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Tese%20Cordeiro%20Seg.Pdf UNIVERSIDADE FEDERAL DA BAHIA ESCOLA DE TEATRO PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES CÊNICAS NÍVEL DOUTORADO Iara Regina Demetrio Sydenstricker Cordeiro SOBRE CRIAR E CONTAR HISTÓRIAS SERIADAS PARA TV E ANIMAÇÃO: Aventuras Gósmicas Salvador 2010 Iara Regina Demetrio Sydenstricker Cordeiro SOBRE CRIAR E CONTAR HISTÓRIAS SERIADAS PARA TV E ANIMAÇÃO: Aventuras Gósmicas Tese de Doutorado apresentada como requisito parcial para a obtenção do título de Doutor, pelo Programa de Pós-Graduação em Artes Cênicas da Universidade Federal da Bahia. Orientadora: Cleise Furtado Mendes Salvador 2010 Escola de Teatro - UFBA Cordeiro, Iara Regina Demetrio Sydenstricker . Sobre criar e contar histórias seriadas para TV e animação: aventuras gósmicas / Iara Regina Demetrio Sydenstricker Cordeiro . - 2010. 291 f. Orientadora: Prof.ª Dr.ª Cleise Furtado Mendes. Tese (doutorado) - Universidade Federal da Bahia, Escola de Teatro, 2010. 1. Teledramaturgia. 2. Seriados. 3. Animação. I. Universidade Federal da Bahia. Escola de Teatro. I. Mendes, Cleise Furtado. II. Título. CDD 791.45 Para Anna Elizabeth, minha avó, (um) presente em todos os palcos Jack Thomas, meu pai, encarnado no Bochecha Glória Stella Beatriz, minha mãe AGRADECIMENTOS A Antonia Pereira Bezerra e Sérgio Farias, respectivamente coordenadora e ex-coordenador do PPGAC, pela gentileza e atenção; Armindo Bião, pelos profícuos e agradáveis encontros acadêmicos; Sonia Rangel, por ter me levado a enxergar outras imagens e ao reencontro com a arquitetura; professores do PPGAC/UFBA, pelo muito que me ensinaram e pela sincera acolhida; colegas doutorandos da turma de 2007, pelas trocas e momentos divertidos; funcionários da Escola de Teatro e do PPGAC, pela presteza e compreensão; a Maria Carmem Jacob, pelo estímulo; a Fred Góes, testemunha fundamental de minhas defesas acadêmicas; aos atores, diretores e dramaturgos baianos que conheci; à Capes, por ter apoiado este trabalho; ao Ministério da Cultura, pela oportunidade de criar uma bíblia de série de animação; a Amadeu Alban, Felipe Assis, Leandro Marcondes, Tiago Hoisel, George Lopes, Taygoara Aguiar, João Calmon, Lília Gramacho, Léo Silva, Santo Forte Imagem e Conteúdo e Finisher Studio, por terem embarcado nas Aventuras Gósmicas; a Maria Aparecida Nascimento de Jesus, pela calma ajuda doméstica; a Felipe Assis e Glória Sydenstricker, pelas atentas revisões técnicas; a Marcílio Marinho, em memória; aos meus amigos e a todos os que contribuíram com esta jornada; A Cleise Furtado Mendes, pela brilhante, vigorosa e paciente orientação; pela generosidade, pelo bom-humor e amizade; A Lívia Käller Maia de Jesus, que não perde capítulo de telenovela; A Mário, o Mariola-lá, e às crianças em geral; Aos queridos “tio uncle” John e Renê; A Hector, Thais, Sérgio, Rubens, Thelma, Angela, Dudu, Nando, André, Pedro, Duda e Luiz; A Leonardo e Victor, meus filhos; A Guilherme, pelas histórias que juntos criamos, contamos e vivemos. - Você é roteirista? Ih, nem te conto...! Minha vida é uma novela! Anônimo RESUMO A partir da criação da série infantil de ficção animada Aventuras Gósmicas, premiada em edital público, este trabalho desenvolveu-se em torno de três eixos de pesquisa: a) a inserção, a participação e as práticas profissionais do roteirista na criação e no desenvolvimento da ficção televisiva, especialmente frente às tecnologias e convergência digitais; b) discussão crítica sobre a taxonomia da ficção seriada de televisão e análise de estruturas dramatúrgicas e estratégias de distribuição da narrativa em seriados nas escalas micro (episódios ou capítulos), média (temporada) e macro (temporadas); c) o universo da teledramaturgia de animação, com ênfase nos fundamentos, princípios e técnicas que interessam diretamente ao roteirista e questões acerca da escrita para animação. De posse desse conhecimento, desenvolveram-se duas novas versões para a série Aventuras Gósmicas: uma enovelada, em capítulos, para animação em três dimensões (3D) e outra episódica, estruturada em histórias semanais fechadas (começo, meio e fim). Palavras-chave: teledramaturgia; seriados; animação. ABSTRACT The creation of the animated fiction for children, Gosmic Adventures, which received a public notice award, was the starting point for this work that developed around three research axes: a) the insertion, the screen writer´s participation and professional practice in the creation and development of TV fiction, mainly abreast of the technologies and digital convergences; b) a critical discussion about the taxonomy of TV serial fiction and analysis of dramaturgic structures and distribution strategies of narration in micro scale serials (episodes or chapters), medium (season) and macro (seasons); c) the teledramaturgical animation universe, with emphasis in the fundamentals, principles and techniques that are the screen writer´s direct interest and animation writing issues. On acquiring this knowledge, two new versions for the Gosmic Adventures series were developed: one was enovelled, into chapters, for animation in three dimensions (3D) and another was episodic, structured into weekly closed-in stories (beginning, middle and end). Key words: teledramaturgy; serials; animation RESUMEN A partir de la creación de la serie infantil de ficción animada Las Aventuras Gosmicas, premiada en un edicto público, este trabajo se desarrolló alrededor de tres encuestas: a) la inserción, la participación y las prácticas profesionales del guionista en la creación y en el desarrollo de la ficción televisiva, especialmente frente a las tecnologías y convergencias digitales; b) discusión crítica sobre la taxonomía de la ficción en series de televisión y análisis de estructuras dramaturgicas y estratégias de distribución de la narrativa seriada en las escalas micro (episodios o capítulos), media (temporada) y macro (temporadas); c) el universo de la teledramaturgia de animación con énfasis en los fundamentos, principios y tecnicas que interesan directamente al guionista y cuestiones acerca de lo escrito para la animación. La posesión de ese conocimiento desarrollan dos nuevas versiones para la serie Aventuras Gosmicas: una trama en capítulos para animación en tres dimensiones (3D) y otra episódica, estructurada en historias semanales cerradas ( comienzo, medio y fin). Palabras claves: teledramaturgia; seriados; animación. SUMÁRIO INTRODUÇÃO------------------------------------------------------------------------------------11 PARTE I 1 O ROTEIRISTA NA FICÇÃO TELEVISIVA -------------------------------------19 1.1 PRÁTICAS PROFISSIONAIS Y OTRAS COSITAS MÁS ---------------------------22 1.2 PARA QUEM ESCREVE O ROTEIRISTA? CRÍTICA AO (PRE)CONCEITO DE FLUXO TELEVISIVO-------------------------------------------------33 1.3 CONVERGÊNCIAS, EMERGÊNCIAS (E DIVERGÊNCIAS) DIGITAIS--------46 2 FICÇÃO AUDIOVISUAL SERIADA------------------------------------------------58 2.1 TIPOS DE PROGRAMAS SERIADOS-----------------------------------------------------59 2.1.1 Lost --------------------------------------------------------------------------------------------79 2.1.2 West Wing ------------------------------------------------------------------------------------81 2.1.3 Family Guy -----------------------------------------------------------------------------------83 2.2 FORMATAÇÃO DE BÍBLIAS--------------------------------------------------------------85 3 TELEDRAMATURGIA DE ANIMAÇÃO -----------------------------------------93 3.1 SOBRE O CAMPO ----------------------------------------------------------------------------94 3.2 QUESTÕES SOBRE O PÚBLICO INFANTIL ------------------------------------------100 3.3 ANIMAÇÃO PARA ROTEIRISTAS -----------------------------------------------------106 3.3.1 Tipos e processos de animação----------------------------------------------------------106 3.3.2 Princípios básicos--------------------------------------------------------------------------124 3.4 A ESCRITA PARA ANIMAÇÃO----------------------------------------------------------130 PARTE II 4. AVENTURAS GÓSMICAS: Bíblia 3D------------------------------------------------------------150 5. AVENTURAS GÓSMICAS: Bíblia 2D------------------------------------------------------------200 6. MEMÓRIA DO PROCESSO DE CRIAÇÃO----------------------------------------------------218 CONSIDERAÇÕES FINAIS---------------------------------------------------------------------------226 REFERÊNCIAS-------------------------------------------------------------------------------------------229 APÊNDICES APÊNDICE A – SINOPSES DOS PILOTOS DE LOST, WEST WING E FAMILY GUY------238 APÊNDICE B – ONE SHEET DA SÉRIE AVENTURAS GÓSMICAS (3D)---------------------266 APÊNDICE C – OBRAS AUDIOVISUAIS REFERIDAS-----------------------------------------269 ANEXO ANEXO A - EDITAL DO CONCURSO DE APOIO AO DESENVOLVIMENTO DE PROJETO DE SÉRIE DE ANIMAÇÃO PARA TV (EDITAL No 07, DE 23 DE DEZEMBRO DE 2007)-------------------------------------------------------------------------------------275 ÍNDICE ONOMÁSTICO--------------------------------------------------------------------------------282 11 INTRODUÇÃO Este trabalho nasceu dos propósitos de pesquisar a estrutura dramatúrgica de séries ou seriados televisivos e criar um programa desse tipo com capítulos semanais enovelados, de forma a aprofundar minha compreensão sobre as várias escalas da “ossatura” dos seriados: capítulos ou episódios; “fatias” mensais, semestrais e anuais da história e; arcos narrativos para várias temporadas. Por outro lado, queria desenvolver estratégias para o estabelecimento de suspense ao longo do
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