Afcm.Com.Au Welcome to the 2019 Festival Program! Kathryn Stott Artistic Director
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Charles Owen, Katya Apekisheva Pianos
Sergei Rachmaninov 1873–1943 Fantaisie-tableaux, Op.5 (Suite No.1) for two pianos 1 I. Barcarolle: Allegretto 7.57 2 II. La Nuit, l’Amour: Adagio sostenuto 5.53 3 III. Les Larmes: Largo di molto 6.05 4 IV. Pâques: Allegro maestoso 2.53 Suite No.2, Op.17 for two pianos 5 I. Introduction: Alla marcia 4.06 6 II. Valse: Presto 6.29 7 III. Romance: Andantino 6.58 8 IV. Tarantelle 6.10 Six Morceaux, Op.11 for piano, four hands 9 I. Barcarolle 5.04 10 II. Scherzo 2.53 11 III. Thème russe 4.10 12 IV. Valse 4.06 13 V. Romance 3.04 14 VI. Slava! 4.36 Charles Owen, Katya Apekisheva pianos 2 RACHMANINOV: WORKS FOR TWO PIANISTS Suite No.1 for two pianos, Op.5 (1893) Sergei Rachmaninov, born near Novogorod in 1873, is today cited again and again in pianistic surveys as possibly ‘the greatest pianist of all time’ – certainly of the recorded era. His life as a performer, however, ensued principally as a way to make a living in the west a!er he and his family fled the Russian revolution of 1917. Until then, his first devotion was to composition, following in the footsteps of Tchaikovsky, who gave him much encouragement and some vital recommendations. The Suite No.1, written in the summer of 1893, is dedicated to the older composer, who died in November that same year. The Suite No.1 was originally entitled ‘Fantaisie-tableaux’: Rachmaninov envisaged it, he told his cousin Sofia Satina, as ‘a set of musical pictures’. -
In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
Marryat Players Chamber Music FESTIVAL
marryat players chamber music FESTIVAL 13 - 16 June 2019 marryat players marryat players chamber music chamber music FESTIVAL FESTIVAL We look forward to welcoming you 2019 THURSDAY FRIDAY SATURDAY SUNDAY 13TH 14TH 15TH 16TH JUNE JUNE JUNE JUNE 3 MARRYAT ROAD WIMBLEDON VILLAGE LONDON SW19 5BB FOUNDER Margaret Lewisohn www.marryatplayers.com ARTISTIC DIRECTOR Bartholomew LaFollette GRAPHIC DESIGN Jenny Lewisohn Follow us on Twitter PHOTOGRAPHY Gabriel Isserlis, cover photo Blake Ezra @MarryatPlayers #MPCMF2019 PATRON Steven Isserlis Johannes Brahms String Sextet No.2 in G major, Op.36 PROGRAMME Brahms’s second string sextet was completed in 1865 when he was infatuated with, but never married, the soprano Agathe von Siebold. The first movement contains a concealed reference to her first name in the musical notation a-g-a-h-e, while the whole work is full of technical ingenuity and poetic inspiration. Thursday 13th June, 7.30 pm Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Jenny Lewisohn, Hannah Shaw, Jennifer Stumm violas Friday 14th June, 7.30pm Ashok Klouda, Bartholomew LaFollette, Peteris Sokolovskis cellos Julian Milford piano Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Hannah Shaw viola Ashok Klouda, Bartholomew LaFollette cellos Felix Mendelssohn String Quintet No.2 in B flat major, Op.87 Julian Milford, Zeynep Özsuca pianos Written in 1845, this exuberant work is reminiscent of Mendelssohn’s much-loved Octet written 20 years earlier. The energetic opening displays the virtuosity of the first violin whilst the rest of the quintet acts as an entire string orchestra. Wolfgang Amadeus Mozart Piano Quartet in E flat major, K493 This lyrical work with its profusion of melodies was composed in 1786 when piano quartets were a rarity Franz Schubert Arpeggione Sonata in A minor, D.821 in Vienna. -
Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
AE News May, 2020
AE News May, 2020 What’s Online Music to our Ears! Meet Dimity and Julian! We’ve dug through the internet archives and found some wonderful www.music.unsw.edu.au/ past performances of our musicians fi lmed around the world. We hope meet-dimity-and-julian you enjoy and that these video clips go some way towards fulfi lling that essential classical music fi x we all need while out of the concert hall. Message of thanks! Click on the links below to take you through to these videos online. www.music.unsw.edu.au/ thank-you Meet guest artist Huw Jones! www.music.unsw.edu.au/ meet-huw Meet Stage Manager Vennisa! www.music.unsw.edu.au/ This recent ABC Classics clip features violinist Dene Olding performing meet-vennisa Sarasate’s melancholy Playera with pianist Tamara-Anna Cislowska. www.youtube.com/watch?v=eYsX4RwQKPg April Composer in Conversation featuring Hear Dimity Hall perform Vaughan Williams’ Lark Ascending with Ross Edwards speaking Sinfonia Australis under the baton of Antony Walker. about his work Incantations www.youtube.com/watch?v=HhjGIcDAv84 for Wind Quintet hosted by Paul Stanhope Clarinetist David Griffi ths performs Messiaen’s Abyss of the Birds. www.music.unsw.edu.au/ www.youtube.com/watch?v=jsArPZ9eoFs composer-conversation- Hear Julian Smiles perform After Nina by Andrew Schultz’s with the ross-edwards-paul- Australia Ensemble UNSW www.youtube.com/watch?v=m3ZvRbgbn-g stanhope-artistic-chair- featuring Ian Munro, piano and Catherine McCorkill, clarinet. australia-ensemble-unsw Check out a younger Ian Munro performing Prokofi ev’s Piano Concerto Unfortunately the August No.3 with Sir Simon Rattle at the 1987 Leeds International Piano 15 concert has been Competition with City of Birmingham Symphony Orchestra. -
25. Mai 2015 Programm Grusswort Der Gastgeber
22. - 25. MAI 2015 PROGRAMM GRUSSWORT DER GASTGEBER Wir möchten Sie hier auf der Brunegg herzlich willkommen heissen. Esther Hoppe und Jürg Dähler haben mit ihren Kolleginnen und Kollegen ein Programm zusammengestellt, das schon bei der ersten Ankündigung begeisterte Kommentare ausgelöst hat. Wir freuen uns mit Ihnen auf ein hervorragendes musikalisches Erlebnis. Bis anhin hatten wir die Räumlichkeiten stets nur für private Anlässe benützt. Dass nun die Öffentlichkeit Zutritt hat, ist vollkommen neu, und wir wollen damit eine neue Tradition beginnen. Da wir hier unser privates Wohnen eingerichtet haben, bitten wir Sie um Verständnis, wenn Sie keinen Zutritt in unsere Wohnräume erhalten. Diese stehen übrigens zum Teil den Künstlern zur Verfügung. Brunegg war seit dem Beginn des 19. Jahrhunderts im Besitz der Familie Hünerwadel von Lenzburg und gelangte durch die Heirat von Marie Pauline mit Adolf von Salis, dem Vater von Jean Rudolf von Salis, in unsere Familie. Es wurde im Sommer sehr lebhaft zu geselligem Zusammensein genutzt; es wurde gewohnt, gespielt, geschrieben und diskutiert. Wir selber haben seit den 1990er Jahren Renovations- und Umbauarbeiten machen lassen; die Unterburg erhielt zwei moderne Wohnungen und den Festraum in der Tenne. Das Schloss oben und die Gartenanlagen wurden tiefgreifenden Restaurierungen und Erneuerungen unterzogen; die gesamte Anlage wurde von einem halb ruinenhaften in den heutigen, bequem bewohn- und bespielbaren Zustand umgewandelt. Wir hoffen, dass Sie das mit uns geniessen können und wünschen Ihnen ein gelungenes Pfingstfestival! Thomas und Elisabeth von Salis Gastgeber EDITORIAL DER KÜNSTLERISCHEN LEITUNG Die Historie des Schlosses Brunegg in seinem heute rundum erneuerten Gewand verführt und verpflichtet zu gleichen Teilen, an diesem geschichtsträchtigen Ort ein Festival zu gestalten, welches Tradition und Innovation in sinnlicher Art und Weise verbindet. -
«Musik Im Schloss»
Musikerinnen und Künstler, die den akustisch wunderbaren Grossen Rittersaal im Schloss Rapperswil in der Konzertreihe «Musik im Schloss» seit 2001 bespielt haben «Musik im Schloss» Amar Quartett Musique Simili Amaryllis Quartett NEOBAROCK „Arpeggione“ Kammerorchester Ensemble nonSordino 18. Saison 2018/19 Arta Arnicane (Klavier) O DUO – Owen Gunnell, Grosser Rittersaal Δ Schloss Rapperswil Asasello Quartett Oliver Cox (Percussion) Avi Avital (Mandoline) Oreade Trio Philipp Bachofner (Flöte) Ramón Ortega Quero (Oboe) Juliane Banse (Sopran) Brita Ostertag (Flöte) Christoph Baumann (Jazzpianist) Perkussionsquartett Daniel Behle (Tenor) Tonhalle-Orchester Zürich Sonntag, 4. November 2018, 17 Uhr Bennewitz Quartet Lia Pale (Jazzsängerin) I Reto Bieri (Klarinette) René Perler (Bass) BriTA OSTERTAG unD PHILipp BACHOFNER, Flöten Robin Blaze (Altus) Jakob Pilgram (Tenor) Orion string trio Gábor Boldoczki (Trompete) Philharmonia Quartett Berlin casalQuartett Robert Pickup (Klarinette) HELGA VÁRADI, Cembalo Carion Ensemble Daniel Pezzotti (Violoncello) Patronat: AVINA STIFTUNG Viviane Chassot, (Akkordeon) Christian Poltéra (Violoncello) Ensemble „LA CIaccONA“ Vilija Poskute & Tomas Daukantas clair | obscur Saxofonquartett Quinteto Nuevo del Arco Concert Guitar Trio Tony Renold (Perkussion) Sonntag, 2. Dezember 2018, 17 Uhr II Xavier de Maistre (Harfe) Nuria Rial (Sopran) RACHEL HArnisCH, Sopran – ÄNEAS Humm, Bariton André Desponds (Klavier) Julian Riem (Klavier) Sybille Diethelm (Sopran) Dunja Robotti (Klavier) Jan Philip Schulze, Klavier Doric String -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
November 2016
November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats. -
Journal of the American Viola Society Volume 28 No. 1, Spring 2012
y t e i c o S a l o i V n a c i r e m A e h t Features: 1 f IVC 39 Review r e o b Bernard Zaslav: m From Broadway u l to Babbitt N a Sergey Vasilenko's 8 n Viola Compositions 2 r e m u u l o V o J Journal of the American Viola Society A publication of the American Viola Society Spring 2012 Volume 28 Number 1 Contents p. 3 From the Editor p. 5 From the President p. 7 News & Notes: Announcements ~ In Memoriam ~ IVC Host Letter Feature Articles p. 13 International Viola Congress XXXIX in Review: Andrew Filmer and John Roxburgh report from Germany p. 19 Bowing for Dollars: From Broadway to Babbitt: Bernard Zaslav highlights his career as Broadway musician, recording artist, and quartet violist p. 33 Unknown Sergey Vasilenko and His Viola Compositions: Recent Discoveries in Russian Archives: Elena Artamonova uncovers works by Russian composer Sergey Vasilenko Departments p. 49 In the Studio: Yavet Boyadjiev chats with legendary Thai viola teacher Choochart Pitaksakorn p. 57 Student Life: Meet six young violists featured on NPR’s From the Top p. 65 With Viola in Hand: George Andrix reflects on his viola alta p. 69 Recording Reviews On the Cover: Karoline Leal Viola One Violist Karoline Leal uses her classical music background for inspiration in advertising, graphic design, and printmaking. Viola One is an alu - minum plate lithograph featuring her viola atop the viola part to Dvořák’s “New World” Symphony. To view more of her art, please visit: www.karolineart.daportfolio.com. -
2015 Live Finals
2015 National Solo Competition Live Finals Friday, March 20, 2015 Salt Lake City, Utah Center for the Arts 123 West South Temple Abravanel Hall Salt Lake City, UT 84101 Thank you to our sponsors: Evening Performance Pirastro GmbH Grand Prize SHAR Music Audience Favorite Yamaha Corporation of America Laureate Prizes Nathan Gordon Fund Ralph Matesky Fund Warren Loranger Jeffrey Solow American String Teachers Association Friday, March 20, 2015 • Salt Lake City, Utah Message from the Chair Welcome to the finals of the ASTA National Solo Competition. Organizing a competition of this size and scope, which includes all of the modern string instruments in junior and senior divi- sions, is a complicated enterprise and there are many individu- als whose contributions have made it possible. My deepest thanks go to Libby Dietrich, who thoughtfully and comprehen- sively oversaw myriad aspects and details for this competition. President Stephen Benham, president-elect Brenda Brenner, and all of the staff at the national office took care of many other facets of the competition including raising the prize mon- ey—one of the most important and difficult tasks that goes into making it a successful event. A big thank you as well to the online judges, who in addition to selecting our online prize win- ners and the six Laureate Finalists (from more than 100 en- trants), also acted as my advisory committee. Our judges for the finals are generously offer- ing their time, knowledge, and artistry by giving master classes at the conference. We thank them and hope that you have or will attend their classes.