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Buckaroo Banzai
WORLD WATCH ONE _ IN THIS ISSUE Corrected Edition: With apologies to Radford Polinsky for a misspelling of his name on page 44 of the original edition Introduction from the Editor Dan “Big Shoulders” Berger, Libertyville, IL Page 1 By the Oath of the Flying Fish! Sean “Figment” Murphy, Burke, VA Page 2 Oh, those Pesky Dimensional Barriers... Steve “Rainbow Kitty” Mattsson, Portland, OR Page 3 What’s Crushing the Watermelon? Dan Berger and Sean Murphy Pages 4-5 The Essential Blue Blaze Irregular Edited by Dan Berger Pages 6-12 3M Mask Modification Bryian “Cyclone One” Winner Page 13 INTERVIEW: Reno and Perfect Tommy Vetted for publication by Reno of Memphis Pages 14-15 An Oral History of the Birth of Banzai Compiled by Sean Murphy Pages 16-17 A Buckaroo Banzai Sampler Sean Murphy Pages 18-22 A Buckaroo Banzai Aperitif Dan Berger Pages 23-25 An Oral History of Buckaroo Banzai: Ancient Secrets & New Mysteries—Introduction Dan Berger Pages 26-27 Creating the Banzai Institute Website Dan Berger Pages 28-30 Visualizing Ancient Secrets & New Mysteries Sean Murphy Pages 31-33 Creating the CGI Jet Car Trailer Sean Murphy Pages 34-36 Creating the Jet Car Model, et al. Dan Berger Page 37 The Final Word on Pitching Sean Murphy and Dan Berger Pages 38-39 Banzai TV: The Kevin Smith Experience Dan Berger Pages 40-42 “Evil, Pure and Simple!” Scott “Camelot” Tate, Alamosa, CO Page 43 The Cheers/Lectroid Connections Scott Tate Page 43 Banzai Institute Alert! DeWayne “Buckaroo Trooper” Todd Pages 44-45 From the Bureau Office World Watch One Staff Page 46 What Makes My Potato Tick! Doug Drexler, Los Angeles, CA Back Cover Acknowledgements Once again, a host of BBIs—many of them first-time contributors to World Watch One—gathered together to help make this issue possible. -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Silent Universe: Mission 256 1
SILENT UNIVERSE: MISSION 256 1. SILENT UNIVERSE Episode #1:“Mission 256” An original dramatic podcast by Julius Harper Edited by Kevin Rosenberg, Charity Tran, Jonathan Brent Bryce Chu, Will Anderegg, Kevin Lau PRODUCTION SCRIPT [DRAFT 7.0] StarKnight Productions & Planet Fandom www.planetfandom.com © 2005 Julius Harper [email protected] All Rights Reserved. StarKnight Productions. [email protected] SILENT UNIVERSE: MISSION 256 2. About the Silent Universe … The Silent Universe purposely breaks many of the molds of popular SciFi series, like Star Trek, turning the concept of a utopian future on it's ear. In the world of the Silent Universe , war and apathy have continued far into the future, leaving humanity shattered and still fighting against itself, even in space. In this dystopian vision, the modern specters of genocide, racism, xenophobia and chaos still exist. Amidst such a dim world, there are still heroes and people who believe that humanity can aspire to something better, but it is a bitter and difficult battle for those who fight for good ideals . StarKnight Productions. [email protected] SILENT UNIVERSE: MISSION 256 3. SILENT UNIVERSE Episode #1:“Mission 256” Prod. #6 CAST (in order of appearance. BolBoldddd denotes main cast) Announcer DB Cooper? Narrator Ross Douglas Female Voice Kelly West News Reporter Judith Knowles Emmeline Kaley Hilary Blair Jack Smyth Mark Oliver Seung Bogs ( J) Dait Abuchi Dave Carol Phillip Sacramento Army Officer 1 Stephen Murray Army NCOIC ( JA ) Takatsuna Mukai Call Girl 1 Melissa Hoffman Army Officer 2 Chris Dell Army Officer 3 Lance Allan Army Officer 5 Army Captain Evan Yeoman Isaac Walker James Higuchi Ritsu Kobayashi Debbie Munro Ben HernandHernandezezezez Esteban Silva May Kobayashi Kristi Stewart Garet Arrowny Phillip Sacramento Gordon Marcus George Washington III Gill Frye Nick DeLillo Computer Jodi Paige Radio Guy #1 Carl Magnuson Administrator DC Goode Japanese VA #1 Takatsuna Mukai StarKnight Productions. -
Language, Intertextuality, and Subjectivity in the Poetry of Diane
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski Cordelia Maxwell Hanemann Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hanemann, Cordelia Maxwell, "Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski" (2005). LSU Doctoral Dissertations. 1092. https://digitalcommons.lsu.edu/gradschool_dissertations/1092 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SITES OF RESISTANCE: LANGUAGE, INTERTEXTUALITY, AND SUBJECTIVITY IN THE POETRY OF DIANE WAKOSKI A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Cordelia Maxwell Hanemann B.A., University of Southwestern Louisiana, 1970 M.A., University of Southwestern Louisiana, 1975 May 2005 © Copyright 2005 Cordelia Maxwell Hanemann All rights reserved ii Acknowledgements The completion of this dissertation owes much to the impetus and efforts of many people. Without the support of my family, my colleagues, and my friends, I would not have persevered: I especially thank my partner, William Birmingham; my children, Louis, Benjamin, and Craig; and my good friend, Lisa Gibbs. -
Andy Romine 818-590-9801 (Mobile) [email protected] Link: Reel
Andy Romine 818-590-9801 (mobile) [email protected] Link: reel: https://vimeo.com/114588256 Skills Key Skills: cloth development, hair & character effects. Other Skills: lighting, surfacing, animation, modeling, compositing, mel, python. Key Software & Tools: Maya, Houdini, Qualoth, Syflex, Shake, After Effects, Mental Ray, zBrush, various proprietary studio tools. Experience Walt Disney Animation, Culver City, CA April 2014 – September 2014 Big Hero 6 Feature Film Technical Animation The Mill, Culver City, CA Oct 2013 – April 2014 Coke, Gillette, VW, DirecTV Commericials Senior Cloth & Simulation Artist Digital Domain, Playa Vista, CA April 2013 – May 2013 Destiny & Shadows of Mordor Commericials Hair & Cloth TD DreamWorks Animation, Glendale, CA November 2007 – April 2013 Turbo Feature Film Cloth/Hair/Character FX Artist The Croods Feature Film Cloth/Hair/Character FX Artist Puss in Boots Feature Film Cloth Dev/Character FX Artist How to Train Your Dragon Feature Film Cloth Dev/Character FX Artist Sony Imageworks, Culver City, CA July 2007 – October 2007 I Am Legend Feature Film Cloth/Hair TD Hydraulx, Santa Monica, CA March 2007 – May 2007 Fantastic Four 2 Feature Film Dynamics (Cloth Sim & Particles) The Syndicate, Santa Monica, CA Jan 2007 – Feb 2007 Six Flags (You are Here) Commercial Digital Artist (Lighting, Modeling, FX) Pixel Magic,Toluca Lake, CA June 2006 – October 2006 Rogue Feature Film Digital Artist (lighting & simulation) 300 Feature Film Look Development & Lighting The Guardian Feature Film Lighting & Effects Entity -
Lightwave 3D Ha Costantemente Dominato I Mercati Televisivo E Cinematografico, Il Mercato Per Lo Sviluppo Dei Giochi Seguirà Presto
Db-Line srl Via Alioli e Sassi, 19 21026 Gavirate VA - ITALY Partita Iva: 02254780121 NewTek Official Distributor Tel. 0332-749000 Fax 0332-749092 http://www.dbline.it email: [email protected] http://www.dbline.it/newtek/ Db-Line srl - Via Alioli e Sassi, 19 - 21026 - Gavirate ( VA ) www.dbline.it - [email protected] Tutti i marchi citati sono di proprietà dei legittimi aventi diritto Key Accounts Films: Films: 5th Element Mystery Science Area51 Planet Blue Anastasia Theater 3000 Autumn Light Rainbow Studios Armageddon Ninagi Computer Cafe Rainmaker Digital Pictures Barney's Great Adventure Nixon Digital Domain Saban Batman Red Corner Digital Muse Station X Studios Blade Spawn Encore Take 3 Film Productions Blue Planet Sprung Flash Filmworks The Big Machine Blues Brothers 2000 Star Kid Flat Earth The Magic Camera Company Casper (A Spirited Beginning) Star Trek First Contact Foundation Imaging UberFX Contact The Avengers Fox Animation Studios Warner Brothers Courage Under Fire The Gardener OCS/Freezeframe Will Vinton Devil's Advocate The Jackal Paramount Flubber Three Ninjas: High Noon Television: Golden Eye at Mega Mountain AGA Digital Paramount Lord of Illusions Titanic Area 51 Planet Blue Lost-In-Space Tomorrow Never Dies Computer Cafe Rainbow Studios Men in Black Wishmaster Digital Domain Rainmaker Digital Pictures Mortal Kombat II Digital Muse Rez.n8 Television: DNA Productions Saban Babylon 5 Mystic Knights Encore Silent Planet Battletech:The Series Robocop: The Series Flat Earth Station X Studios Baywatch seaQuest DSV Foundation Imaging The Big Machine Dark Skies Sliders Human Code Will Vinton Disney Flubber to home video Space Above & Beyond Imagination in Motion Wreckless Abandon Star Trek:Deep Space 9 Star Trek Netter Digital HBO's From Earth to the Moon Titanic TV miniseries Games: Hercules: The Legendary Unsolved Mysteries 7th Level Megatoon Studios Journey's Star Trek:Voyager Atari Microsoft Hypernauts X Files Broderbund Software Inc. -
Discorder Interview HE1L
^aruiaity #144 PIS- cover Unlike Santa, we busy little elves at DiSCORDER haven't liad time to stand around putting our fingers up our noses. Gracing our Yuletide mag thus month is a swell bit of original art by Holly Anderson. EDITOR Dylan Griffith ADVERTISING REP Kevin Pendergraft PRODUCTION ASSISTANTS Inn Patter*,,,,, Mike Walkey, Kevi Pendergraft, Tarn CHARTS Megan Mallelt START YOUR NEW YEAR ON THE RISE LOCAL DISTRIBUTION Matt Steflkh at the PIT PUB! VON'S DISTRIBUTION DIS-contents (anil the rest of America, loo) Tnco Bell Tania & Double Manhattan LIVE BANDS EVERY VERUCA SALT // DAYTONA /2 THURSDAY NIGHT! SPEEDBUGGY /<? ADMISSION IS FREEH NERDYGIRL /4 IE GRAMES BRO AND IE ROOTEBEGGEfl INTERVIEW HELL tf CLASSICAL BEAT & E STOLE MY BEE I CAN READ /6 AND SEVEN INCH /7 CINNAM*. yAN 311 No.tni.tr 15. U JAf smm « REAL LIVE ACTION 20 UNDER REVIEW 22 THRILL SQUAD CHARTS 24 H ON THE DIAL 2f, THEW GOOD BA DATEBOOK 26' BANDSSTART@9:30 , B.C. CANADA WT IZl A SMALL RAY OF LIGHT £/ Sara^;Ti-r-ar\ Poor Br'\ct3'it, it wasobviou When vje $ot bacv^, r bought us a Married \">fe wasn't as "idyllic as she had very litMe ta\ent house on a beaut;fo\ piece of X had hoped. Bridgit --oas careV* * such silly idea.s about ocear\ front property- home, and wh«*- I 3\d see her it being frorv* outer space \was only to askfor more money. .and since Br.dgit was always 1 ...it was almost as if x was i Although "TWe was ceria<nl-y oo out pursuing her own interests j rn.arr.ed noi" to Tx.dgjt b u t"J J^AA*U<*<. -
Good Short Total Song 1 64 0 64 R2 JINGLE
Index Good Short Total Song 1 64 0 64 R2 JINGLE - NOCNI 03 2 63 0 63 R2 JINGLE - NOCNI 04 3 59 0 59 R2 JINGLE - NOCNI 02 4 57 0 57 R2 JINGLE - NOCNI 05 5 56 0 56 R2 JINGLE - NOCNI 06 6 52 0 52 SHAWN MENDES, CAMILA CABELLO - SENORITA 7 51 0 51 PINK - WALK ME HOME 8 51 0 51 LAMAI - SPET TE SLISIM 9 51 0 51 ENRIQUE IGLESIAS FT. BAD BUNNY - EL BANO 10 50 0 50 PEDRO CAPO & FARRUKO - CALMA [REMIX] 11 50 0 50 IMAGINE DRAGONS - BAD LIAR 12 50 0 50 ALVARO SOLER - LA CINTURA 13 50 0 50 ED SHEERAN - PERFECT 14 50 0 50 AVA MAX - SO AM I 15 49 0 49 ARIANA GRANDE - NO TEARS LEFT TO CRY 16 49 0 49 LEWIS CAPALDI - SOMEONE YOU LOVED 17 49 0 49 AVA MAX - KINGS & QUEENS 18 48 0 48 LEWIS CAPALDI - BEFORE YOU GO 19 48 0 48 MAROON 5 - GIRLS LIKE YOU [DH CUT] 20 47 0 47 MAROON 5 - MEMORIES 21 46 0 46 LADY GAGA & BRADLEY COOPER - SHALLOW 22 46 0 46 GEORGE EZRA - SHOTGUN 23 45 0 45 THE WEEKND - BLINDING LIGHTS 24 45 0 45 PINK - A MILLION DREAMS 25 45 0 45 TOM WALKER - LEAVE A LIGHT ON 26 44 0 44 ED SHEERAN, JUSTIN BIEBER - I DON T CARE 27 43 0 43 AVA MAX - SALT 28 43 0 43 YOUNOTUS, JANIECK & SENEX - NARCOTIC 29 42 0 42 NINA PUSLAR - SVET NA DLANI 30 41 0 41 LUIS FONSI FT. -
COPYRIGHTED MATERIAL 20 084908 Bindex.Qxp 2/24/09 3:08 PM Page 482
20_084908_bindex.qxp 2/24/09 3:08 PM Page 481 Index COPYRIGHTED MATERIAL 20_084908_bindex.qxp 2/24/09 3:08 PM Page 482 (Previous page: Kung Fu Panda’s Shifu (Facing page: Office Noise characters. (Madagascar: Escape 2 AfricaTM and uses proven teaching techniques to © 2008 The Animation Workshop, © 2008 DreamWorks Animation LLC, make Po realize that he is a kung fu and Karsten Madsen, Mads Herman used with permission. Previous page: master. Notice the clear silhouettes, Johansen, Laerke Enemark, Torben S. Kung Fu PandaTM and © 2008 telling body language, and easy-to- Christensen.) DreamWorks Animation LLC, used read facial expressions.) with permission.) 482 INDEX 20_084908_bindex.qxp 2/24/09 3:08 PM Page 483 Index • A • Aliasing effects, 30, 82, 298, 300 329, 343–347 AAF file format, 468 and antialiasing, 282 file formats, 356–358 character. See Character Aardman Studios, 33 spatial, 281–282 getting ready, 358–360 animation Abel (Robert) and Associates, temporal, 282 getting started, 86–89 crowd, 394, 396, 400 19, 20, 21 Alias Research, 29 hand-drawn, 296 dynamics simulation, A/B roll editing, 448 Alien Song, 28, 29, 241 history of. See Computer 374–382 Absolute position, 343 Aligning, 148, 164 graphics, history of facial. See Facial animation Absolute values, 101 Alpha channel, 267, 437, 445 information sources, 16 flock, 383–386 Abyss, The, 20, 23 Altitude, 241 limited, 311–312 fundamental, 295–305 Academy of Motion Picture Ambient light, 222, in live action movies, 27, goal-oriented, 386–390 Arts and Sciences (AMPA), 229–230, 231, 239, -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. -
Joshua E. Mcguire
E-Mail: Phone# [email protected] (661) 993-5899 Web Site: www.joshmcguire.com IMDB: http://www.imdb.com/name/nm0570227/ Joshua E. McGuire Objective The opportunity to work for a company where I can utilize my skills, Knowledge and experience to help the company be successful, while at the same time continuing to learn and grow. Tools Used Nuke, Fusion, Lightwave 3D, Modo, some Maya experience, Photoshop, VDX, Particle Illusion, Boujou, After Effects, Combustion, Point Oven, Beaver Project, Frame Cycler, Magpie Pro, Premiere. Experience 2011-2014 Mirada 4235 Redwood Ave. Los Angeles, Ca 90066 (424) 216-7470 Compositor • Did compositing work on a 5 Gum commercial directed by John Favreau. • Was the compositing lead for a Centrum commercial. (A 30 and a 15.) • Did compositing work on 2 Microsoft commercials, 4 Scottrade commercials, 2 T-Mobile commercials, a Kellogg's Crunchy Nut commercial, a Colgate commercial and several Tide commercials. • Did paint and roto work for a Wonderful Pistachios superbowl commercial. 2011- Eden FX 12421 Olympic Blvd. Santa Monica, Ca 90064 (310) 481-7002 Digital Artist • Did modeling, surfacing, set-up, lighting and compositing work on 2 episodes of the TV series NCIS. • Did compositing work on 1 episode of the TV series The Playboy Club. 2011- Technicolor 2255 N. Ontario St. Burbank, CA 91504 (818) 260-3837 Stereoscopic Compositor • Did 2D to 3D stereo conversion for the feature film Kung Fu Panda for Dreamworks . 2010-2011 Stereo D, LLC 3355 W. Empire Ave. Burbank, CA 91505 (818) 861-3100 Depth Artist/Stereoscopic Compositor • Did 2D to 3D stereo conversion for the feature films Gulliver's Travels and Thor.