2015/16 Season Preview and Appeal

Total Page:16

File Type:pdf, Size:1020Kb

2015/16 Season Preview and Appeal 2015/16 SEASON PREVIEW AND APPEAL SEASON PREVIEW 2015/16 01 THANK YOU WELCOME THE WIGMORE HALL TRUST WOULD LIKE TO ACKNOWLEDGE AND THANK THE FOLLOWING INDIVIDUALS AND ORGANISATIONS FOR THEIR GENEROUS SUPPORT THROUGHOUT THE 2014/15 SEASON: HONORARY PATRONS DONORS AND SPONSORS Audiences and artists have been coming together at Wigmore Hall for Aubrey Adams Mr Eric Abraham* Charles Green Rothschild André and Rosalie Hoffmann Neville and Nicola Abraham Barbara and Michael Gwinnell Ruth Rothbarth* nearly 115 years. In its intimate and welcoming environment, enthralling Sir Ralph Kohn FRS and Lady Kohn Elaine Adair Mr and Mrs Rex Harbour* The Rubinstein Circle performances of supreme musical works are experienced with a unique Mr and Mrs Paul Morgan Tony and Marion Allen* Haringey Music Service The Sainer Charity The Andor Charitable Trust Havering Music School The Sampimon Trust immediacy. As we look forward to the 2015/16 Season, the Hall is SEASON PATRONS David and Jacqueline Ansell* The Headley Trust Louise Scheuer Aubrey Adams* Arts Council England The Henry C Hoare Charitable Trust Julia Schottlander* delighted to present some of the greatest artists in the world today, as well American Friends of Wigmore Hall Anthony Austin Nicholas Hodgson Richard Sennett and Saskia Sassen* Karl Otto Bonnier* The Austin & Hope Pilkington Trust André and Rosalie Hoffmann The Shoresh Charitable Trust as talented emerging artists who explore repertoire with skill, curiosity and Cockayne‡ Ben Baglio and Richard Wilson Peter and Carol Honey* Sir Martin and Lady Smith* deeply personal interpretations – and we have you to thank for this. Henry and Suzanne Davis BBC Children in Need Gay Huey Evans* Nigel and Johanna Stapleton* Dunard Fund† David and Margaret Beaton Hyde Park Place Estate Charity Gill and Keith Stella* The Hargreaves and Ball Trust Alan Bell-Berry Simone Hyman* Cita and Irwin Stelzer* Graham and Amanda Hutton*† Mr Nicholas J Bez The Idlewild Trust The Stewarts Law Foundation All of us – the Hall’s audiences and supporters as much as its staff – Valerie O’Connor Mrs Arline Blass Peter and Nikki Jeffcote Derek Sugden David Rockwell and Zsombor Csoma† David and Mary Bowerman* John Lyon’s Charity Anne and Paul Swain* are guardians of a long and illustrious tradition; but we must ensure the Ian Rosenblatt Alan Bradley* Marc Jourdren* Katja and Nicolai Tangen* Victoria Sharp and Simon Robey* Wolf-Reiner Braun and John Sinclair In memory of Donald Kahn The Tertis Foundation continued vitality of the Hall by exploring new vistas and possibilities, and Cita and Irwin Stelzer* Nicolas and Hilary Browne-Wilkinson Su and Neil Kaplan* Allen L Thomas and Jane Simpson* by never ceasing to learn, whether through listening, participating or Alisa and Joshua Swidler* bureauexport Jerome Karet* Tower Hamlets Arts Music and © SIMON JAY PRICE © SIMON JAY William and Alex de Winton* Clive Butler David & Louise Kaye* Education Service John Gilhooly (left), Director of Wigmore Hall, creating. Our starting point always remains the same: an uncompromising And an anonymous donor A bequest from the late Peter Cain The Kobler Trust Professor Christopher Thompson CAVATINA Chamber Music Trust Sir Ralph Kohn FRS and Tri-borough Music Hub with tenor Jonas Kaufmann (right) and pianist belief in quality. Informing everything we do, it is embodied in the artists CHAMBER MUSIC CIRCLE Charities Advisory Trust Lady Zahava Kohn* John and Ann Tusa* Helmut Deutsch (seated), at the Hall Karl Otto Bonnier* City Bridge Trust The Kohn Foundation Robin Vousden* who perform here and shared by all the people who contribute so much Judy Davies and Kingsley Manning* Colin Clark Christian Kwek and David Hodges* Gerry Wakelin* to each Wigmore Hall event. The Hargreaves and Ball Trust Eric Clause* Maryly La Follette* Andrew and Hilary Walker* Pauline and Ian Howat Cockayne – Grants for the Arts and The Leverhulme Trust Professor Janet Walker CD and The Marchus Trust‡ The London Community Foundation‡ Tim Llewellyn Professor Doug Jones AO* Oliver and Helen Prenn Edwin C Cohen Dame Felicity Lott David and Frances Waters* That belief in quality and the preservation of intimate music-making is also Jo and Barry Slavin Nicola Coldstream The Loveday Charitable Trust City of Westminster The Tertis Foundation Sonia and Harvey Cole Simon and Sophie Ludlam* David Evan Williams the starting point for Wigmore Hall’s 2015/16 Season Appeal. Through Marina Vaizey John Crisp* A bequest from the late John Lunn The Harold Hyam Wingate Foundation Kathleen Verelst* Peter Crisp and Jeremy Crouch* Julia MacRae* Philip and Emeline Winston* your generous support of the Hall, you have already played a crucial role Tony Wingate Anthony Davis* Simon Majaro MBE and The Wolfson Foundation in creating experiences that are both exhilarating and uplifting. Your And several anonymous donors Pauline Del Mar Pamela Majaro MBE Simon Yates and Kevin Roon Diaphonique Mayfield Valley Arts Trust Youth Music annual gifts make all the difference and I hope that you will once again CORPORATE SUPPORTERS The Dorset Foundation George Meyer Capital Group (corporate matched giving) Kate Dugdale Milton Damerel Trust join us and support the 2015/16 Season. Clifford Chance LLP Dunard Fund Michael and Lynne McGowan* Complete Coffee Ltd In memory of Robert Easton The Monument Trust * Rubinstein Circle Members Duncan Lawrie Private Banking Douglas and Janette Eden Amyas and Louise Morse* † Early Music and Baroque Series Lloyds Banking Group Annette Ellis* Deborah Finkler and supporters Martin Randall Travel Ltd The Elton Family Allan Murray-Jones ‡ Contemporary Music Series Rosenblatt Solicitors Dr C A Endersby & Prof D Cowan A C and F A Myer supporters Rothschild The Ernest Cook Trust The Nicholas Boas Charitable Trust Caroline Erskine Valerie O’Connor and BACK OF HOUSE Mrs Susan Feakin Jeanette McIntosh REFURBISHMENT The Fidelio Charitable Trust Hamish Parker SUMMER 2015 Peter and Sonia Field The Piano Fund John Gilhooly OBE, Hon FRAM, HonRCM Arts Council England A bequest from the late Dr Clive Potter* Director of Wigmore Hall Fidelity UK Foundation Miss Margaret Flatman Nick and Claire Prettejohn* The Foyle Foundation John and Amy Ford The Radcliffe Trust The J Paul Getty Jnr Charitable Trust S E Franklin Charitable Trust No. 3 Edith Randall Sir Siegmund Warburg’s Voluntary Friends of Wigmore Hall The Rayne Foundation Settlement Jonathan Gaisman* Gifts to honour Rick Rogers from Garfield Weston Foundation The Garrick Charitable Trust Beryl McAlhone and friends The Wolfson Foundation John and Lauren Goldsmith* Charles Rose* And an anonymous donor Nicholas and Judith Goodison* Jackie Rosenfeld OBE, Hon. RCM* The Wigmore Hall Trust Registered Charity No. 1024838 02 SEASON PREVIEW 2015/16 SEASON PREVIEW 2015/16 1 A REVIEW CONNECTING PEOPLE WIGMORE HALL IS FAMED FOR ITS INTIMACY, BUT ITS AUDIENCES AND THE SCOPE OF THE ARTISTIC PROGRAMME JUST KEEP GROWING. WITH MUSIC OVER THE COURSE OF THE 2014/15 SEASON, THE HALL PRESENTS SOME 920 EVENTS – 460 CONCERTS AND 460 LEARNING EVENTS. OVER THE LAST TWO DECADES, THE WIGMORE HALL LEARNING PROGRAMME HAS EVOLVED AND EXPANDED TO REACH A BROAD AND DIVERSE AUDIENCE THROUGH CREATIVE PROJECTS, CONCERTS AND EVENTS. THE 2014/15 SEASON Perhaps one of the things we value most when authorities on Schubert, and a Wigmore podcasts, digital streaming and resources we see a performance on the Wigmore Hall Study Group will focus on this rich topic in are available to support the programme. The number of concerts presented by Wigmore stage is the sense of connection and immediacy autumn 2015. We also have the inspirational The schools project will also feature online Hall has grown by 12% over the past 2 years, of communication. These values also lie at the Dominic Harlan presenting Schubert Lieder films telling the stories behind the songs delivering a better quality and breadth of heart of our Learning programme and can be to people of all ages who are new to this and with performances by leading artists. programme to our audiences than ever before. seen reflected throughout our work, from the musical world, including an event entitled Inspired by these films, pupils will take part non-verbal link between parents and their new Lieder for the Terrified at the very start of the in specially designed activities to create their The energy, imagination and impact of the babies at our For Crying Out Loud! concerts, to 2015/16 Season, and a project for schools own responses to Schubert’s work, writing 2014/15 Season is exemplified by two landmark baritone Marcus Farnsworth singing alongside designed to inspire creative activity around their own ‘Story Songs’ which will be shared projects that will extend into 2015/16 – primary school pupils on the Wigmore Hall song and storytelling. All of this work is fully through live performances and also online The Mozart Odyssey and Henry Purcell: stage, or the bond and empathy experienced by integrated with our website, and talks and via the website. A Retrospective. Superb performances have musicians, residents and care staff taking part captivated listeners in the Hall itself, and are in a Music for Life session in a care home. inspiring a myriad of learning projects, engaging people of all ages. Neither of these ambitious In these difficult times for music education and enterprises would have been possible without the the arts in general, the breadth and scale of investment made by you, the Hall’s supporters, Wigmore Hall Learning’s programme is striking, notably in the form of the Endowment Fund and with 460 events and over 20,000 visits to our sponsored concerts, and also with the gifts which projects and events each season. Partnerships support the season as a whole. are key to sustaining our Learning activities – working with organisations including schools, colleges and conservatoires, funders and other THE 2014/15 SEASON arts organisations, and the community and IN NUMBERS health sectors, and building strong connections with artists, young people, music leaders, 200,000 attendances teachers, care staff, community leaders, audience members and indeed any other 2,000+ artists performing individual who believes in the power of Our new, music to change and enrich our lives.
Recommended publications
  • Charles Owen, Katya Apekisheva Pianos
    Sergei Rachmaninov 1873–1943 Fantaisie-tableaux, Op.5 (Suite No.1) for two pianos 1 I. Barcarolle: Allegretto 7.57 2 II. La Nuit, l’Amour: Adagio sostenuto 5.53 3 III. Les Larmes: Largo di molto 6.05 4 IV. Pâques: Allegro maestoso 2.53 Suite No.2, Op.17 for two pianos 5 I. Introduction: Alla marcia 4.06 6 II. Valse: Presto 6.29 7 III. Romance: Andantino 6.58 8 IV. Tarantelle 6.10 Six Morceaux, Op.11 for piano, four hands 9 I. Barcarolle 5.04 10 II. Scherzo 2.53 11 III. Thème russe 4.10 12 IV. Valse 4.06 13 V. Romance 3.04 14 VI. Slava! 4.36 Charles Owen, Katya Apekisheva pianos 2 RACHMANINOV: WORKS FOR TWO PIANISTS Suite No.1 for two pianos, Op.5 (1893) Sergei Rachmaninov, born near Novogorod in 1873, is today cited again and again in pianistic surveys as possibly ‘the greatest pianist of all time’ – certainly of the recorded era. His life as a performer, however, ensued principally as a way to make a living in the west a!er he and his family fled the Russian revolution of 1917. Until then, his first devotion was to composition, following in the footsteps of Tchaikovsky, who gave him much encouragement and some vital recommendations. The Suite No.1, written in the summer of 1893, is dedicated to the older composer, who died in November that same year. The Suite No.1 was originally entitled ‘Fantaisie-tableaux’: Rachmaninov envisaged it, he told his cousin Sofia Satina, as ‘a set of musical pictures’.
    [Show full text]
  • Programme Haim.Indd
    DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- PROGRAMME DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- Georg Friedrich Händel 2 PROGRAMME « Le Concert d’Astrée » du 10 avril 2019 DESPERATE Première partie /42’ Deuxième partie /33’ LOVERS Sandrine Piau soprano Tim Mead contre-ténor Rodelinda (1725) Orlando (1733) Le Concert d’Astrée 1. Ouverture – Menuet 8. Accompagnato Orlando « Ah, stigie larve » et Emmanuelle Haïm direction air « Vaghe pupille » (II,11) Tamerlano (1724) Airs et duos extraits des opéras Rodelinda, Tamerlano, Aci, 2. Air d’Andronico « Più d’una tigre altero » (II,8) Alcina (1735) Galatea e Polifemo, Rinaldo, Ariodante, Orlando, Alcina, 9. Alcina « Ah, mio cor » (II,8) G-F.Händel (1685-1759) Aci, Galatea e Polifemo (1708) 3. Aci « Verso già l’alma col sangue » Orlando 4. Concerto Grosso n°2 opus 3 en Sib majeur 10. Ouverture Vivace – Largo – Allegro – Menuet – Gavotte Rodelinda Rodelinda (1725) 11. Rodelinda-Bertarido « Io t’abbraccio » (II,7) 6 avril 2019 : Gran Teatre del Liceu, Barcelone 5. Air de Bertarido « Vivi, tiranno » (III,6) 10 avril 2019 : Victoria Hall, Genève Rinaldo (1711) 12 avril 2019 : KKL, Lucerne* Ariodante (1735) 12. Récit « Adorato mio sposo » et 14 avril 2019 : Abbaye de Vaucelles 6. Récit « Ingrato Polinesso » et duo Almirena-Rinaldo « Scherzano sul tuo volto » (I,6) 16 avril 2019 : Grand Théâtre de Provence, Aix-en-Provence (Festival de Pâques) air de Dalinda « Neghittosi, or voi che fate? » (III,2) 17 avril 2019 : Théâtre des Champs-Elysées, Paris 4 juin 2019 : Wiener Staatsoper Tamerlano 6 juin 2019
    [Show full text]
  • SALAMANCA BARROCA AUDITORIO Hospedería FONSECA | VIERNES 29/03/19 20:30H
    Centro Nacional de Difusión Musical Universidad de Salamanca SALAMANCA BARROCA AUDITORIO hOSpeDeRíA FONSeCA | VIERNES 29/03/19 20:30h SANDRINe pIAU SOpRANO LeS Paladins JéRôMe CORReAS CLAve y DIReCCIóN HEROÍNAS AUDITORIO hOSpeDeRíA FONSeCA | VIERNES 29/03/19 20:30h pALeNCIA ANTIQvA Centro Nacional de Difusión Musical SALAMANCA BARROCA Diputación de palencia #DescubreHaendel I FeSTIvAL INTernacional De Música George Friedrich Haendel (1685-1759) MeDIevAL y Renacentista eSpAñOLA I Acceso libre hasta completar aforo Ariodante, HWV 33 (1735) Obertura Marcha: Largo – Allegro Partenope, HWV 27 (1730) 30/03/19 | SÁBADO Aria: Voglio amare infin ch’io moro 13:00h | IglesIa de san MIllán (Baltanás) Giulio Cesare in Egitto, HWV 17 (1724) Recitativo y aria: Piangerò la sorte mia óRgANO andRÉs Cea Concerto grosso en la menor, op. 6, nº 4, HWV 322 (1739) Larghetto afettuoso Allegro Largo e piano Allegro 18:00h | ColegIata de san MIguel (aMpudIa) Giulio Cesare in Egitto Juan de la RuBIa óRgANO Aria: Da tempeste il legno infranto II Alcina, HWV 34 (1735) 20:30h | IglesIa de san MIguel (PALENCIa) Aria: Ah! mio cor alIa MVsICa | VoX FeMInae Rodrigo, HWV 5 (1707) Suite Miguel Sánchez DIRector Overture Gigue Unica Hispaniae. El canto litúrgico y polifónico Sarabande de la España medieval de los siglos XIII y XIV Matelot Menuet Bourrée Menuet Alcina síguenos en Aria: Tornami a vagheggiar cndm.mcu.es diputaciondepalencia.es Duración aproximada: I: 45 minutos Pausa II: 45 minutos coproducen: colabora: Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: 144C | cmyk 0/50/100/0 pantone: 2995C | cmyk 100/0/0/0 pantone: 370C | cmyk 50/0/100/25 pantone: 2935C | cmyk 100/46/0/0 pantone: 131C | cmyk 0/32/100/9 pantone:104C | cmyk 0/3/100/30 Pantone 186c | cmyk 100/81/0/4 pantone: 328C | cmyk 100/0/45/32 pantone: 370C | cmyk 65/0/100/42 pantone: 208C | cmyk 0/100/36/37 Heroínas barrocas LeS Paladins «El Barroco es el arte de la representación.
    [Show full text]
  • Le Lied Romantique Et Postromantique À L’Épreuve De Goethe» (F) Franz Schubert (1797–1828) «Fischerweise» Op
    2017 20:00 27.09.Salle de Musique de Chambre Mercredi / Mittwoch / Wednesday Récital vocal Anja Harteros soprano Wolfram Rieger piano résonances 19:15 Salle de Musique de Chambre Conférence de Lucie Kayas: «Le lied romantique et postromantique à l’épreuve de Goethe» (F) Franz Schubert (1797–1828) «Fischerweise» op. 96 N° 4 D 881 (1826) «Die Forelle» op. 32 D 550 (1816/17) «Schwanengesang» op. 23 N° 3 D 744 (1822) «An die Laute» op. 81 N° 2 D 905 (1827) «Im Haine» op. 56 N° 3 D 738 (1822) Robert Schumann (1810–1856) Liederkreis op. 24 N° 3: «Ich wandelte unter den Bäumen» (1840) Zwölf Gedichte von Justinus Kerner op. 35 N° 10: «Stille Tränen» (1840) Myrthen op. 25 (1840) N° 21: «Was will die einsame Träne» N° 17: «Zwei Venetianische Lieder I» N° 18: «Zwei Venetianische Lieder II» Drei Gedichte op. 30 N° 3: «Der Hidalgo» (1840) 30‘ — Hugo Wolf (1860–1903) Italienisches Liederbuch (1890–1896) N° 20: «Mein liebster singt am Haus» N° 19: «Wir haben beide lange Zeit geschwiegen» Gedichte von Joseph von Eichendorff N° 3: «Verschwiegene Liebe» (1880–1887) Gedichte von Eduard Mörike (1888) N° 12: «Verborgenheit» N° 6: «Er ist‘s» Richard Strauss (1864–1949) Acht Gedichte aus «Letzte Blätter» op. 10 TrV 141 N° 8: «Allerseelen» für eine Singstimme und Klavier (1885) Sechs Lieder op. 37 TrV 187 N° 3: «Meinem Kinde» (1897/98) Acht Lieder op. 49 TrV 204 N° 1: «Waldseligkeit» für eine Singstimme und Klavier (1900/01) Sechs Lieder op. 17 TrV 149 N° 1: «Seitdem dein Aug‘ in meines schaute» (1887) Vier Lieder op.
    [Show full text]
  • 40 JAHRE FRANZ-SCHUBERT-INSTITUT Internationaler Meisterkurs Für Liedinterpretation 2018Konzerte | Teilnehmer | Dozenten EHRENSCHUTZ KONZERTE 2018 Dipl
    2010 40 JAHRE FRANZ-SCHUBERT-INSTITUT Internationaler Meisterkurs für Liedinterpretation 2018Konzerte | Teilnehmer | Dozenten EHRENSCHUTZ KONZERTE 2018 Dipl. Ing. Stefan Szirusek Termine 40 Jahre Schubertiaden in Baden LiederabendSa. 28. Juli, 17.00 Uhr Erstmals ohne den Badener Kulturpreisträger, Prof. Dr. Im Rahmen des Meisterkurses für Liedinterpretation Deen Larsen, der uns völlig Stift Heiligenkreuz, Kaisersaal überraschend im Jänner 2018 verlassen hat. Damit Eintritt frei, Spenden erbeten ist die Seele, der Motor und der Initiator dieser weltweit beachteten Ausbildungs- und Konzert- serie von uns gegangen. Seine Witwe, Verena Larsen, hat die Verantwortlichen der „Schubert- tage Baden“ um sich geschart um diese Kultur- schiene auf die Art und Weise, wie es Prof. Dr. FestkonzertMo. 30. Juli, 20.00 Uhr Deen Larsen angedacht hatte, weiterzuführen. 40 Jahre Franz-Schubert-Institut Ich wünsche dem neuen Team unter der Leitung von Vreni Larsen viel Erfolg und gutes Gelingen! in memoriam Dr. Deen Larsen Es musizieren Meisterlehrer und ehemalige Studenten Stadtpfarrkirche St. Stephan, Baden bei Wien Dipl. Ing. Stefan Szirucsek Eintritt frei, Spenden erbeten Bürgermeister www.schubert-institut.at 2 I Meisterkurs 2018 40 JAHRE SCHUBERT-INSTITUT Meisterkurs 2018 Im Herbst 1977 kam Deen Larsen von einem wenig erfolgreichen Sommerkurs für Liedinterpretation zurück, und beschloss "let's do it better, let's create our own master course". So fand im Sommer 1978 LiederabendSa. 28. Juli, 17.00 Uhr der erste Meisterkurs des Franz-Schubert-Institutes statt. Im Rahmen des Meisterkurses für Liedinterpretation Die Kernidee des Kurses, dem Wort und nender Energie suchte er auf vielen Rei- Stift Heiligenkreuz, Kaisersaal dem Gedicht das Hauptaugenmerk zu sen und Meisterkursen an den besten Eintritt frei, Spenden erbeten widmen, stieß bei den Größen der Lied- Musikuniversitäten auf der ganzen Welt kunst von Anfang an auf reges Interesse.
    [Show full text]
  • Download the 2021-2022 Season Brochure Here (Pdf)
    Pittsburg State University 2021-22 Solo & Chamber Music Series Order Form Call the PSU Department of Music: 620-235-4466 or complete this order form and mail to: Solo and Chamber Music Series • Department of Music 2021-22 Pittsburg State University • 1701 S. Broadway • Pittsburg, KS 66762-7511 I wish to attend the following concerts and have indicated type of ticket(s) requested. Solo & Chamber q Individual Concerts q$12 General Admission q$8 over 65/under 18 Music Series total number of tickets requested: ________ Please check q Friday, September 17 .........Poulenc Trio the boxes of q Friday, October 8 ...............Merz Trio Renewal. the individual q Friday, November 5 ............Alon Goldstein, piano As we begin to emerge from a year in which we were unable to host live concerts q Friday, January 28 .............Benjamin Appl, baritone you will be performances, this word takes on special significance. We are very excited about q Friday, February 18 ............Seraph Brass attending. q the prospect of renewing a tradition that has been such an important part of our Friday, April 1 .....................Jason Vieaux and Julien Labro cultural life for many decades. In assembling this year’s Solo & Chamber Music q q Series, we have turned to some of the profession’s most gifted artists, who q “Any Four Package” $41 General Admission $27 over 65/under 18 will bring an abundance of memorable moments to the stage of McCray Hall’s total number of tickets requested: ________ (a significant savings over individual prices) Sharon Kay Dean Recital Hall on six Friday evenings across the academic year.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
    Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ.
    [Show full text]
  • Festival 2021
    FESTIVAL 2021 leedslieder1 @LeedsLieder @leedsliederfestival #LLF21 LEEDS LIEDER has ‘ fully realised its potential and become an event of INTERNATIONAL STATURE. It attracts a large, loyal and knowledgeable audience, and not just from the locality’ Opera Now Ten Festivals and a Pandemic! In 2004 a group Our Young Artists will perform across the weekend of passionate, visionary song enthusiasts began and work with Dame Felicity Lott, James Gilchrist, programming recitals in Leeds and this venture has Anna Tilbrook, Sir Thomas Allen and Iain steadily grown to become the jam-packed season Burnside. Iain has also programmed a fascinating we now enjoy. With multiple artistic partners and music theatre piece for the opening lunchtime thousands of individuals attending our events recital. New talent is on evidence at every turn in every year, Leeds Lieder is a true cultural success this Festival. Ema Nikolovska and William Thomas story. 2020 was certainly a year of reacting nimbly return, and young instrumentalists join Mark and working in new paradigms. We turned Leeds Padmore for an evening presenting the complete Lieder into its own broadcaster and went digital. Canticles by Britten. I’m also thrilled to welcome It has been extremely rewarding to connect with Alice Coote in her Leeds Lieder début. A recital not audiences all over the world throughout the past 12 to miss. The peerless Graham Johnson appears with months, and to support artists both internationally one of his Songmakers’ Almanac programmes and known and just starting out. The support of our we welcome back Leeds Lieder favourites Roderick Friends and the generosity shown by our audiences Williams, Carolyn Sampson and James Gilchrist.
    [Show full text]
  • 2017–2018 Season Artist Index
    2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil
    [Show full text]
  • Download Booklet
    557921bk USA 14/3/07 10:08 am Page 5 Ashley Wass The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at BRIDGE the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. In 2002 he was made an Associate of the Royal Academy. He has spent three summers as a participant at the Marlboro Music Festival, Piano Music playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He has given recitals at most of the major British concert halls, including the Wigmore Hall, Queen Elizabeth Hall, Symphony Hall, Purcell Room, Bridgewater Hall and St David’s Hall, with Piano Sonata appearances at the City of London Festival, Bath Festival, Brighton Festival, Cheltenham Festival, Belfast Waterfront Hall, Symphony Hall in Birmingham, the Wallace Collection, LSO St Luke’s, St George’s in Bristol, Three Sketches • Pensées fugitives Chicago’s Cultural Centre and Sheffield ‘Music in the Round’. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz.
    [Show full text]
  • September 2019 Catalogue Issue 41 Prices Valid Until Friday 25 October 2019 Unless Stated Otherwise
    September 2019 Catalogue Issue 41 Prices valid until Friday 25 October 2019 unless stated otherwise ‘The lover with the rose in his hand’ from Le Roman de la 0115 982 7500 Rose (French School, c.1480), used as the cover for The Orlando Consort’s new recording of music by Machaut, entitled ‘The single rose’ (Hyperion CDA 68277). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, As summer gives way to autumn (for those of us in the northern hemisphere at least), the record labels start rolling out their big guns in the run-up to the festive season. This year is no exception, with some notable high-profile issues: the complete Tchaikovsky Project from the Czech Philharmonic under Semyon Bychkov, and Richard Strauss tone poems from Chailly in Lucerne (both on Decca); the Beethoven Piano Concertos from Jan Lisiecki, and Mozart Piano Trios from Barenboim (both on DG). The independent labels, too, have some particularly strong releases this month, with Chandos discs including Bartók's Bluebeard’s Castle from Edward Gardner in Bergen, and the keenly awaited second volume of British tone poems under Rumon Gamba. Meanwhile Hyperion bring out another volume (no.79!) of their Romantic Piano Concerto series, more Machaut from the wonderful Orlando Consort (see our cover picture), and Brahms songs from soprano Harriet Burns. Another Hyperion Brahms release features as our 'Disc of the Month': the Violin Sonatas in a superb new recording from star team Alina Ibragimova and Cédric Tiberghien (see below).
    [Show full text]