Housing Estates in Berlin (Germany) December 2007 on the Following Issues
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University of Birmingham at School with the Avant Garde
University of Birmingham At School with the avant garde: Grosvenor, Ian; van Gorp, Angelo DOI: 10.1080/0046760X.2018.1451559 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Grosvenor, I & van Gorp, A 2018, 'At School with the avant garde: European architects and the modernist project in England', History of Education. https://doi.org/10.1080/0046760X.2018.1451559 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in History of Education on 19/04/2018, available online: http://www.tandfonline.com/10.1080/0046760X.2018.1451559 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
SJET) ISSN 2347-9523 (Print) Abbreviated Key Title: Sch
Scholars Journal of Engineering and Technology (SJET) ISSN 2347-9523 (Print) Abbreviated Key Title: Sch. J. Eng. Tech. ISSN 2321-435X (Online) ©Scholars Academic and Scientific Publisher A Unit of Scholars Academic and Scientific Society, India www.saspublisher.com The Contribution of German Architects in Creating Ankara During the Early Years of the Republic of Turkey Ata Atun1*, Yurdagül Atun2, Selman Arslanbaş3, Ayman Kole4, Cyprus Science University5 1Profesor, Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 2Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 3Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 4Yrd. Doç. Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 5Cyprus Science University: Kıbrıs İlim Üniversitesi, Dr Fazıl Küçük Caddesi, Ozanköy, Girne, KKTC, 99320 Turkey Abstract: After the Ottoman Empire was defeated in the First World War, the Ottoman Original Research Article Empire was occupied by the Alliance states especially the city of Istanbul and all the regions of Anatolia except the Central Anatolia. The war of independence of Turkey, *Corresponding author which started on May 19, 1919 by the landing of Mustafa Kemal Ataturk and his close Ata Atun friends to Samsun, ended on August 30, 1922 after the signing of Treaty of Lausanne by all parties and recognizing Turkey as an independent new state. The new state's first Article History elected as president, Mustafa Kemal Ataturk, put into force a series of reforms in order to Received: 15.12.2018 realize his dreams of a modern, westernized, industrialized state with a modern living Accepted: 25.12.2018 conditions and standards. -
Wings of War - Flight of the Giants
Flight of the Giants Rulebook GAME MATERIALS XA 1/13 FG CAPRONI CA.3 MANEUVER CARDS (6 DECKS: XA, XA, XB, XC, XD, XD) (78) XA 34 4 ZEPPELIN STAAKEN R.VI XD 25 3 3A SQUADRIGLIA RIESENFLIEGER-ABTEILUNG 501 Te n. Casimiro Buttini, Hptm Arthur Sc hoeller Serg. Luigi Remitti 1/8 FG 1/8 FG 1/6 FG AIRPLANE CARDS (8) 1/12 FG TARGET CARDS (6) BOMB CARDS (12) ZEPPELIN STAAKEN R.VI CAPRONI CA.3 AIRPLANE MANAGEMENT CARDS (8) B 1/44 FG MARKERS, TOKENS, AND COUNTERS (85) DAMAGE CARDS (1 DECK: B) (44) AIRPLANE CONSOLES (6) 2 WINGS OF WAR - FLIGHT OF THE GIANTS Flight of the Giants is an expansion set for the WWI Wings of During World War I, several nations developed giant planes that War game. It adds to the game the large, multi-engine planes could bring heavy loads of bombs far behind enemy lines. Sadly, that brought terror at a range of hundreds of kilometers of cities and civilians became targets too, and 23 years before the distance, with detailed rules to handle them and improved rules Battle of Britain of 1940, several raids made with multi-engine for bombing. planes hit London and its population. However, the giants of the Th e fi rst bombing from an airplane happened during the Italo- sky served their armies in several other roles too. Turkish War: Italian Tenente Giulio Gavotti dropped four Cipelli To use this set, you must own any Wings of War boxed set that bombs from his Etrich Taube over Ottoman troops near Ain- includes the basic game rules and some single-engine planes, Zara on November 1, 1911. -
Criterios De Intervención En El Patrimonio Arquitectónico Del Siglo XX Conferencia Internacional Cah20thc
MMiinniisstteerriioo CCrriitteerriiooss ddee IInntteerrvveenncciióónn eenn eell PPaattrriimmoonniioo ddee CCuullttuurraa AArrqquuiitteeccttóónniiccoo ddeell SSiigglloo XXXX CCoonnffeerreenncciiaa II nntteerrnnaacciioonnaall CCAAHH2200tthhCC.. DDooccuummeennttoo ddee MMaaddrriidd 22001111 I nnt te er rvveennttiioonn AApppprrooaacchheess iinn tthhee 2200tthh CCeennttuurryy AArrcchhiitteeccttuurraall HHeerriittaaggee II nntteerrnnaattiioonnaall CoConnffeerreennccee CCAAHH2200tthhCC.. MMaaddrriidd DoDoccuummeenntt 22001111 Criterios de Intervención en el Patrimonio Arquitectónico del Siglo XX Conferencia Internacional CAH20thC. Documento de Madrid 2011 Intervention Approaches in the 20th Century Architectural Heritage International Conference CAH20thC. Madrid Document 2011 Madrid, 14, 15 y 16 de junio de 2011 www.mcu.es Catálogo de publicaciones de la AGE http://publicacionesoficiales.boe.es/ Coordinación científica: Juan Miguel Hernández León Fernando Espinosa de los Monteros Dirección y coordinación: María Domingo Iolanda Muíña MINISTERIO DE CULTURA Edita: © SECRETARÍA GENERAL TÉCNICA Subdirección General de Publicaciones, Información y Documentación © De los textos y las fotografías: sus autores NIPO: 551-11-086-9 ISBN: 978-84-8181-505-4 Depósito legal: M-44469-2011 Imprime: Punto Verde Papel reciclado MINISTERIO DE CULTURA Ángeles González-Sinde Ministra de Cultura Mercedes E. del Palacio Tascón Subsecretaria de Cultura Ángeles Albert Directora General de Bellas Artes y Bienes Culturales Con motivo de la Conferencia Internacional sobre -
List of Illustrations Preface
CONTENTS List of Illustrations xiii Preface XV General Introduction 1 PART ONE. BOOMING METROPOLIS 1· The Metropolitan Panorama 9 وإ (Jules Laforgue,Berlin: ế Court and the City (1887 .1 2. Wilhelm Loesche,Berlin North (1890) 16 3. Mark Twain , ằ German Chicago (1892) 17 4. Heinrich Schackow,Berolina : A Metropolitan Aesthetic (1896) 19 5. Alfred Kerr,Berlin and London (1896) 25 6. Alfred Kerr,I Transformation ofPotsdamer Strasse (1895» 1897) 27 7. Max Osborn, I Destruction ofBerliti (1906) 30 8. Werner Sombart, Vienna (1907) 31 وو (Robert falser,Good Morning, Giantess! (1907 .9 10. August Endell,l e Beauty ofthe Great City (1908) 35 11. Oscar Bie,Life Story ofa Street (1908) 41 12. Robert Walser,Friedrichstrasse (1909) 41 13. Max Weber,speechfor a Discussion (1910) 44 14. VorwartSt [Town Hall Tower Panorama】 (1902) 44 15. Ernst Bloch,Berlin, Southern City (1915-16) 46 2· Building and Regulating the Metropolis 49 16. Theodor Goecke,Traffic loroughfares and Residential Streets (1893) 52 17. Rudolf Adickes,l e Need for Spacious Building Programs in City Expansions and the Legal and Technical Means to Accomplish l i s (1895) 18. Vorwärts, [Deforestation around Berlin】 (1908) 57 19. Die Bank, [Speculation in Tempelhof](1910-11) 57 20. p. A. A. [Philip A. Ashworth],Berlin (1911) 59 21. Walter Lewitz, Architectural Notes on the Universal Urban Planning Exhibition, Berlin (1911) 62 22. Various authors, ế Greater Berlin Competition 1910: 1 Prize-Winning Designs with Explanatory Report (1911) 64 ٠ƒ Greater Berlin and The Greater Berlin Cornelius Gurlitt,Review .23 Competition 1910(1911) 69 24. -
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THE CODETERMINATION BARGAINS: THE HISTORY OF GERMAN CORPORATE AND LABOUR LAW Ewan McGaughey1 Abstract Why does codetermination exist in Germany? Law and economics theories have contended that if there were no legal compulsion, worker participation in corporate governance would be ‘virtually nonexistent’. This positive analysis, which flows from the ‘nexus of contracts’ conception of the corporation, supports a normative argument that codetermination is inefficient because it is supposed it will seldom happen voluntarily. After discussing competing conceptions of the corporation, as a ‘thing in itself’, and as an ‘institution’, this article explores the development of German codetermination from the mid-19th century to the present. It finds the inefficiency argument sits at odds with the historical evidence. In its very inception, the right of workers to vote for a company board of directors, or in work councils with a voice in dismissals, came from collective agreements. It was not compelled by law, but was collectively bargained between business and labour representatives. These ‘codetermination bargains’ were widespread. Laws then codified these models. This was true at the foundation of the Weimar Republic from 1918 to 1922 and, after abolition in 1933, again from 1945 to 1951. The foundational codetermination bargains were made because of two ‘Goldilocks’ conditions (conditions that were ‘just right’) which were not always seen in countries like the UK or US. First, inequality of bargaining power between workers and employers was temporarily less pronounced. Second, the trade union movement became united in the objective of seeking worker voice in corporate governance. As the practice of codetermination has been embraced by a majority of EU countries, and continues to develop, it is important to have an accurate positive narrative of codetermination’s economic and political foundations. -
Downloaded for Personal Non-Commercial Research Or Study, Without Prior Permission Or Charge
Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts. -
Türkiye'de Erken Cumhuriyet Dönemi Yabancı Mimarların İzleri, Franz
ÇALIŞMA MEGARON 2018;13(3):363-373 DOI: 10.5505/MEGARON.2018.79664 Türkiye’de Erken Cumhuriyet Dönemi Yabancı Mimarların İzleri, Franz Hillinger Örneği Tracks of Foreign Architects of the Early Republic Period in Turkey, Franz Hillinger Sample Ayşe DURUKAN KOPUZ ÖZ 30’lu yıllarda, Türkiye’de Modern Mimarlık üzerine yapılan kavramsal tartışmalar, Almanca konuşan veya geçmişte Almanya’da bulunan avangart mimar ve kentsel plancıların ülkemize gelmeleriyle yeni bir boyut kazanmıştır. Bahsedilen mimar ve kent plancıları kendi ülke- lerinde kazandıkları deneyimleri ülkemizde uygulamaya çalışmışlardır. Şimdiye kadar Erken Cumhuriyet Döneminde Türkiye’ye gelen ya- bancı mimarların gösterdikleri etkilerin tarihçesi araştırılırken, genellikle birinci kategoride (ön planda) yer alan mimar ve kentsel plancılar üzerinde araştırmalar yapılmıştır. Oysa yeni mimarlık söyleminin/pratiğinin biçimlenmesinde oldukça etkin ve nüfuzlu bir rol oynayan bu avangard/öncül mimarların yanı sıra, daha az tanınan uzmanlardan/mimarlardan oluşan adeta geri planda kalmış sessiz bir deneyim geçirmiş olan bir grup daha vardır. Örneğin 1936-38 yılları arasında Türkiye’de bulunan Bruno Taut yönetiminde bulunan İmar Bürosu’nda çalışan bir grup mimarın durumu bu şekildedir. Bu makalede Taut’la birlikte çalışan ve daha alt kategoride yer alan göçmen mimarlardan olan Franz Hillinger hakkında özellikle “Berlin Akademie der Künste, Yapı Sanatı Arşivi”nden elde edilen bilgiler doğrultusunda, 1930’lar Türkiye mimarlık ortamına ışık tutulmaya çalışılacaktır. Ayrıca Erken Cumhuriyet Dönemi mimarlığı hakkında, yabancı mimarların rolü üzerine katkı sağlayabilecek bir konuyu gündeme taşımayı ve dönemle ilgili literatür, bilgi birikiminin arttırılması ve sürdürülmesi hedef- lenmektedir. Anahtar sözcükler: Bruno Taut; Erken Cumhuriyet Dönemi mimarlığı; Franz Hillinger; yabancı mimarlar. ABSTRACT In 30’s, the conceptual debates on Modern Architecture in Turkey gained a new dimension by the arrival of german speaking and German avant- garde architects and urban planners. -
Ideas and Practices for the European City
JOURNAL OF ARCHITECTURAL CULTURE 2017 JOELHO # 08 IDEAS AND PRACTICES FOR THE EUROPEAN CITY —— Guest Editors: José António Bandeirinha Luís Miguel Correia Nelson Mota Ákos Moravánszky Irina Davidovici Matthew Teissmann Alexandre Alves Costa Chiara Monterumisi Harald Bodenschatz Joana Capela de Campos Vitor Murtinho Platon Issaias Kasper Lægring Nuno Grande Roberto Cremascoli Exhibition History of Architecture III / IV Biographies of Power: Personalities and Architectures Jorge Figueira and Bruno Gil EDARQ JOURNAL OF ARCHITECTURAL CULTURE 2017 JOELHO # J08 IDEAS AND PRACTICES FOR THE EUROPEAN CITY —— Guest Editors: José António Bandeirinha Luís Miguel Correia Nelson Mota Ákos Moravánszky Irina Davidovici Matthew Teissmann Alexandre Alves Costa Chiara Monterumisi Harald Bodenschatz Joana Capela de Campos Vitor Murtinho Platon Issaias Kasper Lægring Nuno Grande Roberto Cremascoli Exhibition History of Architecture III / IV Biographies of Power: Personalities and Architectures Jorge Figueira and Bruno Gil em cima do joelho série II: Joelho Editores / Editors JOELHO Edição / Publisher Tipografia / Typography Contactos / Contacts Jorge Figueira (CES, DARQ, UC) e|d|arq – Editorial do Departamento Logótipo Joelho: Garage, Desenhada [email protected] Gonçalo Canto Moniz (CES, DARQ, UC) de Arquitectura Faculdade de em 1999 por Thomas Hout-Marchand, [email protected] — Ciências e Tecnologia da Universidade Editada pela sua editora 256TM — JOELHO 8 de Coimbra / Department of Joelho Website Ideas and Practices for Architecture, Faculty of Sciences and JOELHO VIII: Neutraface Slab, http://impactum-journals.uc.pt/index. the European City Technology, University of Coimbra desenhada em 2009 por Susana php/joelho/index — — Carvalho e Kai Bernau, sob direcção https://digitalis.uc.pt/pt-pt/ Editores convidados / Guest Editors Design artistica de Christian Schwartz e Ken node/84925 José António Bandeirinha R2 · www.r2design.pt Barber. -
Sandra Klaus
Vom späten Historismus zur industriellen Massenarchitektur Städtebau und Architektur in den nordöstlichen Berliner Außenbezirken Weißensee und Pankow zwischen 1870 und 1970 unter besonderer Betrachtung des Wohnungsbaus Band I: Textband Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie an der Philosophischen Fakultät der Ernst-Moritz-Arndt-Universität Greifswald vorgelegt von Sandra Klaus Ernst-Moritz-Arndt-Universität Greifswald Philosophische Fakultät Caspar-David-Friedrich-Institut, Bereich Kunstgeschichte Dekan: Prof. Dr. Thomas Stamm-Kuhlmann 1. Gutachter: Prof. em. Dr. Bernfried Lichtnau, Ernst-Moritz-Arndt-Universität Greifswald 2. Gutachter: Prof. Dr.-Ing. Johannes Cramer, Technische Universität Berlin Tag der Disputation: 03.09.2015, unter Leitung von PD Dr. phil. Robert Riemer Greifswald, Januar 2015 1 S. Abb. IX und XCIII Anmerkung der Verfasserin: Sofern dies möglich war, wurden die Publikationsgenehmigungen des in der Arbeit verwendeten Abbildungsmaterials vor der Veröffentlichung eingeholt. Sollten weitere, bisher nicht berücksichtigte Urheberrechtsansprüche bestehen, können Sie mich gerne kontaktieren unter [email protected]. 2 Inhalt Band I Seite 1. Einleitung .......................................................................................................................................... 6 1.1 Intentionen und Zielstellungen ................................................................................................. 6 1.2 Literatursituation und Forschungsstand .................................................................................. -
Die Gartenstadt Staaken Als Prototyp Der Modernen Deutschen Siedlung
Karl Kiem Die Gartenstadt Staaken als Prototyp der modernen deutschen Siedlung Bekannt ist über die Gartenstadt Staaken bisher im Wesentlichen nur das konkret Faktische, soweit sich dieses aus der Sekundärliteratur (1) erschließen läßt: Die Siedlung wurde 1914-1917 zur Wohnungsversorgung der Beschäftigten der staatlichen Munitionsfabriken in Spandau gebaut. Das Reichsamt des Inneren (Innenministerium) kaufte 1913 das Grundstück, ließ eine Genossenschaft gründen und bestellte den Architekten Paul Schmitthenner (1884-1972). Von den von ihm geplanten 1000 Wohnungen wurden etwa vier Fünftel fertiggestellt. Auch ein Kaufhaus und zwei Schulen entstanden nach seinem Entwurf. Paul Schmitthenner, Gartenstadt Staaken, 1914-17, Lageplan Werden in der baugeschichtlichen Literatur die Fakten mehr oder weniger genau referiert, so läßt die konkretisierte Beschränkung das tatsächliche Geschehen an den entscheidenden Stellen im Dunkeln. Sucht man nach der eigentlichen Triebfeder zum Bau der Gartenstadt Staaken, so erscheint die Wohnungsversorgung der Spandauer Munitionsarbeiter sekundär. In erster Linie ging es nämlich hier darum, daß der Staat eine Mustersiedlung bauen wollte, bei der neben dem architektonischen und städtebaulichen Vorbild auch Baunormen, Finanzierungsmodelle und Organisationsformen entwickelt und festgeschrieben werden sollten.(2) Gehen wir der damals ungewöhnlichen staatlichen Initiative auf den Grund, so finden wir ein Bündel von Einflußfaktoren, die auf die fortschrittlichsten Bewegungen der Zeit zurückzuführen sind. Der politische Druck kommt vor allem von der Sozialdemokratie. Aber auch die Stadtplaner und Architekten kämpfen für ihre Überzeugungen. Die gestalterische Avantgarde hat im Deutschen Werkbund ein wichtiges Sprachrohr. Und der Architekt Hermann Muthesius (1861-1927) weiß diesem an höchster Stelle Gehör zu verschaffen. Anregend für den modernen deutschen Siedlungsbau sind die gartenstädtischen Wohnanlagen in England, wie Port Sunlight (ab 1892), Bourneville (ab 1895) und Hampstead (ab 1903). -
FV Wannsee Tennis Borussia – SV Tasmania 7
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