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What Where When Is a Handy Guide to Urgent Care Medical Aid Unit - Club, Our Hosts and Landlords Who Refer to Stuff at PDF
GÜD: COMMUNITY STANDARDS/BOUNDARIES Playa del Fuego Guide THE TEN PRINCIPLES WHAT FALL 2014 Burning Man Founder Larry Harvey wrote the Ten Principles as guidelines for the newly- formed Regionals Network. They were crafted Communal Effort: Our not to dictate how people should be and act, community values creative but as a reflection of the community’s ethos and cooperation and collaboration. WHERE culture as it has organically developed since the We strive to produce, promote, event’s inception. “Burning Man” is understood and protect social networks, public spaces, works of art, and not as an event, but refers to a way of life lived methods of communication that consistently with these Ten Principles. support such interaction. WHEN Civic Responsibility: We Radical Inclusion: Anyone may be a value civil society. Community part of Burning Man. We welcome and members who organize events should respect the stranger. No prerequisites assume responsibility for public welfare exist for participation in our community. and endeavor to communicate civic responsibilities to participants. They Gifting: Burning Man is devoted to must also assume responsibility for acts of gift giving. The value of a gift conducting events in accordance with is unconditional. Gifting does not local, state, and federal laws. contemplate a return or an exchange for something of equal value. Leaving No Trace: Our commu- nity respects the environment. We are Decommodification: In order to committed to leaving no physical trace preserve the spirit of gifting, our of our activities wherever we gather. community seeks to create social We clean up after ourselves and environments that are unmediated by endeavor, whenever possible, to leave commercial sponsorships, transactions, such places in a better state than when or advertising. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Volunteer Appreciation Research Project
Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Participants Bios
AMY LEMISCH Executive Director California Film Commission As Executive Director of the California Film Commission, Amy Lemisch oversees all of the state's efforts to facilitate motion picture, television and commercial production. She was appointed by Governor Arnold Schwarzenegger in May 2004, and continues to serve for Governor Edmund G. Brown Jr. Under her leadership, the Commission coordinates with all levels of state and local government to promote California as a production locale. Such efforts in-turn create jobs, increase production spending and generate tax revenues. In addition to overseeing the Commission's wide range of support services, Ms. Lemisch also serves as the state's leading advocate for educating legislators, production industry decision makers and the public at large about the value of filming in California. Among her many accomplishments, Ms. Lemisch was instrumental in the creation, passage and implementation of the California Film & Television Tax Credit Program, which was enacted in 2009 to help curb runaway production. The Commission is charged with administering the $500 million program that targets the types of productions most likely to leave California due to incentives offered in other states and countries. Prior to her appointment at the Commission, Ms. Lemisch served for more than 15 years as a producer for Penny Marshall’s company - Parkway Productions. While based at Universal Studios and Sony Pictures, she was responsible for overseeing physical production on all Parkway projects, as well as selecting new projects for the company to produce. Her credits include: producer on the independent feature film WITH FRIENDS LIKE THESE; co-producer on RIDING IN CARS WITH BOYS (starring Drew Barrymore), THE PREACHER’S WIFE (starring Denzel Washington and Whitney Houston) and RENAISSANCE MAN (starring Danny DeVito); associate producer on AWAKENINGS, A LEAGUE OF THEIR OWN, and CALENDAR GIRL. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3. 10,000 BC 4. 101 Dalmatians 5. 102 Dalmations 6. 10th Kingdom 7. 11-11-11 8. 12 Monkeys 9. 127 Hours 10. 13 Assassins 11. 13 Tzameti 12. 13th Warrior 13. 1408 14. 2 Fast 2 Furious 15. 2001: A Space Odyssey 16. 2012 17. 21 & Over 18. 25th Hour 19. 28 Days Later 20. 28 Weeks Later 21. 30 Days of Night 22. 30 Days of Night: Dark Days 23. 300 24. 40 Year Old Virgin 25. 48 Hrs. 26. 51st State 27. 6 Bullets 28. 8 Mile 29. 9 Songs 30. 9 ½ Weeks 31. A Clockwork Orange 32. A Cock and Bull Story 33. A Very Harold & Kumar 3D Christmas 34. A-Team 35. About Schmidt 36. Abraham Lincoln: Vampire Hunter 37. Accepted 38. Accidental Spy 39. Ace Ventura: Pet Detective 40. Ace Ventura: When Nature Calls 41. Ace Ventura, Jr. 42. Addams Family 43. Addams Family Reunion 44. Addams Family Values 45. Adventureland 46. Adventures of Baron Munchausen 47. Adventures of Mary-Kate & Ashley: The Case of the Christmas Caper 48. Adventures of Mary-Kate & Ashley: The Case of the Fun House Mystery 49. Adventures of Mary-Kate & Ashley: The Case of the Hotel Who-Done-It 50. Adventures of Mary-Kate & Ashley: The Case of the Logical Ranch 51. Adventures of Mary-Kate & Ashley: The Case of the Mystery Cruise 52. Adventures of Mary-Kate & Ashley: The Case of the SeaWorld Adventure 53. Adventures of Mary-Kate & Ashley: The Case of the Shark Encounter 54. -
Into the Zone
chapter 1 Into the Zone By the time I first got to Burning Man in 1996— which turned out to be a pivotal year for the event— it had already changed dramatically from its humble beginnings a decade before. On summer solstice eve in 1986, a man named Larry Harvey and his friend Jerry James decided, for no premeditated reason, to host an impromptu gathering on San Fran- cisco’s Baker Beach, where they constructed a primitive wooden effigy and burned it. Having invited just a handful of friends to join them, they were delighted to discover that as they set flame to the eight- foot- high sculpture, the spectacle attracted onlookers from up and down the beach. As Harvey tells the often-repeated tale, someone began to strum a gui- tar, others began to dance and interact with the figure, and a spontaneous feeling of community and connectedness came upon those gathered— friends and strangers alike (see DVD, chap. 1). Flushed with the unan- ticipated success of the gathering, Harvey and James soon decided to hold it again the next year; with each subsequent iteration, both the crowd and the sculpture grew substantially. Numerous legends have accumulated around the birth of the festival and— as is often the case with largely oral traditions—the elements of the narrative have shifted with each retelling, as some aspects have been emphasized and others lost in the dust. For his part, Harvey insists that he had no consciously preconceived ideas about the meaning of the Burning Man, let alone about starting a global movement. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
A-Z Movies V
DECEMBER 2017 A-Z MOVIES v 10 CLOVERFIELD LANE 30 DAYS OF NIGHT COMEDY MOVIES 2006 Frankie Muniz, Anthony Anderson. In an effort to reconnect with her December 14 THRILLER MOVIES 2016 THRILLER MOVIES 2007 Comedy (M ls) A rogue CIA agent has stolen a top daughter, Maggie takes her to Tuscany Paul Giamatti, Hope Davis. Thriller/Suspense (M lv) Horror (MA 15+ ah) December 23 secret mind control device, so Cody where she had spent her youth, A grumpy nerd who becomes a cult December 7, 13, 24 December 13, 25 Justin Long, Jonah Hill. must go undercover in London to get it only to rediscover a love she had comic-strip author and talk-show John Goodman, Josh Hartnett, Melissa George. A friendly bunch of college rejects back by posing as a student at an elite left behind. celebrity, combines life and art in a Mary Elizabeth Winstead. When an Alaskan town endures 30 invent a new university that they can boarding school. touching take on the American dream. After a catastrophic car crash, a young days of darkness, vampires come attend to keep their parents happy. ALLIED woman wakes up in an underground out to feed. Only a husband-and-wife But when the first semester begins, AGUIRRE, WRATH OF GOD PREMIERE MOVIES 2016 Drama THE AMERICAN bunker with a man who claims to have sheriff team stand between death and the deception spins out of control. WORLD MOVIES 1972 West Germany (M adlnsv) THRILLER MOVIES 2010 Drama saved her from an apocalyptic attack. survival until sunlight returns. -
3 2 2. COMMUNITY Standards Playa Del Fuego Grand Unified Document V3.3 May 2015 1. Basics
GUD: . 2-14 Community Expectations Gate - The Gate is the portal through which you Playa del Fuego believes its participants want to enter the event. The event has 2 gates, front and Basics: . .. 2-3 back. The front gate turns tickets and valid IDs The Grand Unified Document is the sum total of all be good citizens. Getting to PDF can be a lot of into official wristbands during specific hours Community standards: 3-5 policies, rules, and regulations for Playa del Fuego. hard work. We think people genuinely care about posted elsewhere. The back gate is next to the Contact the BOD or the PC to make updates or revi- the community they work so hard to contribute Rules: . 5-6 main parking lot and features the Greeters. sions to these guidelines. The WWW doesn’t write to. This document contains information partic- Always show your wristband to the nice people this stuff — just prints it. We’ve added a few notes. ipants need to sustain this sincere experiment. Sound Policy: . 6-7 working the gate when you enter, leave, or bring They are in italic. We encourage all participants, newbie to gnarled, Public Health and Safety: to look over this document and be reminded this them a cold beverage/tasty snack. 7-9 experiment in collaborative community is not PONY - PONY stands for Planning and PlaYa del FUegO complete anarchy. Generally, if something is not Organization Need You. It is the official online Planning Participation, graNd Unified covered in the GÜD, and it is legal in the larger planning and discussion forum for Playa del & organizatiOn: . -
Addams Family Mansion Floor Plan
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