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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
2018 WASO Ingrid Fliter Plays Mendelssohn
PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. -
Figure 56A-B. Professors Theodore Allen Heinrich and Brayton Polka (York University), Bird Watching in Peru.1
Figure 56a-b. Professors Theodore Allen Heinrich and Brayton Polka (York University), bird watching in Peru.1 1 19. Domains of Study and Mentors For the first sixteen years of my education, study was simply a passive exercise, doing the homework that others had imposed. The teachers were the bearers of knowledge: I was simply a receptacle. If I was a sufficiently good receptacle, I would one day know all there was to be known, at least in my field of study. 20.1 Undergraduate (1966-1969) In the second year of university, I took a course with Professor Theodor Allen Heinrich (fig.56a). He was an American, had studied with Roger Fry2, had been a Monuments Man during the war. He had found Nefertite (fig.10a) in a salt mine and carried her back to West Berlin three days before the new boundaries were set. He opened my eyes to the world of art. In the third year of university, I took a fourth-year course on intellectual history with Professor Brayton (Brady) Polka,3 who was also a “birder” (fig. 56b). It was a seminar. Each week we read a sample from a great thinker including Plotinus, Augustine, Abelard, Valla, Vico and each week we were plunged more deeply into the complexities of a Western tradition that continually built on Plato and Aristotle, while also transforming their original premisses. The most important thing that I learned was that the great texts were more than clever answers: The greater the text, the more it raised questions for which there were no simple answers. -
Preferred Master Price List
covers_Nov-Jan10_Layout 1 10/27/2010 12:05 PM Page 1 Beauty Enterprises Inc. Catolog effective: 10/25/10 - 1/30/11 All information is subject to change without notice Main Office: 150 Meadow St. Hartford, CT 06114 TEL (860) 296-9303 FAX (860) 296-1739 165 Goodrich Dr. Unit 115 Birmingham, AL 35217 TEL (205) 854-2330 FAX (205) 854-2331 3235 Corporate Court Ellicott City, MD 21042 TEL (410) 480-8460 FAX (410) 480-8463 Preferred Master Price List List Price Master Preferred 9774 Calabash Ave. Fontana, CA 92335 TEL (860) 296-9303 FAX (860) 296-1739 9685 Harrison Rd. Suite 207 Detroit, MI 48174 TEL (734) 946-0218 FAX (734) 946-0275 10A 20th St. Brooklyn, NY 11232 TEL (860) 296-9303 FAX (860) 296-1739 10/25/10 - 1/30/11 10/25/10 876 N. Lenola Rd. Suite 3F Moorestown, NJ 08057 TEL (860) 296-9303 FAX (860) 296-1739 Preferred Master Price List Beauty Enterprises - www.beautyenterprises.com TABLE OF CONTENTS BONUS ITEMS - LIMITED SUPPLIES . .5 GROGANICS NET PRICED . .66 NEW ITEMS . .4 GROHEALTHY NET PRICED . .67 NEW NET PRICED ITEMS . .4 GROWORKS NET PRICED . .67 GET IT BEFORE IT’S GONE . .7 HASK . .68 BEAUTY & BARBER FURNITURE . .11 HAWAIIAN SILKY . .69 APPLIANCES HAWAIIAN SILKY PROFESSIONAL . .69 ANDIS-RETAIL . .12 HI-PRO-PAC . .70 ANDIS PROFESSIONAL . .14 HOLLYWOOD BEAUTY . .70 GOLD ‘N HOT PROFESSIONAL . .15 INFUSIUM 23 . .73 CONAIR . .15 ISOPLUS . .73 HEAT EXXPRESS . .18 JAMAICAN MANGO & LIME . .75 HOT TOOLS PROFESSIONAL . .19 JANE CARTER NET PRICED . .77 HYPE HAIR . .20 JERIS . .77 KING RESEARCH . -
Jazzlondonlive Mar 2019
01/03/2019 SOUTH HILL PARK, BRACKNELL 19:30 £12 Greg Davis, sax, Cliff Charles, gtr, Paul Eldridge, ALINA BZHEZHINSKA'S HIPHARP COLLECTIVE JAZZ pno, Julian Bury, bass, Matt Skeaping, drms (£5.50 UNDER 18S) JAZZLONDONLIVE MAR 2019 CLUB CONCERT LULUK PURWANTO - VIOLIN & BYRON WALLEN - Award winning harpist Alina Bzhezhinska brings 02/03/2019 VORTEX JAZZ CLUB, DALSTON 20:30 £15.00 her latest project brings to life with the finest 01/03/2019 THE HAWTH, CRAWLEY 11:45 £21.95 (INCL TRUMPET PRESENTED BY BRACKNELL JAZZ compositions of legendary harpists Dorothy MONICA VASCONCELOS Simon Cook (piano), Andy Masters (bass), Dae Monica Vasconcelos (vcls), Steve Lodder (keys), LUNCH) Ashby and Alice Coltrane. Alina Bzhezhinska Hyun Lee (drums) (Harp), Gareth Lockrane (Flutes), Christian Ife Tolentino (gtr), Andres Lafone (bs), Yaron WHEN PEGGY MET ELLA PRESENTED BY THE Vaughan (Piano/Keyboards), Julie Walkington Stavi (bs), Marius Rodrigues (drs) LISTENING ROOM 01/03/2019 BARBICAN, EC2 20:00 £15-35 (Double Bass), Joel Prime (Drums) Shireen Francis (vcls), Sarah Moule (vcls), Simon THE BRANFORD MARSALIS QUARTET + NIKKI YEOH 02/03/2019 PIZZAEXPRESS JAZZ CLUB, SOHO 21:00 Wallace (pno) 01/03/2019 ARCHDUKE, WATERLOO 22:00 FREE £20 (SOLO SET) with Joey Calderazzo, Eric Revis & Justin SIMON PURCELL TRIO PIANO-LED JAZZ TRIO JAMES MORTON 'GROOVE DEN' 01/03/2019 SOUTHBANK CENTRE 13:00 FREE Faulkner MISHA LUNCHTIME FOYER GIG 01/03/2019 JAZZ CAFE, CAMDEN 22:30 £15 02/03/2019 606 CLUB, CHELSEA 21:30 £14.00 Intricate yet intuitive jazz from lauded bass player 01/03/2019 -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players
HarmonyTM FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE NUMBER 4 • APRIL 1997 Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players by Sally Maitlis To subscribe to Harmony or provide support to the Institute, contact: Symphony Orchestra Institute 1618 Orrington Avenue, Suite 318 Evanston, IL 60201 Tel: 847.475.5001 Fax: 847.475.2460 e-mail: [email protected] www.soi.org ©1997 by the Symphony Orchestra Institute. All rights reserved. 44 Harmony: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE Sally Maitlis Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players ow are key decisions made in British symphony orchestras? What formal and informal decision-making systems exist? How do they vary between H orchestras? In particular, what is the role of musicians in important artistic and commercial matters and how satisfied are they with the decision- making processes in their organizations? These are the questions underlying a study of decision making and change in symphony orchestras which I am conducting at the Institute of Work Psychology at the University of Sheffield, England. Organizational research on orchestras, in particular British orchestras, is relatively rare. One notable exception is the major comparative study of 78 United States, United Kingdom, and German symphony orchestras which was carried out by J. Richard Hackman, Jutta Allmendinger, and Erin Lehman.1 In an interview published in the April 1996 issue of Harmony, Hackman identified such factors as adequate financial resources and good leadership as critical to an orchestra’s effectiveness, both as to its artistic performance and in terms of member job satisfaction.2 However, little research exists which examines, in depth and over time, the day-to-day functioning of such organizations, especially considering the parts played by musicians when they are not on the stage. -
Polish Composition Forming Hydrophilic Layer and Spray-Away Polishing Process
Patentamt JEuropaischesEuropean Patent Office Office europeen des brevets © Publication number : 0 545 872 A1 @ EUROPEAN PATENT APPLICATION @ Application number: 92850188.1 © Int. CI.5: C09G 1/12 (22) Date of filing : 07.08.92 (30) Priority : 02.12.91 US 800949 © Inventor : Berlin, David R. 60 Country Ridge Drive Huntington, CT 06484 (US) @ Date of publication of application : Inventor : Rishel, Bonny A. 09.06.93 Bulletin 93/23 Box 26A, Hanover Street Yorktown Heights, New York 10598 (us) Inventor : Wolstoncroft, Richard L. @ Designated Contracting States : RR5» Red °ak Lane AT BE CH DE DK ES FR GB GR IE IT LI LU MC Mr.Kisko, New York 10549 (us) NL PT SE © Representative : Halldin, Bo et al © Applicant : FIRST BRANDS CORPORATION Or. Ludwig Brann Patentbyra AB P.O. Box 83 Wooster Heights Road 17192 Danbury, Connecticut 06813 (US) S-104 62 Stockholm (SE) © Polish composition forming hydrophilic layer and spray-away polishing process. @ A multi-component polish composition and polishing process for a surface. The polish composition comprises a multi-component mixture which when applied to a surface, e.g., the painted surface of a vehicle, under effective drying conditions forms a substantially dry hydrophilic wax-containing film which may be substantially removed from the surface by water rinsing of the surface whereby a hydrophobic protective layer is provided to the surface. < CM h- 00 IO IO o Q_ LU Jouve, 18, rue Saint-Denis, 75001 PARIS EP 0 545 872 A1 FIELD OF THE INVENTION The instant invention relates to a dramatically new concept for polish compositions and polishing processes for painted surfaces, e.g., the painted surface may be that of a vehicle, such as a car, truck, motorcycle or 5 boat. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The Width of Infinity Is a House Squatting on an Unnamed Street
THE WIDTH OF INFINITY IS A HOUSE SQUATTING ON AN UNNAMED STREET A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the DeGree Master of Fine Arts Joel Lee May, 2011 THE WIDTH OF INFINITY IS A HOUSE SQUATTING ON AN UNNAMED STREET Joel Lee Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Dr. Mary Biddinger Dr. Chand Midha _______________________________ _______________________________ Committee Member Dean of the Graduate School Dr. Michael Dumanis Dr. George R. Newkome _______________________________ _______________________________ Committee Member Department Chair Mr. David Giffels Dr. Michael Schuldiner _______________________________ Date ii TABLE OF CONTENTS Page I. INTERRUPTING THE MEETING OF HUMAN DEFINITION AND BIBLICAL PROPORTIONS……………………………………………………………………………………………………...1 THE FEAR OF BEING LEFT ALONE………………………………………………………………………..2 A SHORT AUTOBIOGRAPHY, WITH LOVE……………………………………………………………...4 SAVE THE TRAUMA FOR YOUR MAMA………………………………………………………………….5 THE DISPERSAL PATTERN OF RECENTLY TRAFFICJAMMED VEHICLES………………...6 HOLY FUCKING SHIT, WORDS ARE STILL WORDS EVEN AFTER THE ALPHABET RETIRED……………………………………………………………………………………………………………...8 SOMEBODY IS PROBABLY STILL ALIVE SOMEWHERE, EVEN IF THERE IS NOTHING LEFT………………………………………………………………………………………………………………….10 WHEN YOU’VE BECOME YOUR FATHER, THAT’S WHEN YOU EMBRACE EUTHANASIA……………………………………………………………………………………………………..12 AND THIS IS WHERE YOU PICK UP THE MACHINE GUN………………………………………14