why Platinum................................................................................................. 1-2 Quality of Life................................................................................................. 1-5 Health Promotion............................................................................................ 1-7 Environmental Harmony.................................................................................. 1-9 Economic Resiliency...................................................................................... 1-12 INDIVIDUAL TIME TRIALS: FIVE PRIORITIES.......................................... 2−1 The Five Es & Bloomington’s -
Breaking Away: a Study of First Generation College Students and Their Af Milies Howard London Bridgewater State University, [email protected]
Bridgewater State University Virtual Commons - Bridgewater State University Sociology Faculty Publications Sociology Department 1989 Breaking Away: A Study of First Generation College Students and Their aF milies Howard London Bridgewater State University, [email protected] Follow this and additional works at: http://vc.bridgew.edu/sociology_fac Part of the Higher Education Commons, and the Sociology Commons Virtual Commons Citation London, Howard (1989). Breaking Away: A Study of First Generation College Students and Their aF milies. In Sociology Faculty Publications. Paper 39. Available at: http://vc.bridgew.edu/sociology_fac/39 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. -r* - _P_ I --J.., II L I __ ? II __. _ Breaking Away: A Study of First- Generation College Students and Their Famiilies HOWARD B. LONDON Bridge-water State College Detailed family histories were taken of students who were the first in their families to go to college. This paper utilizes the psychoanalytic and family systems theory of Helm Stierlin and others to explore (1) how college matriculation for first-generation students is linked to multi- generational family dynamics, and (2) how these students reconcile (or do not reconcile) the often conflicting requirements of family membership and educational mobility. The same modernity that creates the possibility of opportunity for these students is seen also to create the potential for biographical and social dislocation. Introduction Several years ago the film Breaking Away was a box office success across America. On the surface it was the story of "town-gown" frictions between the "cuttters" of Bloomington, Indiana-so called because they were the children of the men who mined the local limestone qtuarries-atid the ostensibly more sophisticated but condescending students of Indiana University. -
Reel Impact: Movies and TV at Changed History
Reel Impact: Movies and TV Õat Changed History - "Õe China Syndrome" Screenwriters and lmmakers often impact society in ways never expected. Frank Deese explores the "The China Syndrome" - the lm that launched Hollywood's social activism - and the eect the lm had on the world's view of nuclear power plants. FRANK DEESE · SEP 24, 2020 Click to tweet this article to your friends and followers! As screenwriters, our work has the capability to reach millions, if not billions - and sometimes what we do actually shifts public opinion, shapes the decision-making of powerful leaders, perpetuates destructive myths, or unexpectedly enlightens the culture. It isn’t always “just entertainment.” Sometimes it’s history. Leo Szilard was irritated. Reading the newspaper in a London hotel on September 12, 1933, the great Hungarian physicist came across an article about a science conference he had not been invited to. Even more irritating was a section about Lord Ernest Rutherford – who famously fathered the “solar system” model of the atom – and his speech where he self-assuredly pronounced: “Anyone who expects a source of power from the transformation of these atoms is talking moonshine.” Stewing over the upper-class British arrogance, Szilard set o on a walk and set his mind to how Rutherford could be proven wrong – how energy might usefully be extracted from the atom. As he crossed the street at Southampton Row near the British Museum, he imagined that if a neutron particle were red at a heavy atomic nucleus, it would render the nucleus unstable, split it apart, release a lot of energy along with more neutrons shooting out to split more atomic nuclei releasing more and more energy and.. -
Pour Nicola Giuliano, Francesca Cima and Medusa Film Present Fabio Conversi Et Jérôme Seydoux Présentent
CRÉATION ORIGINALE : POUR NICOLA GIULIANO, FRANCESCA CIMA AND MEDUSA FILM PRESENT FABIO CONVERSI ET JÉRÔME SEYDOUX PRÉSENTENT ET • MICHAEL HARVEY RACHEL PAUL AND JANE CAINE KEITEL WEISZ DANO FONDA UN FILM DE • A FILM BY PAOLO SORRENTINO DISTRIBUTION • FRENCH DISTRIBUTION & INTERNATIONAL SALES RELATIONS PRESSE • INTERNATIONAL PRESS PATHÉ DISTRIBUTION LE PUBLIC SYSTÈME CINÉMA 2, rue Lamennais Alexis Delage-Toriel, Agnès Leroy, Elsa Leeb 75008 Paris 40, rue Anatole France Tél. : +33 1 71 72 30 00 DURÉE • LENGTH: 1H58 92594 Levallois-Perret Cedex www.pathefilms.com Tél. : +33 1 41 34 21 09 [email protected] À CANNES • IN CANNES INTERNATIONAL SALES [email protected] Boutique Bodyguard Résidences Grand Hôtel - Entrée Ibis • Ibis Entrance www.lepublicsystemecinema.fr 45, la Croisette 45, la Croisette Jardins du Grand Hôtel Appartement 4A/E 4ème étage • 4th floor À CANNES • IN CANNES 06400 Cannes 06400 Cannes 29, rue Bivouac Napoléon Tél. : +33 4 93 99 91 34 Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : +33 7 86 23 90 85 Photos et dossier de presse téléchargeables sur www.pathefilms.com • Material can be downloaded on www.patheinternational.com SYNOPSIS Fred et Mick, deux vieux amis approchant les quatre-vingts ans, Fred and Mick, two old friends approaching their eighties, profitent de leurs vacances dans un bel hôtel au pied des Alpes. are enjoying a vacation in a lovely hotel in the foothills of the Fred, compositeur et chef d’orchestre désormais à la retraite, Alps. Fred, a retired composer and conductor, has no intention n’a aucune intention de revenir à la carrière musicale qu’il a of returning to his music career which he dropped a long time abandonnée depuis longtemps, tandis que Mick, réalisateur, ago, while Mick, a director, is still working, hurrying to finish the travaille toujours, s’empressant de terminer le scénario de son screenplay of his latest film. -
A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA
DOCUMENT RESUME ED 439 463 CS 510 274 AUTHOR Mackey-Kallis, Susan; Kirk-Elfenbein, Sharon TITLE A Mass Media-Centered Approach to Teaching the Course in Family Communication. INSTITUTION National Communication Association, Annandale, VA. PUB DATE 1997-00-00 NOTE 17p. AVAILABLE FROM For full text: http://www.natcom.org/ctronline2/96-97mas.htm. PUB TYPE Opinion Papers (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Family Relationship; *Family (Sociological Unit); *Films; Higher Education; Mass Media Effects; Mass Media Role; Programming (Broadcast); *Television IDENTIFIERS *Family Communication ABSTRACT Teaching family communication is unique. However, unlike courses in small group and interpersonal communication, which illustrates communication processes in experiential settings, family communication courses cannot create "families" in the classroom. As such, film and television depictions of the family become all the more important in their ability to illustrate key concepts of family communication theory while providing common experiences for classroom discussion. Accordingly, this paper has two purposes:(1) to inform and affirm the ways in which films and television programming can be used to illustrate significant family concepts, relationships, and issues in family communication courses; and (2) to demonstrate how the examination of media families helps students to learn more about culture's representation of this most important social institution. After exploring the impact of mass media portrayals of families, the paper discusses ways in which such films as "Ordinary People," "Terms of Endearment," "On Golden Pond," and "Frances" can be used to teach various family communication concepts and topics. The use of films' and television shows' depictions of the family in a course stimulates students to take a closer look at their own families and themselves, and to understand how mass mediated images of the family shape their own expectations of family life. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time. -
Barbara Hershey
BARBARA HERSHEY Films: Insidious: The Last Key Lorraine Lambert Adam Robitel Blumhouse Productions The 9th life of Louis Drax Violet Drax Alexandre Aja Brightlight Pictures Sister Susan Presser David Lascher Showtime Networks Answers to Nothing Marilyn Matthew Leutwyler Ambush Entertainment Insidious Lorraine Lambert James Wan Film District Black Swan* Erica Darren Aronofsky Fox Searchlight Answers To Nothing Marilyn Matthew Leutwyler Independent Albert Schweitzer Helen Schweitzer Two Ocenans Production Gavin Millar Uncross The Stars Hilda Ken Goldie Independent The Bird Can’t Fly Melody Threes Anna Independent Childless Natalie Charlie Levi Independent Love Comes Lately Rosalie Jan Schutte Independent Riding The Bullet Jean Parker Mick Garris M P C A 11:14 Norma Greg Marcks Independent Lantana Dr Valerie Somers Ray Lawrence Independent Passion Rose Grainger Peter Duncan Independent A Soldier's Daughter Never Cries Marcella Willis James Ivory October Films Frogs For Snakes Eva Santana Amos Poe Shooting Gallery The Portrait Of A Lady** Madame Serena Merle Jane Campion Polygram Films The Pallbearer Ruth Abernathy Matthew Reeves Miramax Last Of The Dogmen Prof. Lilian Sloan Tab Murphy Savoy A Dangerous Woman Frances Beecham Rowland V. Lee Universal Pictures Swing Kids Frau Muller Thomas Carter Buena Vista Falling Down Elizabeth Travino Joel Schumacher Warner Bros Splitting Heirs Duchess Lucinda Robert Young Universal Public Eye Kay Levitz Howard Franklin Universal Defenseless Thelma ' T.k.' Martin Campbell New Line Tune In Tomorrow Aunt Julia Jon Amiel Cinecom Paris Trout *** Hanna Trout Stephen Gyllenhaal Showtime Last Temptation Of Christ**** Mary Magdalene Martin Scorsese Universal Beaches Hillary Whitney Essex Gary Marshall Walt Disney Prd. A World Apart Diana Roth Chris Menges Working Title Ltd Hoosiers Myra Fleener David Anspaugh Hemdale Film Corp Hannah And Her Sisters***** Lee Woody Allen Orion Pictures Corp Tin Men Nora Tilley Barry Levinson Walt Disney Prd Shy People****** Ruth A. -
Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
The Return of the 1950S Nuclear Family in Films of the 1980S
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr. -
Families-On-Facebook.Pdf
Families on Facebook Moira Burke, Lada A. Adamic, and Karyn Marciniak {mburke, ladamic, karyn}@fb.com Facebook Menlo Park, CA 94025 Abstract and when), mutual friends, and how communication varies This descriptive study of millions of US Facebook users with the age of the child and geographic distance. We find documents "friending" and communication patterns, explor- that nearly 40% of Facebook users have either a parent or ing parent-child relationships across a variety of life stages child on the site, and that communication frequency does and gender combinations. Using statistical techniques on not decrease with geographic distance, unlike previous re- 400,000 posts and comments, we identify differences in how parents talk to their children (giving advice, affection, search on family communication. and reminders to call) compared to their other friends, and Using a wealth of anonymized, aggregated intra-family how they address their adult sons and daughters (talking communication data, we also paint a detailed picture of about grandchildren and health concerns, and linguistically what parents and their children talk about on Facebook. treating them like peers) compared to their teenage children. Consistent with offline research, we see mothers doling out Parents and children have 20-30 mutual friends on the site, 19% of whom are relatives. Unlike previous findings on affection and reminding their kids to call, and fathers talk- family communication, interaction frequency on Facebook ing about specific shared interests, such as sports and poli- does not decrease with geographic distance. tics. Grandchildren and food are common topics. We also identify a linguistic shift when parents talk to their grown- up children compared to how they talk to teens, treating Introduction their 40 year-old children much like they do their other Facebook’s widespread adoption by users of all ages cou- adult friends. -
My Screentest, Or, I Coulda Been Debra Winger
MY SCREENTEST, OR, I COULD’VE BEEN DEBRA WINGER On a hot September afternoon in 1969, four months past my college graduation, I found myself dozing on a hand-me-down convertible sofa in pre-gay West Hollywood, Sweetzer Avenue, to be exact, a street on which many have begun their pursuit of the Hollywood dream. It was here, in a drab fifties apartment complex which looked more like Army base housing – no charming Spanish courtyard bungalow dripping in bouganvilla –that I found myself wasting away yet another afternoon. I had been an English major which meant I had given no particular thought to a “career.” I had spent the summer writing a series of unfinished short stories in varying states of inebriation. My ongoing fantasy was to become a latter day Anais Nin crossed with Katherine Mansfield and a dash of Virginia Woolf. After all, I kept a journal. In truth, I had no idea what kind of a writer I really was. I had been a student all my life and the fact that I wasn’t going back to school in the ninth month of the year had thrown me into a vague state of confusion I was loathe to call an identity crisis, let alone a depression. When the wall phone rang, I half-expected Lindsay, my roommate, to answer it until I remembered she was at UCLA in her senior seminar on Thackeray, so I dragged my lazy ass over to answer it. “Hey Lizzie. It’s Charlie.” Charlie didn’t wait for me to return the salutation.