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Humanizing Streets the Superblocks in the Eixample, Barcelona
HUMANIZING STREETS THE SUPERBLOCKS IN THE EIXAMPLE, BARCELONA Pamela AcuÑA Kuchenbecker Msc Thesis LanDscape Architecture WAGeninGen UniVersitY October 2019 HUMANIZING STREETS THE SUPERBLOCKS IN THE EIXAMPLE, BARCELONA Pamela ANDrea AcuÑA Kuchenbecker Msc Thesis LanDscape Architecture WAGeninGen UniVersitY October 2019 © Pamela Acuña Kuchenbecker Chair Group Landscape Architecture Wageningen University October 2019 All rights reserved. No part of this thesis may be reproduced, stored in a retrieval system, or transmitted in any form or any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of either the author or the Wageningen University Landscape Architecture Chairgroup. Pamela Andrea Acuña Kuchenbecker Registration number: 111184005150 [email protected] LAR-80436/39 Master Thesis Landscape Architecture Chair Group Landscape Architecture Phone: +31 317 484 056 Fax: +31 317 482 166 E-mail: [email protected] www.lar.wur.nl Postbus 47 6700 AA, Wageningen The Netherlands Examiner Dr. ir. Rudi van Etteger MA Wageningen University, Landscape Architecture group Supervisor & examiner Dr. dipl. ing. Sanda Lenzholzer Wageningen University, Landscape Architecture group Humanizing streets ABSTRACT People’s behavior is affected by the combination of sight, Therefore, the purpose of this thesis is to generate sounds, smells, textures, tastes, and thermal conditions, knowledge for the intersections of superblocks, which can determine how long a place will be used. The which present a deficiency in providing citizens with built environment, due to its population growth over the a comfortable and positive sensory experience. This centuries and with its consequent reduction of green thesis fills the knowledge gap by inferring a new multi- urban areas, has deprived citizens of many pleasures and sensory approach, which aims towards a pleasurable introduced new unpleasant sensations. -
Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven***
170 Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven*** Abstract Geographically, Spain consists of a complex mosaic of cultural identities and regional aspirations for varying degrees of autonomy and independence. Following the end of violent conflict in the Basque country, Catalonia has emerged as the most vocal region pursuing independence from the central Spanish state. Within the Catalan separatist movement, cultural heritage sites and objects have been appropriated to play an intrinsic role in supporting political aims, with a variety of cultural institutions and state-sponsored monumentality playing an active part in the formation and dissemination of particular identity-based narratives. These are centred around the themes of a separate and culturally distinct Catalan nation which has been subject to extended periods of oppression by the varying manifestations of the Spanish state. This study addresses the increasing use of museums and heritage institutions to support the concept of a separate and distinctive Catalan nation over the past decade. At various levels, from the subtle to the blatant, heritage institutions are propagating a message of cultural difference and past injustice against the Catalan people, and perform a more consciously active, overt and supportive role in the independence movement. Key words: Catalonia, museums, heritage, identity, nationhood Across contemporary Europe a range of nationalist and separatist movements are again gaining momentum (Borgen 2010). From calls for independence in Scotland and the divisive politics of the Flemish and Walloon communities in Belgium, to the continually complicated political mosaic of the Balkan states, there are now a myriad of movements striving for either greater or full autonomy for their region or peoples. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
T Raducciones P Resentación
T RADUCCIONES P RESENTACIÓN La Font Màgica de Montjuïc forma parte de la iconografía de La dictadura de Primo de Rivera supuso una ruptura en la 131 Barcelona desde aquel lejano 19 de mayo de 1929, cuando fue organización de la Exposición. El mismo Cadafalch se alejó del inaugurada oficialmente la Exposición Internacional de proyecto al dimitir de su cargo en la Mancomunitat en Barcelona. septiembre de 1923. Esto generó una crisis que concluyó en el año 1924 con el nombramiento de Pere Domènech i Roure La imagen de los surtidores y las cascadas en la avenida de como director general de construcciones de la Exposición, lo Maria Cristina, con la Font Màgica y su juego de agua y de luz que comportó un cambio radical en los arquitectos encargados a los pies de un Palau Nacional iluminado por más de de los diferentes palacios y pabellones. novecientos reflectores y coronado por la aureola de rayos divergentes, fue imborrable para los visitantes y, según reflejan La escenografía espectacular de la entrada a la Exposición las crónicas, se llegaron a habilitar para el público sillas de había sido diseñada por el ingeniero militar Marià Rubió i mimbre para que pudiesen contemplar el espectáculo con más Bellver, asistido por su hijo Nicolau, arquitecto jardinero, y comodidad. por el paisajista francés Forestier. LENGINY DE CARLES BUIGAS Hoy en día seguimos teniendo el Palau Nacional, con El papel de Buigas, que era jefe de instalaciones eléctricas y que su corona de reflectores y la Font Màgica, enriquecida con el trabajaba para el Comité Directivo de la Exposición desde complemento musical que el mismo Carles Buigas añadió hacía años, cobró relevancia cuando, al haberse derribado las después de 1929. -
Bolstering Community Ties and Its Effect on Crime
Bolstering community ties and its effect on crime: Evidence from a quasi-random experiment Magdalena Dom´ınguez and Daniel Montolio∗ Work in progress - Do not cite without permission This version: February 2019 Abstract In this paper we study the effect of bolstering community ties on local crime rates. To do so, we take advantage of the quasi-random nature of the implementation of a community health policy in the city of Barcelona. Salut als Barris (BSaB) is a policy that through community-based initiatives and empowerment of citizenship aims at improving health outcomes and reducing inequalities of the most disadvantaged neighborhoods. Based on economic and sociological literature it is also arguable that it may affect other relevant variables for overall welfare, such as crime rates. In order to test such a hypothesis, we use monthly data at the neighborhood level and a staggered Differences-in-Differences approach. Overall we find that BSaB highly reduces crimes related to non-cognitive features as well as those where there is a very close personal link (labeled as home crimes), with responses ranging from 9% to 18%. Additionally, female victimization rates drop for all age groups as well as the offense rates of younger cohorts. We argue that such outcomes are due to stronger community ties. Such results provide evidence in favor of non-traditional crime preventing policies. Keywords: crime; community action; differences-in-differences. JEL codes: C23, I18, I28, J18. ∗Dept. of Economics, University of Barcelona and IEB: [email protected] ; [email protected] We are grateful to Elia Diez and Maribel Pasarin at the Barcelona Public Health Agency (ASPB) and IGOP researchers Raquel Gallego and Ernesto Morales at Autonomous University of Barcelona (UAB) for their insightful comments on the program. -
Introduction: Barcelona and Modernity Brad Epps
You are accessing the Digital Archive of the Esteu accedint a l'Arxiu Digital del Catalan Catalan Review Journal. Review By accessing and/or using this Digital A l’ accedir i / o utilitzar aquest Arxiu Digital, Archive, you accept and agree to abide by vostè accepta i es compromet a complir els the Terms and Conditions of Use available at termes i condicions d'ús disponibles a http://www.nacs- http://www.nacs- catalanstudies.org/catalan_review.html catalanstudies.org/catalan_review.html Catalan Review is the premier international Catalan Review és la primera revista scholarly journal devoted to all aspects of internacional dedicada a tots els aspectes de la Catalan culture. By Catalan culture is cultura catalana. Per la cultura catalana s'entén understood all manifestations of intellectual totes les manifestacions de la vida intel lectual i and artistic life produced in the Catalan artística produïda en llengua catalana o en les language or in the geographical areas where zones geogràfiques on es parla català. Catalan Catalan is spoken. Catalan Review has been Review es publica des de 1986. in publication since 1986. Introduction: Barcelona and Modernity Brad Epps Catalan Review, Vol. XVIII, number 1-2, (1998), p. 13-28 INTRODUCTION: BARCELONA AND MODERNITY BRAD EPPS For Joana Crespi, who taught me Catalan, in troduced me to the streets of Barcelona, and in vited me to my first dry martini atCan Boadas; In memorzam Great Enchantress; Rose of Fire; Manchester of Spain; Paris of the South; City of Bombs; City of Marvels; City of Architects; Olympic Village; Design Capital; Gastronomic Center; Soccer Powerhouse; Tourist Mecca; Cultural Forum; International Hot Spot: Modern Barcelona has been, and continues to be, many things to many people. -
Barcelona Gay & Lesbian Bars
BARCELONA Chic, relaxed and one of the most liberal cities in Spain, a very progressive country with a live-and- let-live attitude, Barcelona is simply the Gem of the Mediterranean! Barcelona has its own gay neighborhood (the bustling "Gaixample" district) as well as its own beach resort town (Sitges), a half-hour train-ride away. The gayborhood is bordered by Carrer de Balmes and Gran Via de los Cortes Catalanes, and much of its gay-friendly shopping, dining and nightlife lies along Carrer de Diputaci. Even though almost everyone in Barcelona understands and speaks Spanish and English, Catalan remains the native language. Brush up on your Catalan and book one of our gay-friendly hotels in Barcelona. GAY & LESBIAN BARS Night Barcelona Sexy bar/lounge by the creators of Boy Berry, one of Barcelona's hottest saunas. Diputacio, 161 (Between Casanova & Villarroel), Eixample Tel.+34 3 49 350 317 http://www.nightbarcelona.net Bacon Bear Bar Bacon Bear Bar has a lively crowd and reigns as Barcelona's favorite hangout for bears and their admirers. Carrer De Casanova, 64 (Carrer de La Diputaci), Eixample http://baconbcn.com Chaps Cruisey scene with good music and drinksfor bears and mature, manly guys Avinguda Diagonal, 365 (Carrer de Roger de Llria) Tel. +34 9 32 155 365 http://www.newchaps.com/ Punto CBN Classic Barcelona gay Bar for 30+ crowd Address : Carrer de Muntaner, 63, Barcelona, Spain Eixample www.arenadisco.com/frame.htm www.worldrainbowhotels.com / La Chapelle The "chapel" bar is a very unique spot with white-tiled walls housing crucifixes of all shapes and sizes. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Marco Garcia, Clàudia; López Gay, Antonio; Solana Solana, A
This is the published version of the article: Marco Garcia, Clàudia; López Gay, Antonio; Solana Solana, A. Miguel. Barrios del extrarradio en transformación. Ciclo de vida y renovación sociodemográfica : el caso de Montbau en Barcelona. 2018. 46 p. This version is available at https://ddd.uab.cat/record/200621 under the terms of the license Barrios del extrarradio en transformación. Ciclo de vida y renovación sociodemográfica: El caso de Montbau en Barcelona Autora: Clàudia Marco Garcia Tutor/a: Antonio López Gay y Miguel Solana Solana Estudios: Màster en Estudis Territorials i de la Població. Curso: 2017-2018 Barrios del extrarradio en transformación. Ciclo de vida y renovación sociodemográfica: el caso de Montbau en Barcelona RESUMEN El siguiente trabajo analiza la dinámica sociodemográfica de la población del barrio de Montbau en la ciudad de Barcelona con el objetivo de estudiar las dinámicas residenciales que están comportando un rejuvenecimiento de la población en un área altamente envejecida. Se realiza un análisis metodológico mixto (cualitativo y cuantitativo), que contempla la evolución reciente de diversas variables sociodemográficas, así como los testimonios de residentes en el barrio. Ambas perspectivas pretenden aportar una visión de conjunto de los cambios observados y una aproximación futura de la evolución demográfica y urbana de Montbau. El análisis contempla la utilización de diferentes fuentes estadísticas y estudia la evolución de la población y los efectos que tienen sobre la misma los flujos residenciales y migratorios. Las entrevistas a los vecinos permiten conocer especialmente las dinámicas de transmisión intergeneracional de la vivienda. El contexto actual del mercado inmobiliario barcelonés, cada vez más selectivo y excluyente, podría estar potenciando la transformación del perfil sociodemográfico del barrio: aumenta el atractivo para la clase media y disminuye el peso (la presencia) de la clase trabajadora. -
Download Presentation Notes
2020.02.17 Barcelona/Bilbao Tour Presentation (30 min.) Some slides of the architecture we will see on the tour. Present slides chronologically which is different from the trip itinerary, this is a brief preview of the class teaching this summer (Gaudi’s 5 key dates), which was structured to be a prelude for the trip. Beautiful itinerary of Gaudi: playful Batlló/Mila, Vicens; mag.opus Sagrada; essence Dragon/Crypt; serene Park; finale Bilbao. Many other treats: Barcelona Rambla, ancient bullfighting ring, Barcelona Pavilion, 92 Olympic village/park, Miró museum. Catalan brickwork Trencadis discarded parabolic signatures metalwork 1885 Pavellons Güell Dragon Gate (Tue.) first use of Trencadis Mosaic, where we see Gaudi’s resourcefulness, frugality, creativity. A study of Gaudi’s work explores this human trait that will be needed for our survival on a rapidly changing planet. By use of discarded, broken, fragmented materials as decoration, Gaudi finds redemption, a humility willing to consider all. corner cast/wrought plasticity ventilators Mudéjar contraptions Casa Vicens (Mon. - interior) 1883-1888 organic form discarded personalized Park Güell bench (Wed. - interior) 1903-1914 mosaic ventilators parabolic Jean Nouvel: Agbar Tower (Tue.) 1999-2004 Norman Foster: Bilbao Underground Station (Fri.) 1995 parabolic natural honest (+7 min.) 1892 Sagrada Familia Nativity Façade (Mon. – interior) experiments Natural Form [honest truth, taboos, answers in nature] honest organic natural mosaic honest Mies: Barcelona Pavilion (Wed. - interior) 1928-1929 IMB: Vizcaya Foral Library (Sat.) 2007 inclined reuse contraption weight (+9 min.) 1898 Colònia Güell Crypt model (Tue. - interior) equilibriated structures gravity thrusts passive tree work with, not against Park Güell colonade viaduct (Wed. -
Josep Carner I Els Orígens Del Noucentisme
que tingui cura de "triar les composicions destina- des a la secció literària" (IMjd.. , p.221) i exercei- xi, per tant, com a director. Magí Sunyer també fa referència a l'assumpte, però es limita a repetir la informació de Plàcid Vidal (Magí SUNYER I MOLNÉ, Els. marninats socials en la literatura del grup moder- nista de Reus, Reus, associació d'Estudis Reusencs, 1984, p.78). 241- Ho confirma Plàcid Vidal a L'assaig. .f op.. cit_. , p.237. 242- A partir del 5 d'agost, deixen d'aparèixer-hi textos seus amb regularitat. El proper és del 30 de setem- bre i després ja no n'hi ha cap més fins al 3 de març de 1907. Els canvis en la selecció comencen a ser significatius des del mes d'octubre i són ja ben evidents en la reivindicació de Frederic Soler del 23 de desembre. 243- Salutació, "Biblioteca Clàssica Catalana", 1, núm. 1 (20-V-1906). 244- Per a Joan-Lluís Marfany constitueixen el "printer intent seriós, conscient i organitzat d'incorporar activament Mallorca al si d'una cultura catalana únicat d'abandonar el localisme mallorquí í d'esco- llir la integració dins l'esfera cultural catalana en comptes de la castellana" (MARFANY, Reflexions sobre Modernisme i noucentisme, art. cit. , p.62). Josep M§ Llompart parla de "generació Jove", "la dels qui formen, a títol d'«escolars», l'Escola Ma- llorquina pròpiament dita i realitzen en el terreny de la creació poètica una versió molt peculiar, molt específicament insular de les directrius estètiques del Noucentisme" (LLOMPART, El Noucentisme a les Illes, art, cit. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript