ROGER BORELLI 3D Modeling and Sculpting

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ROGER BORELLI 3D Modeling and Sculpting [email protected] - https://www.artstation.com/roger 3D Production Artist ll: New Balance Athletics - Modeling and texturing photorealistic shoes. - 09/2018 to Now Freelance: Character Modeling, Low-Poly Character Modeling, Visual Development, Texturing, Lighting, Rendering, Product and Store Displays – 01/2012 to Now Modeling and Digital Sculpting Instructor: The Digital Animation & Visual Effects School - 08/2013 to 08/2018 Character Artist: Bolder Games - Low-Poly Character Modeling and UVs - 2017 Character Artist: Mindshow, Inc - VR Modeling and Blend-Shapes - 2016 Senior Modeler: The Third Floor - Lichdom: Battlemage and The Amazing Spider-Man 2 - 10/2012 to 12/2012 Modeler/Texture Artist: DreamWorks Animation - Dragons: Riders of Berk - 05/2011 to 08/2012 Lead Modeler: Warner Brothers Animation - Green Lantern: The Animated Series - 08/2010 to 03/2011 Character Artist: Microsoft Game Studios - Kinect Adventures - 10/2009 to 07/2010 CG Designer: IMAGI Animation Studios - Astro-Boy and Tusker - 09/2007 to 05/2009 3D Artist: BNS (Brand New School) - Commercials - 06/2007 to 09/2007 Senior Modeler: Disney Feature Animation - American Dog, Meet the Robinsons, Lorenzo, Chicken Little, Fraidy Cat, Fantasia 3, and My Peoples - 06/2002 to 05/2007 Character Modeler: Digital Domain - Star Trek: Nemesis - 02/2002 to 06/2002 Character Modeler: Disney TV Animation - Dumbo-2 and Lloyd in Space – 10/2001 to 02/2002 3D Modeler: Digital Domain - DODGE Trucksville, SONIC, and SCIFI Channel - 06/2001 to 10/2001 Character Modeling Supervisor: Foundation Imaging - DAN DARE TV Series and MAX STEEL Season 02 03/2000 to 05/2001 Character Modeler: Foundation Imaging - STARSHIP TROOPERS the TV Series and MAX STEEL Season 01 03/1999 to 03/2000 Software Modo, Maya, ZBrush, Mudbox, Cyslice, UV Layout, Photoshop, After Effects, Premiere OS Windows, Linux, UNIX, Mac MAKEUP EFFECTS EXPERIENCE: 1987 - 1999 Shop Supervisor, Sculptor, Moldshop Supervisor, Painter, Mold-Maker, Lab Technician, and Set Application. FILMS: Mighty Joe Young, Life, Devil's Advocate, Men in Black, The Frighteners, The Nutty Professor, Ironclad, Tank Girl, Born to be Wild, Alien 3, Death Becomes Her, Army of Darkness, Sleepwalkers, Dummies, Cast a Deadly Spell, The Addams Family, Darkman, Alien Nation, Leviathan, and Nightmare on Elm Street 4 + 5. .

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Buckaroo Banzai
WORLD WATCH ONE _ IN THIS ISSUE Corrected Edition: With apologies to Radford Polinsky for a misspelling of his name on page 44 of the original edition Introduction from the Editor Dan “Big Shoulders” Berger, Libertyville, IL Page 1 By the Oath of the Flying Fish! Sean “Figment” Murphy, Burke, VA Page 2 Oh, those Pesky Dimensional Barriers... Steve “Rainbow Kitty” Mattsson, Portland, OR Page 3 What’s Crushing the Watermelon? Dan Berger and Sean Murphy Pages 4-5 The Essential Blue Blaze Irregular Edited by Dan Berger Pages 6-12 3M Mask Modification Bryian “Cyclone One” Winner Page 13 INTERVIEW: Reno and Perfect Tommy Vetted for publication by Reno of Memphis Pages 14-15 An Oral History of the Birth of Banzai Compiled by Sean Murphy Pages 16-17 A Buckaroo Banzai Sampler Sean Murphy Pages 18-22 A Buckaroo Banzai Aperitif Dan Berger Pages 23-25 An Oral History of Buckaroo Banzai: Ancient Secrets & New Mysteries—Introduction Dan Berger Pages 26-27 Creating the Banzai Institute Website Dan Berger Pages 28-30 Visualizing Ancient Secrets & New Mysteries Sean Murphy Pages 31-33 Creating the CGI Jet Car Trailer Sean Murphy Pages 34-36 Creating the Jet Car Model, et al. Dan Berger Page 37 The Final Word on Pitching Sean Murphy and Dan Berger Pages 38-39 Banzai TV: The Kevin Smith Experience Dan Berger Pages 40-42 “Evil, Pure and Simple!” Scott “Camelot” Tate, Alamosa, CO Page 43 The Cheers/Lectroid Connections Scott Tate Page 43 Banzai Institute Alert! DeWayne “Buckaroo Trooper” Todd Pages 44-45 From the Bureau Office World Watch One Staff Page 46 What Makes My Potato Tick! Doug Drexler, Los Angeles, CA Back Cover Acknowledgements Once again, a host of BBIs—many of them first-time contributors to World Watch One—gathered together to help make this issue possible.
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ewriter face, while others may be from an y type of computer printer. The qnaliQr of this reproduction is dependent upon the quali^ of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inproper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manusciipt and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the badt of the book. Photogr^hs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 INFORMAL COMPUTER-ART EDUCATION: A FOCUS ON THE ART AND HISTORICAL IMPACT OF COMPUTER GENERATED SPECIAL VISUAL EFFECTS AND THE PEDAGOGY OF THE ARTISTS WHO CREATE THEM PROFESSIONALLY IN THE SAN FRANCISCO BAY AREA PRODUCTION COMPANIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Garth Anthony Gardner, B.A., M.A.
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TABLE of CONTENTS 61 Interactive Product Design 115 Facilities
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