Three Short Novels Their Easily Readable Scope and Their Vivid England, in Europe and the Mediterranean, Themes, Each of the Stories Has a Distinct Charm
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Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Lockhart'smemoirs of the Life of Sir Walter Scott, Bart
Studies in Scottish Literature Volume 38 | Issue 1 Article 16 2012 WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig DePaul University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mulderig, Gerald P. (2012) "WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART.," Studies in Scottish Literature: Vol. 38: Iss. 1, 119–138. Available at: https://scholarcommons.sc.edu/ssl/vol38/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART’S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig “[W]hat can the best character in any novel ever be, compared to a full- length of the reality of genius?” asked John Gibson Lockhart in his 1831 review of John Wilson Croker’s edition of Boswell’s Life of Johnson.1 Like many of his contemporaries in the early decades of the nineteenth century, Lockhart regarded Boswell’s dramatic recreation of domestic scenes as an intrusive and doubtfully appropriate advance in biographical method, but also like his contemporaries, he could not resist a biography that opened a window on what he described with Wordsworthian ardor as “that rare order of beings, the rarest, the most influential of all, whose mere genius entitles and enables them to act as great independent controlling powers upon the general tone of thought and feeling of their kind” (ibid.). -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
The Effect of School Closure On
The Business of Writing Home: Authorship and the Transatlantic Economies of John Galt’s Literary Circle, 1807-1840 by Jennifer Anne Scott M.A. (English), Simon Fraser University, 2006 B.A. (Hons.), University of Winnipeg, 2005 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences Jennifer Anne Scott 2013 SIMON FRASER UNIVERSITY Summer 2013 Approval Name: Jennifer Anne Scott Degree: Doctor of Philosophy (English) Title of Thesis: The Business of Writing Home: Authorship and the Transatlantic Economies of John Galt’s Literary Circle, 1807-1840. Examining Committee: Chair: Jeff Derksen Associate Professor Leith Davis Senior Supervisor Professor Carole Gerson Senior Supervisor Professor Michael Everton Supervisor Associate Professor Willeen Keough Internal Examiner Associate Professor Department of History Kenneth McNeil External Examiner Professor Department of English Eastern Connecticut State University Date Defended/Approved: May 16, 2013 ii Partial Copyright Licence iii Abstract This dissertation examines nineteenth-century Scottish author John Galt’s dialogue with the political economics of his time. In particular, I argue that both in his practices as an author and through the subject matter of his North American texts, Galt critiques and adapts Adam Smith’s The Wealth of Nations (1776). Galt’s critique of Smith becomes evident when we examine the relationship between his engagement with political economy in his most important North American literary texts and his overt political interests, specifically those concerning transatlantic land development and colonial expansion, a project he pursued with the Canada Company. In Chapter One, I examine John Galt’s role with the Canada Company. -
The Argosy – Bmds ‐ 1891
The Argosy – BMDs ‐ 1891 SATURDAY JANUARY 3 1891 P 4 COL Birth RITCHIE ‐ At St Andrew's Manse, Georgetown, on January 2nd, the wife of the Rev. W.B. Ritchie, of a Daughter. Married TAYLOR‐DOUGALL ‐ At Ebenezer Church, West Coast, Demerara, on 27th December, 1890, by the Rev. James Millar, Minister of the parish, assisted by the Rev. J.L. Green, Henry John Taylor, eldest son of Major William Taylor, R.A., Renfrewshire, N.B., to Anna Rebecca Stuart., eldest daughter of David Dougall, of Pln. Blankenburg. Died CHOPPIN ‐ On 27th December, 1890, at Blankenburg, West Coast, Demerara, Gerald Crosby, aged 28 years, 3rd Class Clerk in the Government Land's Dept. SPEIRS ‐ At the Manse, New Amsterdam, on the 31st ult., Susan Walker, wife of the Rev. James Speirs. SATURDAY JANUARY 10 1891 P 4 COL 1 Birth GETTING ‐ On December 30th, 1890, at Kaieteur College Rd., Norwood, London, the wife of Henry F. Getting, of a Son. Died DE PRADEL ‐ At Paris, on the 16th December, 1890, of Diphtheria, George Eugene, son of Dr. and Mme. De Pradel, aged 2 years and 9 months. FRANCIS ‐ On the morning of the 8th instant, at Lot 189, Upper Charlotte Street, Alfred Cyril, infant son of Charles and Winnie Francis. Aged 9 weeks. SATURDAY JANUARY 17 1891 P 4 COL 1 Married CHAPMAN‐FARLEY ‐ On the 13th instant, at Vryheid's Lust Church, by the Rev. Thomas Slater, Joseph Ivelaw Chapman, to Shirley Isabel, youngest daughter of the late W.H.N.Farley. SATURDAY JANUARY 24 1891 P 4 COL 1 Birth IRVING ‐ At New Amsterdam, on the 20th instant, the wife of M.H.C. -
Fiction Relating to Ireland, 1800-29
CARDIFF CORVEY: READING THE ROMANTIC TEXT Archived Articles Issue 4, No 2 —————————— SOME PRELIMINARY REMARKS ON THE PRODUCTION AND RECEPTION OF FICTION RELATING TO IRELAND, 1800–1829 —————————— Jacqueline Belanger JACQUELINE BELANGER FICTION RELATING TO IRELAND, 1800–29 I IN 1829, just after Catholic Emancipation had been granted, Lady Morgan wrote: ‘Among the Multitudinous effects of Catholic emancipation, I do not hesitate to predict a change in the character of Irish authorship’.1 Morgan was quite right to predict a change in ‘Irish authorship’ after the eventful date of 1829, not least because, in the first and most obvious instance, one of the foremost subjects to have occupied the attentions of Irish authors in the first three decades of the early nineteenth century— Catholic Emancipation—was no longer such a central issue and attention was to shift instead to issues revolving around parliamentary independence from Britain. However, while important changes did occur after 1829, it could also be argued that the nature of ‘Irish authorship’—and in particular authorship of fiction relating to Ireland—was altering rapidly throughout the 1820s. It was not only the case that the number of novels representing Ireland in some form increased over the course of the 1820s, but it also appears that publishing of this type of fiction came to be dominated by male authors, a trend that might be seen to relate both to general shifts in the pattern for fiction of this time and to specific conditions in British expectations of fiction that sought to represent Ireland. It is in order to assess and explore some of the trends in the production and reception of fiction relating to Ireland during the period 1800–29 that this essay provides a bibliography of those novels with significant Irish aspects. -
John Keats 1 John Keats
John Keats 1 John Keats John Keats Portrait of John Keats by William Hilton. National Portrait Gallery, London Born 31 October 1795 Moorgate, London, England Died 23 February 1821 (aged 25) Rome, Italy Occupation Poet Alma mater King's College London Literary movement Romanticism John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death.[1] Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.[2] The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. Biography Early life John Keats was born in Moorgate, London, on 31 October 1795, to Thomas and Frances Jennings Keats. There is no clear evidence of his exact birthplace.[3] Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st.[4] He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[5] Another son was lost in infancy. -
Evolving Representations of National Identity in Nineteenth-Century Genre Fiction
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By R. MICHELLE LEE Norman, Oklahoma 2012 IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION APPROVED FOR THE ENGLISH DEPARTMENT BY ______________________________ Dr. Daniel Cottom, Chair ______________________________ Dr. Francesca Sawaya ______________________________ Dr. Timothy Murphy ______________________________ Dr. Daniela Garofalo ______________________________ Dr. Judith Lewis © Copyright by R. MICHELLE LEE 2012 All Rights Reserved. Acknowledgements I would like to begin by thanking Daniel Cottom for directing this dissertation and seeing me through nine years of graduate work. I knew I could always depend on his good advice and practical perspective, no matter the issue. His encouragement, guidance, patience, and sense of humor helped get me to this point, and I am a stronger writer and a better scholar because of him. I am also grateful to my committee members, Francesca Sawaya, Timothy Murphy, Daniela Garofalo, and Judith Lewis. Their kind words, valuable criticism—and, sometimes, their willingness to chat over a much-needed martini—have meant so much to me. This project would not be the same without the indispensable assistance of the many librarians and archivists in Ireland and America who helped me locate research materials. Their extensive knowledge and resourcefulness made sifting through countless of boxes, letters, and manuscripts a smooth and pleasant experience. I would like to thank Mr. Robin Adams and the other librarians in the Manuscripts and Archives Research Library at Trinity College Dublin for helping me with my research on Bram Stoker, and Tara Wenger and Elspeth Healey at the Kenneth Spencer Research Library in Lawrence, Kansas for access to the P. -
Republic of Ireland. Wikipedia. Last Modified
Republic of Ireland - Wikipedia, the free encyclopedia What links here Related changes Upload file Special pages Republic of Ireland Permanent link From Wikipedia, the free encyclopedia Page information Data item This article is about the modern state. For the revolutionary republic of 1919–1922, see Irish Cite this page Republic. For other uses, see Ireland (disambiguation). Print/export Ireland (/ˈaɪərlənd/ or /ˈɑrlənd/; Irish: Éire, Ireland[a] pronounced [ˈeː.ɾʲə] ( listen)), also known as the Republic Create a book Éire of Ireland (Irish: Poblacht na hÉireann), is a sovereign Download as PDF state in Europe occupying about five-sixths of the island Printable version of Ireland. The capital is Dublin, located in the eastern part of the island. The state shares its only land border Languages with Northern Ireland, one of the constituent countries of Acèh the United Kingdom. It is otherwise surrounded by the Адыгэбзэ Atlantic Ocean, with the Celtic Sea to the south, Saint Flag Coat of arms George's Channel to the south east, and the Irish Sea to Afrikaans [10] Anthem: "Amhrán na bhFiann" Alemannisch the east. It is a unitary, parliamentary republic with an elected president serving as head of state. The head "The Soldiers' Song" Sorry, your browser either has JavaScript of government, the Taoiseach, is nominated by the lower Ænglisc disabled or does not have any supported house of parliament, Dáil Éireann. player. You can download the clip or download a Aragonés The modern Irish state gained effective independence player to play the clip in your browser. from the United Kingdom—as the Irish Free State—in Armãneashce 1922 following the Irish War of Independence, which Arpetan resulted in the Anglo-Irish Treaty. -
ASSOCIATION for SCOTTISH LITERARY STUDIES Publications
ASSOCIATION FOR SCOTTISH LITERARY STUDIES Publications Gifford, D. ed., The Three Perils of Man. War, Women and Witchcraft, Association for Scottish Literary Studies, 1 (1972) Turnbull, A. ed., The Poems of John Davidson. Vol. I, Association for Scottish Literary Studies, 2 (1973) Turnbull, A. ed., The Poems of John Davidson. Vol. II, Association for Scottish Literary Studies, 3 (1973) Kinghorn, A.M.; Law, A. eds., Poems by Allan Ramsay and Robert Fergusson, Association for Scottish Literary Studies, 4 (1974) Gordon, I.A. ed., The Member: an Autobiography. By John Galt, Association for Scottish Literary Studies, 5 (1975) MacDonald, R.H. ed., Poems and Prose. By William Drummond of Hawthornden, Association for Scottish Literary Studies, 6 (1976) Ruddick, W. ed., Peter’s Letters to his Kinsfolk. By John Gibson Lockhart, Association for Scottish Literary Studies, 7 (1977) Gordon, I.A. ed., Selected Short Stories. By John Galt, Association for Scottish Literary Studies, 8 (1978) Daiches, D., ed., Selected Political Writings and Speeches.By Andrew Fletcher of Saltoun, Association for Scottish Literary Studies, 9 (1979) Hewitt, D. ed., Scott on Himself. A Selection of the autobiographical writings of Sir Walter Scott, Association for Scottish Literary Studies, 10 (1981) Reid, D. ed., The Party-Coloured Mind. Prose relating to the conflict of church and state in seventeenth century Scotland, Association for Scottish Literary Studies, 11 (1982) Mack, D.S. ed., Selected stories and sketches. By James Hogg, Association for Scottish Literary Studies, 12, Edinburgh (1982) Jack, R.D.S.; Lyall, R.J. eds., The Jewel. By Sir Thomas Urquhart of Cromarty, Association for Scottish Literary Studies, 13 (1983) Wilson, P.J.