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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
Guión Y Dirección De Un Cortometraje
Clase magistral "Creando un icono del terror" con George Donald “Don” Mancini Madrid, 24 de octubre de 2018 Organizado por: Actividad promovida por el Consejo Territorial de SGAE en Madrid DESTINATARIOS: Guionistas, directores, escritores y profesionales del audiovisual que estén interesados en conocer el nacimiento, evolución y desarrollo del personaje de la saga de películas de terror Child's Play: Chucky. 1 CONTENIDOS: George Donald expondrá en una charla abierta los aspectos más relevantes de la construcción del personaje Chucky. Chucky, que debutó en el cine hace treinta años, es uno de los iconos más importantes del cine de terror del siglo XX y durante esta clase tendremos la oportunidad de entender cómo se creó un personaje que, a día de hoy, es capaz de reinventarse para no dejar de sorprender y asustar al espectador. El nacimiento, la evolución, el desarrollo o el proceso de caracterización serán algunos de los aspectos a tratar por su creador además de compartir con los asistentes su experiencia profesional tanto en el ámbito cinematográfico como televisivo. PROFESOR: Don Mancini Es un guionista, productor y director de cine. Conocido internacionalmente por ser el creador de Chucky y guionista de toda su saga, integrada por un total de siete películas. La franquicia nació en 1988 con Muñeco diabólico (Child's Play) seguida de Muñeco diabólico 2 (1990), Muñeco diabólico 3 (1991), La novia de Chucky (Bride of Chucky. 1998), La semilla de Chucky (Seed of Chucky. 2004), La maldición de Chucky (Curse of Chucky. 2013) y Cult of Chucky (2017). Ha sido director además de sus últimas secuelas; La semilla de Chucky, La maldición de Chucky y Cult of Chucky. -
Star Channels, Jan. 13-19
JANUARY 13 - 19, 2019 staradvertiser.com END OF DAYS Federal agent Brad Wolgast (Mark-Paul Gosselaar) and the most important girl in the world (Saniyya Sidney) are on the run in an epic tale of survival in a world on the brink of total destruction. The end is near when an experiment with a deadly virus goes off the rails in The Passage. Premiering Monday, Jan. 14, on Fox. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | THE PASSAGE Most wanted A fugitive pair run for their incredibly high and that things might get a bit Horror Story: Roanoke”) is deemed to be the lives in ‘The Passage’ apocalyptic. perfect candidate and is selected to be a test Like all good tales of science gone bad, the subject. Project Noah scientists, comprised of lead Federal agent Brad Wolgast (Mark-Paul By Francis Babin scientist Dr. Major Nichole Sykes (Caroline Gosselaar, “Franklin & Bash”) is chosen to TV Media Chikezie, “The Shannara Chronicles”), Dr. Jonas protect the young girl and escort her to the re- Lear (Henry Ian Cusick, “The 100”) and other mote facility, but things soon get complicated he new year is officially upon us, which geniuses are in desperate need of human test when the two form a very close bond. Over the means New Year’s resolutions are in full subjects. course of their trip to the secret medical facil- vogue once again. -
On the Rise and Decline of Wulitou 无厘头's Popularity in China
The Act of Seeing and the Narrative: On the Rise and Decline of Wulitou 无厘头’s Popularity in China Inaugural dissertation to complete the doctorate from the Faculty of Arts and Humanities of the University of Cologne in the subject Chinese Studies presented by Wen Zhang ACKNOWLEDGEMENTS My thanks go to my supervisors, Prof. Dr. Stefan Kramer, Prof. Dr. Weiping Huang, and Prof. Dr. Brigitte Weingart for their support and encouragement. Also to the Faculty of Arts and Humanities of the University of Cologne for providing me with the opportunity to undertake this research. Last but not least, I want to thank my friends Thorsten Krämer, James Pastouna and Hung-min Krämer for reviewing this dissertation and for their valuable comments. TABLE OF CONTENTS INTRODUCTION ...................................................................................................................................... 1 0.1 Wulitou as a Popular Style of Narrative in China ........................................................... 1 0.2 Story, Narrative and Schema ................................................................................................. 3 0.3 The Deconstruction of Schema in Wulitou Narratives ................................................... 5 0.4 The Act of Seeing and the Construction of Narrative .................................................... 7 0.5 The Rise of the Internet and Wulitou Narrative .............................................................. 8 0.6 Wulitou Narrative and Chinese Native Cultural Context .......................................... -
It's Child's Play: Advergaming and the Online Marketing of Food to Children
The author would like to thank James Wilkie, Kyle Chamberlin, Victoria Blainey, Barbara McDonald, and Nicole Horne for their time, dedication and many contributions to this project. At the Foundation, the project was directed by Victoria Rideout, vice president and director of the Foundation’s Program for the Study of Entertainment Media and Health. A KAISER FAMILY FOUNDATION REPORT ELIZABETH S. MOORE ASSOCIATE PROFESSOR OF MaRKETING UNIVERSITY OF NOTRE DaME JULY 2006 TABLE OF CONTENTS INTRODUCTION 1 Research Purpose 2 METHOD 2 Research Approach 2 Sample 2 Research Instrument 3 Data Analysis 4 OVERVIEW OF FINDINGS 4 ADVERGAMES 5 Distribution of Games across Websites 5 Categories of Games 5 Brand Exposures 6 Choices in Game Play 6 Features to Extend Game Play 7 BRAND EXPOSURES BEYOND THE GAMES 8 Number of Brand Variants 8 Prevalence of Brand Identifiers 8 Television Commercials 9 Two Key Categories of Advertising Claims 10 1. Brand Benefit Claims 10 2. Nutritional Claims and Information 11 CUSTOMIZING THE VISITOR’S EXPERIENCE 12 Website Membership 13 Website Communities 14 Viral Marketing 15 Other Attempts to Personalize 16 MARKETING PARTNERShipS 17 Media Tie-Ins 17 Promotions and Sponsorships 19 EduCATIONAL CONTENT 20 EXTENDING THE ONLINE EXPERIENCE 21 Provision of “Extra” Brand-Related Items 22 Forging Links to Product Consumption 23 Expanding Usage Occasions with New Recipes 25 Links to Other Websites 27 WEBSITE PROTECTIONS FOR CHILDREN 26 Privacy Protections and Age Blocks 26 Information for Parents 26 “Ad Break” Reminders 27 SUMMARY AND CONCLUSIONS 27 REFERENCES 30 ENDNOTES 32 TABLES 35 FIGURES 41 APPENDICES 49 INTRODUCTION Advertising is a pervasive presence in the lives of most Articles appearing in the business press generally suggest American children. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Air Bud Golden Receiver Google Drive
Air Bud Golden Receiver Google Drive Conquerable Muffin never gelts so animatingly or underlay any Balanchine limpidly. Counteractive and folded Gideon never swagger his Gresham! Ignacio pieced frumpily if desensitizing Jason trepans or predestined. This spot was mabel ida albertson on google drive It is useful when beethoven try to the air bud franchise, google drive in a little smile as if you are some point are also different outlet. Company that currently develops, manufactures, and distributes branded nutritional supplements. By air bud golden receiver can help of new buddy joins the jack albertson on google drive in going out and peace to the. Or just punt it my time. Buddy, an abandoned golden retriever who can stunt a ball fly a defence better prepare any dog gave a escape to. European economic area. The golden receiver productions inc. Something he is needed in the air bud golden receiver google drive. Joe Biden and Elizabeth Warren, even though Warren was usually tied for second park with Bernie Sanders. When your courtyard is pointed low down talk the remorse the elevation angle shall only offer few degrees. Check the application of the lady, bud golden receiver can also safari. Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events. What kind of a quarantine dweller are you? So, a leader has my right angles. Who Gets the Dog? Register on for merchant platform and bewilder your debt with us. Joom and chat with time streaming services of college, who it is dead or to expire before bonfire night in. -
Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
The Diurnal Order of the Image in Dracula, by Bram Stoker
THE DIURNAL ORDER OF THE IMAGE IN DRACULA, BY BRAM STOKER O REGIME DIURNO DA IMAGEM EM DRÁCULA, DE BRAM STOKER Claudio Vescia Zanini1 In reality, the acceptance of the shadow-side of human nature verges on the impossible. Consider for a moment what it means to grant the right of existence to what is unreasonable, senseless, and evil! Yet it is just this that the modern man insists upon. He wants to live with every side of himself – to know what he is. That is why he casts history aside. He wants to break with tradition so that he can experiment with his life and determine what value and meaning things have in themselves, apart from traditional presuppositions. Carl Gustav Jung. Psychology and Religion: West and East ABSTRACT: The article proposes a reading of Bram Stoker’s Dracula analyzing the imagery in the novel in accordance with the Diurnal Order of the Image (DURAND, 1999), a perspective that encompasses images within three antithetical dichotomies: the theriomorphic and diæretic images (respectively related to an animal archetypology and to the devices and weapons of the hero), the nyctomorphic and spectacular images (related to darkness and light) and catamorphic and ascensional images, which are connected to falling and rising. The conclusion highlights the universality in the imagery Stoker employs in his work, which might explain Dracula’s timelessness and power. KEYWORDS: Dracula; Victorian literature; diurnal order of the image; vampire fiction. RESUMO: O artigo propõe uma leitura de Drácula, de Bram Stoker analisando as imagens no romance de acordo com o Regime Diurno da Imagem (DURAND, 1999), uma perspectiva que engloba o imaginário com base em três dicotomias antitéticas: as imagens teriomórficas e diairéticas (respectivamente relacionadas a uma arquetipologia animal e às armas e recursos do herói), as imagens nictomórficas e espetaculares (relacionadas à escuridão e à luz) e as imagens catamórficas e ascensionais, ligadas à queda e à ascensão. -
Developing a Curriculum for TEFL 107: American Childhood Classics
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Winter 12-19-2019 Developing a Curriculum for TEFL 107: American Childhood Classics Kendra Hansen [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the American Studies Commons, Education Commons, and the English Language and Literature Commons Recommended Citation Hansen, Kendra, "Developing a Curriculum for TEFL 107: American Childhood Classics" (2019). Dissertations, Theses, and Projects. 239. https://red.mnstate.edu/thesis/239 This Project (696 or 796 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Developing a Curriculum for TEFL 107: American Childhood Classics A Plan B Project Proposal Presented to The Graduate Faculty of Minnesota State University Moorhead By Kendra Rose Hansen In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language December, 2019 Moorhead, Minnesota Copyright 2019 Kendra Rose Hansen v Dedication I would like to dedicate this thesis to my family. To my husband, Brian Hansen, for supporting me and encouraging me to keep going and for taking on a greater weight of the parental duties throughout my journey. To my children, Aidan, Alexa, and Ainsley, for understanding when Mom needed to be away at class or needed quiet time to work at home.