DOCSLIB.ORG

What Where When Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
What Where When Guide It wasn't easy… This WWW Guide had some growing pains and at times seemed it was Guy goes to the psychiatrist... He says never going to happen. Somehow the May ’13 “Doc, my wife made me come here. extraordinary do-acracy of this community Playa del Fuego She thinks I’m crazy just because got it done. Hooray for people doing stuff! I like pancakes.” The shrink says “That’s The new part of the website which not so crazy... why, I like pancakes supports this guide wasn't finished as swiftly as hoped and the printer needed myself!” The guy says, “You DO? You more time to print it. That meant should come over to my house! I’ve got participants, especially the extra-organized- THOUSANDS of them!” doing-amazing-spectacular-thing-type of participant had approximately 15 minutes Q: Why did Cinderella get kicked off the to register their camp and enter their event. There was less time to slap this paper softball team? A: Because she ran away thing together, too. But it all got done. from the ball! In the fall it will be easier. There will be much more time for people to enter their A MAGICIAN WAS DRIVING DOWN info. The new log-in and pages won't be so THE ROAD – THEN HE TURNED INTO A new. Stuff will get tweaked, and there'll be DRIVE WAY better planning. Things generally will be less confusing and not rushed. This community is an engine that runs on goodwill The website and this guide aren't created WHAT WHERE miraculously. No map, lanyard, guide, sign, button, parking or camp boundary at this WHEN GUIDE event began life as a lump of clay. They each require a team of weirdos who have specialized skills and complicated lives to happen. Literally hundreds of people work together to transform Fire Base Lloyd Question: Why did the hipster twice a year and they contribute in almost burn his mouth? a hundred different ways. Answer: He ate the pizza There are many volunteers that need before it was cool. your help to do their job. Please help them by honoring their deadlines or what Q: Why couldn’t the baker make his may seem like a silly, tiny, petty request. cake any taller? A: He used too much Trust them - they know what they need. They volunteer so they know they are shortening. awesome. Make it easier for them to do their volunteer tasks and you become the Two people go into a diner, they sit down awesome one. at the counter, order two sodas, and then As sweet as it is to flatter someone, there take sandwiches out of their packs and are some volunteers who'd rather get the WHAT WHERE start eating them. The owner sees them help they need from you than flowery and says, “Hey, you can’t eat your own words. So help them out, give them what they need when they ask for it THEN WHEN GUIDE sandwiches in here!” The two customers whipser sweet nothings to them. Deadlines stop eating, look at each other, and swap aren't sexy, but respect is. sandwiches. INDEX/STAFF/WHAT IS PDF? GÜD: GLOSSARY Grand Unified Document v3.11, WHAT IS be reminded this experiment in collabora- Volunteer Central - AKA “Participation edited for length .............................. 2-13 PLAYA DEL FUEGO? tive community is not complete anarchy. Station”; a large temporary shelter located Generally, if something is not covered in the next to the red stage. It has volunteer sched- Basics............................................ 2-3 Playa del Fuego is the Mid-Atlantic Regional Burning Man Event. Events are held every GÜD, and it is legal in the larger world, it is ules and sign-ups, lost and found, ranger HQ Community Standards ..................... 4-6 spring and fall, on Memorial Day and allowed at the event. and radios, copies of the WWW Guide, and Columbus Day weekends. a few shady seats. Good place to go with a Ten Principles ................................. 4-5 Community Process — question. how the GÜD evolves Rules ................................................ 6 Playa del Fuego is an experiment in collab- orative community featuring art and music These policies were created by the Planning Gate - The Gate are the portals through Sound Policy .................................. 7-9 created by those who join us to participate. Committee or the Board of Directors, which which you enter the event. The event has Attendees are known as participants. There are all volunteer positions. Either a partici- 2 gates, front and back. One gate turns Public Health & Safety .................. 9-10 are no spectators at Playa del Fuego; every- pant submits a proposal to the Planning tickets and valid IDs into official wristbands Event/Site Guide ........................ 10-11 one collaborates in some way to create the Committee and the PC approves it, or not, during specific hours posted elsewhere. The event. Inspired by the Burning Man festival, or the BOD makes a decision about some- back gate is next to the main parking lot Amenities ................................... 11-12 it is a place for radical self-expression and thing because there is compelling safety/ and features the Greeters. Always show your Planning, Participation & an experiment in temporary community liability or future-of-the-event-issue at stake. wristband to the nice people working the Organization ............................... 12-13 building. Once something becomes an official event gate when you enter, leave, or bring them a policy/procedure/ rule via the BOD or PC, cold beverage/tasty snack. It is a place of acceptance, inclusivity, and Art ................................................ 13-15 it goes into the GÜD which is compiled by respect. It is organized entirely by volun- PC - The Planning Committee makes the humble scribes. The best and easiest way Ongoing Events ............................. 15-17 teers. Art and entertainment is created nuts and bolts choices that run the event. to reach the PC, is via the PONY. The Planning Committee is comprised of Friday Events ................................. 18-22 solely by participants. There are no conces- sion stands. No cash transactions (except literally anyone and everyone who calls the Saturday Events ............................. 22-27 ice sales) are permitted at Playa del Fuego GLOSSARY Planning Meeting conference call or attends PDF - Playa del Fuego in person. You may attend as many or as Sunday Events ............................... 27-30 - even bartering is discouraged. few meetings as you like, however, your vote MOOP - matter out of place, anything that is This is a sincere experiment in creating a only counts for meetings you actually are Theme Camps................................ 30-33 not indigenous the natural environment you gift economy. If you need something, ask for a part of. Read more about the PC at the are in, for example: litter, cigarette butts, Maps ........................................... 34-35 it. If you have it, gift it! There are no garbage PONY. cans: everyone is responsible for packing glitter PDF, Inc.- a Maryland not-for-profit corpora- out their garbage or throwing it into one of Rangers - helpful people who rove about in tion recognized by the IRS as a 501(c)3. All content subject to change. Content submit- the handy dumpsters. Playa del Fuego is a khaki with radios. They are neither cops, ted before posted deadlines may be edited blank canvas: expect nothing...bring every- your mom, nor required to wear utilikilts. PONY - PONY stands for Planning and for length or clarity, or may be left alone for thing. Organization Need You. It is the official VNVMC - Viet Nam Veterans Motorcycle the sake of Radical Self-Expression. Content online planning and discussion forum for Event Location Club, our hosts and landlords who refer to submitted to the WWW or Theme Camp coor- Playa del Fuego. this place as FIRE BASE LLOYD. Be respect- dinator after posted deadlines may not be VNVMC, Vietnam Veterans ful of them. BOD - Board of Directors. A dozen or so included. We’re all volunteers. Apologies for Motorcycle Club of Delaware unpaid volunteers in search of a hot tub 474 Fleming Landing Road Coordinator - A super-volunteer who doesn’t spelling or other errors. The WWW is not a in which to sit and think. They also handle Townsend, DE 19734 just work a shift, they run an entire depart- newspaper; being printed here does not make all the boring legal parts of the event like ment like DPW, PARKING, THEME CAMPS, it true and it should not be used as the final Nearby Hospital taxes, insurance, liability, and adhering to or GATE. authority of anything. Christiana Hospital our mission. 4755 Ogletown-Stanton Road Burn - slang for a Burning Man-inspired Comp Tickets -There are no comp tickets at Newark, DE 19718, 302-733-1000 event like ours. Burns are not music festi- PDF. Not even for volunteers, artists, DJs, WWW STAFF vals. A few differences being: at burns there the Planning Committee, or the Board. Editor in Cheif ........... The Ranger Fumbles Community Expectations are no spectators, burns follow The 10 prin- Playa del Fuego believes its participants ciples, and the pretty girls at burns aren’t Reserve Tickets - These are used to ensure Layout .................................. Miss Fidget want to be good citizens. Getting to PDF can dancing ankle deep in a pile of beer bottles that people essential to the smooth opera- Print Wrangler ...................Ranger Buckita be a lot of hard work. We think people genu- and cups. “Have a nice burn.” tion of the event. Everyone approved for a inely care about the community they work reserve ticket must still pay for it. Art Grant 10 Principles - Burning Man’s version of the so hard to contribute to. This document recipients also receive reserve tickets as 10 Commandments, wherein you are permit- contains information participants need to art is central to our mission and artists Question: How do you keep a burner ted to covet your neighbor’s wife but not to sustain this sincere experiment.
Load more

Recommended publications
  • Wordback to CONTENTS P AGE 1 WHA T IS the WORD P an P AN
    WHAT IS THE WORD WHAT PAN PAN PAN BACK TO CONTENTS PAGE 1 WHaT WOrD IS THE WHAT IS THE WORD WHAT PAN PAN PAN BACK TO CONTENTS PAGE 2 COnTEnTS WHAT IS THE WORD WHAT CONTENTS Contents Essay 4 Poems 8 Creatives 13 Creative Biographies 15 Speaker Biographies 20 CONTENTS BACK TO Pan Pan 32 PAGE 3 PAGE WHAT IS THE WORD WHAT Once more, with colour by Nicholas Johnson Speaking from experience, not everyone is overjoyed by an invitation to a poetry performance. It is not a clearly defined event with formal conditions: it could lead to a wide range of possible outcomes and feelings in the listener. The bardic tradition that sweeps across human cultures and histories — from the Homeric ESSAY epics to the Sufis, from the biwa hoshi of Japan to the filí of Ireland — shows both the depth and breadth of the human impulse to hear verse aloud. But in our cosmopolitan present, poetry being “voiced” could run the gamut from adolescent (painful sincerity at an open mic) to adult (earnest readings at university book launches) to transhuman (Black Thought’s ten-minute freestyle). Though poetry always transports us somewhere, the destination could be anywhere in Dante’s universe: infernal, purgatorial, or paradisiacal. This particular poetry performance is, perhaps fittingly for the year 2020, set in that everyday limbo that is the cinema. It is consciously conceived for the large-scale screen — a crucial gesture, when so much life is being lived on small screens — and as a physical, collective experience, with an audience in plush CONTENTS BACK TO seats, bathed in light, feeling the powerful surround-sound system within their bodies.
    [Show full text]
  • Kate and Kilimanjaro
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Kate and Kilimanjaro John Nirenberg University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Nirenberg, John, "Kate and Kilimanjaro" (2007). University of New Orleans Theses and Dissertations. 1066. https://scholarworks.uno.edu/td/1066 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Kate and Kilimanjaro A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by John Nirenberg B.A. University of Connecticut, 1968 M.S. Southern Connecticut State College, 1971 Ph.D. University of Connecticut, 1975 May, 2007 © 2007, John Nirenberg ii Acknowledgements This seemed like a good story to tell. My partner Allyson Villars encouraged me to tell it and gave me the encouragement and support throughout this late-in-life academic indulgence to finally put it to paper.
    [Show full text]
  • What Where When Is a Handy Guide to Urgent Care Medical Aid Unit - Club, Our Hosts and Landlords Who Refer to Stuff at PDF
    GÜD: COMMUNITY STANDARDS/BOUNDARIES Playa del Fuego Guide THE TEN PRINCIPLES WHAT FALL 2014 Burning Man Founder Larry Harvey wrote the Ten Principles as guidelines for the newly- formed Regionals Network. They were crafted Communal Effort: Our not to dictate how people should be and act, community values creative but as a reflection of the community’s ethos and cooperation and collaboration. WHERE culture as it has organically developed since the We strive to produce, promote, event’s inception. “Burning Man” is understood and protect social networks, public spaces, works of art, and not as an event, but refers to a way of life lived methods of communication that consistently with these Ten Principles. support such interaction. WHEN Civic Responsibility: We Radical Inclusion: Anyone may be a value civil society. Community part of Burning Man. We welcome and members who organize events should respect the stranger. No prerequisites assume responsibility for public welfare exist for participation in our community. and endeavor to communicate civic responsibilities to participants. They Gifting: Burning Man is devoted to must also assume responsibility for acts of gift giving. The value of a gift conducting events in accordance with is unconditional. Gifting does not local, state, and federal laws. contemplate a return or an exchange for something of equal value. Leaving No Trace: Our commu- nity respects the environment. We are Decommodification: In order to committed to leaving no physical trace preserve the spirit of gifting, our of our activities wherever we gather. community seeks to create social We clean up after ourselves and environments that are unmediated by endeavor, whenever possible, to leave commercial sponsorships, transactions, such places in a better state than when or advertising.
    [Show full text]
  • Bridesmaids by Annie Mumolo & Kristen Wiig
    DIRECTOR/E.P.: Paul Feig PRODUCER: Judd Apatow PRODUCER: Barry Mendel PRODUCER: Clayton Townsend CO-PRODUCER: Annie Mumolo CO-PRODUCER: Kristen Wiig ASSOC. PRODUCER: Lisa Yadavaia Bridesmaids by Annie Mumolo & Kristen Wiig This material is the property of So Happy for You! Productions, LLC (A wholly owned subsidiary of Universal City Studios, Inc.) and is intended and restricted solely for studio use by studio personnel. Distribution or disclosure of the material to unauthorized persons is prohibited. The sale, copying or reproduction of this material in any form is also prohibited. FADE IN: EXT. UPSCALE MODERN HOME - NIGHT The ultimate bachelor pad. A Porsche is parked in front of it. ANNIE (O.S.) I’m so glad you called. TED (O.S.) I’m so glad you were free. ANNIE (O.S.) I love your eyes. TED (O.S.) Cup my balls. ANNIE (O.S.) Ok, yes, alright, I can do that. TED (O.S.) Oh, there it is! INT. BEDROOM - CONTINUOUS ANNIE WALKER, mid 30's, is having sweaty sex with TED, handsome, 40. In a series of close-ups and jump cuts, we see Annie in the middle of a very long, vigorous session. ANNIE Oh, that feels good. TED You know what to do! ANNIE I’m so glad I got to see you again. JUMP CUT to see she’s now bouncing on top of him. ANNIE (CONT’D) Oh yes! (then, looking concerned) Uh, okay, wait, hold on. You and I are on different rhythms I think. TED I want to go fast! 2. ANNIE Oh, Okay.
    [Show full text]
  • The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works Theresa A. Incampo Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Incampo, Theresa A., "The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/209 The Evocation of the Physical, Metaphysical and Sonic Landscapes within the Short Dramatic Works of Samuel Beckett Submitted by Theresa A. Incampo May 4, 2012 Trinity College Department of Theater and Dance Hartford, CT 2 Table of Contents Acknowledgements 5 I: History Time, Space and Sound in Beckett’s short dramatic works 7 A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. These landscapes are constructed from physical space, object, light, and sound, so as to create a finite representation of an expansive, infinite world as it is perceived by Beckett’s characters.. II: Theory Phenomenology and the conscious experience of existence 59 The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it.
    [Show full text]
  • Volunteer Appreciation Research Project
    Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership.
    [Show full text]
  • Waiting for Godot by Samuel Beckett
    PROSCENIUM Waiting For Godot By Samuel Beckett Waiting For Godot For Waiting Wednesday 16th January to Saturday 19th January 2008 Compass Theatre, Ickenham PROSCENIUM Waiting For Godot By Samuel Beckett Waiting For Godot For Waiting Wednesday 16th January to Saturday 19th January 2008 Compass Theatre, Ickenham WAITING FOR GODOT The Author 1906 Born on Good Friday, April 13th, at Foxrock, near Dublin, son of a quantity surveyor. Both parents were Protestants. BY SAMUEL BECKETT 1920-3 Educated at Portora Royal School, Ulster. 1923-7 Trinity College, Dublin. In BA examinations placed first in first class in Modern Literature (French and Italian). Summer 1926: first contact with France, a bicycle tour of the chateaux of the Loire. 1927-8 Taught for two terms at Campbell College, Belfast. CAST: 1928-30 Exchange lecturer in Paris. Meets James Joyce. 1930 First separately published work, a poem Whoroscope. Four terms as assistant lecturer in French, Trinity College, Dublin. Estragon.....................................................................................................Duncan Sykes Helped translate Joyce’s Anna Livia Plurabella into French. 1931 Performance of first dramatic work, Le Kid, a parody sketch Vladimir ................................................................................................ Mark Sutherland after Corneille. Proust, his only major piece of literary criticism, Pozzo .............................................................................................................. Robert Ewen published.
    [Show full text]
  • Dirty Texts to Send Boyfriend
    Dirty Texts To Send Boyfriend Ferd yawp troublesomely if bay Aguste heathenize or gutturalizes. Anucleate or amalgamative, Allah never distains any misaim! Feebler Ezra superpraise, his ingate magnetised outbrags primordially. Why am going till he stops of the best dirty texts to browse the dirty? How land use sexting to dissolve your marriage NBC News. Here are sending erotic texts! With sending dirty texting can send me i put it! Gabrielle 26 recalls this sexy message I prior to bite your counter with. Text messages to make women laugh 56 Dirty Sexy Texts to kiss to blur Man and. People send each other community text and erotic photos Some are attracted to sharing fantasies with strangers but most see it ban a stray to diversify their sex memories with. If you best your man to sentence you source then enough is one reason those sexy text messages to heat the guy himself will sign him which picture. Here are 46 flirty texts to prompt your secret crush adorable boyfriend or the affect you've loved for years. And send more thought you break to pay attention. All floor have to infant is lettuce a horny text insert your boyfriend while you're glue a. No chaos that your boyfriend or lover will understand first you suddenly trying i say. Really dirty texts to kick your boyfriend 43 Intensely Sexy. Some hot flirty text wish him seductive text messages for darkness cute flirty text light and dirty. Sexy Christmas Texts You are also candy for all stand round insert and hard Christmas is coming there soon you plant be too I damage your.
    [Show full text]
  • Introduction: Intuition/Image/Event: 'Beckett's Peephole' As Audio
    Notes Introduction: Intuition/Image/Event: ‘Beckett’s Peephole’ as Audio- Visual Rhizome 1. The quote is from Beckett’s The Unnamable. 2. Beckett first outlines this concept in his 1932 novel, Dream of Fair to Middling Women, where the character Belacqua desires to write a book whereby ‘The experience of my reader shall be between the phrases, in the silence, communicated by the intervals, not the terms, of the statement.’ Beckett (1992), p. 138. 3. I will discuss this distinction in Chapter 1. 4. See Uhlmann (1999), specifically chapter 2; (2004), pp. 90–106; and (2006). 1 Thinking the Unthinkable: Time, Cinema and the Incommensurable 1. They could thus be said to be more ‘thallic’ than ‘phallic’, horizontally fugitive rather than vertically hierarchical, molecular rather than molar. On the ‘ thallic’, see Weber (1982), pp. 65–83. 2. The Proustian implications of this temporal multiplicity are obvious, although Proust, like Beckett, is less concerned with duration, the past-present’s ability to ‘move on’ as becoming- future, than with the role of memory as a means of destroying the pernicious influence of habit. His distinction between voluntary and involuntary memory is predicated on a desire to preserve lost time as it survives in itself, the better to regain it for ourselves as art. 3. See Bellour (1977), pp. 66–91; (1986), pp. 66–101. 4. The reference to Wim Wender’s Falsche Bewegung (1975) is not uncoincidental. Wenders is paradigmatic of one aspect of the crystal- image in Cinema 2. See pp. 76–8. 5. For Nietzsche’s eternal return as an affirmation of difference, see Deleuze (1983).
    [Show full text]
  • National Song Binder
    SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Filmography V6.Indd
    a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television.
    [Show full text]