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Fomento De Construcciones Y Contratas, S.A. and Subsidiaries (Consolidated Group)
FOMENTO DE CONSTRUCCIONES Y CONTRATAS, S.A. AND SUBSIDIARIES (CONSOLIDATED GROUP) FOMENTO DE CONSTRUCCIONES Y CONTRATAS, S.A. AND SUBSIDIARIES (CONSOLIDATED GROUP) CONSOLIDATED GROUP BALANCE SHEET A S S E T S 31-12-2009 31-12-2008 NON-CURRENT ASSETS 12,832,839 11,829,356 Intangible assets (Note 6) 4,462,312 3,886,429 Concessions (Notes 6 and 10) 961,755 905,075 Goodwill 2,615,300 2,556,385 Total intangible assets 885,257 424,969 Property, plant and equipment (Note 7) 5,957,478 5,491,693 Land and buildings 1,640,370 1,588,241 Plant and machinery 4,317,108 3,903,452 Investment properties (Note 8) 264,093 263,919 Investments carried using the equity method 1,145,754 1,116,605 (Note 11) Non-current financial assets (Note 13) 404,024 517,868 Deferred tax assets (Note 22) 599,178 552,842 CURRENT ASSETS 8,427,874 8,768,005 Non-current assets held for sale ⎯ 7,367 Inventories (Note 14) 1,103,282 1,575,256 Trade and other accounts receivable 5,372,976 5,499,162 Trade debtors for sales and services rendered 4,894,660 4,975,888 (Note 15) Other receivables (Note 15) 420,483 472,269 Current tax assets (Note 22) 57,833 51,005 Other current financial assets (Note 13) 230,980 222,830 Other current assets 66,174 54,729 Cash and cash equivalents 1,654,462 1,408,661 (Note 16) TOTAL ASSETS 21,260,713 20,597,361 Notes 1 to 30 and the enclosed Schedules I to V are an integral part of the consolidated financial statements, along with which they form the consolidated annual accounts for fiscal year 2009. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
Pdf 1 20/04/12 14:21
Discover Barcelona. A cosmopolitan, dynamic, Mediterranean city. Get to know it from the sea, by bus, on public transport, on foot or from high up, while you enjoy taking a close look at its architecture and soaking up the atmosphere of its streets and squares. There are countless ways to discover the city and Turisme de Barcelona will help you; don’t forget to drop by our tourist information offices or visit our website. CARD NA O ARTCO L TIC K E E C T R A B R TU ÍS T S I U C B M S IR K AD L O A R W D O E R C T O E L M O M BAR CEL ONA A A R INSPIRES C T I I T C S A K Í R E R T Q U U T E O Ó T I ICK T C E R A M A I N FOR M A BA N W RCE LO A L K I NG TOU R S Buy all these products and find out the best way to visit our city. Catalunya Cabina Plaça Espanya Cabina Estació Nord Information and sales Pl. de Catalunya, 17 S Pl. d’Espanya Estació Nord +34 932 853 832 Sant Jaume Cabina Sants (andén autobuses) [email protected] Ciutat, 2 Pl. Joan Peiró, s/n Ali-bei, 80 bcnshop.barcelonaturisme.cat Estación de Sants Mirador de Colom Cabina Plaça Catalunya Nord Pl. dels Països Catalans, s/n Pl. del Portal de la Pau, s/n Pl. -
The Beaches Les Platges
~ BEST URBAN BEACHES ~ LES PLATGES LAS PLAYAS THE BEACHES ~1 i 2~ ~3~ ~4~ ~5~ ~6~ ~7 i 8 ~ ~9~ ~10~ Platja de Sant Sebastià Platja de la Barceloneta Platja de Somorrostro Platja de Nova Icària Platja del Bogatell Platja de Mar Bella Platja de Llevant Zona de banys del & Sant Miquel & Nova Mar Bella Fòrum Junt amb la Barceloneta, són Una de les platges més entran- Fins a mitjan segle xx aquí hi Amb el rerafons del peix metàl·lic Com les seves veïnes, El públic més jove té especial Fins fa ben poc, les fàbriques Amb el rerafons escultòric de les platges més antigues de la yables de Barcelona: Miguel havia un barri de barraques. dissenyat per l’arquitecte Frank aquesta platja és el resultat predilecció per aquesta platja, i altres instal·lacions arribaven la placa fotovoltaica del Fòrum, ciutat, on s’hi van instal·lar els de Cervantes es va inspirar Aquí va néixer Carmen Amaya, Gehry, aquesta platja es va de l’urbanisme que, amb que acull un espai dedicat gairebé fins a la línia de costa, la piscina d’aigua salada a mar primers establiments de bany, probablement en aquesta la balladora de flamenc més crear amb la urbanització de la l’empenta de la Barcelona al naturisme. És un punt de situada més de dos-cents me- obert, amb una zona de bany que aleshores era una activitat platja per situar-hi el combat famosa i universal de tots els Vila Olímpica, a finals dels anys Olímpica del 92, va voler apos- trobada d’un públic divers i tres enrere d’on ara hi ha les ben delimitada, és una altra ma- lúdica reservada a les classes del Quixot amb el cavaller de la temps. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
ITEMS 2014Ang
BARCELONA Items 2014 Turisme de Barcelona Passatge de la Concepció, 7-9 08008 Barcelona Tel. 93 368 97 00 Fax 93 368 97 01 www.barcelonaturisme.cat [email protected] Twitter: BarcelonaInfoEN 1 Index The Capital of the Mediterranean p. 3 An entire city for shopping p. 5 Barcelona, beaches and sea p. 8 A highly accessible city p. 12 Sustainable tourism destination p. 14 BCNShop, Barcelona in a click p. 16 The City’s Main Museums with the Barcelona Card p. 16 Barcelona opens the ‘Cathedral of Iron’ the Catalan Spirit p. 17 The Epic City of 1714 p. 17 Gaudi’s Bellesguard Tower p. 18 2 The Capital of the Mediterranean For tourists, Barcelona is a secret known to everyone. Over the last decade the capital of Catalonia has been the star of European urban tourism, as visitor figures have doubled. With the impetus from the 1992 Olympic Games it entered the world club of cities and became a global reference for international urban tourism. With sixteen million overnight stays per year and around seven million tourists a year, Barcelona has been the great ‘discovery’ for holiday tourism in recent years. This is an acknowledgement that now complements the traditional activity of business tourism in the city, which itself continues to grow in size and prestige. The Catalan capital has emerged as a major tourism destination. People from around the world choose it for their holidays and weekend breaks, due to its unique characteristics, as it brings together an intense and varied number of enticements and attractions in a city of human dimensions. -
The Ship of Theseus Identity and the Barcelona Pavilion(S)
The Ship of Theseus Identity and the Barcelona Pavilion(s) Lance Hosey NewSchool of Architecture & Design Built in 1929 and demolished in 1930, the Figure 1. Opposite page, top: Barcelona Pavilion, 1929 and 1986 (photographed 2009). Viewed from Barcelona Pavilion was rebuilt on the original the northeast. The German tricolor flag flew over the 1929 pavilion; the flag of Barcelona flies over the site in 1986. Is it the “same” building? Many current structure. (Left: Photograph by Berliner Bild Bericht. Opposite page, right: Photograph by Pepo architects and critics question the reconstruction’s Segura. Courtesy of Fundació Mies van der Rohe.) authenticity, dismissing it as a “fake.” Why the Figure 2. Opposite page, middle: Barcelona Pavilion, 1929 and 1986 (photographed 2009). pavilion has inspired such doubt is an important North courtyard with George Kolbe sculpture, Alba (“Dawn”). The original cast was plaster; the WRSLFEHFDXVHLWUHODWHVWRWKHYHU\GH¿QLWLRQV current cast is bronze. (Left: Photograph by Berliner Bild Bericht. Right: Photograph by Pepo Segura. of architecture. What determines a building’s Courtesy of Fundació Mies van der Rohe.) identity—form, function, context, material, or Figure 3. Opposite page, bottom: Barcelona Pavilion, 1929 and 1986 (photographed 2009). something else? As a historically important View across the podium reflecting pool from the southeast. (Left: Photograph by Berliner work that has existed in more than one instance, Bild Bericht. Right: Photograph by Pepo Segura. Courtesy of Fundació Mies van der Rohe.) the Barcelona Pavilion offers an extraordinary opportunity to consider this question. Examining Goldberger.¡ The architects of the reconstruction—Ignasi Solà-Morales, the distinctions between the two structures Cristian Cirici, and Fernando highlights conventional standards of critical Ramos—admitted their own “tremor of doubt,” writing that rebuilding such evaluation, exposing architecture’s core values a familiar landmark was a “traumatic and interrogating the very concept of preservation. -
Bizkaia Aretoa (Bilbao, Spain) 17-‐18 November 2015
Mer International & Cross-disciplinary Conference Bizkaia Aretoa (Bilbao, Spain) 17-18 November 2015 University of the Basque Country/ Euskal Herriko Unibertsitatea www.ehu.eus/en/web/envisioningconference [email protected] Food insecurity and hunger are growing problems in the world. The combined consequences of the financial crisis, market instability and increasing food prices severely aggravate the situation. That is also happening in the wealthy developed world. According to Caritas-Europe, 79 million people are food insecure in the EU (Caritas Report, 2014). That happens while up to half of world food production is wasted (see, among other: FAO, Global food losses and food waste. Extent, causes and prevention, 2011). According to the EU Parliament the current wastage in EU27 is 179kg per capita (89 million tones per annum) and if nothing changes it will get worse, with a major impact in environmental and economic terms as well as ethical implications. MEPs called on the Commission to implement a coordinated strategy combining EU-wide and national measures to improve the efficiency of food consumption chains sector by sector and to tackle food wastage as a matter of urgency (EU Parliament, 2011). When developing strategies for a more efficient food chain, we must take into account that the reasons for the waste are not always the same. This academic conference is designed as a multidisciplinary deliberation forum. It aims to provide us with an opportunity to discuss significant challenges facing the global food system in the 21st Century. The University of the Basque country is hosting the Conference at its Paraninfo, the Bizkaia Aretoa (in front of the Iberdrola Tower and the Guggenheim Museum, Bilbao City Center). -
Barcelona Quick Hints for This Guide
your a-z GUIDE TO barcelona Quick hints for this guide: • Scroll or jump to the section you need • Follow the links for more information on specific features* • All information is up to date at the time of publication • Save to your phone to use when you don’t have Wi-Fi * For full functionality, please download the file. Contents: Click to jump to section essentials Introduction The Basics Hola ¿Cuánto cuesta? oh lah cwahn toh Hi cways tah How much? ¿Cómo está? coh moh ¿Qué hora es? es tah kay orah ess How are you? What time is it? Por favor ¿Dónde está por fah vohr el baño? Please dohn days tah el ban yoh Gracias Where is the grah cee ahs bathroom? Thank you Una mesa ¿Habla inglés? para dos ahblah een oona may sah glays pah rah dohss Do you speak A table for two English? Introduction Geneva Business School works in tandem with Move.Me to make our students’ transition to living in a new country as seamless as possible. For a reasonable price, Move.Me will offer the following services: · Airport transfer · Support with finding accommoda- tion · Support with opening a bank account · Getting a national ID number for Spain – NIE (EU) or TIE (non-EU) · Registering as a resident in Spain (empadronamiento) · Guidance with day-to-day life, such as transport cards, installing internet, buying a phone, health insurance, and much more. Introduction To take advantage of Move.Me’s services, simply sign up with this form or call +34 678 97 41 63. -
Ideas and Practices for the European City
JOURNAL OF ARCHITECTURAL CULTURE 2017 JOELHO # 08 IDEAS AND PRACTICES FOR THE EUROPEAN CITY —— Guest Editors: José António Bandeirinha Luís Miguel Correia Nelson Mota Ákos Moravánszky Irina Davidovici Matthew Teissmann Alexandre Alves Costa Chiara Monterumisi Harald Bodenschatz Joana Capela de Campos Vitor Murtinho Platon Issaias Kasper Lægring Nuno Grande Roberto Cremascoli Exhibition History of Architecture III / IV Biographies of Power: Personalities and Architectures Jorge Figueira and Bruno Gil EDARQ JOURNAL OF ARCHITECTURAL CULTURE 2017 JOELHO # J08 IDEAS AND PRACTICES FOR THE EUROPEAN CITY —— Guest Editors: José António Bandeirinha Luís Miguel Correia Nelson Mota Ákos Moravánszky Irina Davidovici Matthew Teissmann Alexandre Alves Costa Chiara Monterumisi Harald Bodenschatz Joana Capela de Campos Vitor Murtinho Platon Issaias Kasper Lægring Nuno Grande Roberto Cremascoli Exhibition History of Architecture III / IV Biographies of Power: Personalities and Architectures Jorge Figueira and Bruno Gil em cima do joelho série II: Joelho Editores / Editors JOELHO Edição / Publisher Tipografia / Typography Contactos / Contacts Jorge Figueira (CES, DARQ, UC) e|d|arq – Editorial do Departamento Logótipo Joelho: Garage, Desenhada [email protected] Gonçalo Canto Moniz (CES, DARQ, UC) de Arquitectura Faculdade de em 1999 por Thomas Hout-Marchand, [email protected] — Ciências e Tecnologia da Universidade Editada pela sua editora 256TM — JOELHO 8 de Coimbra / Department of Joelho Website Ideas and Practices for Architecture, Faculty of Sciences and JOELHO VIII: Neutraface Slab, http://impactum-journals.uc.pt/index. the European City Technology, University of Coimbra desenhada em 2009 por Susana php/joelho/index — — Carvalho e Kai Bernau, sob direcção https://digitalis.uc.pt/pt-pt/ Editores convidados / Guest Editors Design artistica de Christian Schwartz e Ken node/84925 José António Bandeirinha R2 · www.r2design.pt Barber.