2019 – Playa Del Fuego Afterburn Report
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
What Where When Is a Handy Guide to Urgent Care Medical Aid Unit - Club, Our Hosts and Landlords Who Refer to Stuff at PDF
GÜD: COMMUNITY STANDARDS/BOUNDARIES Playa del Fuego Guide THE TEN PRINCIPLES WHAT FALL 2014 Burning Man Founder Larry Harvey wrote the Ten Principles as guidelines for the newly- formed Regionals Network. They were crafted Communal Effort: Our not to dictate how people should be and act, community values creative but as a reflection of the community’s ethos and cooperation and collaboration. WHERE culture as it has organically developed since the We strive to produce, promote, event’s inception. “Burning Man” is understood and protect social networks, public spaces, works of art, and not as an event, but refers to a way of life lived methods of communication that consistently with these Ten Principles. support such interaction. WHEN Civic Responsibility: We Radical Inclusion: Anyone may be a value civil society. Community part of Burning Man. We welcome and members who organize events should respect the stranger. No prerequisites assume responsibility for public welfare exist for participation in our community. and endeavor to communicate civic responsibilities to participants. They Gifting: Burning Man is devoted to must also assume responsibility for acts of gift giving. The value of a gift conducting events in accordance with is unconditional. Gifting does not local, state, and federal laws. contemplate a return or an exchange for something of equal value. Leaving No Trace: Our commu- nity respects the environment. We are Decommodification: In order to committed to leaving no physical trace preserve the spirit of gifting, our of our activities wherever we gather. community seeks to create social We clean up after ourselves and environments that are unmediated by endeavor, whenever possible, to leave commercial sponsorships, transactions, such places in a better state than when or advertising. -
Volunteer Appreciation Research Project
Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
Into the Zone
chapter 1 Into the Zone By the time I first got to Burning Man in 1996— which turned out to be a pivotal year for the event— it had already changed dramatically from its humble beginnings a decade before. On summer solstice eve in 1986, a man named Larry Harvey and his friend Jerry James decided, for no premeditated reason, to host an impromptu gathering on San Fran- cisco’s Baker Beach, where they constructed a primitive wooden effigy and burned it. Having invited just a handful of friends to join them, they were delighted to discover that as they set flame to the eight- foot- high sculpture, the spectacle attracted onlookers from up and down the beach. As Harvey tells the often-repeated tale, someone began to strum a gui- tar, others began to dance and interact with the figure, and a spontaneous feeling of community and connectedness came upon those gathered— friends and strangers alike (see DVD, chap. 1). Flushed with the unan- ticipated success of the gathering, Harvey and James soon decided to hold it again the next year; with each subsequent iteration, both the crowd and the sculpture grew substantially. Numerous legends have accumulated around the birth of the festival and— as is often the case with largely oral traditions—the elements of the narrative have shifted with each retelling, as some aspects have been emphasized and others lost in the dust. For his part, Harvey insists that he had no consciously preconceived ideas about the meaning of the Burning Man, let alone about starting a global movement. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
3 2 2. COMMUNITY Standards Playa Del Fuego Grand Unified Document V3.3 May 2015 1. Basics
GUD: . 2-14 Community Expectations Gate - The Gate is the portal through which you Playa del Fuego believes its participants want to enter the event. The event has 2 gates, front and Basics: . .. 2-3 back. The front gate turns tickets and valid IDs The Grand Unified Document is the sum total of all be good citizens. Getting to PDF can be a lot of into official wristbands during specific hours Community standards: 3-5 policies, rules, and regulations for Playa del Fuego. hard work. We think people genuinely care about posted elsewhere. The back gate is next to the Contact the BOD or the PC to make updates or revi- the community they work so hard to contribute Rules: . 5-6 main parking lot and features the Greeters. sions to these guidelines. The WWW doesn’t write to. This document contains information partic- Always show your wristband to the nice people this stuff — just prints it. We’ve added a few notes. ipants need to sustain this sincere experiment. Sound Policy: . 6-7 working the gate when you enter, leave, or bring They are in italic. We encourage all participants, newbie to gnarled, Public Health and Safety: to look over this document and be reminded this them a cold beverage/tasty snack. 7-9 experiment in collaborative community is not PONY - PONY stands for Planning and PlaYa del FUegO complete anarchy. Generally, if something is not Organization Need You. It is the official online Planning Participation, graNd Unified covered in the GÜD, and it is legal in the larger planning and discussion forum for Playa del & organizatiOn: . -
2002 Burning Man Journal
photographer : Maurizio Niccolai illustration : Rod Garrett photographer : Scaredlamb photographer : Julia Ann Ellingson Culture: See page below The Floating World: See page 4 Community Notes: See page 6 Clean it up: See page 8 BURNINGMANJOURNA L ALL THE NEWS THAT IS FIT TO BURN SUMMER 2002 An Economy of Gifts — an interview with Larry Harvey A Growing Culture Darryl Van Rhey: You have described Burning Man as a gift economy, but isn’t this an oxymoron? Gifts are things we give away, but doesn’t being economical mean that we retain “One can set it as a question. Is this an event that can have, does have, this feature what is valuable? Isn’t there always a balance sheet? In any economy, don’t we always get of ongoing transformative gifts? Perhaps, even more than just asking the question something for what we give? Larry Harvey: In some way, I suppose we do. I about Burning Man, one could also set it as a goal. Here’s an interesting and lively do think you are absolutely right to say that gifts event. If there are places where this feature of transformation is absent, how can are things we give away without an expectation of return. If we do expect something back in we engender and nourish that…?” exchange, even if it’s counting on an expression Lewis Hyde of gratitude, we ruin the gift. I think we’ve all Author of The Gift: Imagination and the Erotic Life of Property experienced this: gifts that come with a hidden cost. Isn’t it galling when someone gives you something and then continually reminds you of it? In 1998, a group of people who had coalesced public gesture that redeemed the pain of their around our first regional Internet contact decided experience and clothed it in new meaning by to organize a burn of their own. -
Original Recipe 10 Principles of Burning Man - P
recipe 10 Principles of Burning Man - p. 15 Original extra crispy 10 Principles of Burning Man, Southern Style - p. 45 Never heard of the 10 Principles? Welcome to a Burn, always take your trash with you, ask before taking or touching, and read the 10 Principles. “You’re special. Everybody is special. Nobody is special.” This event is run entirely by volunteers. When Two heads ARE better than one. Having both working with volunteers two issues emerge: on-site and off-site leads is a great use of finding great people, and the volunteer-who- skills and availability. Knowledge and task wouldn’t-leave. It’s been great working on sharing eliminates single points of failure, the What Where When Guide. Now, I’m going. pokes tyrants in their “I am invaluable” egos, What about you? and ensures there’ll still be porta potties Newbie enthusiasm is a precious resource. after you enroll in Unicycle College. Never signed up for a shift? Do it! Sign up. There is no “I” in community. Crap, there is, Show up. See if that spot is a good fit. It may and also a “U.” This event deserves better than take a second try but you’ll find your niche. peeps who won’t share operational knowledge or Then you’ll be hooked on helping this event! who have held the same leadership position for Once you get a reserve ticket, then what? a decade. Playa del Fuego is venerable among Some flit from task to task, others drift away, regionals so a decade plus of attendance or flake out, lose track of time, move on up, or volunteering is common. -
Playa Del Fuego 2016 Annual Report
Playa del Fuego 2016 Annual Report About Playa del Fuego (PDF). Playa del Fuego, Inc. is a non-profit, participant-directed organization whose mission is to hold interactive events that promote artistic creativity and freedom of expression. PDF provides the framework and the infrastructure to allow artists such as sculptors, painters, musicians, DJs, fire performers, dancers, and any other creatively- minded individuals to come together to practice their unique form of self expression and create a viable volunteer-based community that exists beyond the boundaries of the event itself. A fundamental tenet of these events is the establishment of a zone that does not involve any currency-based commerce aside from the initial ticket purchase, thus creating a gift-based economy wherein all participants can exhibit, demonstrate, and educate others about their particular form of creativity. Playa del Fuego, also known as PDF, is a Mid-Atlantic Regional Burning Man Event. Events are held every Memorial Day and Columbus Day weekends in Odessa, Delaware. Playa del Fuego is an experiment in collaborative community, featuring art and music. Volunteers work together to build community, utilizing the Ten Principles of Burning Man as a guide. There are no spectators at Playa del Fuego; everyone collaborates in some way to create the event. It's a place for radical self-expression, acceptance, inclusivity, and respect. This is a sincere experiment in creating a gift economy. There are no concession stands. No cash transactions (except ice sales) are permitted at Playa del Fuego. Even bartering is discouraged. If you need something, ask for it. -
What Where When Guide
It wasn't easy… This WWW Guide had some growing pains and at times seemed it was Guy goes to the psychiatrist... He says never going to happen. Somehow the May ’13 “Doc, my wife made me come here. extraordinary do-acracy of this community Playa del Fuego She thinks I’m crazy just because got it done. Hooray for people doing stuff! I like pancakes.” The shrink says “That’s The new part of the website which not so crazy... why, I like pancakes supports this guide wasn't finished as swiftly as hoped and the printer needed myself!” The guy says, “You DO? You more time to print it. That meant should come over to my house! I’ve got participants, especially the extra-organized- THOUSANDS of them!” doing-amazing-spectacular-thing-type of participant had approximately 15 minutes Q: Why did Cinderella get kicked off the to register their camp and enter their event. There was less time to slap this paper softball team? A: Because she ran away thing together, too. But it all got done. from the ball! In the fall it will be easier. There will be much more time for people to enter their A MAGICIAN WAS DRIVING DOWN info. The new log-in and pages won't be so THE ROAD – THEN HE TURNED INTO A new. Stuff will get tweaked, and there'll be DRIVE WAY better planning. Things generally will be less confusing and not rushed. This community is an engine that runs on goodwill The website and this guide aren't created WHAT WHERE miraculously. -
2019 Annual Report
756<,QQXEO,>ISRUW XMOHMQK,GRPPXQMW\,EQH,MQVSMUMQK,WUEQVJRUPEWMRQ, WLURXKL,JUII,SXFOMG,SEUWMGMSEWRU\,EUW,MQ,RXU,GMWMIV $MEQW,AQMGRUQ,UW,MNI,F\,!RXK,?LMUI,EQH,'EXUIQGI, OEUNFIUK,EW,#&$(")@,)D ,4,+LRWR,],756<,%EQQEL, RLIQ !IEU,JUMIQHV,EQH,VXSSRUWIUV,RJ,#&$(")@3 As we enter the year 2020, it really does feel like were living in the future. The world is moving faster than we ever imagined, and I know so many of us are struggling just to keep up on a daily basis. With FIGMENT entering its 14th season, I am deeply grateful and in awe of your passion and commitment to FIGMENT and to all of the related pillars of our world that make FIGMENT possible... things like community, your city, your neighborhood, your chosen family, free expression, shared experience, communal effort, and the concept of participation, and building a more participatory world. FIGMENT Executive Producer and Executive Director David Koren at FIGMENT NYC 2019 on Roosevelt Island / Photo © 2019 Alexandre Tolipan As I talk to people around the world about FIGMENT and the participatory arts and the potential to create transformation in our society and in individual lives, one sentiment *A>,B&?&*) keeps coming up: We need this now more than ever.! As many people become more withdrawn and isolated, and as our society becomes more fragmented, FIGMENT offers the promise of bringing everyone together to participate and We seek to empower everyone to create and share, transforming our communities and our society through participation and creativity. share in something that is important to us all, something that is profoundly human and central to our societies. -
Gongressmeii Dollar Tasks
p ^ m . V - r-->-i!:* . •• • ► • ■-'•2*'7 ' -f i'‘ ^ ‘ '* . A l^iv I'.'«•,;i\\» J.-.-J' ' -^ ■ / >’’i', V-'- Jm., , T l S ' : W i ' " f '-'' " eioa^«' r > . m f eoider/ M r .?%•» ' . '' ' . ■ . ^ '" . ‘.tiij'V'*'" •" ■ . .f'y V .^.ri\P,p > ~ |^ | w « » « j^ '« •/ »’ffliii'«a«»" '; <ClMilfla< Adm tiatac «■ Paffe 1 7 ); PRICE r» no. M fm ttm ^ i ^ ^ January m, me V*Y* ‘ Gongressmeii Dollar Tasks State News Must Pay ,, Woman^ 27, F or W ar,' { Found Slain ‘ Society’ w 'M In Milfoird WASHINGTON (AP)-— MH.PORD (AP) — A ST-year- Ckincrress returned t o d ^ m old woman was found dead on a and braCed for some haM sofa In her apartment early to billion > dollar deCisions i' day, poliCe said. A man who How muCh to pump into had been with her was arrested the war in Viet Nam and and Charged with murder. i aP i how muCh to further Presi* K PoliCe said the viCtim, Mn, dent Johnson’s "great so* Virginia Arm LaRose, was a di Ciety” program at home. vorCee with two Children. The The skies were sunny and 0 youngsters were asleep In an weekend Chill was beginning to 1*^1 other part of her apartment at '■jrsi- lift as the seCond session of tlw 21 Miaplemood Ave. when the aoth Congress opened for hual> woman's imClothed body was ness at noon. foimd about 2 a.m., poliCe said. The President, ViCe Presldstd Ohey said she apparently had Hubert H. Humphrey and sever been struCk on the bead. al members of Congress begun The man arrested, Kermeth the day by attending aerviCes a t Brown 23, of 121 Melba St., was the Nbtfonal PreabytertM arraigned before QrCult Court '?t'’ f"-' ChurCh.