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Pinch with Ing Pennies Penny Marshall
PINCH ING PENNIES WITH PENNY MARSHALL DEATH RITUALS FOR PENNY MARSHALL BY PROJECT MANAGER Alfredo Macias Victor I. Cazares DIRECTION Alton Alburo Martin Manzanita Barna Barzin Randa Jarrar Olivia Jimenez Frances McDormand as Madre Cabrona April Matthis Ellen DeGeneres Pooya Mohseni Leo Scorpio, Esq. MD/PHO MBA Ashton Muiiiz BBSloppyJoe Jesus I. Valles Penny Marshall EPISODE1 A Zoom Webinar Offering Financial Advice for OnlyFans Content Creators EPISODE2 Sliding Scales NEW YORK EPISODE3 Dia de la Muerta THEATRE WORKSHOP Victor I. Cazares is a Tow Playwright in Residence. just to name a few. Wearing all those hats has The Guggenheim (Machine Dazzle), Art Institute resulted in 1) a strong core & excellent posture, Chicago/Swiss Institute/New Museum (Cally 2) delight in working and playing with all sorts of Spooner), Biennial Performa/Lehmann Maupin people, 3) an enduring belief in the power of play. (Nicholas Hlobo) & Pace Gallery (Lilleth Glimcher). Olivia’s curiosity currently lies at the intersections Additionally, Ashton has danced for Marc Jacobs of embodied healing, civic practice, and FW 2020 (Karole Armitage), A$AP Rocky (Lab sustainability. Olivia holds a B.A. in Theater from Rat-Sotheby’s), Rihanna (MTV VMAs 2016). Muñiz is the University of Southern California and studied a co-founder of Legacy: A Black Queer Production interactive storytelling with Deep Dive Austin. She Collective & received training at Ithaca College, is a company member of the VORTEX Repertory Moscow Arts Theatre School and Shakespeare & Company and Shrewd Productions, and an Company. Enterprise Rose Artist Fellow working at Foundation Communities in Austin, TX. Jesús I. Valles Penny Marshall April Matthis Jesús I. -
Uncovering Sports History Fact and Fiction
Coombs “Reel” Stories vs. “Real” Stories: Uncovering Sports History Fact and Fiction Appendix 14.2. Sports-Based Films Film Year Director Focus 42 2013 Brian Helgeland Features Jackie Robinson’s experiences as an African American baseball player from 1945–1947. A League of Their 1992 Penny Marshall Tells the story of the All-American Girls Baseball Own League that formed during World War II. The Blind Side 2009 John Lee Hancock Depicts the experiences of Michael Oher and the Tuohy family as he went from homeless to a first- round NFL draft pick. Chariots of Fire 1981 Hugh Hudson The story of British sprinters Eric Liddell and Harold Abrahams and their quest for victory in the 1924 Olympics. Cinderella Man 2005 Ron Howard Set amidst the Great Depression, this film tells the story of James J. Braddock, who boxed in order to feed his family and ultimately inspired a nation. Eight Men Out 1988 John Sayles A depiction of the 1919 scandal of the Chicago White Sox accepting bribes and being accused of throwing the World Series. The Express 2008 Gary Fleder The story of Ernie Davis, the first black Heisman Trophy winner, and his experiences at Syracuse University playing football in the midst of the Civil Rights Movement. Friday Night 2004 Peter Berg This film tells the story of the Permian Panthers, a Lights high school football team in Odessa, Texas, where football is both a sport and a way of life. Glory Road 2006 James Gartner The story of the Texas Western basketball team that won the national championship amidst racism and discrimination in 1966. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Assignment 3 1/21/2015
Assignment 3 1/21/2015 The University of Wollongong School of Computer Science and Software Engineering CSCI124/MCS9124 Applied Programming Spring 2010 Assignment 3 (worth 6 marks) • Due at 11.59pm Thursday, September 9 (Week 7). Aim: Developing programs with dynamic memory and hashing. Requirements: This assignment involves the development of a database for a cinema. The program is designed to look up past movie releases, determining when the film was released, the rating it received from the Classification Board and its running time. To accelerate the lookup, a hash table will be used, with two possible hash functions. The program will report how efficiently the table is operating. Storage will be dynamic, enabling the space used by the program to be adjusted to suit the datafile size. The program must clean up after memory usage. During development, the program may ignore the dynamic nature until the program is working. As an addendum, the assignment also involves the use of compiler directives and makefiles. Those students who use a platform other than Linux/Unix will be required to ensure that their programs comply with the specifications below. The program is to be implemented in three files: ass3.cpp contains the simplest form of main function, hash.h contains the function prototypes of the publicly accessible functions, where the implementations of these functions will be placed in the file hash.cpp. The first two files should not be altered, although you may write your own driver programs to test your functions during development. The third file contains the stubs of the four public functions, plus a sample struct for holding the records, usable until they are changed for dynamic memory. -
'The Wall That Heals' Hits Nahant
MONDAY JULY 19, 2021 By Tréa Lavery Swampscott Conservancy ITEM STAFF SWAMPSCOTT — The Swampscott Conservancy is advocating for a ban on balloons in the town, saying that they have a detrimental effect on the airing out its case environment and on animals that may ingest them. In a post on the Conservancy’s website, President Toni Bandrowicz ac- knowledged that balloons are a bright and fun way of celebrating happy against balloons events, but asked residents to consider the negative impacts as well as the positive. “To protect nature in our neighborhood, perhaps it’s time for Swamp- scott to consider such a by-law — or at least a policy that bans balloons at town-sponsored events, on town-owned properties, or for any events requir- ing town approval,” Bandrowicz said. “The town should promote the use of non-disposable, reusable decorations for such events, not balloons and other single-use plastic decorations.” A handful of communities in Massachusetts have already enacted similar rules, including Chatham, Everett, Nantucket and Provincetown. In 2019, State Representative Sarah Peake of Provincetown introduced a bill that would ban “the sale, distribution and release of any type of balloon, includ- ing, but not limited to, plastic, latex or mylar, lled with any type of lighter BALLOONS, A3 Lynn, Revere and MBTA mapping out transit plan By Allysha Dunnigan ITEM STAFF The Massachusetts Bay Transporta- tion Authority (MBTA) announced its collaboration with municipal partners, including Revere and Lynn, for a series of bus priority projects that will construct up to 4.8 miles of bus lanes — and other pro-transit infrastructure upgrades — to improve bus speed and reliability as the region re-opens from COVID-19-related regulations. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Stacey Travis Resume[1]
9229 Sunset Blvd., Suite 400 (310) 281-4868 Los Angeles, CA 90069 Fax (310) 281-4866 STACEY TRAVIS FILM (Partial List) A CHRISTMAS STORY TOO WARNER PREMIER DIR. BRIAN LEVANT EASY A SCREEN GEMS/SONY DIR. WILL GLUCK DEEP DARK CANYON INDEPENDENT DIR. ABE LEVY RANDOM ENCOUNTERS INDEPENDENT DIR. BORIS UNDORF SON OF MOURNING INDEPENDENT DIR. YANIV RAZ THE GREAT BUCK HOWARD PLAYTONE DIR. SEAN McGINLY FUN WITH DICK AND JANE IMAGINE ENT. DIR. DEAN PARISOT VENOM MIRAMAX DIR. JIM GILLESPIE ART SCHOOL CONFIDENTIAL UNITED ARTISTS DIR. TERRY ZWIGOFF INTOLERABLE CRUELTY UNIVERSAL DIR. JOEL COEN JACK SATIN INDEPENDENT DIR. CHRIS OLNESS SOUL PLANE MGM DIR. JESSY TERRERO TWO DAYS INDEPENDENT DIR. SEAN MCGINLY BANDITS MGM DIR. BARRY LEVINSON GHOST WORLD MGM DIR. TERRY ZWIGOFF TRAFFIC UNIVERSAL DIR. STEVEN SODERBERG HEARTBREAKERS MGM DIR. DAVID MIRKIN WHAT PLANET ARE YOU FROM SONY PICTURES DIR. MIKE NICHOLS SLEEP EASY HUTCH RIMES INDEPENDENT DIR. MATTHEW IRMAS MYSTERY MEN UNIVERSAL DIR. KINKA USHER THE MUSE OCTOBER FILMS DIR. ALBERT BROOKS THE ONLY THRILL LIONS GATE DIR. PETE MASTERSON PLAYING GOD BUENA VISTA DIR. ANDY WILSON ONLY THE STRONG 20TH CENTURY FOX DIR. SHELDON LETTICH THE SUPER 20TH CENTURY FOX DIR. ROD DANIEL HARDWARE MIRAMAX DIR. RICHARD STANLEY TELEVISION (Partial List) MEN (Pilot) GUEST STAR A24 / SUPER DELUXE MOM GUEST STAR CBS BETAS RECURRING AMAZON MODERN FAMILY GUEST STAR ABC THE NICK KROLL SHOW GUEST STAR COMEDY CENTRAL THE BIG BANG THEORY GUEST STAR CBS THE LEAGUE GUEST STAR FX SONS OF TUCSON GUEST STAR FOX GOOD LUCK CHARLIE GUEST STAR -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
The Cinema of Oliver Stone
Conclusion Although we are clearly overreaching, it’s too easy to talk about the USA losing its grip because we happen to be rooting for another approach. It’s not going to go away that easily. This empire is Star Wars in the ‘evil empire’ sense of the words … We are virtually becoming a tyranny against the rest of the world. It’s not evident to people at home, because they don’t see the consensus in the media and they don’t see the harm the USA does abroad. We are not in decline. We are decayed and corrupt and immoral, but not in decline. The USA exerts its will in Europe, Asia, much of the Middle East, and still much of Latin America. The recent revela- tions that the NSA’s and the UK’s surveillance programmes are linked is big news.1 Oliver Stone has been a fixture in the Hollywood landscape since his Oscar- winning script for Midnight Express (Alan Parker, 1978). That high-profile foothold gave him the opportunity to build slowly towards his ambition of capturing on film what he had lived through in Vietnam during 1967 and 1968. The young Yale man who had entered the army was a cerebral romantic in search of adventure; but his experience, not just of combat but also of his return to a country that was already openly divided about the war, altered his perspective and the direction of his life. Enrolment at film school under the GI Bill seemed to offer a way of expressing his anger and disillusionment, and the same determination that had kept him alive in South-East Asia now drove him on to try and tell something of that experience on film. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Awakenings Les Friedman, Phd, and Therese Jones, Phd, Movie Review Editors
Medicine on the big and small screen: Awakenings Les Friedman, PhD, and Therese Jones, PhD, Movie Review Editors Awakenings Starring Robert De Niro, Robin Williams, Julie Kavner, Ruth Nelson, John Heard, Penelope Ann Miller, and Max von Sydow Directed by Penny Marshall, released December 22, 1990, Columbia Pictures, Rated PG-13, 121 minutes Reviewed by Allison Kavey, PhD ased on British neurologist Oliver Sacks’ memoir Awakenings, the movie of the same title tells Sacks’ storyB fictionalized through American doctor Malcom Sayer (Robin Williams). The movie portrays Sacks’ work with catatonic patients during the summer of 1969. In the movie, Sayer finds a temporary cure for a group of unresponsive patients confined to a mental hospital for several decades. Many of the patients were inaccurately diagnosed with “atypical schizophrenia,” and “fed and watered” by the institution’s staff until Sayer, a research- trained neurologist, was hired. Sayer nearly did not get the job. In his interview, he carefully explains the experimental work he has been engaged in for the previous five years, the goal of which Robin Williams and Robert De Niro in Awakenings. © 1990 Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy was to extract one decagram of myelin from four tons of of Columbia Pictures earth worms. The head of the hospital board cuts him off, noting that his hypothesis was not possible. Sayer proudly announces, “I know that. I proved it!” Collecting all of the schizophrenia cases into a group, However, Sayer stumbles as the interviewers repeatedly Sayer notes, “You’d think at a certain point all of these ask him about his experience with patients.