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Ihre Lottocard, Ihr Vorteil Beim Rheingau Musik Festival!
Rheingau Musik Festival Divertimento 2019 Das Magazin des Rheingau Musik Festivals 2/2019 Gesamtprogramm vom 22.6. bis 31.8.2019 Christiane Karg Fokus-Künstlerin Courage Leitgedanke 2019 2/2019 · www.rheingau-musik-festival.de · 2/2019 Hauptsponsor 2019043912_Helaba Motiv SI Klavier 210x210mm Anzeige fuer Divertimento_39L Wir unterstützen ein herausragendes Musikerlebnis. Über 170 Konzerte vor malerischer Kulisse: Als engagierter Förderer der Kultur freuen wir uns ganz besonders auf das Rheingau Musik Festival. Über die Jahre ist es zu einem faszinierenden Anziehungspunkt für Musik- begeisterte aus aller Welt geworden – mit Stars der internationalen Klassikszene und interessanten Nachwuchs- künstlern. Wir wünschen unvergessliche Konzerterlebnisse auf einem der größten Musikfestivals Europas. Werte, die bewegen. 2019043912_Helaba Motiv SI Klavier 210x210mm Anzeige fuer Divertimento_39L.indd 1 24.04.19 14:12 verschiedenen Seiten und greifen Projekte Wir hoffen, Ihnen mit diesem Festivalmagazin heraus, die vielleicht nicht auf den ersten Blick Lust auf viele musikalische Erlebnisse machen herausstechen: Es sind Konzerte, die uns zu können. Für Konzerte aller Genres sind besonders am Herzen liegen und die wir Ihnen nach wie vor Karten verfügbar, sodass Sie Ihren hiermit näherbringen möchten. persönlichen Festivalsommer zusammen- stellen können. Wir laden Sie ein, gemeinsam Um unseren Leitgedanken „Courage“ kreisen mit uns vertrautes Terrain und musikalisches zahlreiche Konzertprojekte mit Künstlern wie Neuland zu erkunden. Werfen Sie einen fri- Danae Dörken, Saleem Ashkar, Fazıl Say und schen Blick auf unser Programm und lassen Martin Grubinger. Hinzu kommen Ensembles Sie sich inspirieren! wie das Bochabela String Orchestra, das Galilee Chamber Orchestra und das Aurora Viel Freude bei der Lektüre wünscht Ihnen Orchestra, die eine Brücke zwischen Kunst und Gesellschaft schlagen. -
Graham Johnson & Geraldine Mcgreevy & Benjamin Appl
architectuur theater dans muziek BLAUWE ZAAL GROTE PODIA GRAHAM JOHNSON & GERALDINE MCGREEVY & BENJAMIN APPL ZA 10 NOV 2012 LECTURE RECITAL ‘SCHUBERT IN DE SPIEGEL VAN ZIJn dichters’ dl. 5 LIEDTEKSTEN T +32 (0)3 248 28 28 WWW.DESINGEL.BE DESGUINLEI 25 / B-2018 ANTWERPEN WORD FAN VAN DESINGEL OP FACEBOOK deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2012-2013 LIED JOHN MARK AINSLEY & ROGER VIGNOLES DO 25 OKT 2012 SCHUBERT LECTURE RECITAL DL. 5 GRAHAM JOHNSON ZA 10 NOV 2012 PUBLIEKE MASTERCLASSES Voor liedduo’s OLV. IRWIN GAGE & ESTHER DE BROS DO 29 NOV > ZO 2 DEC 2012 UITGESTELD NAAR NOG TE BEPALEN DATUM GERALD FINLEY & JULIUS DRAKE ZA 12 JAN 2013 SCHUBERT LECTURE RECITAL DL. 6 GRAHAM JOHNSON VR 26 APR 2013 HANNA-ELISABETH MÜLLER & JULIANE RUF VR 17 MEI 2013 begin lecture recital 20.00 uur pauze omstreeks 20.50 uur einde omstreeks 22.00 uur coördinatie programmaboekje deSingel GERALDINE MCGREEVY sopraan BENJAMIN APPL bariton GRAHAM JOHNSON piano & toelichting LECTURE RECITAL ‘SCHUBERT IN DE SPIEGEL VAN ZIJn dichters’ dl. 5 Franz Schubert (1797-1828) & Friedrich von Schiller (1759-1805) gelieve uw GSM uit te schakelen De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … REAGEER betreffende het programma van deSingel met andere toeschouwers delen. & WIN Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be Grand café deSingel open alle dagen 9 > 24 uur informatie en reserveren +32 (0)3 237 71 00 www.grandcafedesingel.be drankjes / hapjes / snacks / uitgebreid tafelen Friedrich von Schiller. -
The Schloss Elmau Experience the Schloss Elmau Experience
HERBST/WINTER 2019 AUSGABE 3 THE SCHLOSS ELMAU EXPERIENCE THE SCHLOSS ELMAU EXPERIENCE Erleben Sie den wohltuenden Klang der Stille & rauschende Bäche in einem weiten & gschützten Hochtal der Bayerischen Alpen. Ein Gefühl von grenzenloser Freiheit & Geborgenheit in einem einzigartigen Luxury Spa Retreat & Cultural Hideaway für Individualisten. Ruhe & Gelassen- heit in sechs getrennten Spas für Erwachsene & Familien. TCM, Taijiquan, Qi Gong, Yoga Retreats, Bergtouren, E-Mountainbiking, Wandern, Ski Alpin & Langlaufen für alle. Edutainment Work- shops & Sports für Kids & Teens. Ausgezeichnete Kochkunst für Gourmets & Kosmpoliten. Eine herausragende Buchhandlung & unvergessliche Momente angehaltener Zeit in Konzerten der großen Künstler am Puls unserer Zeit. # 2 im Bilanz Magazine Ranking der weltbesten Ferienhotels 2019 COVER 31 DEZEMBER & 4 JANUAR JANINE JANSEN SEPTEMBER 3 | 20.30 UHR 12 | 11.00 UHR OLGA SCHEPS Klavier JÜRGEN KESTING Mozart, Beethoven et al. „Große Schumann-Interpreten“ Anschließend 6 | 20.30 UHR JÜRGEN KESTING im Gespräch mit YONATHAN AVISHAI piano CHRISTIAN GERHAHER YONI ZELNIK bass Vortrag & Gespräch DONALD KONTOMANOU drums Jazz 12 | 20.30 UHR SIBYLLA RUBENS Sopran 7 | 20.30 UHR WIEBKE LEHMKUHL Alt ANAT FORT piano MARTIN MITTERRUTZNER Tenor GARY WANG bass CHRISTIAN GERHAHER Bariton ROLAND SCHNEIDER drums GEROLD HUBER Klavier Jazz JAMES CHEUNG Klavier Schumann 9 – 15 SEPTEMBER LIEDWOCHE 13 | 11.00 UHR CHRISTIAN GERHAHER ROBERT HOLL unterrichtet CHRISTIAN GERHAHER & 9 | 17.00 UHR MARTIN MITTERRUTZNER CHRISTIAN GERHAHER -
Bach: a Beautiful Mind Sun 19 Jan, Milton Court Concert Hall 2 Bach: a Beautiful Mind Sun 19 Jan, Milton Court Concert Hall Important Information Allowed in the Hall
Sun 19 Jan, Milton Court Milton Concert Jan, Hall 19 Sun Bach: A Beautiful Mind Sat 18 & Sun 19 Jan Milton Court Concert Hall Part of Barbican Presents 2019–20 Bach: A Beautiful Mind 1 Important information When does the I’m running late! Please… Sun 19 Jan, Milton Court Milton Concert Jan, Hall 19 Sun concert start Latecomers will be Switch any watch and finish? admitted if there is a alarms and mobile The first concert begins suitable break in the phones to silent during at 2pm. performance. the performance. The second concert begins at 7.30pm. Please don’t… Use a hearing aid? Need a break? Take photos or Please use our induction You can leave at any recordings during the loop – just switch your time and be readmitted if performance – save it hearing aid to T setting there is a suitable break for the curtain call. on entering the hall. in the performance, or during the interval. Looking for Looking for Carrying bags refreshment? the toilets? and coats? Bars are located on The nearest toilets, Drop them off at our free Levels 1 and 2. Pre-order including accessible cloak room on Level -1. interval drinks to beat the toilets, are located on the queues. Drinks are not Ground Floor and Level Bach: A Beautiful Mind allowed in the hall. 2. There are accessible toilets on every level. 2 Welcome to today’s performances Today sees the concluding part of Accademia Bizantina under its director Bach: A Beautiful Mind, our weekend Ottavio Dantone. exploring the multi-faceted genius of The final concert celebrates Bach’s J S Bach, curated by Mahan Esfahani. -
Reynaldo Hahn | Chamber Music & Song
Vol . 1 REYNALDO HAHN | CHAMBER MUSIC & SONG JAMES BAILLIEU piano Benjamin Baker violin Tim Lowe cello Adam Newman viola Bartosz Woroch violin FOREWORD TRACK LISTING REYNALDO HAHN (1874–1947) I first came across Reynaldo Hahn through his songs. I loved their unashamed PIANO QUARTET NO.3 IN G MAJOR romanticism, their sentimentality and the effortlessly endearing quality of the 1 i Allegretto moderato 07’25 music. 2 ii Allegro assai 02’11 The popularity of his songs encouraged me to search through Hahn’s lesser- 3 iii Andante 09’48 performed chamber music and present these in a concert series at the Brighton 4 iv Allegro assai 04’50 Festival. The series was a celebration of French music and particularly a study of Benjamin Baker violin Adam Newman viola Tim Lowe cello James Baillieu piano the contrasting musical styles of Poulenc and Hahn. Hahn’s chamber music was 5 À CHLORIS 03’03 so well received that I embarked on this recording project so that it may be Benjamin Baker violin James Baillieu piano enjoyed by a wider audience. This recording shows the incredible scope of Hahn’s music, from the epic drama 6 VOCALISE-ÉTUDE 03’47 Adam Newman viola James Baillieu piano of his piano quintet to a piano quartet full of charm. Especially striking is Hahn’s wonderful gift for melody through the song transcriptions and his extraordinary 7 SI MES VERS AVAIENT DES AILES 02’21 ability to suspend time in the slow movements of his chamber music. Tim Lowe cello James Baillieu piano I am extremely grateful to my colleagues who embarked on this exploration with 8 NOCTURNE IN E-FLAT MAJOR 07’02 me. -
African-American Bassoonists and Their Representation Within the Classical Music Environment
African-American Bassoonists and Their Representation within the Classical Music Environment D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Ian Anthony Bell, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Karen Pierson, Advisor Doctor Arved Ashby Professor Katherine Borst Jones Doctor Russel Mikkelson Copyrighted by Ian Anthony Bell 2019 Abstract This paper is the culmination of a research study to gauge the representation of professional African-American orchestral bassoonists. Are they adequately represented? If they are not adequately represented, what is the cause? Within a determined set of parameters, prominent orchestras and opera companies were examined. Of the 342 orchestral and opera companies studied, there are 684 positions for bassoonists. Sixteen of these jobs are currently held by African-Americans. Some of these musicians hold positions in more than one organization reducing the study to twelve black bassoonists. Translated to a percentage, .022% of the professional bassoonists within these groups are African-American, leading the author to believe that the African-American bassoon community is underrepresented in American orchestras and opera companies. This study also contains a biography of each of the twelve bassoonists. In addition, four interviews and five questionnaires were completed by prominent African- American bassoonists. Commonalities were identified, within their lives and backgrounds, illuminating some of the reasons for their success. Interview participants included Rufus Olivier Jr. (San Francisco Opera), Joshua Hood (Charlotte Symphony Orchestra), Monica Ellis (Imani Winds), Alexander Davis (fellowship recipient), and Andrew Brady (Atlanta Symphony Orchestra). -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 Two Examples of Neo-Classicism in France from the Early and Late Twentieth Century: Francis Poulenc's Trio for Oboe, Bassoon, and Piano (1926) and Jean Françaix's Trio for Oboe, Bassoon, and Piano (1994) Siobhán Marie Ciulla Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC TWO EXAMPLES OF NEO-CLASSICISM IN FRANCE FROM THE EARLY AND LATE TWENTIETH CENTURY: FRANCIS POULENC’S TRIO FOR OBOE, BASSOON, AND PIANO (1926) AND JEAN FRANÇAIX’S TRIO FOR OBOE, BASSOON, AND PIANO (1994) By SIOBHÁN MARIE CIULLA A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 © 2017 Siobhán M. Ciulla Siobhán Ciulla defended this treatise on April 10, 2017. The members of the supervisory committee were: Eric Ohlsson Professor Directing Treatise Richard Clary University Representative Deborah Bish Committee Member Jeffrey Keesecker Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To my loving husband, Nicholas Peter Ciulla iii TABLE OF CONTENTS LIST OF FIGURES .........................................................................................................................v ABSTRACT ................................................................................................................................. -
BENJAMIN APPL 25-26-28/07 25, 26 I 28 De Juliol Claustre De Sant Pere De Galligants
FESTIVAL NITS DE CLÀSSICA BENJAMIN APPL 25-26-28/07 25, 26 i 28 de juliol Claustre de Sant Pere de Galligants PROGRAMA Dijous 25 de juliol – 20.30h Franz Schubert (1797-1828): Die schöne Müllerin, D. 795 Divendres 26 de juliol – 20.30h Franz Schubert: Schwanengesang, D. 957 Diumenge 28 de juliol – 20.30h Franz Schubert: Winterreise, D. 911 Concerts sense pausa BENJAMIN APPL BARÍTON SIMON LEPPER PIANO 20 h Ens preparem el concert amb Xavier Paset recerca personal que ha quedat íntimes i representatives, «Viatjar és molt útil, com arquetípica ja no només del quan la imaginació juga un romanticisme sinó, fins i tot, en paper destacat, quan podem fa treballar la imaginació» creadors molt posteriors. aprofundir i assaborir la intensitat Oriol Pérez i Treviño, musicòleg i assagista d’una proposta artística i Només cal que pensem en musical que, potser com cap Malgrat no haver-se compost més jove de liederistes, una figura tan poc sospitosa altra de la música occidental, ni concebut com una unitat Benjamin Appl ens immergirà de «romàntica» com el va necessitar molts anys per íntegra, en les programacions en aquest univers dels cicles controvertit escriptor francès ser reconeguda i interpretada. musicals dels darrers anys és schubertians i l’iniciarà amb el Louis-Férdinand Céline (1894- Sense anar més lluny, el cicle força freqüent localitzar, dins un més primerenc de tots tres: La 1961) que, a l’inici de la seva d’avui no va ser interpretat, mateix certamen o temporada, bella molinera. Compost, igual coneguda obra Voyage au bout íntegrament, fins al 4 de maig els tres cicles d’un dels més grans que el Winterreise, amb poemes de la nuit (1934), exposava: de 1856 al Musikverein de Viena creadors de lieder del primer de Wilhelm Müller (1794-1827), «Viatjar és molt útil, fa treballar pel baríton Julius Stockhausen romanticisme: Franz Schubert un poeta que, en bona part, la imaginació». -
2015/16 Season Preview and Appeal
2015/16 SEASON PREVIEW AND APPEAL SEASON PREVIEW 2015/16 01 THANK YOU WELCOME THE WIGMORE HALL TRUST WOULD LIKE TO ACKNOWLEDGE AND THANK THE FOLLOWING INDIVIDUALS AND ORGANISATIONS FOR THEIR GENEROUS SUPPORT THROUGHOUT THE 2014/15 SEASON: HONORARY PATRONS DONORS AND SPONSORS Audiences and artists have been coming together at Wigmore Hall for Aubrey Adams Mr Eric Abraham* Charles Green Rothschild André and Rosalie Hoffmann Neville and Nicola Abraham Barbara and Michael Gwinnell Ruth Rothbarth* nearly 115 years. In its intimate and welcoming environment, enthralling Sir Ralph Kohn FRS and Lady Kohn Elaine Adair Mr and Mrs Rex Harbour* The Rubinstein Circle performances of supreme musical works are experienced with a unique Mr and Mrs Paul Morgan Tony and Marion Allen* Haringey Music Service The Sainer Charity The Andor Charitable Trust Havering Music School The Sampimon Trust immediacy. As we look forward to the 2015/16 Season, the Hall is SEASON PATRONS David and Jacqueline Ansell* The Headley Trust Louise Scheuer Aubrey Adams* Arts Council England The Henry C Hoare Charitable Trust Julia Schottlander* delighted to present some of the greatest artists in the world today, as well American Friends of Wigmore Hall Anthony Austin Nicholas Hodgson Richard Sennett and Saskia Sassen* Karl Otto Bonnier* The Austin & Hope Pilkington Trust André and Rosalie Hoffmann The Shoresh Charitable Trust as talented emerging artists who explore repertoire with skill, curiosity and Cockayne‡ Ben Baglio and Richard Wilson Peter and Carol Honey* Sir Martin and -
PDF 2015 Tour Archive
National Tours 2015 Blending Irish and progressive American folk singing styles, Maura O’Connell burst onto the trad scene in the 1980s as vocalist with Celtic super group De Danann. The Ennis songbird’s singing career has brought her international acclaim, two Grammy nominations and collaborations with everyone from Bonnie Raitt, Nanci Griffith and Dolly Parton to Alison Krauss, The Chieftains and Van Morrison. Former lead singer with Solas and a highly-acclaimed solo artist, Karan Casey is one of the most influential and innovative vocalists in Irish or American folk music, performing with such luminaries as James Taylor, Liam Clancy, Peggy Seeger, Mick Moloney, The Dubliners and Imelda May. Her gorgeous, soulful voice has featured on over 50 albums. Martin Tourish is an accordionist from Co. Donegal whose reputation has grown rapidly since he was named Young Musician of the Year by TG4 in 2008. He is a member of the band Altan, has performed with Carlos Nunez and been a guest soloist with the RTÉ National Symphony Orchestra. Ed Boyd is widely considered to be one of the finest acoustic guitarists on the European folk circuit. A founding member of BBC Folk Award-winning group ’Flook’, he is known for his technical brilliance, delicate ensemble playing and unique musical style. Hailed a few years back as “the most exciting and imaginative piano trio since EST,” Phronesis have more than lived up to the hype, evolving into one of the most exhilarating jazz trios in Europe and attracting rave reviews and a slew of awards along the way. Their explosive live performances packed with killer riffs and pulsing grooves, have captured the hearts and minds of audiences from Sydney to Monterey. -
2000-2001 the Lynn University Philharmonia
The Lynn University Philharmonia Arthur Weisberg, conductbr with special guest Ray Still, oboe and Phillip Evans, piano Paul Green, clarinet Mark Hetzler, trombone Ying Huang, piano Claudio Jaffe, cello Gregory Miller, french horn Johanne Perron, cello Roberta Rust, piano Sergiu Schwartz, violin Arthur Weisberg, bassoon Laura Wilcox, viola 7:30 p.m. November 10, 2000 Spanish River Church PROGRAM Concerto for 3 Keyboards and Orchestra ........... J. S. Bach Allegro (1685-1750) AJagio AUegro Roberta Rwt, piano Phillip Evans, piano Ymg Huang, piano Adagio & Allegro Moho ................................... M. Haydn (for french horn, trombone, iind orchestra) ( 1737-1806) Gregory Miller, french horn Mark Hetzler, trombone Sinfonia Concertante for winds and orchestra .... W. A. Mozart A//egro (1756-1791) AJagio Antlantino con varizioni Ray Still, guest oboist Paul Green, clarinet Arthur Weisberg, bassoon Gregory Miller, french horn INTERMISSION Concerto for Two Cellos ................................... D. Ott Andante tspressivo Andante cantabile Alkgro con brio Johanne Perron, cello Claudio Jaffe, cello Sinfonia Concertante for strings and orchestra .... W. A. Mozart Allegro matstoso (1756-1791) Andante Presto Scrgiu Schwartz, violin laura Wilcox, viola ARTHUR WEISBERG Conductor I Bassoon Arthur Weisberg is considered to be among the world's leading bassoonists. He has played with the Houston, Baltimore, and Cleveland Orchestras, as well as with the Symphony of the Air and the New York Woodwind Quimet. As a music director, Mr. Weisberg has worked with the New Chamber Orchestra of Westchester, Orchestra da Camera (of Long Island, New York}, Contemporary Chamber Ensemble, Orchestra of rhe 20th Century, Stony Brook Symphony, Iceland Symphony, and Ensemble 21. With these various ensembles, he has toured around the world, performing over 100 world premieres and making numerous recordings. -
The Poulenc Trio
THE POULENC TRIO Vladimir Lande, oboe 2:30 PM, October 11, 2009 Faye Spanos Concert Hall Irena Kaplan, piano In cooperation with Pacific’s Bryan Young, bassoon Conservatory of Music Trio Pathétique in D Minor Mikhail Glinka Allegro moderato (1804–1857) Scherzo: Vivacissimo—Trio: Meno mosso Largo Allegro con spirito—Alla breve, ma moderato Fantaisie Concertante Gioachino Rossini sur des Thèmes de “L’Italiana in Algeri” (1792–1868) (Arr. Charles Triébert & Eugene Jancourt) Romance, Op. 97a Dmitri Shostakovich (from the filmscore of “The Gadfly”) (1906–1975) A Spin Through Moscow Shostakovich (from the suite from the operetta “Moscow, Cheryomushki,” Op. 105) –intermission– Trio for Piano, Oboe and Bassoon Francis Poulenc Presto: Lento—Presto (1899–1963) Andante Rondo: Très vif Jaunty André Previn (from Trio for Oboe, Bassoon and Piano) (b. 1929) Oblivion Astor Piazzolla (from the filmscore of Pirandello’s play “Enrico IV”) (1921–1992) Otoño Porteño Piazzolla (from Las Cuatro estaciónes porteñas (The Four Seasons of Buenos Aires)) The Poulenc Trio appears by arrangement with Lisa Sapinkopf Artists www.chambermuse.com Artists Pianist Irina Kaplan is a graduate of the piece based on tunes from Rossini’s “An Hailed by the Washington Post for its St. Petersburg Conservatory in Russia. Italian Girl in Algiers,” which he wrote when “intriguing and beautifully played program . Winner of the Baltimore Chamber Music only 21 in either 18 or 27 days depending . convincing elegance . [and] near- Award and the Montpelier Recital Compe- on whom you believe1. The opera’s theme is effortless lightness and grace," the Poulenc tition, Irina has appeared in series including simple: be careful what you wish for! Bored Trio brings together three uniquely gifted the Yale Gordon Concert Series, the with his harem, ruler Mustafà seeks a new virtuosos.