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2018 WASO Ingrid Fliter Plays Mendelssohn
PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. -
In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
THROUGH LIFE and LOVE Richard Strauss
THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose. -
AE News May, 2020
AE News May, 2020 What’s Online Music to our Ears! Meet Dimity and Julian! We’ve dug through the internet archives and found some wonderful www.music.unsw.edu.au/ past performances of our musicians fi lmed around the world. We hope meet-dimity-and-julian you enjoy and that these video clips go some way towards fulfi lling that essential classical music fi x we all need while out of the concert hall. Message of thanks! Click on the links below to take you through to these videos online. www.music.unsw.edu.au/ thank-you Meet guest artist Huw Jones! www.music.unsw.edu.au/ meet-huw Meet Stage Manager Vennisa! www.music.unsw.edu.au/ This recent ABC Classics clip features violinist Dene Olding performing meet-vennisa Sarasate’s melancholy Playera with pianist Tamara-Anna Cislowska. www.youtube.com/watch?v=eYsX4RwQKPg April Composer in Conversation featuring Hear Dimity Hall perform Vaughan Williams’ Lark Ascending with Ross Edwards speaking Sinfonia Australis under the baton of Antony Walker. about his work Incantations www.youtube.com/watch?v=HhjGIcDAv84 for Wind Quintet hosted by Paul Stanhope Clarinetist David Griffi ths performs Messiaen’s Abyss of the Birds. www.music.unsw.edu.au/ www.youtube.com/watch?v=jsArPZ9eoFs composer-conversation- Hear Julian Smiles perform After Nina by Andrew Schultz’s with the ross-edwards-paul- Australia Ensemble UNSW www.youtube.com/watch?v=m3ZvRbgbn-g stanhope-artistic-chair- featuring Ian Munro, piano and Catherine McCorkill, clarinet. australia-ensemble-unsw Check out a younger Ian Munro performing Prokofi ev’s Piano Concerto Unfortunately the August No.3 with Sir Simon Rattle at the 1987 Leeds International Piano 15 concert has been Competition with City of Birmingham Symphony Orchestra. -
April 2021 Vol.22, No. 4 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
Journal April 2021 Vol.22, No. 4 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] April 2021 Vol. 22, No. 4 Editorial 3 President Sir Mark Elder, CH, CBE Ballads and Demons: a context for The Black Knight 5 Julian Rushton Vice-President & Past President Julian Lloyd Webber Elgar and Longfellow 13 Arthur Reynolds Vice-Presidents Diana McVeagh Four Days in April 1920 23 Dame Janet Baker, CH, DBE Some notes regarding the death and burial of Alice Elgar Leonard Slatkin Relf Clark Sir Andrew Davis, CBE Christopher Robinson, CVO, CBE Book reviews 36 Andrew Neill Arthur Reynolds, Relf Clark Martyn Brabbins Tasmin Little, OBE CD Reviews 44 Christopher Morley, Neil Mantle, John Knowles, Adrian Brown, Chairman Tully Potter, Andrew Neill, Steven Halls, Kevin Mitchell, David Morris Neil Mantle, MBE DVD Review 58 Vice-Chairman Andrew Keener Stuart Freed 100 Years Ago... 60 Treasurer Kevin Mitchell Peter Smith Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Portrait photograph of Longfellow taken at ‘Freshfields’, Isle of Wight in 1868 by Julia Margaret Cameron. Courtesy National Park Service, Longfellow Historical Site. Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much Editorial preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if required, are obtained. Professor Russell Stinson, the musicologist, in his chapter on Elgar in his recently issued Bach’s Legacy (reviewed in this issue) states that Elgar had ‘one of the greatest minds in English music’.1 Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, This is a bold claim when considering the array of intellectual ability in English music ranging cued into the text, and have captions. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
Album Booklet
RODERICK WILLIAMS A NOTE FROM THE COMPOSER of the piece to suit the brief. I realise that it is certainly important to me that choir members SACRED CHORAL WORKS A good friend once suggested to me that my enjoy singing my music, even if they can compositions tended to take on the flavour of sometimes find it initially challenging. whatever piece I happened to be singing at the time. I realise there is quite some truth in this, I am hugely grateful to Ralph Allwood, a 1 Let nothing trouble you * [7.30] 0 O Saviour of the World [5.08] as this current survey of my choral compositions significant figure in my singing career since I Daisy Walford soprano, Archie Buchanan tenor q O Adonai [8.24] over the years will testify. It might initially be first attended one of his choral courses in my 2 O guiding night [7.59] Daisy Walford soprano, Michael Lafferty baritone hard to discern a consistent, individual style in teens, and to the Old Royal Naval College Trinity 3 Christmas Bells [3.49] w Mary had a baby [2.00] the selection of music on this disc and easier Laban Chapel Choir for honouring me with a instead to guess which composer’s language I whole disc of my music. Several of these pieces 4 And a Little Child Shall Lead them [8.05] Andrew Woodmansey tenor Rebecca Leggett alto e La Trinité qui ne change jamais [3.13] may have been imitating. However, I have come to here I had never heard before, as my performing realise that my working life as a choral musician schedule often prevents me from attending 5 Love bade me welcome [4.32] r Ave verum corpus re-imagined [4.55] and soloist has exposed me to a wide range of premières, and others I have not heard for 6 Children, go where I send thee [4.37] Matthew Norriss tenor music, which has affected me profoundly. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Publications for Julian Smiles 2020 2019 2018 2017 2016
Publications for Julian Smiles 2020 Olding, D., Hall, D., Morozova, I., Smiles, J., Kowalik, D., Smiles, J., Goldner String Quartet, T., Lane, P. (2020). Dalseno, D., Chawner, T., Kowalik, K. (2018). String Octet. D�Erlanger and Dunhill - Piano Quintets: Piano Quintet in C Huntington Estate Music Festival - Concert 8. Huntington minor Opus 20. On , The Distributor, and iTunes, London, Estate Music Festival, Mudgee, Australia: Musica Viva United Kingdom: Hyperion Records. Australia. Smiles, J. (2020). Orison. Australia Ensemble UNSW - Crabb, J., Cislowska, T., Kinmont, S., Morris, O., Olding, D., Crisantemi. Sir John Clancy Auditorium, University of New Schack-Arnott, M., Smiles, J., Tsiboulski, A., Ughetti, E., Van't South Wales, Sydney, Australia: Melbourne Digital Concert Hoff, L. (2018). Visiting Eucalyptus. Four Winds Easter Hall in partnership with Australia Ensemble, UNSW. Festival. The Sound Shell, Bermagui, Australia: Four Winds Easter Festival. Lane, P., Hall, D., Morozova, I., Olding, D., Smiles, J. (2020). Piano Quintet in C minor Opus 20. On D'Erlanger and Dunhill - 2017 Piano Quintets, Digital streaming, London, United Kingdom: Hyperion Records. <a href="https://www.hyperion- McEwan, G., Evans, A., Smiles, J., Pratt, D., Zheng, J., records.co.uk/dc.asp?dc=D_CDA68296">[More Johnson, N. (2017). A throw of the dice will never abolish Information]</a> chance. Chamber Works: A Throw of the Dice. Recital Hall West, Sydney Conservatorium of Music, Sydney, Australia: 2019 Sydney Conservatorium of Music. Link, J., Lee, B., Pajaro-van der Stadt, M., Shaw, C., Olding, Olding, D., Hall, D., Morozova, I., Smiles, J. (2017). D., Morozova, I., Hall, D., Smiles, J. (2019). Anamnesis. -
Utah Symphony | Utah Opera
Media Contact: Renée Huang | Public Relations Director [email protected] | (801) 869-9027 FOR IMMEDIATE RELEASE: UTAH SYMPHONY PRESENTS BERLIOZ’S DAMNATION OF FAUST WITH ACCLAIMED GUEST OPERA SOLOISTS KATE LINDSEY AND MICHAEL SPYRES SALT LAKE CITY, Utah (Sept.12, 2013) – Mezzo Soprano Kate Lindsey, a veteran of the Metropolitan Opera, and Michael Spyres, called “one of today’s finest tenors” by French Opera magazine join the Utah Symphony on September 27 and 28 at Abravanel Hall in Hector Berlioz’s dramatic interpretation of Goethe’s tale of Faust and his fateful deal with the devil, The Damnation of Faust. The Utah Symphony Chorus and Utah Opera Chorus lend their voices to the work, which is an ingenious combination of opera and oratorio that ranks among Berlioz’s finest creations. In addition to the star power of Lindsey and Spyres who sings the role of Marguerite and Faust, three other operatic guest artists will join the cast, including Baritone Roderick Williams, whose talents have included appearances with all BBC orchestras, London Sinfonietta and the Philharmonia, performing Mephistopheles; and Bass- baritone Adam Cioffari, a former member of the Houston Grand Opera Studio. Newcomer Tara Stafford Spyres, a young coloratura soprano, just sang her first Mimi in Springfield Missouri’s Regional Opera production of La Bohème. La Damnation de Faust was last performed on the Utah Symphony Masterworks Series in 2003 as part of the company’s Faust Festival. TICKET INFORMATION Single tickets for the performance range from $18 to $69 and can be purchased by phone at (801) 355- 2787, in person at the Abravanel Hall ticket office (123 W. -
Request for Music Instrument & Ser
1302017 Plainfield Community Consolidated School District 202 We prepare learners for the future. ___________________________________________________________________________ Rick Engstrom Assistant Superintendent for Business and Operations 15732 Howard Street Plainfield, IL 60544 Office (815) 577-4046 Fax (815) 254-0590 [email protected] January 30, 2017 REQUEST FOR MUSIC INSTRUMENT & SER- VICE PROPOSAL 1302017 Table of Contents I. Instructions to Responders ...............................................................................................1 II. Purpose and Intent Statement...........................................................................................2 III. Qualifications ...................................................................................................................2 IV. Required Service for Grades 6-12....................................................................................3 V. Request for Proposal Time Line ......................................................................................3 VI. Selection Process .............................................................................................................4 VII. Recruiting and Support………………………………………..……………………...…5 VIII. Product Selection and Pricing…………………………………………..………….……5 IX. Repair Services………………………………………………………………………….6 X. School Service Staff and General Questions……………………………..……………..6 XI. Contract Terms………………………………………………………………………….7 XII. Addition Required Documents .......................................................................................10 -
2019 Annual Report
MUSICA VIVA ANNUAL REPORT 2019 CONTENTS CHAIRMAN & CEO’S REPORT 4 COMPANY OVERVIEW 5 OUR REACH & IMPACT 6 A TRIBUTE TO CARL VINE AO 8 INSPIRING STUDENTS & TEACHERS Musica Viva In Schools 11 Musica Viva In Schools Program Reach 14 Don’t Stop The Music 15 Strike A Chord 15 SUPPORTING AUSTRALIAN CREATIVITY Masterclasses 17 FutureMakers 18 Australian Composers 20 Janette Hamilton Studio 21 PRESENTING THE FINEST MUSICIANS International Concert Season 23 Morning Concerts 26 Musica Viva Sessions 28 Musica Viva Festival 30 ENGAGING WITH REGIONAL AUDIENCES Regional Touring Program 33 Huntington Estate Music Festival 34 INDIVIDUAL GIVING, CORPORATE PARTNERSHIPS AND TRUSTS & FOUNDATIONS Individual Giving 37 Strategic Partnerships 40 Our Partners 42 Our Supporters 44 KEY FINANCIALS, ACTIVITY & REACH 50 GOVERNANCE 55 STAFF & VOLUNTEERS 59 Choir of King’s College, Cambridge performing in Adelaide Cover: Tessa Lark, Musica Viva Festival | Matthias Schack-Arnott, FutureMakers | student participant, Musica Viva In Schools 2 MUSICA VIVA ANNUAL REPORT 2019 MUSICA VIVA ANNUAL REPORT 2019 3 CHAIRMAN & CEO’S REPORT COMPANY OVERVIEW We are pleased to present another year of results that TO MAKE AUSTRALIA A MORE MUSICAL PLACE demonstrate Musica Viva Australia’s reach, artistic vibrancy and institutional stability. PURPOSE TO CREATE A NATIONAL CULTURE BASED ON CREATIVITY AND As an organisation founded by musicians, we recognise that without artists we would not exist or be able to achieve the impact IMAGINATION WHICH VALUES THE QUALITY, we desire. This year, Musica Viva employed 352 artists – 80% VISION DIVERSITY, CHALLENGE AND JOY OF LIVE CHAMBER MUSIC of whom were Australian. On concert stages (both regional and metro), in schools and online, Musica Viva brought music and TO ENRICH COMMUNITIES ACROSS AUSTRALIA BY music education of exceptional quality to 358,502 Australians.