Ideas and Practices for the European City
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SJET) ISSN 2347-9523 (Print) Abbreviated Key Title: Sch
Scholars Journal of Engineering and Technology (SJET) ISSN 2347-9523 (Print) Abbreviated Key Title: Sch. J. Eng. Tech. ISSN 2321-435X (Online) ©Scholars Academic and Scientific Publisher A Unit of Scholars Academic and Scientific Society, India www.saspublisher.com The Contribution of German Architects in Creating Ankara During the Early Years of the Republic of Turkey Ata Atun1*, Yurdagül Atun2, Selman Arslanbaş3, Ayman Kole4, Cyprus Science University5 1Profesor, Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 2Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 3Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 4Yrd. Doç. Cyprus Science University, 99320 Cyprus, Dr Fazıl Küçük Caddesi, Ozanköy, Turkey 5Cyprus Science University: Kıbrıs İlim Üniversitesi, Dr Fazıl Küçük Caddesi, Ozanköy, Girne, KKTC, 99320 Turkey Abstract: After the Ottoman Empire was defeated in the First World War, the Ottoman Original Research Article Empire was occupied by the Alliance states especially the city of Istanbul and all the regions of Anatolia except the Central Anatolia. The war of independence of Turkey, *Corresponding author which started on May 19, 1919 by the landing of Mustafa Kemal Ataturk and his close Ata Atun friends to Samsun, ended on August 30, 1922 after the signing of Treaty of Lausanne by all parties and recognizing Turkey as an independent new state. The new state's first Article History elected as president, Mustafa Kemal Ataturk, put into force a series of reforms in order to Received: 15.12.2018 realize his dreams of a modern, westernized, industrialized state with a modern living Accepted: 25.12.2018 conditions and standards. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
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2020.02.17 Barcelona/Bilbao Tour Presentation (30 min.) Some slides of the architecture we will see on the tour. Present slides chronologically which is different from the trip itinerary, this is a brief preview of the class teaching this summer (Gaudi’s 5 key dates), which was structured to be a prelude for the trip. Beautiful itinerary of Gaudi: playful Batlló/Mila, Vicens; mag.opus Sagrada; essence Dragon/Crypt; serene Park; finale Bilbao. Many other treats: Barcelona Rambla, ancient bullfighting ring, Barcelona Pavilion, 92 Olympic village/park, Miró museum. Catalan brickwork Trencadis discarded parabolic signatures metalwork 1885 Pavellons Güell Dragon Gate (Tue.) first use of Trencadis Mosaic, where we see Gaudi’s resourcefulness, frugality, creativity. A study of Gaudi’s work explores this human trait that will be needed for our survival on a rapidly changing planet. By use of discarded, broken, fragmented materials as decoration, Gaudi finds redemption, a humility willing to consider all. corner cast/wrought plasticity ventilators Mudéjar contraptions Casa Vicens (Mon. - interior) 1883-1888 organic form discarded personalized Park Güell bench (Wed. - interior) 1903-1914 mosaic ventilators parabolic Jean Nouvel: Agbar Tower (Tue.) 1999-2004 Norman Foster: Bilbao Underground Station (Fri.) 1995 parabolic natural honest (+7 min.) 1892 Sagrada Familia Nativity Façade (Mon. – interior) experiments Natural Form [honest truth, taboos, answers in nature] honest organic natural mosaic honest Mies: Barcelona Pavilion (Wed. - interior) 1928-1929 IMB: Vizcaya Foral Library (Sat.) 2007 inclined reuse contraption weight (+9 min.) 1898 Colònia Güell Crypt model (Tue. - interior) equilibriated structures gravity thrusts passive tree work with, not against Park Güell colonade viaduct (Wed. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
The Ship of Theseus Identity and the Barcelona Pavilion(S)
The Ship of Theseus Identity and the Barcelona Pavilion(s) Lance Hosey NewSchool of Architecture & Design Built in 1929 and demolished in 1930, the Figure 1. Opposite page, top: Barcelona Pavilion, 1929 and 1986 (photographed 2009). Viewed from Barcelona Pavilion was rebuilt on the original the northeast. The German tricolor flag flew over the 1929 pavilion; the flag of Barcelona flies over the site in 1986. Is it the “same” building? Many current structure. (Left: Photograph by Berliner Bild Bericht. Opposite page, right: Photograph by Pepo architects and critics question the reconstruction’s Segura. Courtesy of Fundació Mies van der Rohe.) authenticity, dismissing it as a “fake.” Why the Figure 2. Opposite page, middle: Barcelona Pavilion, 1929 and 1986 (photographed 2009). pavilion has inspired such doubt is an important North courtyard with George Kolbe sculpture, Alba (“Dawn”). The original cast was plaster; the WRSLFEHFDXVHLWUHODWHVWRWKHYHU\GH¿QLWLRQV current cast is bronze. (Left: Photograph by Berliner Bild Bericht. Right: Photograph by Pepo Segura. of architecture. What determines a building’s Courtesy of Fundació Mies van der Rohe.) identity—form, function, context, material, or Figure 3. Opposite page, bottom: Barcelona Pavilion, 1929 and 1986 (photographed 2009). something else? As a historically important View across the podium reflecting pool from the southeast. (Left: Photograph by Berliner work that has existed in more than one instance, Bild Bericht. Right: Photograph by Pepo Segura. Courtesy of Fundació Mies van der Rohe.) the Barcelona Pavilion offers an extraordinary opportunity to consider this question. Examining Goldberger.¡ The architects of the reconstruction—Ignasi Solà-Morales, the distinctions between the two structures Cristian Cirici, and Fernando highlights conventional standards of critical Ramos—admitted their own “tremor of doubt,” writing that rebuilding such evaluation, exposing architecture’s core values a familiar landmark was a “traumatic and interrogating the very concept of preservation. -
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Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts. -
Türkiye'de Erken Cumhuriyet Dönemi Yabancı Mimarların İzleri, Franz
ÇALIŞMA MEGARON 2018;13(3):363-373 DOI: 10.5505/MEGARON.2018.79664 Türkiye’de Erken Cumhuriyet Dönemi Yabancı Mimarların İzleri, Franz Hillinger Örneği Tracks of Foreign Architects of the Early Republic Period in Turkey, Franz Hillinger Sample Ayşe DURUKAN KOPUZ ÖZ 30’lu yıllarda, Türkiye’de Modern Mimarlık üzerine yapılan kavramsal tartışmalar, Almanca konuşan veya geçmişte Almanya’da bulunan avangart mimar ve kentsel plancıların ülkemize gelmeleriyle yeni bir boyut kazanmıştır. Bahsedilen mimar ve kent plancıları kendi ülke- lerinde kazandıkları deneyimleri ülkemizde uygulamaya çalışmışlardır. Şimdiye kadar Erken Cumhuriyet Döneminde Türkiye’ye gelen ya- bancı mimarların gösterdikleri etkilerin tarihçesi araştırılırken, genellikle birinci kategoride (ön planda) yer alan mimar ve kentsel plancılar üzerinde araştırmalar yapılmıştır. Oysa yeni mimarlık söyleminin/pratiğinin biçimlenmesinde oldukça etkin ve nüfuzlu bir rol oynayan bu avangard/öncül mimarların yanı sıra, daha az tanınan uzmanlardan/mimarlardan oluşan adeta geri planda kalmış sessiz bir deneyim geçirmiş olan bir grup daha vardır. Örneğin 1936-38 yılları arasında Türkiye’de bulunan Bruno Taut yönetiminde bulunan İmar Bürosu’nda çalışan bir grup mimarın durumu bu şekildedir. Bu makalede Taut’la birlikte çalışan ve daha alt kategoride yer alan göçmen mimarlardan olan Franz Hillinger hakkında özellikle “Berlin Akademie der Künste, Yapı Sanatı Arşivi”nden elde edilen bilgiler doğrultusunda, 1930’lar Türkiye mimarlık ortamına ışık tutulmaya çalışılacaktır. Ayrıca Erken Cumhuriyet Dönemi mimarlığı hakkında, yabancı mimarların rolü üzerine katkı sağlayabilecek bir konuyu gündeme taşımayı ve dönemle ilgili literatür, bilgi birikiminin arttırılması ve sürdürülmesi hedef- lenmektedir. Anahtar sözcükler: Bruno Taut; Erken Cumhuriyet Dönemi mimarlığı; Franz Hillinger; yabancı mimarlar. ABSTRACT In 30’s, the conceptual debates on Modern Architecture in Turkey gained a new dimension by the arrival of german speaking and German avant- garde architects and urban planners. -
FDRS Price MF-$0.65 HC$23.03 Appendicestwo Cn Western Art, Two on Architect Ire, and One Each on Nonwestern Art, Nonwestern Musi
DOCDPENT RESUME ED 048 316 24 TE 499 838 AUTHOR Colwell, Pichard TTTLE An Approach to Aesthetic Education, Vol. 2. Final Report. INSTITUTION Illinois Univ., Urbana, Coll. of Education. SPCNS AGENCY Office of Education (DREW), Washington, D.0 Bureau of Research. 'aUREAU NO BR-6-1279 PUB DATE Sep 70 CONTRACT OEC-3-6-061279-1609 NOTE 680p. EERS PRICE FDRS Price MF-$0.65 HC$23.03 DESCRIPTORS *Architecture, *Art Education, *Cultural Enrichment, *Dance, Film Study, Inst,.uctional Materials, Lesson Plans, Literature, Music Education, Non Western Civilization, *Teaching Techniques, Theater Arts, Western Civilization ABSTRACT Volume 2(See also TE 499 637.) of this aesthetic education project contains the remiinirig 11 of 17 report appendicestwo cn Western art, two on architect ire, and one each on Nonwestern art, Nonwestern music, dance, theatre, ana a blif outline on film and literature--offering curriculum materials and sample lesson plans.The. last two appendices provide miscellaneous informatics (e.g., musi,:al topics not likely to be discussed with this exemplar approach) and a "uorking bibliography." (MF) FINACVPORT Contract Number OEC3,6-061279-1609 AN APPROACH TO AESTHETIC EDUCATION VOLUME II September 1970 el 111Q1 7). ,f; r ri U.S. DepartmentDepartment of Health, Education, and Welfore Office of Education COLLEGE OF EDUCATION rIVERSITY 01. ILLINOIS Urbana - Champaign Campus 1 U S DEPARTMENT Of HEALTH, EDUCATION A WELFARE OFFICE Of EDUCATION THIS DOCUMikl HAS REIN REPRODUCED EXACTLY AS RECEIVED FROM THE POISON OP OOGANITATION ORIOINATIOLS IT POINTS Of VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE Of EDUCATION POSITION OR POLICY. AN APPROACH TO AESTHETIC EDUCATION Contract Number OEC 3-6-061279-1609 Richard Colwell, Project Director The research reported herein was performed pursuant to a contract with the Offices of Education, U.S. -
Architecture in Linz 1900–2011
~ SpringerWienNewYork Architecture in Linz 1900–2011 EDITED BY Andrea Bina and Lorenz Potocnik AUTHORS Andrea Bina (ab) Theresia Hauenfels (th) Elke Krasny (ek) Isabella Marboe (im) Lorenz Potocnik (lp) PHOTOGRAPHY Gregor Graf ESSAYS BY Peter Arlt Ulrich Aspetsberger Martin Fritz Bernhard Gilli Michael John Walter Kohl Erhard Kargel Elke Krasny Wilfried Lipp Thomas Philipp Wilfried Posch Lorenz Potocnik Gerhard Ritschel Bernd Vlay Christoph Wiesmayr SpringerWienNewYork Andrea Bina, Lorenz Potocnik, Linz, Austria This publication is a follow-up project of Linz09 and was financed by the Federal Ministry for Education, Art, and Culture, the City of Linz, and the Province of Upper Austria / Cultural Department. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in databanks. Product Liability: The use of registered names, trademarks, etc. in this publication does not imply, even in the absence of specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. ©2012 Springer-Verlag/Wien SpringerWienNewYork is a part of Springer Science + Business Media springer.at Graphic design: Alexander Ach Schuh & Martina Fuchs Photography: Gregor Graf Concept & Project Management: Lorenz Potocnik Editorial office: Hannah Bruckmüller, Lorenz Potocnik Copy Editing: Andrea -
Wohnturmhaus Wrocław DASH 63
62 Wohnturmhaus Wrocław Adolf Rading The Residential Floor Plan Floor Residential The De woningplattegrond De Westgevel in oorspronkelijke toestand West elevation in its original state DASH Typisering Standardization DASH Vanwege de enorme woningnood in Duitsland, midden Due to the immense housing shortage in Germany in the mid- jaren twintig, zagen architecten zich voor een opgave 1920s, architects faced the challenge of designing residential gesteld die zich vooral richtte op het ontwerp van woon- neighbourhoods with Kleinwohnungen für grosse Familien (small wijken met Kleinwohnungen für grosse Familien. Men dwellings for large families). While doing this they explored zocht naar nieuwe woonvormen en het bouwproces werd new forms of accommodation and rationalized the construction gerationaliseerd. Naast de ontwikkeling van standaard process. Standard modules were developed while floor plans Wohnturmhaus Siedlung Grüneiche: bouwelementen werden woningplattegronden uit kosten- were minimized and reconceptualized for reasons of cost. Tramwajowa 2b – Wroclaw, Polen/ overwegingen geminimaliseerd en opnieuw uitgedacht. Two years after the Werkbundausstellung ‘Die Wohnung’ Poland (voormalig/former Breslau, Twee jaar na de Werkbundausstellung ‘Die Wohnung’ (The Dwelling) in Stuttgart (Weißenhofsiedlung) the exhibition Duitsland/Germany) Architect: Adolf Rading in Stuttgart (Weißenhofsiedlung) werd op 15 juni 1929 in ‘Wohnung und Werkraum’ (Dwelling and Workplace) opened Opdrachtgever/Client: Breslau (nu Wroclaw, Polen) de tentoonstelling ‘Wohnung -
Committee Approval Form
UNIVERSITY OF CINCINNATI _____________ , 20 _____ I,______________________________________________, hereby submit this as part of the requirements for the degree of: ________________________________________________ in: ________________________________________________ It is entitled: ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ Approved by: ________________________ ________________________ ________________________ ________________________ ________________________ HERMENEUTICS OF ARCHITECTURAL INTERPRETATION: THE WORK IN THE BARCELONA PAVILION A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF SCIENCE In the Department of Architecture and Interior Design of the College of Design, Art, Architecture and Planning 2002 By Maroun Ghassan Kassab B Arch, Lebanese American University Jbeil, Lebanon 1999 Committee: Professor John E. Hancock (Chair) James Bradford, Adj. Instructor Aarati Kanekar, Assistant Professor ABSTRACT Architectural interpretation has always been infiltrated by the metaphysics of Presence. This is due to the interpreter’s own background that uses the vocabulary of metaphysics, and due to the predetermined set of presuppositions the interpreter inherited from the metaphysical tradition itself. As a consequence what is to be interpreted has constantly been taken